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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEAC3 it is the complementary color #A5153C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEAC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEAC3 shade: #5FEABE, #70FCD1, #81FFE4, #92FFF7 and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEAC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEAC3 shade: #5AEAC3, #49D8B0, #38C69D, #27B48A and #16A277

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEAC3 shade: #5DEAC4, #5DEA9D, #5DEA77, #68EA5D and #8EEA5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEAC3 shade: #5DEAC4, #5DEAEA, #5DC4EA, #5D9EEA and #5D78EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEAC3 shade matches the following richer shades: #5DEAC4 and #4EF9CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEAC3 shade: #5DEAC4, #6BDBBD, #7ACCB6, #89BDAF and #98AEA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEAC3 shade: #5DEA76, #5DEA9C, #5DEAC2, #5DEAE8 and #5DC7EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEAC3 shade: #1CD8A5, #38E5B6, #5DEAC4, #81EFD1 and #A6F3DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEAC3 shade: #5AEAC3, #5D68EA and #EA895D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEAC3 shade: #5AEAC3, #C25DEA and #EAC25D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEAC3 shade: #5AEAC3, #5D68EA, #EA5D85 and #EADE5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEAC3 shade: #5AEAC3, #7B5DEA, #EA5D85 and #CBEA5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 17 / 8

HEX #5AEAC3

RGB 90 234 195

HSL 163.75, 0.77%, 0.64%

LAB 84.46, -47.74, 7.55

 

Complementary color

CMYK 0 / 87 / 64 / 35

HEX #A5153C

RGB 165 21 60

HSL 343.75, 0.77%, 0.36%

LAB 35.72, 56.57, 17.02

 

CMYK 59 / 0 / 19 / 8

HEX #5FEABE

RGB 95 234 190

HSL 161.01, 0.77%, 0.65%

LAB 84.48, -47.98, 10.22

 

CMYK 56 / 0 / 17 / 1

HEX #70FCD1

RGB 112 252 209

HSL 161.57, 0.96%, 0.71%

LAB 90.63, -48.06, 9.18

 

CMYK 49 / 0 / 11 / 0

HEX #81FFE4

RGB 129 255 228

HSL 167.14, 1%, 0.75%

LAB 92.48, -41.51, 2.1

 

CMYK 43 / 0 / 3 / 0

HEX #92FFF7

RGB 146 255 247

HSL 175.6, 1%, 0.79%

LAB 93.6, -33.25, -6.01

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 62 / 0 / 17 / 8

HEX #5AEAC3

RGB 90 234 195

HSL 163.75, 0.77%, 0.64%

LAB 84.46, -47.74, 7.55

 

CMYK 66 / 0 / 19 / 15

HEX #49D8B0

RGB 73 216 176

HSL 163.22, 0.65%, 0.57%

LAB 78.26, -47.45, 8.66

 

CMYK 72 / 0 / 21 / 22

HEX #38C69D

RGB 56 198 157

HSL 162.68, 0.56%, 0.5%

LAB 72, -46.98, 9.87

 

CMYK 78 / 0 / 23 / 29

HEX #27B48A

RGB 39 180 138

HSL 162.13, 0.64%, 0.43%

LAB 65.68, -46.25, 11.21

 

CMYK 86 / 0 / 27 / 36

HEX #16A277

RGB 22 162 119

HSL 161.57, 0.76%, 0.36%

LAB 59.29, -45.15, 12.71

 

CMYK 60 / 0 / 16 / 8

HEX #5DEAC4

RGB 93 234 196

HSL 163.83, 0.77%, 0.64%

LAB 84.57, -46.97, 7.18

 

CMYK 60 / 0 / 33 / 8

HEX #5DEA9D

RGB 93 234 157

HSL 147.23, 0.77%, 0.64%

LAB 83.76, -55.24, 26.34

 

CMYK 60 / 0 / 49 / 8

HEX #5DEA77

RGB 93 234 119

HSL 131.06, 0.77%, 0.64%

LAB 83.18, -61.55, 44.5

 

