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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEBDC it is the complementary color #A51423. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEBDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEBDC shade: #5FEBD7, #70FDEA, #81FFFD, #92FFFF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEBDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEBDC shade: #5AEBDC, #49D9C9, #38C7B6, #27B5A3 and #16A390

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEBDC shade: #5CEBDC, #5CEBB5, #5CEB8F, #5CEB68 and #76EB5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEBDC shade: #5CEBDC, #5CD3EB, #5CACEB, #5C86EB and #5C5FEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEBDC shade matches the following richer shades: #5CEBDC and #4DFAE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEBDC shade: #5CEBDC, #6ADCD0, #79CDC4, #88BEB9 and #97AFAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEBDC shade: #5CEB8E, #5CEBB4, #5CEBDA, #5CD5EB and #5CAFEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEBDC shade: #1BD9C5, #37E6D4, #5CEBDC, #80EFE4 and #A5F4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEBDC shade: #5AEBDC, #685CEB and #EBA15C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEBDC shade: #5AEBDC, #DA5CEB and #EBDA5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEBDC shade: #5AEBDC, #685CEB, #EB5C6C and #DFEB5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEBDC shade: #5AEBDC, #925CEB, #EB5C6C and #B4EB5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 6 / 8

HEX #5AEBDC

RGB 90 235 220

HSL 173.79, 0.78%, 0.64%

LAB 85.38, -42.04, -4.26

 

Complementary color

CMYK 0 / 88 / 79 / 35

HEX #A51423

RGB 165 20 35

HSL 353.79, 0.78%, 0.36%

LAB 35.24, 55.6, 32.22

 

CMYK 60 / 0 / 9 / 8

HEX #5FEBD7

RGB 95 235 215

HSL 171.43, 0.78%, 0.65%

LAB 85.38, -42.46, -1.61

 

CMYK 56 / 0 / 8 / 1

HEX #70FDEA

RGB 112 253 234

HSL 171.91, 0.97%, 0.72%

LAB 91.52, -42.65, -2.47

 

CMYK 49 / 0 / 1 / 0

HEX #81FFFD

RGB 129 255 253

HSL 179.05, 1%, 0.75%

LAB 93.14, -35.52, -9.87

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 62 / 0 / 6 / 8

HEX #5AEBDC

RGB 90 235 220

HSL 173.79, 0.78%, 0.64%

LAB 85.38, -42.04, -4.26

 

CMYK 66 / 0 / 7 / 15

HEX #49D9C9

RGB 73 217 201

HSL 173.33, 0.65%, 0.57%

LAB 79.19, -41.63, -3.34

 

CMYK 72 / 0 / 9 / 22

HEX #38C7B6

RGB 56 199 182

HSL 172.87, 0.56%, 0.5%

LAB 72.93, -41.03, -2.34

 

CMYK 78 / 0 / 10 / 29

HEX #27B5A3

RGB 39 181 163

HSL 172.39, 0.65%, 0.43%

LAB 66.61, -40.19, -1.23

 

CMYK 87 / 0 / 12 / 36

HEX #16A390

RGB 22 163 144

HSL 171.91, 0.76%, 0.36%

LAB 60.23, -39.01, 0.01

 

CMYK 61 / 0 / 6 / 8

HEX #5CEBDC

RGB 92 235 220

HSL 173.71, 0.78%, 0.64%

LAB 85.43, -41.71, -4.17

 

CMYK 61 / 0 / 23 / 8

HEX #5CEBB5

RGB 92 235 181

HSL 157.34, 0.78%, 0.64%

LAB 84.5, -50.95, 14.93

 

CMYK 61 / 0 / 39 / 8

HEX #5CEB8F

RGB 92 235 143

HSL 141.4, 0.78%, 0.64%

LAB 83.8, -58.36, 33.49

 

CMYK 61 / 0 / 56 / 8

HEX #5CEB68

RGB 92 235 104

HSL 125.03, 0.78%, 0.64%

LAB 83.28, -64.1, 51.6

 

CMYK 50 / 0 / 61 / 8

HEX #76EB5C

RGB 118 235 92

HSL 109.09, 0.78%, 0.64%

LAB 83.99, -59.08, 57.9

 

CMYK 61 / 0 / 6 / 8

HEX #5CEBDC

RGB 92 235 220

HSL 173.71, 0.78%, 0.64%

LAB 85.43, -41.71, -4.17

 

CMYK 61 / 10 / 0 / 8

HEX #5CD3EB

RGB 92 211 235

HSL 190.07, 0.78%, 0.64%

LAB 78.96, -26.37, -21.82

 

CMYK 61 / 27 / 0 / 8

HEX #5CACEB

RGB 92 172 235

HSL 206.43, 0.78%, 0.64%

LAB 67.86, -5.96, -38.91

 

CMYK 61 / 43 / 0 / 8

HEX #5C86EB

RGB 92 134 235

HSL 222.38, 0.78%, 0.64%

LAB 57.39, 16.1, -55.44

 

CMYK 61 / 60 / 0 / 8

HEX #5C5FEB

RGB 92 95 235

HSL 238.74, 0.78%, 0.64%

LAB 47.57, 39.82, -71.27

 

CMYK 61 / 0 / 6 / 8

HEX #5CEBDC

RGB 92 235 220

HSL 173.71, 0.78%, 0.64%

LAB 85.43, -41.71, -4.17

 

CMYK 69 / 0 / 7 / 2

HEX #4DFAE8

RGB 77 250 232

HSL 173.76, 0.95%, 0.64%

LAB 89.75, -47.4, -4.13

 

CMYK 61 / 0 / 6 / 8

HEX #5CEBDC

RGB 92 235 220

HSL 173.71, 0.78%, 0.64%

LAB 85.43, -41.71, -4.17

 

