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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AF143 it is the complementary color #A50EBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AF143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AF143 shade: #5FF13E, #70FF51, #81FF64, #92FF77 and #A3FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AF143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AF143 shade: #5AF143, #49DF30, #38CD1D, #27BB0A and #16A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AF143 shade: #58F141, #88F141, #B7F141, #E6F141 and #F1CC41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AF143 shade: #58F141, #41F159, #41F189, #41F1B8 and #41F1E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AF143 shade matches the following richer shades: #58F141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AF143 shade: #58F141, #65E052, #71D062, #7DBF73 and #89AF83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AF143 shade: #B6F141, #87F141, #59F141, #41F159 and #41F187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AF143 shade: #29D010, #37EE1B, #58F141, #7AF468 and #9CF68E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AF143 shade: #5AF143, #41E5F1 and #F1419F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AF143 shade: #5AF143, #4159F1 and #F14159

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AF143 shade: #5AF143, #41E5F1, #D941F1 and #F14D41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AF143 shade: #5AF143, #41B0F1, #D941F1 and #F18241

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 72 / 5

HEX #5AF143

RGB 90 241 67

HSL 112.07, 0.86%, 0.6%

LAB 84.74, -70.16, 68.1

 

Complementary color

CMYK 12 / 93 / 0 / 26

HEX #A50EBC

RGB 165 14 188

HSL 292.07, 0.86%, 0.4%

LAB 41.13, 73.05, -54.33

 

CMYK 61 / 0 / 74 / 5

HEX #5FF13E

RGB 95 241 62

HSL 108.94, 0.86%, 0.59%

LAB 84.84, -69.42, 69.92

 

CMYK 56 / 0 / 68 / 0

HEX #70FF51

RGB 112 255 81

HSL 109.31, 1%, 0.66%

LAB 89.65, -68.83, 68.37

 

CMYK 49 / 0 / 61 / 0

HEX #81FF64

RGB 129 255 100

HSL 108.77, 1%, 0.7%

LAB 90.37, -62.79, 61.82

 

CMYK 43 / 0 / 53 / 0

HEX #92FF77

RGB 146 255 119

HSL 108.09, 1%, 0.73%

LAB 91.22, -55.99, 54.7

 

CMYK 36 / 0 / 46 / 0

HEX #A3FF8A

RGB 163 255 138

HSL 107.18, 1%, 0.77%

LAB 92.19, -48.56, 47.25

 

CMYK 63 / 0 / 72 / 5

HEX #5AF143

RGB 90 241 67

HSL 112.07, 0.86%, 0.6%

LAB 84.74, -70.16, 68.1

 

CMYK 67 / 0 / 78 / 13

HEX #49DF30

RGB 73 223 48

HSL 111.43, 0.73%, 0.53%

LAB 78.7, -69, 68.1

 

CMYK 73 / 0 / 86 / 20

HEX #38CD1D

RGB 56 205 29

HSL 110.8, 0.75%, 0.46%

LAB 72.62, -67.36, 67.25

 

CMYK 79 / 0 / 95 / 27

HEX #27BB0A

RGB 39 187 10

HSL 110.17, 0.9%, 0.39%

LAB 66.52, -65.06, 65.11

 

CMYK 87 / 0 / 100 / 34

HEX #16A900

RGB 22 169 0

HSL 112.19, 1%, 0.33%

LAB 60.38, -61.94, 61.31

 

CMYK 63 / 0 / 73 / 5

HEX #58F141

RGB 88 241 65

HSL 112.16, 0.86%, 0.6%

LAB 84.67, -70.72, 68.7

 

CMYK 44 / 0 / 73 / 5

HEX #88F141

RGB 136 241 65

HSL 95.8, 0.86%, 0.6%

LAB 86.27, -58.28, 70.82

 

CMYK 24 / 0 / 73 / 5

HEX #B7F141

RGB 183 241 65

HSL 79.77, 0.86%, 0.6%

LAB 88.62, -42.17, 73.91

 

CMYK 5 / 0 / 73 / 5

HEX #E6F141

RGB 230 241 65

HSL 63.75, 0.86%, 0.6%

LAB 91.74, -23.77, 77.98

 

CMYK 0 / 15 / 73 / 5

HEX #F1CC41

RGB 241 204 65

HSL 47.39, 0.86%, 0.6%

LAB 83.06, -0.87, 70.03

 

CMYK 63 / 0 / 73 / 5

HEX #58F141

RGB 88 241 65

HSL 112.16, 0.86%, 0.6%

LAB 84.67, -70.72, 68.7

 

CMYK 73 / 0 / 63 / 5

HEX #41F159

RGB 65 241 89

HSL 128.18, 0.86%, 0.6%

LAB 84.36, -72.7, 59.18

 

CMYK 73 / 0 / 43 / 5

HEX #41F189

RGB 65 241 137

HSL 144.55, 0.86%, 0.6%

LAB 84.92, -66.15, 37.82

 

CMYK 73 / 0 / 24 / 5

HEX #41F1B8

RGB 65 241 184

HSL 160.57, 0.86%, 0.6%

LAB 85.75, -56.89, 15.06

 

CMYK 73 / 0 / 4 / 5

HEX #41F1E7

RGB 65 241 231

HSL 176.59, 0.86%, 0.6%

LAB 86.9, -45.2, -7.85

 

CMYK 63 / 0 / 73 / 5

HEX #58F141

RGB 88 241 65

HSL 112.16, 0.86%, 0.6%

LAB 84.67, -70.72, 68.7

 

CMYK 63 / 0 / 73 / 5

HEX #58F141

RGB 88 241 65

HSL 112.16, 0.86%, 0.6%

LAB 84.67, -70.72, 68.7

 

