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Color name
HEX #5AEA2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AEA2C it is the complementary color #A515D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AEA2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AEA2C shade: #5FEA27, #70FC3A, #81FF4D, #92FF60 and #A3FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AEA2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AEA2C shade: #5AEA2C, #49D819, #38C606, #27B400 and #16A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AEA2C shade: #5CEA2E, #8EEA2E, #C1EA2E, #EAE12E and #EAAE2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AEA2C shade: #5CEA2E, #2EEA33, #2EEA66, #2EEA99 and #2EEACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AEA2C shade matches the following richer shades: #5CEA2E and #52FD1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AEA2C shade: #5CEA2E, #65D841, #6FC553, #78B366 and #82A078

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AEA2C shade: #C2EA2E, #8FEA2E, #5DEA2E, #2EEA31 and #2EEA63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AEA2C shade: #39B412, #45DA16, #5CEA2E, #79EE54 and #96F279

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AEA2C shade: #5AEA2C, #2EEAE1 and #EA2EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AEA2C shade: #5AEA2C, #2E5DEA and #EA2E5D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AEA2C shade: #5AEA2C, #2EEAE1, #BB2EEA and #EA2E38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AEA2C shade: #5AEA2C, #2EBBEA, #BB2EEA and #EA5D2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 81 / 8

HEX #5AEA2C

RGB 90 234 44

HSL 105.47, 0.82%, 0.55%

LAB 82.49, -69.25, 72.86

 

Complementary color

CMYK 22 / 90 / 0 / 17

HEX #A515D3

RGB 165 21 211

HSL 285.47, 0.82%, 0.45%

LAB 43.12, 76.04, -64.49

 

CMYK 59 / 0 / 83 / 8

HEX #5FEA27

RGB 95 234 39

HSL 102.77, 0.82%, 0.54%

LAB 82.61, -68.33, 74.24

 

CMYK 56 / 0 / 77 / 1

HEX #70FC3A

RGB 112 252 58

HSL 103.3, 0.97%, 0.61%

LAB 88.62, -69.36, 74.98

 

CMYK 49 / 0 / 70 / 0

HEX #81FF4D

RGB 129 255 77

HSL 102.47, 1%, 0.65%

LAB 90.19, -64.73, 70.56

 

CMYK 43 / 0 / 62 / 0

HEX #92FF60

RGB 146 255 96

HSL 101.13, 1%, 0.69%

LAB 91, -58.3, 64.35

 

CMYK 36 / 0 / 55 / 0

HEX #A3FF73

RGB 163 255 115

HSL 99.43, 1%, 0.73%

LAB 91.93, -51.2, 57.52

 

CMYK 62 / 0 / 81 / 8

HEX #5AEA2C

RGB 90 234 44

HSL 105.47, 0.82%, 0.55%

LAB 82.49, -69.25, 72.86

 

CMYK 66 / 0 / 88 / 15

HEX #49D819

RGB 73 216 25

HSL 104.92, 0.79%, 0.47%

LAB 76.44, -67.81, 71.49

 

CMYK 72 / 0 / 97 / 22

HEX #38C606

RGB 56 198 6

HSL 104.38, 0.94%, 0.4%

LAB 70.35, -65.85, 68.82

 

CMYK 78 / 0 / 100 / 29

HEX #27B400

RGB 39 180 0

HSL 107, 1%, 0.35%

LAB 64.22, -63.2, 64.47

 

CMYK 86 / 0 / 100 / 36

HEX #16A200

RGB 22 162 0

HSL 111.85, 1%, 0.32%

LAB 58.05, -59.91, 59.44

 

CMYK 61 / 0 / 80 / 8

HEX #5CEA2E

RGB 92 234 46

HSL 105.32, 0.82%, 0.55%

LAB 82.55, -68.7, 72.42

 

CMYK 39 / 0 / 80 / 8

HEX #8EEA2E

RGB 142 234 46

HSL 89.36, 0.82%, 0.55%

LAB 84.38, -54.65, 74.77

 

