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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEA4D it is the complementary color #A515B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEA4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEA4D shade: #5FEA48, #70FC5B, #81FF6E, #92FF81 and #A3FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEA4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEA4D shade: #5AEA4D, #49D83A, #38C627, #27B414 and #16A201

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEA4D shade: #5AEA4D, #84EA4D, #AFEA4D, #D9EA4D and #EAD14D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEA4D shade: #5AEA4D, #4DEA6A, #4DEA95, #4DEABF and #4DEAE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEA4D shade matches the following richer shades: #5AEA4D and #4DFA3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEA4D shade: #5AEA4D, #67DA5D, #75CA6D, #82BA7D and #90AA8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEA4D shade: #AEEA4D, #84EA4D, #5AEA4D, #4DEA6A and #4DEA94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEA4D shade: #27CD18, #38E628, #5AEA4D, #7CEE72 and #9EF397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEA4D shade: #5AEA4D, #4DD8EA and #EA4D99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEA4D shade: #5AEA4D, #4D5AEA and #EA4D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEA4D shade: #5AEA4D, #4DD8EA, #DD4DEA and #EA5F4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEA4D shade: #5AEA4D, #4DA9EA, #DD4DEA and #EA8E4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

Complementary color

CMYK 7 / 88 / 0 / 30

HEX #A515B2

RGB 165 21 178

HSL 295.03, 0.79%, 0.39%

LAB 40.82, 70.35, -48.93

 

CMYK 59 / 0 / 69 / 8

HEX #5FEA48

RGB 95 234 72

HSL 111.48, 0.79%, 0.6%

LAB 82.78, -66.33, 64.36

 

CMYK 56 / 0 / 64 / 1

HEX #70FC5B

RGB 112 252 91

HSL 112.17, 0.96%, 0.67%

LAB 88.84, -66.92, 63.64

 

CMYK 49 / 0 / 57 / 0

HEX #81FF6E

RGB 129 255 110

HSL 112.14, 1%, 0.72%

LAB 90.47, -61.76, 57.66

 

CMYK 43 / 0 / 49 / 0

HEX #92FF81

RGB 146 255 129

HSL 111.9, 1%, 0.75%

LAB 91.33, -54.81, 50.25

 

CMYK 36 / 0 / 42 / 0

HEX #A3FF94

RGB 163 255 148

HSL 111.59, 1%, 0.79%

LAB 92.33, -47.25, 42.62

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 66 / 0 / 73 / 15

HEX #49D83A

RGB 73 216 58

HSL 114.3, 0.67%, 0.54%

LAB 76.58, -66.09, 62.84

 

CMYK 72 / 0 / 80 / 22

HEX #38C627

RGB 56 198 39

HSL 113.58, 0.67%, 0.46%

LAB 70.44, -64.7, 62.77

 

CMYK 78 / 0 / 89 / 29

HEX #27B414

RGB 39 180 20

HSL 112.88, 0.8%, 0.39%

LAB 64.26, -62.68, 61.67

 

CMYK 86 / 0 / 99 / 36

HEX #16A201

RGB 22 162 1

HSL 112.17, 0.99%, 0.32%

LAB 58.05, -59.88, 59.3

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 44 / 0 / 67 / 8

HEX #84EA4D

RGB 132 234 77

HSL 98.98, 0.79%, 0.61%

LAB 84.11, -55.97, 64.27

 

CMYK 25 / 0 / 67 / 8

HEX #AFEA4D

RGB 175 234 77

HSL 82.55, 0.79%, 0.61%

LAB 86.25, -41.36, 67.17

 

CMYK 7 / 0 / 67 / 8

HEX #D9EA4D

RGB 217 234 77

HSL 66.5, 0.79%, 0.61%

LAB 88.99, -25.09, 70.84

 

CMYK 0 / 11 / 67 / 8

HEX #EAD14D

RGB 234 209 77

HSL 50.45, 0.79%, 0.61%

LAB 83.77, -5.78, 65.95

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 67 / 0 / 55 / 8

HEX #4DEA6A

RGB 77 234 106

HSL 131.08, 0.79%, 0.61%

LAB 82.63, -66.45, 49.82

 

CMYK 67 / 0 / 36 / 8

HEX #4DEA95

RGB 77 234 149

HSL 147.52, 0.79%, 0.61%

LAB 83.23, -59.66, 29.63

 

CMYK 67 / 0 / 18 / 8

HEX #4DEABF

RGB 77 234 191

HSL 163.57, 0.79%, 0.61%

LAB 84.06, -50.8, 9.04

 