CMYK 55 / 0 / 63 / 12

HEX #65E052

RGB 101 224 82

HSL 111.97, 0.7%, 0.6%

LAB 80, -60.46, 57.5

 

CMYK 46 / 0 / 53 / 18

HEX #71D062

RGB 113 208 98

HSL 111.82, 0.54%, 0.6%

LAB 75.76, -49.26, 45.58

 

CMYK 35 / 0 / 40 / 25

HEX #7DBF73

RGB 125 191 115

HSL 112.11, 0.37%, 0.6%

LAB 71.46, -35.86, 31.85

 

CMYK 22 / 0 / 25 / 31

HEX #89AF83

RGB 137 175 131

HSL 111.82, 0.22%, 0.6%

LAB 67.74, -21.48, 18.47

 

CMYK 24 / 0 / 73 / 5

HEX #B6F141

RGB 182 241 65

HSL 80.11, 0.86%, 0.6%

LAB 88.56, -42.54, 73.84

 

CMYK 44 / 0 / 73 / 5

HEX #87F141

RGB 135 241 65

HSL 96.14, 0.86%, 0.6%

LAB 86.23, -58.59, 70.76

 

CMYK 63 / 0 / 73 / 5

HEX #59F141

RGB 89 241 65

HSL 111.82, 0.86%, 0.6%

LAB 84.7, -70.51, 68.74

 

CMYK 73 / 0 / 63 / 5

HEX #41F159

RGB 65 241 89

HSL 128.18, 0.86%, 0.6%

LAB 84.36, -72.7, 59.18

 

CMYK 73 / 0 / 44 / 5

HEX #41F187

RGB 65 241 135

HSL 143.86, 0.86%, 0.6%

LAB 84.89, -66.48, 38.77

 

CMYK 80 / 0 / 92 / 18

HEX #29D010

RGB 41 208 16

HSL 112.19, 0.86%, 0.44%

LAB 73.3, -70.8, 70.01

 

CMYK 77 / 0 / 89 / 7

HEX #37EE1B

RGB 55 238 27

HSL 112.04, 0.86%, 0.52%

LAB 82.93, -77.35, 76.57

 

CMYK 63 / 0 / 73 / 5

HEX #58F141

RGB 88 241 65

HSL 112.16, 0.86%, 0.6%

LAB 84.67, -70.72, 68.7

 

CMYK 50 / 0 / 57 / 4

HEX #7AF468

RGB 122 244 104

HSL 112.29, 0.86%, 0.68%

LAB 86.92, -60.14, 56.1

 

CMYK 37 / 0 / 42 / 4

HEX #9CF68E

RGB 156 246 142

HSL 111.92, 0.85%, 0.76%

LAB 89.36, -46.39, 41.67

 

CMYK 63 / 0 / 72 / 5

HEX #5AF143

RGB 90 241 67

HSL 112.07, 0.86%, 0.6%

LAB 84.74, -70.16, 68.1

 

CMYK 73 / 5 / 0 / 5

HEX #41E5F1

RGB 65 229 241

HSL 184.09, 0.86%, 0.6%

LAB 83.71, -37.01, -17.88

 

CMYK 0 / 73 / 34 / 5

HEX #F1419F

RGB 241 65 159

HSL 327.95, 0.86%, 0.6%

LAB 57.06, 73.11, -11.4

 

CMYK 63 / 0 / 72 / 5

HEX #5AF143

RGB 90 241 67

HSL 112.07, 0.86%, 0.6%

LAB 84.74, -70.16, 68.1

 

CMYK 73 / 63 / 0 / 5

HEX #4159F1

RGB 65 89 241

HSL 231.82, 0.86%, 0.6%

LAB 45.11, 41.86, -78.72

 

CMYK 0 / 73 / 63 / 5

HEX #F14159

RGB 241 65 89

HSL 351.82, 0.86%, 0.6%

LAB 55.28, 67.35, 27.48

 

CMYK 63 / 0 / 72 / 5

HEX #5AF143

RGB 90 241 67

HSL 112.07, 0.86%, 0.6%

LAB 84.74, -70.16, 68.1

 

CMYK 73 / 5 / 0 / 5

HEX #41E5F1

RGB 65 229 241

HSL 184.09, 0.86%, 0.6%

LAB 83.71, -37.01, -17.88

 

CMYK 10 / 73 / 0 / 5

HEX #D941F1

RGB 217 65 241

HSL 291.82, 0.86%, 0.6%

LAB 56.96, 79.16, -58.78

 

CMYK 0 / 68 / 73 / 5

HEX #F14D41

RGB 241 77 65

HSL 4.09, 0.86%, 0.6%

LAB 56.48, 61.93, 42.59

 

CMYK 63 / 0 / 72 / 5

HEX #5AF143

RGB 90 241 67

HSL 112.07, 0.86%, 0.6%

LAB 84.74, -70.16, 68.1

 

CMYK 73 / 27 / 0 / 5

HEX #41B0F1

RGB 65 176 241

HSL 202.16, 0.86%, 0.6%

LAB 68.41, -10.34, -41.39

 

CMYK 10 / 73 / 0 / 5

HEX #D941F1

RGB 217 65 241

HSL 291.82, 0.86%, 0.6%

LAB 56.96, 79.16, -58.78

 

CMYK 0 / 46 / 73 / 5

HEX #F18241

RGB 241 130 65

HSL 22.16, 0.86%, 0.6%

LAB 65.79, 37.79, 52.67

 

Description

Color code: HEX #5AF143 | qconv.com Color code: HEX #5AF143 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 241 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 241 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 72 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 72% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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