CMYK 56 / 0 / 60 / 8

HEX #68EA5D

RGB 104 234 93

HSL 115.32, 0.77%, 0.64%

LAB 83.22, -62.24, 56.48

 

CMYK 39 / 0 / 60 / 8

HEX #8EEA5D

RGB 142 234 93

HSL 99.15, 0.77%, 0.64%

LAB 84.68, -51.47, 58.53

 

CMYK 60 / 0 / 16 / 8

HEX #5DEAC4

RGB 93 234 196

HSL 163.83, 0.77%, 0.64%

LAB 84.57, -46.97, 7.18

 

CMYK 60 / 0 / 0 / 8

HEX #5DEAEA

RGB 93 234 234

HSL 180, 0.77%, 0.64%

LAB 85.56, -37.42, -11.35

 

CMYK 60 / 16 / 0 / 8

HEX #5DC4EA

RGB 93 196 234

HSL 196.17, 0.77%, 0.64%

LAB 74.67, -18.92, -27.83

 

CMYK 60 / 32 / 0 / 8

HEX #5D9EEA

RGB 93 158 234

HSL 212.34, 0.77%, 0.64%

LAB 63.93, 1.81, -44.51

 

CMYK 60 / 49 / 0 / 8

HEX #5D78EA

RGB 93 120 234

HSL 228.51, 0.77%, 0.64%

LAB 53.71, 24.45, -60.78

 

CMYK 60 / 0 / 16 / 8

HEX #5DEAC4

RGB 93 234 196

HSL 163.83, 0.77%, 0.64%

LAB 84.57, -46.97, 7.18

 

CMYK 69 / 0 / 19 / 2

HEX #4EF9CA

RGB 78 249 202

HSL 163.51, 0.93%, 0.64%

LAB 88.75, -54.23, 10

 

CMYK 60 / 0 / 16 / 8

HEX #5DEAC4

RGB 93 234 196

HSL 163.83, 0.77%, 0.64%

LAB 84.57, -46.97, 7.18

 

CMYK 51 / 0 / 14 / 14

HEX #6BDBBD

RGB 107 219 189

HSL 163.93, 0.61%, 0.64%

LAB 80.44, -39.19, 4.99

 

CMYK 40 / 0 / 11 / 20

HEX #7ACCB6

RGB 122 204 182

HSL 163.9, 0.45%, 0.64%

LAB 76.5, -30.15, 3.11

 

CMYK 28 / 0 / 7 / 26

HEX #89BDAF

RGB 137 189 175

HSL 163.85, 0.28%, 0.64%

LAB 72.77, -20.01, 1.58

 

CMYK 13 / 0 / 3 / 32

HEX #98AEA8

RGB 152 174 168

HSL 163.64, 0.12%, 0.64%

LAB 69.31, -8.81, 0.5

 

CMYK 60 / 0 / 50 / 8

HEX #5DEA76

RGB 93 234 118

HSL 130.64, 0.77%, 0.64%

LAB 83.17, -61.69, 44.96

 

CMYK 60 / 0 / 33 / 8

HEX #5DEA9C

RGB 93 234 156

HSL 146.81, 0.77%, 0.64%

LAB 83.74, -55.43, 26.82

 

CMYK 60 / 0 / 17 / 8

HEX #5DEAC2

RGB 93 234 194

HSL 162.98, 0.77%, 0.64%

LAB 84.52, -47.44, 8.17

 

CMYK 60 / 0 / 1 / 8

HEX #5DEAE8

RGB 93 234 232

HSL 179.15, 0.77%, 0.64%

LAB 85.5, -37.96, -10.38

 

CMYK 60 / 15 / 0 / 8

HEX #5DC7EA

RGB 93 199 234

HSL 194.89, 0.77%, 0.64%

LAB 75.52, -20.46, -26.52

 

