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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AFC7E it is the complementary color #A50381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AFC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AFC7E shade: #5FFC79, #70FF8C, #81FF9F, #92FFB2 and #A3FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AFC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AFC7E shade: #5AFC7E, #49EA6B, #38D858, #27C645 and #16B432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AFC7E shade: #5AFC7E, #62FC5A, #8DFC5A, #B9FC5A and #E4FC5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AFC7E shade: #5AFC7E, #5AFCAA, #5AFCD5, #5AF7FC and #5ACBFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AFC7E shade matches the following richer shades: #5AFC7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AFC7E shade: #5AFC7E, #68EE86, #75E08D, #83D395 and #91C59C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AFC7E shade: #8DFC5A, #62FC5A, #5AFC7D, #5AFCA8 and #5AFCD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AFC7E shade: #09FA3F, #32FB5E, #5AFC7E, #82FC9E and #ABFDBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AFC7E shade: #5AFC7E, #5AB8FC and #FC5A78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AFC7E shade: #5AFC7E, #7D5AFC and #FC7D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AFC7E shade: #5AFC7E, #5AB8FC, #FC5AD9 and #FC9D5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AFC7E shade: #5AFC7E, #5A88FC, #FC5AD9 and #FCCE5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

Complementary color

CMYK 0 / 98 / 22 / 35

HEX #A50381

RGB 165 3 129

HSL 313.33, 0.96%, 0.33%

LAB 37.21, 65.62, -24.92

 

CMYK 62 / 0 / 52 / 1

HEX #5FFC79

RGB 95 252 121

HSL 129.94, 0.96%, 0.68%

LAB 88.65, -67.32, 50.3

 

CMYK 56 / 0 / 45 / 0

HEX #70FF8C

RGB 112 255 140

HSL 131.75, 1%, 0.72%

LAB 90.26, -62.12, 43.43

 

CMYK 49 / 0 / 38 / 0

HEX #81FF9F

RGB 129 255 159

HSL 134.29, 1%, 0.75%

LAB 91.09, -55.12, 35.34

 

CMYK 43 / 0 / 30 / 0

HEX #92FFB2

RGB 146 255 178

HSL 137.61, 1%, 0.79%

LAB 92.06, -47.5, 27.24

 

CMYK 36 / 0 / 23 / 0

HEX #A3FFC5

RGB 163 255 197

HSL 142.17, 1%, 0.82%

LAB 93.16, -39.37, 19.21

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 69 / 0 / 54 / 8

HEX #49EA6B

RGB 73 234 107

HSL 132.67, 0.79%, 0.6%

LAB 82.55, -67.01, 49.25

 

CMYK 74 / 0 / 59 / 15

HEX #38D858

RGB 56 216 88

HSL 132, 0.67%, 0.53%

LAB 76.47, -66.09, 50.62

 

CMYK 80 / 0 / 65 / 22

HEX #27C645

RGB 39 198 69

HSL 131.32, 0.67%, 0.46%

LAB 70.35, -64.72, 51.87

 

CMYK 88 / 0 / 72 / 29

HEX #16B432

RGB 22 180 50

HSL 130.63, 0.78%, 0.4%

LAB 64.2, -62.71, 52.83

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 61 / 0 / 64 / 1

HEX #62FC5A

RGB 98 252 90

HSL 117.04, 0.96%, 0.67%

LAB 88.43, -70.21, 63.48

 

CMYK 44 / 0 / 64 / 1

HEX #8DFC5A

RGB 141 252 90

HSL 101.11, 0.96%, 0.67%

LAB 89.87, -59.16, 65.47

 

CMYK 27 / 0 / 64 / 1

HEX #B9FC5A

RGB 185 252 90

HSL 84.81, 0.96%, 0.67%

LAB 91.99, -44.64, 68.37

 

CMYK 10 / 0 / 64 / 1

HEX #E4FC5A

RGB 228 252 90

HSL 68.89, 0.96%, 0.67%

LAB 94.68, -28.44, 72.02

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 64 / 0 / 33 / 1

HEX #5AFCAA

RGB 90 252 170

HSL 149.63, 0.96%, 0.67%

LAB 89.25, -60.3, 27.16

 

CMYK 64 / 0 / 15 / 1

HEX #5AFCD5

RGB 90 252 213

HSL 165.56, 0.96%, 0.67%

LAB 90.14, -51.09, 6.33

 

CMYK 64 / 2 / 0 / 1

HEX #5AF7FC

RGB 90 247 252

HSL 181.85, 0.96%, 0.67%

LAB 89.73, -38.96, -14.55

 

CMYK 64 / 19 / 0 / 1

HEX #5ACBFC

RGB 90 203 252

HSL 198.15, 0.96%, 0.67%

LAB 77.23, -17.59, -33.56

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 56 / 0 / 44 / 7

HEX #68EE86

RGB 104 238 134

HSL 133.43, 0.8%, 0.67%

LAB 84.9, -58.4, 39.46

 

