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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5B1355 it is the complementary color #A4ECAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5B1355. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5B1355 shade: #601350, #712563, #823776, #934989 and #A45B9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5B1355. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5B1355 shade: #5B1355, #4A0142, #39002F, #28001C and #170009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5B1355 shade: #5D1456, #5D1443, #5D142F, #5D141B and #5D1414

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5B1355 shade: #5D1456, #4F145D, #3B145D, #28145D and #14145D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5B1355 shade matches the following richer shades: #5D1456, #660B5E and #6F0166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5B1355 shade: #5D1456, #531D4F, #4A2647, #412F40 and #383838

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5B1355 shade: #3C145D, #4F145D, #5D1456, #5D1443 and #5D1430

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5B1355 shade: #180517, #3B0C37, #5D1456, #7F1B76 and #A12296

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5B1355 shade: #5B1355, #5D2814 and #145D45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5B1355 shade: #5B1355, #565D14 and #14565D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5B1355 shade: #5B1355, #5D2814, #145D1A and #14485D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5B1355 shade: #5B1355, #5D3E14, #145D1A and #14325D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 7 / 64

HEX #5B1355

RGB 91 19 85

HSL 305, 0.65%, 0.22%

LAB 21.38, 40.02, -22.4

 

Complementary color

CMYK 31 / 0 / 28 / 7

HEX #A4ECAA

RGB 164 236 170

HSL 125, 0.65%, 0.78%

LAB 87.38, -35.2, 25.06

 

CMYK 0 / 80 / 17 / 62

HEX #601350

RGB 96 19 80

HSL 312.47, 0.67%, 0.23%

LAB 22.06, 40.47, -17.9

 

CMYK 0 / 67 / 12 / 56

HEX #712563

RGB 113 37 99

HSL 311.05, 0.51%, 0.29%

LAB 28.73, 41.03, -19.81

 

CMYK 0 / 58 / 9 / 49

HEX #823776

RGB 130 55 118

HSL 309.6, 0.41%, 0.36%

LAB 35.57, 40.78, -21.07

 

CMYK 0 / 50 / 7 / 42

HEX #934989

RGB 147 73 137

HSL 308.11, 0.34%, 0.43%

LAB 42.42, 40.18, -21.96

 

CMYK 0 / 45 / 5 / 36

HEX #A45B9C

RGB 164 91 156

HSL 306.58, 0.29%, 0.5%

LAB 49.22, 39.45, -22.65

 

CMYK 0 / 79 / 7 / 64

HEX #5B1355

RGB 91 19 85

HSL 305, 0.65%, 0.22%

LAB 21.38, 40.02, -22.4

 

CMYK 0 / 99 / 11 / 71

HEX #4A0142

RGB 74 1 66

HSL 306.58, 0.97%, 0.15%

LAB 14.79, 38.51, -20

 

CMYK 0 / 100 / 18 / 78

HEX #39002F

RGB 57 0 47

HSL 310.53, 1%, 0.11%

LAB 9.6, 32.15, -14.76

 

CMYK 0 / 100 / 30 / 84

HEX #28001C

RGB 40 0 28

HSL 318, 1%, 0.08%

LAB 4.83, 22.78, -7.9

 

CMYK 0 / 100 / 61 / 91

HEX #170009

RGB 23 0 9

HSL 336.52, 1%, 0.05%

LAB 1.82, 8.63, -0.81

 

CMYK 0 / 78 / 8 / 64

HEX #5D1456

RGB 93 20 86

HSL 305.75, 0.65%, 0.22%

LAB 21.94, 40.34, -22.15

 

CMYK 0 / 78 / 28 / 64

HEX #5D1443

RGB 93 20 67

HSL 321.37, 0.65%, 0.22%

LAB 20.95, 37.31, -10.8

 

CMYK 0 / 78 / 49 / 64

HEX #5D142F

RGB 93 20 47

HSL 337.81, 0.65%, 0.22%

LAB 20.17, 34.83, 1.99

 

