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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEB25 it is the complementary color #A514DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEB25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEB25 shade: #5FEB20, #70FD33, #81FF46, #92FF59 and #A3FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEB25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEB25 shade: #5AEB25, #49D912, #38C700, #27B500 and #16A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEB25 shade: #59EB24, #8FEB24, #C4EB24, #EBDB24 and #EBA624

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEB25 shade: #59EB24, #24EB24, #24EB5A, #24EB8F and #24EBC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEB25 shade matches the following richer shades: #59EB24 and #50FE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEB25 shade: #59EB24, #62D737, #6BC44A, #74B05E and #7D9D71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEB25 shade: #C6EB24, #91EB24, #5CEB24, #27EB24 and #24EB55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEB25 shade: #3AAC10, #46D213, #59EB24, #76EE49 and #92F26F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEB25 shade: #5AEB25, #24EBDA and #EB24AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEB25 shade: #5AEB25, #245CEB and #EB245C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEB25 shade: #5AEB25, #24EBDA, #B224EB and #EB2434

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEB25 shade: #5AEB25, #24C0EB, #B224EB and #EB4F24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 84 / 8

HEX #5AEB25

RGB 90 235 37

HSL 103.94, 0.83%, 0.53%

LAB 82.77, -69.88, 74.78

 

Complementary color

CMYK 24 / 91 / 0 / 15

HEX #A514DA

RGB 165 20 218

HSL 283.94, 0.83%, 0.47%

LAB 43.6, 77.47, -67.74

 

CMYK 60 / 0 / 86 / 8

HEX #5FEB20

RGB 95 235 32

HSL 101.38, 0.84%, 0.52%

LAB 82.89, -68.93, 75.97

 

CMYK 56 / 0 / 80 / 1

HEX #70FD33

RGB 112 253 51

HSL 101.88, 0.98%, 0.6%

LAB 88.89, -70.06, 77.17

 

CMYK 49 / 0 / 73 / 0

HEX #81FF46

RGB 129 255 70

HSL 100.86, 1%, 0.64%

LAB 90.15, -65.21, 72.92

 

CMYK 43 / 0 / 65 / 0

HEX #92FF59

RGB 146 255 89

HSL 99.4, 1%, 0.67%

LAB 90.94, -58.9, 67.07

 

CMYK 36 / 0 / 58 / 0

HEX #A3FF6C

RGB 163 255 108

HSL 97.55, 1%, 0.71%

LAB 91.86, -51.89, 60.5

 

CMYK 62 / 0 / 84 / 8

HEX #5AEB25

RGB 90 235 37

HSL 103.94, 0.83%, 0.53%

LAB 82.77, -69.88, 74.78

 

CMYK 66 / 0 / 92 / 15

HEX #49D912

RGB 73 217 18

HSL 103.42, 0.85%, 0.46%

LAB 76.73, -68.32, 72.84

 

CMYK 72 / 0 / 100 / 22

HEX #38C700

RGB 56 199 0

HSL 103.12, 1%, 0.39%

LAB 70.65, -66.27, 69.73

 

CMYK 78 / 0 / 100 / 29

HEX #27B500

RGB 39 181 0

HSL 107.07, 1%, 0.35%

LAB 64.55, -63.49, 64.73

 

CMYK 87 / 0 / 100 / 36

HEX #16A300

RGB 22 163 0

HSL 111.9, 1%, 0.32%

LAB 58.38, -60.2, 59.71

 

CMYK 62 / 0 / 85 / 8

HEX #59EB24

RGB 89 235 36

HSL 104.02, 0.83%, 0.53%

LAB 82.74, -70.14, 74.96

 

CMYK 39 / 0 / 85 / 8

HEX #8FEB24

RGB 143 235 36

HSL 87.74, 0.83%, 0.53%

LAB 84.68, -55.09, 77.41

 