CMYK 18 / 0 / 80 / 8

HEX #C1EA2E

RGB 193 234 46

HSL 73.09, 0.82%, 0.55%

LAB 87.18, -36.06, 78.34

 

CMYK 0 / 4 / 80 / 8

HEX #EAE12E

RGB 234 225 46

HSL 57.13, 0.82%, 0.55%

LAB 87.75, -15.07, 79.99

 

CMYK 0 / 26 / 80 / 8

HEX #EAAE2E

RGB 234 174 46

HSL 40.85, 0.82%, 0.55%

LAB 74.8, 11.06, 68.7

 

CMYK 61 / 0 / 80 / 8

HEX #5CEA2E

RGB 92 234 46

HSL 105.32, 0.82%, 0.55%

LAB 82.55, -68.7, 72.42

 

CMYK 80 / 0 / 78 / 8

HEX #2EEA33

RGB 46 234 51

HSL 121.6, 0.82%, 0.55%

LAB 81.66, -76.21, 69.87

 

CMYK 80 / 0 / 56 / 8

HEX #2EEA66

RGB 46 234 102

HSL 137.87, 0.82%, 0.55%

LAB 82.05, -71.38, 50.82

 

CMYK 80 / 0 / 35 / 8

HEX #2EEA99

RGB 46 234 153

HSL 154.15, 0.82%, 0.55%

LAB 82.77, -62.96, 26.88

 

CMYK 80 / 0 / 13 / 8

HEX #2EEACC

RGB 46 234 204

HSL 170.43, 0.82%, 0.55%

LAB 83.85, -51.24, 1.84

 

CMYK 61 / 0 / 80 / 8

HEX #5CEA2E

RGB 92 234 46

HSL 105.32, 0.82%, 0.55%

LAB 82.55, -68.7, 72.42

 

CMYK 68 / 0 / 89 / 1

HEX #52FD1C

RGB 82 253 28

HSL 105.6, 0.98%, 0.55%

LAB 88.03, -77.45, 80.94

 

CMYK 61 / 0 / 80 / 8

HEX #5CEA2E

RGB 92 234 46

HSL 105.32, 0.82%, 0.55%

LAB 82.55, -68.7, 72.42

 

CMYK 53 / 0 / 70 / 15

HEX #65D841

RGB 101 216 65

HSL 105.7, 0.66%, 0.55%

LAB 77.44, -59.02, 61.46

 

CMYK 44 / 0 / 58 / 23

HEX #6FC553

RGB 111 197 83

HSL 105.26, 0.5%, 0.55%

LAB 72.19, -47.09, 48.33

 

CMYK 33 / 0 / 43 / 30

HEX #78B366

RGB 120 179 102

HSL 105.97, 0.34%, 0.55%

LAB 67.42, -33.9, 33.33

 

CMYK 19 / 0 / 25 / 37

HEX #82A078

RGB 130 160 120

HSL 105, 0.17%, 0.55%

LAB 62.71, -18.21, 17.52

 

CMYK 17 / 0 / 80 / 8

HEX #C2EA2E

RGB 194 234 46

HSL 72.77, 0.82%, 0.55%

LAB 87.25, -35.66, 78.42

 

CMYK 39 / 0 / 80 / 8

HEX #8FEA2E

RGB 143 234 46

HSL 89.04, 0.82%, 0.55%

LAB 84.42, -54.32, 74.83

 

CMYK 60 / 0 / 80 / 8

HEX #5DEA2E

RGB 93 234 46

HSL 105, 0.82%, 0.55%

LAB 82.58, -68.48, 72.46

 

CMYK 80 / 0 / 79 / 8

HEX #2EEA31

RGB 46 234 49

HSL 120.96, 0.82%, 0.55%

LAB 81.65, -76.33, 70.43

 

CMYK 80 / 0 / 58 / 8

HEX #2EEA63

RGB 46 234 99

HSL 136.91, 0.82%, 0.55%

LAB 82.02, -71.77, 52.13

 