CMYK 0 / 78 / 71 / 64

HEX #5D141B

RGB 93 20 27

HSL 354.25, 0.65%, 0.22%

LAB 19.67, 33.14, 15.36

 

CMYK 0 / 78 / 78 / 64

HEX #5D1414

RGB 93 20 20

HSL 0, 0.65%, 0.22%

LAB 19.55, 32.75, 19.98

 

CMYK 0 / 78 / 8 / 64

HEX #5D1456

RGB 93 20 86

HSL 305.75, 0.65%, 0.22%

LAB 21.94, 40.34, -22.15

 

CMYK 15 / 78 / 0 / 64

HEX #4F145D

RGB 79 20 93

HSL 288.49, 0.65%, 0.22%

LAB 19.85, 38.27, -30.3

 

CMYK 37 / 78 / 0 / 64

HEX #3B145D

RGB 59 20 93

HSL 272.05, 0.65%, 0.22%

LAB 16.6, 33.81, -35.71

 

CMYK 57 / 78 / 0 / 64

HEX #28145D

RGB 40 20 93

HSL 256.44, 0.65%, 0.22%

LAB 14.07, 30.16, -39.96

 

CMYK 78 / 78 / 0 / 64

HEX #14145D

RGB 20 20 93

HSL 240, 0.65%, 0.22%

LAB 12.22, 27.36, -43.07

 

CMYK 0 / 78 / 8 / 64

HEX #5D1456

RGB 93 20 86

HSL 305.75, 0.65%, 0.22%

LAB 21.94, 40.34, -22.15

 

CMYK 0 / 89 / 8 / 60

HEX #660B5E

RGB 102 11 94

HSL 305.27, 0.81%, 0.22%

LAB 23.24, 46.43, -25.3

 

CMYK 0 / 99 / 8 / 56

HEX #6F0166

RGB 111 1 102

HSL 304.91, 0.98%, 0.22%

LAB 24.83, 51.61, -27.93

 

CMYK 0 / 78 / 8 / 64

HEX #5D1456

RGB 93 20 86

HSL 305.75, 0.65%, 0.22%

LAB 21.94, 40.34, -22.15

 

CMYK 0 / 65 / 5 / 67

HEX #531D4F

RGB 83 29 79

HSL 304.44, 0.48%, 0.22%

LAB 21.14, 32.34, -18.83

 

CMYK 0 / 49 / 4 / 71

HEX #4A2647

RGB 74 38 71

HSL 305, 0.32%, 0.22%

LAB 21.2, 22.6, -13.44

 

CMYK 0 / 28 / 2 / 75

HEX #412F40

RGB 65 47 64

HSL 303.33, 0.16%, 0.22%

LAB 22.04, 11.69, -7.5

 

CMYK 0 / 0 / 0 / 78

HEX #383838

RGB 56 56 56

HSL 0, 0%, 0.22%

LAB 23.52, 0, -0

 

CMYK 35 / 78 / 0 / 64

HEX #3C145D

RGB 60 20 93

HSL 272.88, 0.65%, 0.22%

LAB 16.75, 34.02, -35.46

 

CMYK 15 / 78 / 0 / 64

HEX #4F145D

RGB 79 20 93

HSL 288.49, 0.65%, 0.22%

LAB 19.85, 38.27, -30.3

 

CMYK 0 / 78 / 8 / 64

HEX #5D1456

RGB 93 20 86

HSL 305.75, 0.65%, 0.22%

LAB 21.94, 40.34, -22.15

 

CMYK 0 / 78 / 28 / 64

HEX #5D1443

RGB 93 20 67

HSL 321.37, 0.65%, 0.22%

LAB 20.95, 37.31, -10.8

 

CMYK 0 / 78 / 48 / 64

HEX #5D1430

RGB 93 20 48

HSL 336.99, 0.65%, 0.22%

LAB 20.21, 34.93, 1.33

 