CMYK 87 / 0 / 24 / 15

HEX #1CD8A5

RGB 28 216 165

HSL 163.72, 0.77%, 0.48%

LAB 77.33, -55.06, 13.08

 

CMYK 76 / 0 / 21 / 10

HEX #38E5B6

RGB 56 229 182

HSL 163.7, 0.77%, 0.56%

LAB 81.98, -53.67, 10.74

 

CMYK 60 / 0 / 16 / 8

HEX #5DEAC4

RGB 93 234 196

HSL 163.83, 0.77%, 0.64%

LAB 84.57, -46.97, 7.18

 

CMYK 46 / 0 / 13 / 6

HEX #81EFD1

RGB 129 239 209

HSL 163.64, 0.77%, 0.72%

LAB 87.49, -38.63, 4.74

 

CMYK 32 / 0 / 9 / 5

HEX #A6F3DE

RGB 166 243 222

HSL 163.64, 0.76%, 0.8%

LAB 90.54, -28.04, 2.59

 

CMYK 62 / 0 / 17 / 8

HEX #5AEAC3

RGB 90 234 195

HSL 163.75, 0.77%, 0.64%

LAB 84.46, -47.74, 7.55

 

CMYK 60 / 56 / 0 / 8

HEX #5D68EA

RGB 93 104 234

HSL 235.32, 0.77%, 0.64%

LAB 49.7, 34.22, -67.25

 

CMYK 0 / 41 / 60 / 8

HEX #EA895D

RGB 234 137 93

HSL 18.72, 0.77%, 0.64%

LAB 66.65, 33.01, 39.27

 

CMYK 62 / 0 / 17 / 8

HEX #5AEAC3

RGB 90 234 195

HSL 163.75, 0.77%, 0.64%

LAB 84.46, -47.74, 7.55

 

CMYK 17 / 60 / 0 / 8

HEX #C25DEA

RGB 194 93 234

HSL 282.98, 0.77%, 0.64%

LAB 57.31, 61.85, -54.49

 

CMYK 0 / 17 / 60 / 8

HEX #EAC25D

RGB 234 194 93

HSL 42.98, 0.77%, 0.64%

LAB 80.1, 2.92, 55.08

 

CMYK 62 / 0 / 17 / 8

HEX #5AEAC3

RGB 90 234 195

HSL 163.75, 0.77%, 0.64%

LAB 84.46, -47.74, 7.55

 

CMYK 60 / 56 / 0 / 8

HEX #5D68EA

RGB 93 104 234

HSL 235.32, 0.77%, 0.64%

LAB 49.7, 34.22, -67.25

 

CMYK 0 / 60 / 43 / 8

HEX #EA5D85

RGB 234 93 133

HSL 342.98, 0.77%, 0.64%

LAB 58.99, 57.86, 6.52

 

CMYK 0 / 5 / 60 / 8

HEX #EADE5D

RGB 234 222 93

HSL 54.89, 0.77%, 0.64%

LAB 87.25, -11.36, 63.02

 

CMYK 62 / 0 / 17 / 8

HEX #5AEAC3

RGB 90 234 195

HSL 163.75, 0.77%, 0.64%

LAB 84.46, -47.74, 7.55

 

CMYK 47 / 60 / 0 / 8

HEX #7B5DEA

RGB 123 93 234

HSL 252.77, 0.77%, 0.64%

LAB 49.47, 46.21, -67.51

 

CMYK 0 / 60 / 43 / 8

HEX #EA5D85

RGB 234 93 133

HSL 342.98, 0.77%, 0.64%

LAB 58.99, 57.86, 6.52

 

CMYK 13 / 0 / 60 / 8

HEX #CBEA5D

RGB 203 234 93

HSL 73.19, 0.77%, 0.64%

LAB 88.13, -29.59, 63.31

 

Description

Color code: HEX #5AEAC3 | qconv.com Color code: HEX #5AEAC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 234 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 234 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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