CMYK 68 / 0 / 90 / 29

HEX #39B412

RGB 57 180 18

HSL 105.56, 0.82%, 0.39%

LAB 64.61, -59.69, 62.48

 

CMYK 68 / 0 / 90 / 15

HEX #45DA16

RGB 69 218 22

HSL 105.61, 0.82%, 0.47%

LAB 76.96, -69.31, 72.4

 

CMYK 61 / 0 / 80 / 8

HEX #5CEA2E

RGB 92 234 46

HSL 105.32, 0.82%, 0.55%

LAB 82.55, -68.7, 72.42

 

CMYK 49 / 0 / 65 / 7

HEX #79EE54

RGB 121 238 84

HSL 105.58, 0.82%, 0.63%

LAB 84.92, -60.13, 62.27

 

CMYK 38 / 0 / 50 / 5

HEX #96F279

RGB 150 242 121

HSL 105.62, 0.82%, 0.71%

LAB 87.66, -49.26, 49.54

 

CMYK 62 / 0 / 81 / 8

HEX #5AEA2C

RGB 90 234 44

HSL 105.47, 0.82%, 0.55%

LAB 82.49, -69.25, 72.86

 

CMYK 80 / 0 / 4 / 8

HEX #2EEAE1

RGB 46 234 225

HSL 177.13, 0.82%, 0.55%

LAB 84.41, -45.61, -8.41

 

CMYK 0 / 80 / 28 / 8

HEX #EA2EA8

RGB 234 46 168

HSL 321.06, 0.82%, 0.55%

LAB 54.32, 77.68, -20.96

 

CMYK 62 / 0 / 81 / 8

HEX #5AEA2C

RGB 90 234 44

HSL 105.47, 0.82%, 0.55%

LAB 82.49, -69.25, 72.86

 

CMYK 80 / 60 / 0 / 8

HEX #2E5DEA

RGB 46 93 234

HSL 225, 0.82%, 0.55%

LAB 44.73, 35.09, -75.43

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5D

RGB 234 46 93

HSL 345, 0.82%, 0.55%

LAB 52.1, 71.15, 20.69

 

CMYK 62 / 0 / 81 / 8

HEX #5AEA2C

RGB 90 234 44

HSL 105.47, 0.82%, 0.55%

LAB 82.49, -69.25, 72.86

 

CMYK 80 / 0 / 4 / 8

HEX #2EEAE1

RGB 46 234 225

HSL 177.13, 0.82%, 0.55%

LAB 84.41, -45.61, -8.41

 

CMYK 20 / 80 / 0 / 8

HEX #BB2EEA

RGB 187 46 234

HSL 285, 0.82%, 0.55%

LAB 50.05, 78.15, -66.21

 

CMYK 0 / 80 / 76 / 8

HEX #EA2E38

RGB 234 46 56

HSL 356.81, 0.82%, 0.55%

LAB 51.53, 69.4, 41.74

 

CMYK 62 / 0 / 81 / 8

HEX #5AEA2C

RGB 90 234 44

HSL 105.47, 0.82%, 0.55%

LAB 82.49, -69.25, 72.86

 

CMYK 80 / 20 / 0 / 8

HEX #2EBBEA

RGB 46 187 234

HSL 195, 0.82%, 0.55%

LAB 70.91, -20.57, -33.71

 

CMYK 20 / 80 / 0 / 8

HEX #BB2EEA

RGB 187 46 234

HSL 285, 0.82%, 0.55%

LAB 50.05, 78.15, -66.21

 

CMYK 0 / 60 / 80 / 8

HEX #EA5D2E

RGB 234 93 46

HSL 15, 0.82%, 0.55%

LAB 57.58, 52.29, 52.97

 

Description

Color code: HEX #5AEA2C | qconv.com Color code: HEX #5AEA2C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 234 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 234 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 81 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 81% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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