CMYK 0 / 79 / 4 / 91

HEX #180517

RGB 24 5 23

HSL 303.16, 0.66%, 0.06%

LAB 3.29, 9.79, -6.48

 

CMYK 0 / 80 / 7 / 77

HEX #3B0C37

RGB 59 12 55

HSL 305.11, 0.66%, 0.14%

LAB 12.41, 28.69, -16.15

 

CMYK 0 / 78 / 8 / 64

HEX #5D1456

RGB 93 20 86

HSL 305.75, 0.65%, 0.22%

LAB 21.94, 40.34, -22.15

 

CMYK 0 / 79 / 7 / 50

HEX #7F1B76

RGB 127 27 118

HSL 305.4, 0.65%, 0.3%

LAB 30.89, 51.59, -28.43

 

CMYK 0 / 79 / 7 / 37

HEX #A12296

RGB 161 34 150

HSL 305.2, 0.65%, 0.38%

LAB 39.45, 62.18, -34.35

 

CMYK 0 / 79 / 7 / 64

HEX #5B1355

RGB 91 19 85

HSL 305, 0.65%, 0.22%

LAB 21.38, 40.02, -22.4

 

CMYK 0 / 57 / 78 / 64

HEX #5D2814

RGB 93 40 20

HSL 16.44, 0.65%, 0.22%

LAB 23.32, 22.72, 24.18

 

CMYK 78 / 0 / 26 / 64

HEX #145D45

RGB 20 93 69

HSL 160.27, 0.65%, 0.22%

LAB 34.82, -28.29, 7.59

 

CMYK 0 / 79 / 7 / 64

HEX #5B1355

RGB 91 19 85

HSL 305, 0.65%, 0.22%

LAB 21.38, 40.02, -22.4

 

CMYK 8 / 0 / 78 / 64

HEX #565D14

RGB 86 93 20

HSL 65.75, 0.65%, 0.22%

LAB 37.59, -12.97, 38.34

 

CMYK 78 / 8 / 0 / 64

HEX #14565D

RGB 20 86 93

HSL 185.75, 0.65%, 0.22%

LAB 33.12, -17.27, -9.92

 

CMYK 0 / 79 / 7 / 64

HEX #5B1355

RGB 91 19 85

HSL 305, 0.65%, 0.22%

LAB 21.38, 40.02, -22.4

 

CMYK 0 / 57 / 78 / 64

HEX #5D2814

RGB 93 40 20

HSL 16.44, 0.65%, 0.22%

LAB 23.32, 22.72, 24.18

 

CMYK 78 / 0 / 72 / 64

HEX #145D1A

RGB 20 93 26

HSL 124.93, 0.65%, 0.22%

LAB 34.09, -36.52, 31.08

 

CMYK 78 / 23 / 0 / 64

HEX #14485D

RGB 20 72 93

HSL 197.26, 0.65%, 0.22%

LAB 28.31, -9.02, -17.28

 

CMYK 0 / 79 / 7 / 64

HEX #5B1355

RGB 91 19 85

HSL 305, 0.65%, 0.22%

LAB 21.38, 40.02, -22.4

 

CMYK 0 / 33 / 78 / 64

HEX #5D3E14

RGB 93 62 20

HSL 34.52, 0.65%, 0.22%

LAB 28.96, 9.23, 30.11

 

CMYK 78 / 0 / 72 / 64

HEX #145D1A

RGB 20 93 26

HSL 124.93, 0.65%, 0.22%

LAB 34.09, -36.52, 31.08

 

CMYK 78 / 46 / 0 / 64

HEX #14325D

RGB 20 50 93

HSL 215.34, 0.65%, 0.22%

LAB 20.91, 5.75, -28.94

 

Description

Color code: HEX #5B1355 | qconv.com Color code: HEX #5B1355 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 19 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 19 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 7 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 7% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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