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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEF8F it is the complementary color #A51070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEF8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEF8F shade: #5FEF8A, #70FF9D, #81FFB0, #92FFC3 and #A3FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEF8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEF8F shade: #5AEF8F, #49DD7C, #38CB69, #27B956 and #16A743

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEF8F shade: #5DEF91, #5DEF69, #77EF5D, #9FEF5D and #C6EF5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEF8F shade: #5DEF91, #5DEFB8, #5DEFE0, #5DD7EF and #5DAFEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEF8F shade matches the following richer shades: #5DEF91 and #4EFD8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEF8F shade: #5DEF91, #6BE095, #79D299, #88C49D and #96B5A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEF8F shade: #77EF5D, #5DEF69, #5DEF90, #5DEFB7 and #5DEFDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEF8F shade: #16E35F, #37EB77, #5DEF91, #82F3AA and #A8F6C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEF8F shade: #5AEF8F, #5D9EEF and #EF5D64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEF8F shade: #5AEF8F, #905DEF and #EF905D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEF8F shade: #5AEF8F, #5D9EEF, #EF5DBC and #EFAD5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEF8F shade: #5AEF8F, #5D73EF, #EF5DBC and #EFD95D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 40 / 6

HEX #5AEF8F

RGB 90 239 143

HSL 141.34, 0.82%, 0.65%

LAB 84.94, -60.27, 34.98

 

Complementary color

CMYK 0 / 90 / 32 / 35

HEX #A51070

RGB 165 16 112

HSL 321.34, 0.82%, 0.35%

LAB 37, 61.96, -14.57

 

CMYK 60 / 0 / 42 / 6

HEX #5FEF8A

RGB 95 239 138

HSL 137.92, 0.82%, 0.65%

LAB 85, -60.1, 37.56

 

CMYK 56 / 0 / 38 / 0

HEX #70FF9D

RGB 112 255 157

HSL 138.88, 1%, 0.72%

LAB 90.5, -59.45, 35.45

 

CMYK 49 / 0 / 31 / 0

HEX #81FFB0

RGB 129 255 176

HSL 142.38, 1%, 0.75%

LAB 91.38, -52.21, 27.21

 

CMYK 43 / 0 / 24 / 0

HEX #92FFC3

RGB 146 255 195

HSL 146.97, 1%, 0.79%

LAB 92.39, -44.39, 19.04

 

CMYK 36 / 0 / 16 / 0

HEX #A3FFD6

RGB 163 255 214

HSL 153.26, 1%, 0.82%

LAB 93.52, -36.12, 11

 

CMYK 62 / 0 / 40 / 6

HEX #5AEF8F

RGB 90 239 143

HSL 141.34, 0.82%, 0.65%

LAB 84.94, -60.27, 34.98

 

CMYK 67 / 0 / 44 / 13

HEX #49DD7C

RGB 73 221 124

HSL 140.68, 0.69%, 0.58%

LAB 78.8, -59.92, 36.41

 

CMYK 72 / 0 / 48 / 20

HEX #38CB69

RGB 56 203 105

HSL 140, 0.59%, 0.51%

LAB 72.61, -59.3, 37.92

 

CMYK 79 / 0 / 54 / 27

HEX #27B956

RGB 39 185 86

HSL 139.32, 0.65%, 0.44%

LAB 66.37, -58.31, 39.49

 

CMYK 87 / 0 / 60 / 35

HEX #16A743

RGB 22 167 67

HSL 138.62, 0.77%, 0.37%

LAB 60.08, -56.76, 41.07

 

CMYK 61 / 0 / 39 / 6

HEX #5DEF91

RGB 93 239 145

HSL 141.37, 0.82%, 0.65%

LAB 85.05, -59.34, 34.14

 

CMYK 61 / 0 / 56 / 6

HEX #5DEF69

RGB 93 239 105

HSL 124.93, 0.82%, 0.65%

LAB 84.52, -65.18, 52.63

 