CMYK 17 / 0 / 85 / 8

HEX #C4EB24

RGB 196 235 36

HSL 71.76, 0.83%, 0.53%

LAB 87.62, -35.64, 81.08

 

CMYK 0 / 7 / 85 / 8

HEX #EBDB24

RGB 235 219 36

HSL 55.18, 0.83%, 0.53%

LAB 86.23, -11.95, 81.11

 

CMYK 0 / 29 / 85 / 8

HEX #EBA624

RGB 235 166 36

HSL 39.2, 0.83%, 0.53%

LAB 72.93, 15.44, 70.18

 

CMYK 62 / 0 / 85 / 8

HEX #59EB24

RGB 89 235 36

HSL 104.02, 0.83%, 0.53%

LAB 82.74, -70.14, 74.96

 

CMYK 85 / 0 / 85 / 8

HEX #24EB24

RGB 36 235 36

HSL 120, 0.83%, 0.53%

LAB 81.79, -78.26, 73.76

 

CMYK 85 / 0 / 62 / 8

HEX #24EB5A

RGB 36 235 90

HSL 136.28, 0.83%, 0.53%

LAB 82.13, -74.1, 56.15

 

CMYK 85 / 0 / 39 / 8

HEX #24EB8F

RGB 36 235 143

HSL 152.26, 0.83%, 0.53%

LAB 82.79, -66.11, 31.98

 

CMYK 85 / 0 / 16 / 8

HEX #24EBC5

RGB 36 235 197

HSL 168.54, 0.83%, 0.53%

LAB 83.87, -54.2, 5.53

 

CMYK 62 / 0 / 85 / 8

HEX #59EB24

RGB 89 235 36

HSL 104.02, 0.83%, 0.53%

LAB 82.74, -70.14, 74.96

 

CMYK 69 / 0 / 94 / 0

HEX #50FE10

RGB 80 254 16

HSL 103.87, 0.99%, 0.53%

LAB 88.27, -78.39, 82.67

 

CMYK 62 / 0 / 85 / 8

HEX #59EB24

RGB 89 235 36

HSL 104.02, 0.83%, 0.53%

LAB 82.74, -70.14, 74.96

 

CMYK 54 / 0 / 74 / 16

HEX #62D737

RGB 98 215 55

HSL 103.88, 0.67%, 0.53%

LAB 76.96, -60.18, 64.48

 

CMYK 45 / 0 / 62 / 23

HEX #6BC44A

RGB 107 196 74

HSL 103.77, 0.51%, 0.53%

LAB 71.62, -48.84, 51.66

 

CMYK 34 / 0 / 47 / 31

HEX #74B05E

RGB 116 176 94

HSL 103.9, 0.34%, 0.53%

LAB 66.19, -34.99, 35.84

 

CMYK 20 / 0 / 28 / 38

HEX #7D9D71

RGB 125 157 113

HSL 103.64, 0.18%, 0.53%

LAB 61.37, -19.67, 19.49

 

CMYK 16 / 0 / 85 / 8

HEX #C6EB24

RGB 198 235 36

HSL 71.16, 0.83%, 0.53%

LAB 87.75, -34.85, 81.24

 

CMYK 38 / 0 / 85 / 8

HEX #91EB24

RGB 145 235 36

HSL 87.14, 0.83%, 0.53%

LAB 84.77, -54.43, 77.52

 

CMYK 61 / 0 / 85 / 8

HEX #5CEB24

RGB 92 235 36

HSL 103.12, 0.83%, 0.53%

LAB 82.82, -69.47, 75.06

 

CMYK 83 / 0 / 85 / 8

HEX #27EB24

RGB 39 235 36

HSL 119.1, 0.83%, 0.53%

LAB 81.82, -77.99, 73.8

 

CMYK 85 / 0 / 64 / 8

HEX #24EB55

RGB 36 235 85

HSL 134.77, 0.83%, 0.53%

LAB 82.08, -74.65, 58.19

 

