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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AF5BE it is the complementary color #A50A41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AF5BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AF5BE shade: #5FF5B9, #70FFCC, #81FFDF, #92FFF2 and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AF5BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AF5BE shade: #5AF5BE, #49E3AB, #38D198, #27BF85 and #16AD72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AF5BE shade: #5BF5BF, #5BF595, #5BF56B, #74F55B and #9EF55B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AF5BE shade: #5BF5BF, #5BF5E8, #5BD9F5, #5BAFF5 and #5B86F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AF5BE shade matches the following richer shades: #5BF5BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AF5BE shade: #5BF5BF, #69E7BB, #77D9B7, #85CBB2 and #93BDAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AF5BE shade: #5BF56B, #5BF594, #5BF5BD, #5BF5E6 and #5BDCF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AF5BE shade: #0EF0A0, #34F3AF, #5BF5BF, #82F8CE and #A9FADD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AF5BE shade: #5AF5BE, #5B75F5 and #F57F5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AF5BE shade: #5AF5BE, #BD5BF5 and #F5BD5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AF5BE shade: #5AF5BE, #5B75F5, #F55B94 and #F5DC5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AF5BE shade: #5AF5BE, #705BF5, #F55B94 and #E1F55B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 22 / 4

HEX #5AF5BE

RGB 90 245 190

HSL 158.71, 0.89%, 0.66%

LAB 87.58, -53.44, 14.6

 

Complementary color

CMYK 0 / 94 / 61 / 35

HEX #A50A41

RGB 165 10 65

HSL 338.71, 0.89%, 0.34%

LAB 35.2, 58.69, 13.08

 

CMYK 61 / 0 / 24 / 4

HEX #5FF5B9

RGB 95 245 185

HSL 156, 0.88%, 0.67%

LAB 87.6, -53.63, 17.23

 

CMYK 56 / 0 / 20 / 0

HEX #70FFCC

RGB 112 255 204

HSL 158.6, 1%, 0.72%

LAB 91.38, -50.42, 12.83

 

CMYK 49 / 0 / 13 / 0

HEX #81FFDF

RGB 129 255 223

HSL 164.76, 1%, 0.75%

LAB 92.36, -42.65, 4.51

 

CMYK 43 / 0 / 5 / 0

HEX #92FFF2

RGB 146 255 242

HSL 172.84, 1%, 0.79%

LAB 93.47, -34.42, -3.62

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 63 / 0 / 22 / 4

HEX #5AF5BE

RGB 90 245 190

HSL 158.71, 0.89%, 0.66%

LAB 87.58, -53.44, 14.6

 

CMYK 68 / 0 / 25 / 11

HEX #49E3AB

RGB 73 227 171

HSL 158.18, 0.73%, 0.59%

LAB 81.45, -53.12, 15.82

 

CMYK 73 / 0 / 27 / 18

HEX #38D198

RGB 56 209 152

HSL 157.65, 0.62%, 0.52%

LAB 75.27, -52.6, 17.14

 

CMYK 80 / 0 / 30 / 25

HEX #27BF85

RGB 39 191 133

HSL 157.11, 0.66%, 0.45%

LAB 69.03, -51.8, 18.6

 

CMYK 87 / 0 / 34 / 32

HEX #16AD72

RGB 22 173 114

HSL 156.56, 0.77%, 0.38%

LAB 62.74, -50.6, 20.22

 

CMYK 63 / 0 / 22 / 4

HEX #5BF5BF

RGB 91 245 191

HSL 158.96, 0.89%, 0.66%

LAB 87.63, -53.05, 14.15

 

CMYK 63 / 0 / 39 / 4

HEX #5BF595

RGB 91 245 149

HSL 142.6, 0.89%, 0.66%

LAB 86.85, -61.3, 34.5

 

CMYK 63 / 0 / 56 / 4

HEX #5BF56B

RGB 91 245 107

HSL 126.23, 0.89%, 0.66%

LAB 86.3, -67.45, 53.81

 

CMYK 53 / 0 / 63 / 4

HEX #74F55B

RGB 116 245 91

HSL 110.26, 0.89%, 0.66%

LAB 86.89, -63.41, 61.53

 

CMYK 36 / 0 / 63 / 4

HEX #9EF55B

RGB 158 245 91

HSL 93.9, 0.89%, 0.66%

LAB 88.6, -50.94, 63.91

 

CMYK 63 / 0 / 22 / 4

HEX #5BF5BF

RGB 91 245 191

HSL 158.96, 0.89%, 0.66%

LAB 87.63, -53.05, 14.15

 

CMYK 63 / 0 / 5 / 4

HEX #5BF5E8

RGB 91 245 232

HSL 174.94, 0.89%, 0.66%

LAB 88.62, -43.23, -5.77

 

CMYK 63 / 11 / 0 / 4

HEX #5BD9F5

RGB 91 217 245

HSL 190.91, 0.89%, 0.66%

LAB 80.98, -26.59, -24.07

 

CMYK 63 / 29 / 0 / 4

HEX #5BAFF5

RGB 91 175 245

HSL 207.27, 0.89%, 0.66%

LAB 69.1, -4.61, -42.43

 

CMYK 63 / 45 / 0 / 4

HEX #5B86F5

RGB 91 134 245

HSL 223.25, 0.89%, 0.66%

LAB 57.91, 19.26, -60.15

 

CMYK 63 / 0 / 22 / 4

HEX #5BF5BF

RGB 91 245 191

HSL 158.96, 0.89%, 0.66%

LAB 87.63, -53.05, 14.15

 

CMYK 63 / 0 / 22 / 4

HEX #5BF5BF

RGB 91 245 191

HSL 158.96, 0.89%, 0.66%

LAB 87.63, -53.05, 14.15

 