CMYK 67 / 0 / 0 / 8

HEX #4DEAE9

RGB 77 234 233

HSL 179.62, 0.79%, 0.61%

LAB 85.15, -40.08, -11.47

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 69 / 0 / 76 / 2

HEX #4DFA3D

RGB 77 250 61

HSL 114.92, 0.95%, 0.61%

LAB 87.14, -75.93, 72.34

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 53 / 0 / 57 / 15

HEX #67DA5D

RGB 103 218 93

HSL 115.2, 0.63%, 0.61%

LAB 78.35, -56.56, 50.87

 

CMYK 42 / 0 / 46 / 21

HEX #75CA6D

RGB 117 202 109

HSL 114.84, 0.47%, 0.61%

LAB 74.27, -44.12, 38.42

 

CMYK 30 / 0 / 33 / 27

HEX #82BA7D

RGB 130 186 125

HSL 115.08, 0.31%, 0.61%

LAB 70.42, -30.3, 25.27

 

CMYK 15 / 0 / 17 / 33

HEX #90AA8D

RGB 144 170 141

HSL 113.79, 0.15%, 0.61%

LAB 66.98, -14.66, 11.99

 

CMYK 26 / 0 / 67 / 8

HEX #AEEA4D

RGB 174 234 77

HSL 82.93, 0.79%, 0.61%

LAB 86.2, -41.73, 67.09

 

CMYK 44 / 0 / 67 / 8

HEX #84EA4D

RGB 132 234 77

HSL 98.98, 0.79%, 0.61%

LAB 84.11, -55.97, 64.27

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 67 / 0 / 55 / 8

HEX #4DEA6A

RGB 77 234 106

HSL 131.08, 0.79%, 0.61%

LAB 82.63, -66.45, 49.82

 

CMYK 67 / 0 / 37 / 8

HEX #4DEA94

RGB 77 234 148

HSL 147.13, 0.79%, 0.61%

LAB 83.21, -59.85, 30.12

 

CMYK 81 / 0 / 88 / 20

HEX #27CD18

RGB 39 205 24

HSL 115.03, 0.79%, 0.45%

LAB 72.34, -69.93, 67.9

 

CMYK 76 / 0 / 83 / 10

HEX #38E628

RGB 56 230 40

HSL 114.95, 0.79%, 0.53%

LAB 80.51, -74.38, 71.79

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 48 / 0 / 52 / 7

HEX #7CEE72

RGB 124 238 114

HSL 115.16, 0.78%, 0.69%

LAB 85.33, -56.14, 49.71

 

CMYK 35 / 0 / 38 / 5

HEX #9EF397

RGB 158 243 151

HSL 115.43, 0.79%, 0.77%

LAB 88.74, -43.2, 36.44

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 67 / 8 / 0 / 8

HEX #4DD8EA

RGB 77 216 234

HSL 186.88, 0.79%, 0.61%

LAB 79.97, -31.42, -19.79

 

CMYK 0 / 67 / 35 / 8

HEX #EA4D99

RGB 234 77 153

HSL 330.96, 0.79%, 0.61%

LAB 57.17, 66.45, -7.84

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 67 / 62 / 0 / 8

HEX #4D5AEA

RGB 77 90 234

HSL 235.03, 0.79%, 0.61%

LAB 45.4, 40.31, -74.28

 

CMYK 0 / 67 / 62 / 8

HEX #EA4D5A

RGB 234 77 90

HSL 355.03, 0.79%, 0.61%

LAB 55.62, 61.01, 27.09

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 67 / 8 / 0 / 8

HEX #4DD8EA

RGB 77 216 234

HSL 186.88, 0.79%, 0.61%

LAB 79.97, -31.42, -19.79

 

CMYK 6 / 67 / 0 / 8

HEX #DD4DEA

RGB 221 77 234

HSL 295.03, 0.79%, 0.61%

LAB 58.62, 74.65, -52.18

 

CMYK 0 / 59 / 67 / 8

HEX #EA5F4D

RGB 234 95 77

HSL 6.88, 0.79%, 0.61%

LAB 58.24, 52.7, 37.74

 

CMYK 62 / 0 / 67 / 8

HEX #5AEA4D

RGB 90 234 77

HSL 115.03, 0.79%, 0.61%

LAB 82.68, -67.02, 62.31

 

CMYK 67 / 28 / 0 / 8

HEX #4DA9EA

RGB 77 169 234

HSL 204.84, 0.79%, 0.61%

LAB 66.44, -7.14, -40.62

 

CMYK 6 / 67 / 0 / 8

HEX #DD4DEA

RGB 221 77 234

HSL 295.03, 0.79%, 0.61%

LAB 58.62, 74.65, -52.18

 

CMYK 0 / 39 / 67 / 8

HEX #EA8E4D

RGB 234 142 77

HSL 24.84, 0.79%, 0.61%

LAB 67.56, 29.38, 48.53

 

Description

Color code: HEX #5AEA4D | qconv.com Color code: HEX #5AEA4D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 234 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 234 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 67 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 67% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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