CMYK 66 / 0 / 91 / 33

HEX #3AAC10

RGB 58 172 16

HSL 103.85, 0.83%, 0.37%

LAB 62.03, -56.92, 60.65

 

CMYK 67 / 0 / 91 / 18

HEX #46D213

RGB 70 210 19

HSL 103.98, 0.83%, 0.45%

LAB 74.47, -66.69, 70.78

 

CMYK 62 / 0 / 85 / 8

HEX #59EB24

RGB 89 235 36

HSL 104.02, 0.83%, 0.53%

LAB 82.74, -70.14, 74.96

 

CMYK 50 / 0 / 69 / 7

HEX #76EE49

RGB 118 238 73

HSL 103.64, 0.83%, 0.61%

LAB 84.73, -61.85, 66.25

 

CMYK 40 / 0 / 54 / 5

HEX #92F26F

RGB 146 242 111

HSL 103.97, 0.83%, 0.69%

LAB 87.37, -51.65, 53.75

 

CMYK 62 / 0 / 84 / 8

HEX #5AEB25

RGB 90 235 37

HSL 103.94, 0.83%, 0.53%

LAB 82.77, -69.88, 74.78

 

CMYK 85 / 0 / 7 / 8

HEX #24EBDA

RGB 36 235 218

HSL 174.87, 0.83%, 0.53%

LAB 84.41, -48.69, -4.74

 

CMYK 0 / 85 / 27 / 8

HEX #EB24AC

RGB 235 36 172

HSL 318.99, 0.83%, 0.53%

LAB 53.92, 80.46, -23.9

 

CMYK 62 / 0 / 84 / 8

HEX #5AEB25

RGB 90 235 37

HSL 103.94, 0.83%, 0.53%

LAB 82.77, -69.88, 74.78

 

CMYK 85 / 61 / 0 / 8

HEX #245CEB

RGB 36 92 235

HSL 223.12, 0.83%, 0.53%

LAB 44.27, 35.35, -76.76

 

CMYK 0 / 85 / 61 / 8

HEX #EB245C

RGB 235 36 92

HSL 343.12, 0.83%, 0.53%

LAB 51.49, 73.59, 20.51

 

CMYK 62 / 0 / 84 / 8

HEX #5AEB25

RGB 90 235 37

HSL 103.94, 0.83%, 0.53%

LAB 82.77, -69.88, 74.78

 

CMYK 85 / 0 / 7 / 8

HEX #24EBDA

RGB 36 235 218

HSL 174.87, 0.83%, 0.53%

LAB 84.41, -48.69, -4.74

 

CMYK 24 / 85 / 0 / 8

HEX #B224EB

RGB 178 36 235

HSL 282.81, 0.83%, 0.53%

LAB 47.91, 79.41, -70.3

 

CMYK 0 / 85 / 78 / 8

HEX #EB2434

RGB 235 36 52

HSL 355.18, 0.83%, 0.53%

LAB 50.89, 71.81, 43.33

 

CMYK 62 / 0 / 84 / 8

HEX #5AEB25

RGB 90 235 37

HSL 103.94, 0.83%, 0.53%

LAB 82.77, -69.88, 74.78

 

CMYK 85 / 18 / 0 / 8

HEX #24C0EB

RGB 36 192 235

HSL 192.96, 0.83%, 0.53%

LAB 72.28, -23.59, -32.16

 

CMYK 24 / 85 / 0 / 8

HEX #B224EB

RGB 178 36 235

HSL 282.81, 0.83%, 0.53%

LAB 47.91, 79.41, -70.3

 

CMYK 0 / 66 / 85 / 8

HEX #EB4F24

RGB 235 79 36

HSL 12.96, 0.83%, 0.53%

LAB 55.46, 58.28, 55.57

 

Description

Color code: HEX #5AEB25 | qconv.com Color code: HEX #5AEB25 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 235 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 235 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 84 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 84% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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