CMYK 55 / 0 / 19 / 9

HEX #69E7BB

RGB 105 231 187

HSL 159.05, 0.72%, 0.66%

LAB 83.83, -45.37, 10.91

 

CMYK 45 / 0 / 16 / 15

HEX #77D9B7

RGB 119 217 183

HSL 159.18, 0.56%, 0.66%

LAB 80.16, -36.79, 7.84

 

CMYK 34 / 0 / 12 / 20

HEX #85CBB2

RGB 133 203 178

HSL 158.57, 0.4%, 0.66%

LAB 76.63, -27.5, 5.52

 

CMYK 22 / 0 / 8 / 26

HEX #93BDAE

RGB 147 189 174

HSL 158.57, 0.24%, 0.66%

LAB 73.32, -17.08, 3

 

CMYK 63 / 0 / 56 / 4

HEX #5BF56B

RGB 91 245 107

HSL 126.23, 0.89%, 0.66%

LAB 86.3, -67.45, 53.81

 

CMYK 63 / 0 / 40 / 4

HEX #5BF594

RGB 91 245 148

HSL 142.21, 0.89%, 0.66%

LAB 86.83, -61.47, 34.98

 

CMYK 63 / 0 / 23 / 4

HEX #5BF5BD

RGB 91 245 189

HSL 158.18, 0.89%, 0.66%

LAB 87.58, -53.49, 15.12

 

CMYK 63 / 0 / 6 / 4

HEX #5BF5E6

RGB 91 245 230

HSL 174.16, 0.89%, 0.66%

LAB 88.56, -43.74, -4.81

 

CMYK 63 / 10 / 0 / 4

HEX #5BDCF5

RGB 91 220 245

HSL 189.74, 0.89%, 0.66%

LAB 81.84, -28.06, -22.77

 

CMYK 94 / 0 / 33 / 6

HEX #0EF0A0

RGB 14 240 160

HSL 158.76, 0.89%, 0.5%

LAB 84.46, -65.69, 25.56

 

CMYK 79 / 0 / 28 / 5

HEX #34F3AF

RGB 52 243 175

HSL 158.64, 0.89%, 0.58%

LAB 85.97, -61.11, 19.98

 

CMYK 63 / 0 / 22 / 4

HEX #5BF5BF

RGB 91 245 191

HSL 158.96, 0.89%, 0.66%

LAB 87.63, -53.05, 14.15

 

CMYK 48 / 0 / 17 / 3

HEX #82F8CE

RGB 130 248 206

HSL 158.64, 0.89%, 0.74%

LAB 90.02, -43.07, 9.94

 

CMYK 32 / 0 / 12 / 2

HEX #A9FADD

RGB 169 250 221

HSL 158.52, 0.89%, 0.82%

LAB 92.59, -30.72, 6.08

 

CMYK 63 / 0 / 22 / 4

HEX #5AF5BE

RGB 90 245 190

HSL 158.71, 0.89%, 0.66%

LAB 87.58, -53.44, 14.6

 

CMYK 63 / 52 / 0 / 4

HEX #5B75F5

RGB 91 117 245

HSL 229.87, 0.89%, 0.66%

LAB 53.53, 29.6, -67.19

 

CMYK 0 / 48 / 63 / 4

HEX #F57F5B

RGB 245 127 91

HSL 14.03, 0.89%, 0.66%

LAB 66.02, 42.24, 39.9

 

CMYK 63 / 0 / 22 / 4

HEX #5AF5BE

RGB 90 245 190

HSL 158.71, 0.89%, 0.66%

LAB 87.58, -53.44, 14.6

 

CMYK 23 / 63 / 0 / 4

HEX #BD5BF5

RGB 189 91 245

HSL 278.18, 0.89%, 0.66%

LAB 56.97, 63.9, -61.2

 

CMYK 0 / 23 / 63 / 4

HEX #F5BD5B

RGB 245 189 91

HSL 38.18, 0.89%, 0.66%

LAB 79.93, 9.96, 56.1

 

CMYK 63 / 0 / 22 / 4

HEX #5AF5BE

RGB 90 245 190

HSL 158.71, 0.89%, 0.66%

LAB 87.58, -53.44, 14.6

 

CMYK 63 / 52 / 0 / 4

HEX #5B75F5

RGB 91 117 245

HSL 229.87, 0.89%, 0.66%

LAB 53.53, 29.6, -67.19

 

CMYK 0 / 63 / 40 / 4

HEX #F55B94

RGB 245 91 148

HSL 337.79, 0.89%, 0.66%

LAB 60.81, 63.58, 0.64

 

CMYK 0 / 10 / 63 / 4

HEX #F5DC5B

RGB 245 220 91

HSL 50.26, 0.89%, 0.66%

LAB 87.66, -5.97, 64.58

 

CMYK 63 / 0 / 22 / 4

HEX #5AF5BE

RGB 90 245 190

HSL 158.71, 0.89%, 0.66%

LAB 87.58, -53.44, 14.6

 

CMYK 54 / 63 / 0 / 4

HEX #705BF5

RGB 112 91 245

HSL 248.18, 0.89%, 0.66%

LAB 48.91, 48.52, -74.63

 

CMYK 0 / 63 / 40 / 4

HEX #F55B94

RGB 245 91 148

HSL 337.79, 0.89%, 0.66%

LAB 60.81, 63.58, 0.64

 

CMYK 8 / 0 / 63 / 4

HEX #E1F55B

RGB 225 245 91

HSL 67.79, 0.89%, 0.66%

LAB 92.6, -26.27, 69.39

 

Description

Color code: HEX #5AF5BE | qconv.com Color code: HEX #5AF5BE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 245 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 245 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 22 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 22% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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