CMYK 50 / 0 / 61 / 6

HEX #77EF5D

RGB 119 239 93

HSL 109.32, 0.82%, 0.65%

LAB 85.22, -60.21, 58.88

 

CMYK 33 / 0 / 61 / 6

HEX #9FEF5D

RGB 159 239 93

HSL 92.88, 0.82%, 0.65%

LAB 86.94, -47.95, 61.28

 

CMYK 17 / 0 / 61 / 6

HEX #C6EF5D

RGB 198 239 93

HSL 76.85, 0.82%, 0.65%

LAB 89.17, -33.83, 64.36

 

CMYK 61 / 0 / 39 / 6

HEX #5DEF91

RGB 93 239 145

HSL 141.37, 0.82%, 0.65%

LAB 85.05, -59.34, 34.14

 

CMYK 61 / 0 / 23 / 6

HEX #5DEFB8

RGB 93 239 184

HSL 157.4, 0.82%, 0.65%

LAB 85.77, -51.76, 15.16

 

CMYK 61 / 0 / 6 / 6

HEX #5DEFE0

RGB 93 239 224

HSL 173.84, 0.82%, 0.65%

LAB 86.72, -42.3, -4.37

 

CMYK 61 / 10 / 0 / 6

HEX #5DD7EF

RGB 93 215 239

HSL 189.86, 0.82%, 0.65%

LAB 80.27, -27.01, -21.96

 

CMYK 61 / 27 / 0 / 6

HEX #5DAFEF

RGB 93 175 239

HSL 206.3, 0.82%, 0.65%

LAB 68.91, -6.17, -39.45

 

CMYK 61 / 0 / 39 / 6

HEX #5DEF91

RGB 93 239 145

HSL 141.37, 0.82%, 0.65%

LAB 85.05, -59.34, 34.14

 

CMYK 69 / 0 / 45 / 1

HEX #4EFD8C

RGB 78 253 140

HSL 141.26, 0.98%, 0.65%

LAB 88.81, -67.93, 41.42

 

CMYK 61 / 0 / 39 / 6

HEX #5DEF91

RGB 93 239 145

HSL 141.37, 0.82%, 0.65%

LAB 85.05, -59.34, 34.14

 

CMYK 52 / 0 / 33 / 12

HEX #6BE095

RGB 107 224 149

HSL 141.54, 0.65%, 0.65%

LAB 81.08, -49.62, 26.89

 

CMYK 42 / 0 / 27 / 18

HEX #79D299

RGB 121 210 153

HSL 141.57, 0.5%, 0.65%

LAB 77.55, -39.22, 20.08

 

CMYK 31 / 0 / 20 / 23

HEX #88C49D

RGB 136 196 157

HSL 141, 0.34%, 0.65%

LAB 74.28, -27.46, 13.5

 

CMYK 17 / 0 / 11 / 29

HEX #96B5A1

RGB 150 181 161

HSL 141.29, 0.17%, 0.65%

LAB 70.94, -14.56, 6.7

 

CMYK 50 / 0 / 61 / 6

HEX #77EF5D

RGB 119 239 93

HSL 109.32, 0.82%, 0.65%

LAB 85.22, -60.21, 58.88

 

CMYK 61 / 0 / 56 / 6

HEX #5DEF69

RGB 93 239 105

HSL 124.93, 0.82%, 0.65%

LAB 84.52, -65.18, 52.63

 

CMYK 61 / 0 / 40 / 6

HEX #5DEF90

RGB 93 239 144

HSL 140.96, 0.82%, 0.65%

LAB 85.03, -59.51, 34.62

 

CMYK 61 / 0 / 23 / 6

HEX #5DEFB7

RGB 93 239 183

HSL 156.99, 0.82%, 0.65%

LAB 85.75, -51.98, 15.65

 

CMYK 61 / 0 / 7 / 6

HEX #5DEFDE

RGB 93 239 222

HSL 173.01, 0.82%, 0.65%

LAB 86.67, -42.81, -3.4

 