CMYK 48 / 0 / 37 / 12

HEX #75E08D

RGB 117 224 141

HSL 133.46, 0.63%, 0.67%

LAB 81.3, -48.49, 31.35

 

CMYK 38 / 0 / 29 / 17

HEX #83D395

RGB 131 211 149

HSL 133.5, 0.48%, 0.67%

LAB 78.22, -37.52, 23.17

 

CMYK 26 / 0 / 21 / 23

HEX #91C59C

RGB 145 197 156

HSL 132.69, 0.31%, 0.67%

LAB 75.05, -25.25, 15.18

 

CMYK 44 / 0 / 64 / 1

HEX #8DFC5A

RGB 141 252 90

HSL 101.11, 0.96%, 0.67%

LAB 89.87, -59.16, 65.47

 

CMYK 61 / 0 / 64 / 1

HEX #62FC5A

RGB 98 252 90

HSL 117.04, 0.96%, 0.67%

LAB 88.43, -70.21, 63.48

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7D

RGB 90 252 125

HSL 132.96, 0.96%, 0.67%

LAB 88.58, -67.74, 48.32

 

CMYK 64 / 0 / 33 / 1

HEX #5AFCA8

RGB 90 252 168

HSL 148.89, 0.96%, 0.67%

LAB 89.22, -60.68, 28.12

 

CMYK 64 / 0 / 16 / 1

HEX #5AFCD3

RGB 90 252 211

HSL 164.81, 0.96%, 0.67%

LAB 90.09, -51.56, 7.3

 

CMYK 96 / 0 / 75 / 2

HEX #09FA3F

RGB 9 250 63

HSL 133.44, 0.96%, 0.51%

LAB 86.4, -82.33, 70.74

 

CMYK 80 / 0 / 63 / 2

HEX #32FB5E

RGB 50 251 94

HSL 133.13, 0.96%, 0.59%

LAB 87.23, -77.16, 60.27

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 48 / 0 / 37 / 1

HEX #82FC9E

RGB 130 252 158

HSL 133.77, 0.95%, 0.75%

LAB 90.25, -53.82, 34.72

 

CMYK 32 / 0 / 25 / 1

HEX #ABFDBD

RGB 171 253 189

HSL 133.17, 0.95%, 0.83%

LAB 92.83, -37.57, 22.89

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 64 / 27 / 0 / 1

HEX #5AB8FC

RGB 90 184 252

HSL 205.19, 0.96%, 0.67%

LAB 71.88, -7.48, -41.87

 

CMYK 0 / 64 / 52 / 1

HEX #FC5A78

RGB 252 90 120

HSL 348.89, 0.96%, 0.67%

LAB 61.1, 63.59, 17.47

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 50 / 64 / 0 / 1

HEX #7D5AFC

RGB 125 90 252

HSL 252.96, 0.96%, 0.67%

LAB 50.34, 53.31, -76.16

 

CMYK 0 / 50 / 64 / 1

HEX #FC7D5A

RGB 252 125 90

HSL 12.96, 0.96%, 0.67%

LAB 66.6, 45.78, 41.36

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 64 / 27 / 0 / 1

HEX #5AB8FC

RGB 90 184 252

HSL 205.19, 0.96%, 0.67%

LAB 71.88, -7.48, -41.87

 

CMYK 0 / 64 / 14 / 1

HEX #FC5AD9

RGB 252 90 217

HSL 312.96, 0.96%, 0.67%

LAB 64.18, 74.39, -33.6

 

CMYK 0 / 38 / 64 / 1

HEX #FC9D5A

RGB 252 157 90

HSL 24.81, 0.96%, 0.67%

LAB 73.25, 29.53, 49.19

 

CMYK 64 / 0 / 50 / 1

HEX #5AFC7E

RGB 90 252 126

HSL 133.33, 0.96%, 0.67%

LAB 88.59, -67.6, 47.87

 

CMYK 64 / 46 / 0 / 1

HEX #5A88FC

RGB 90 136 252

HSL 222.96, 0.96%, 0.67%

LAB 58.8, 20.25, -62.59

 

CMYK 0 / 64 / 14 / 1

HEX #FC5AD9

RGB 252 90 217

HSL 312.96, 0.96%, 0.67%

LAB 64.18, 74.39, -33.6

 

CMYK 0 / 18 / 64 / 1

HEX #FCCE5A

RGB 252 206 90

HSL 42.96, 0.96%, 0.67%

LAB 84.78, 3.99, 62.09

 

Description

Color code: HEX #5AFC7E | qconv.com Color code: HEX #5AFC7E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 252 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 252 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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