CMYK 52 / 0 / 5 / 14

HEX #6ADCD0

RGB 106 220 208

HSL 173.68, 0.62%, 0.64%

LAB 81.18, -35.29, -4.03

 

CMYK 41 / 0 / 4 / 20

HEX #79CDC4

RGB 121 205 196

HSL 173.57, 0.46%, 0.64%

LAB 77.11, -27.64, -3.54

 

CMYK 28 / 0 / 3 / 25

HEX #88BEB9

RGB 136 190 185

HSL 174.44, 0.29%, 0.64%

LAB 73.26, -18.6, -3.16

 

CMYK 14 / 0 / 1 / 31

HEX #97AFAD

RGB 151 175 173

HSL 175, 0.13%, 0.64%

LAB 69.65, -8.65, -1.77

 

CMYK 61 / 0 / 40 / 8

HEX #5CEB8E

RGB 92 235 142

HSL 140.98, 0.78%, 0.64%

LAB 83.78, -58.53, 33.97

 

CMYK 61 / 0 / 23 / 8

HEX #5CEBB4

RGB 92 235 180

HSL 156.92, 0.78%, 0.64%

LAB 84.48, -51.17, 15.43

 

CMYK 61 / 0 / 7 / 8

HEX #5CEBDA

RGB 92 235 218

HSL 172.87, 0.78%, 0.64%

LAB 85.38, -42.22, -3.2

 

CMYK 61 / 9 / 0 / 8

HEX #5CD5EB

RGB 92 213 235

HSL 189.23, 0.78%, 0.64%

LAB 79.54, -27.35, -20.95

 

CMYK 61 / 26 / 0 / 8

HEX #5CAFEB

RGB 92 175 235

HSL 205.17, 0.78%, 0.64%

LAB 68.7, -7.61, -37.59

 

CMYK 88 / 0 / 9 / 15

HEX #1BD9C5

RGB 27 217 197

HSL 173.68, 0.78%, 0.48%

LAB 78.4, -47.34, -2.45

 

CMYK 76 / 0 / 8 / 10

HEX #37E6D4

RGB 55 230 212

HSL 173.83, 0.78%, 0.56%

LAB 83, -46.62, -3.62

 

CMYK 61 / 0 / 6 / 8

HEX #5CEBDC

RGB 92 235 220

HSL 173.71, 0.78%, 0.64%

LAB 85.43, -41.71, -4.17

 

CMYK 46 / 0 / 5 / 6

HEX #80EFE4

RGB 128 239 228

HSL 174.05, 0.78%, 0.72%

LAB 87.93, -34.45, -4.56

 

CMYK 32 / 0 / 3 / 4

HEX #A5F4EC

RGB 165 244 236

HSL 173.92, 0.78%, 0.8%

LAB 91.12, -25.77, -3.86

 

CMYK 62 / 0 / 6 / 8

HEX #5AEBDC

RGB 90 235 220

HSL 173.79, 0.78%, 0.64%

LAB 85.38, -42.04, -4.26

 

CMYK 56 / 61 / 0 / 8

HEX #685CEB

RGB 104 92 235

HSL 245.03, 0.78%, 0.64%

LAB 47.75, 43.58, -70.94

 

CMYK 0 / 31 / 61 / 8

HEX #EBA15C

RGB 235 161 92

HSL 28.95, 0.78%, 0.64%

LAB 72.18, 20.67, 46.44

 

CMYK 62 / 0 / 6 / 8

HEX #5AEBDC

RGB 90 235 220

HSL 173.79, 0.78%, 0.64%

LAB 85.38, -42.04, -4.26

 

CMYK 7 / 61 / 0 / 8

HEX #DA5CEB

RGB 218 92 235

HSL 292.87, 0.78%, 0.64%

LAB 60.39, 68.18, -49.96

 

CMYK 0 / 7 / 61 / 8

HEX #EBDA5C

RGB 235 218 92

HSL 52.87, 0.78%, 0.64%

LAB 86.29, -9.02, 62.43

 

CMYK 62 / 0 / 6 / 8

HEX #5AEBDC

RGB 90 235 220

HSL 173.79, 0.78%, 0.64%

LAB 85.38, -42.04, -4.26

 

CMYK 56 / 61 / 0 / 8

HEX #685CEB

RGB 104 92 235

HSL 245.03, 0.78%, 0.64%

LAB 47.75, 43.58, -70.94

 

CMYK 0 / 61 / 54 / 8

HEX #EB5C6C

RGB 235 92 108

HSL 353.29, 0.78%, 0.64%

LAB 58.41, 56.41, 20.33

 

CMYK 5 / 0 / 61 / 8

HEX #DFEB5C

RGB 223 235 92

HSL 65.03, 0.78%, 0.64%

LAB 89.8, -22.25, 65.96

 

CMYK 62 / 0 / 6 / 8

HEX #5AEBDC

RGB 90 235 220

HSL 173.79, 0.78%, 0.64%

LAB 85.38, -42.04, -4.26

 

CMYK 38 / 61 / 0 / 8

HEX #925CEB

RGB 146 92 235

HSL 262.66, 0.78%, 0.64%

LAB 51.57, 51.73, -64.57

 

CMYK 0 / 61 / 54 / 8

HEX #EB5C6C

RGB 235 92 108

HSL 353.29, 0.78%, 0.64%

LAB 58.41, 56.41, 20.33

 

CMYK 23 / 0 / 61 / 8

HEX #B4EB5C

RGB 180 235 92

HSL 83.08, 0.78%, 0.64%

LAB 86.94, -38.86, 62.02

 

Description

Color code: HEX #5AEBDC | qconv.com Color code: HEX #5AEBDC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 235 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 235 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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