CMYK 90 / 0 / 58 / 11

HEX #16E35F

RGB 22 227 95

HSL 141.37, 0.82%, 0.49%

LAB 79.58, -72.05, 51.01

 

CMYK 77 / 0 / 49 / 8

HEX #37EB77

RGB 55 235 119

HSL 141.33, 0.82%, 0.57%

LAB 82.68, -68.28, 43.7

 

CMYK 61 / 0 / 39 / 6

HEX #5DEF91

RGB 93 239 145

HSL 141.37, 0.82%, 0.65%

LAB 85.05, -59.34, 34.14

 

CMYK 47 / 0 / 30 / 5

HEX #82F3AA

RGB 130 243 170

HSL 141.24, 0.82%, 0.73%

LAB 87.85, -48.04, 25.45

 

CMYK 32 / 0 / 20 / 4

HEX #A8F6C4

RGB 168 246 196

HSL 141.54, 0.81%, 0.81%

LAB 90.88, -34.01, 16.56

 

CMYK 62 / 0 / 40 / 6

HEX #5AEF8F

RGB 90 239 143

HSL 141.34, 0.82%, 0.65%

LAB 84.94, -60.27, 34.98

 

CMYK 61 / 34 / 0 / 6

HEX #5D9EEF

RGB 93 158 239

HSL 213.29, 0.82%, 0.65%

LAB 64.17, 3.43, -46.88

 

CMYK 0 / 61 / 58 / 6

HEX #EF5D64

RGB 239 93 100

HSL 357.12, 0.82%, 0.65%

LAB 59.07, 56.7, 25.94

 

CMYK 62 / 0 / 40 / 6

HEX #5AEF8F

RGB 90 239 143

HSL 141.34, 0.82%, 0.65%

LAB 84.94, -60.27, 34.98

 

CMYK 40 / 61 / 0 / 6

HEX #905DEF

RGB 144 93 239

HSL 260.96, 0.82%, 0.65%

LAB 51.83, 51.81, -66.41

 

CMYK 0 / 40 / 61 / 6

HEX #EF905D

RGB 239 144 93

HSL 20.96, 0.82%, 0.65%

LAB 68.81, 31.33, 42.04

 

CMYK 62 / 0 / 40 / 6

HEX #5AEF8F

RGB 90 239 143

HSL 141.34, 0.82%, 0.65%

LAB 84.94, -60.27, 34.98

 

CMYK 61 / 34 / 0 / 6

HEX #5D9EEF

RGB 93 158 239

HSL 213.29, 0.82%, 0.65%

LAB 64.17, 3.43, -46.88

 

CMYK 0 / 61 / 21 / 6

HEX #EF5DBC

RGB 239 93 188

HSL 320.96, 0.82%, 0.65%

LAB 61.49, 65.78, -21.48

 

CMYK 0 / 28 / 61 / 6

HEX #EFAD5D

RGB 239 173 93

HSL 32.88, 0.82%, 0.65%

LAB 75.47, 16.02, 49.9

 

CMYK 62 / 0 / 40 / 6

HEX #5AEF8F

RGB 90 239 143

HSL 141.34, 0.82%, 0.65%

LAB 84.94, -60.27, 34.98

 

CMYK 61 / 52 / 0 / 6

HEX #5D73EF

RGB 93 115 239

HSL 230.96, 0.82%, 0.65%

LAB 52.75, 29.16, -65.11

 

CMYK 0 / 61 / 21 / 6

HEX #EF5DBC

RGB 239 93 188

HSL 320.96, 0.82%, 0.65%

LAB 61.49, 65.78, -21.48

 

CMYK 0 / 9 / 61 / 6

HEX #EFD95D

RGB 239 217 93

HSL 50.96, 0.82%, 0.65%

LAB 86.39, -6.8, 62.2

 

Description

Color code: HEX #5AEF8F | qconv.com Color code: HEX #5AEF8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 239 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 239 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 40 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 40% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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