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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AE965 it is the complementary color #A5169A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AE965. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AE965 shade: #5FE960, #70FB73, #81FF86, #92FF99 and #A3FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AE965. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AE965 shade: #5AE965, #49D752, #38C53F, #27B32C and #16A119

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AE965 shade: #59E864, #75E859, #9BE859, #C2E859 and #E8E859

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AE965 shade: #59E864, #59E88B, #59E8B1, #59E8D8 and #59D2E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AE965 shade matches the following richer shades: #59E864 and #4AF857

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AE965 shade: #59E864, #68D971, #77CA7E, #87BB8B and #96AB98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AE965 shade: #9CE859, #76E859, #59E863, #59E889 and #59E8AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AE965 shade: #1DD22B, #35E342, #59E864, #7DED86 and #A2F2A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AE965 shade: #5AE965, #59C2E8 and #E85989

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AE965 shade: #5AE965, #6359E8 and #E86359

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AE965 shade: #5AE965, #59C2E8, #E859DF and #E87F59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AE965 shade: #5AE965, #5997E8, #E859DF and #E8AA59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 57 / 9

HEX #5AE965

RGB 90 233 101

HSL 124.62, 0.76%, 0.63%

LAB 82.59, -64.18, 52.13

 

Complementary color

CMYK 0 / 87 / 7 / 35

HEX #A5169A

RGB 165 22 154

HSL 304.62, 0.76%, 0.37%

LAB 39.42, 66.41, -36.77

 

CMYK 59 / 0 / 59 / 9

HEX #5FE960

RGB 95 233 96

HSL 120.43, 0.76%, 0.64%

LAB 82.68, -63.67, 54.48

 

CMYK 55 / 0 / 54 / 2

HEX #70FB73

RGB 112 251 115

HSL 121.29, 0.95%, 0.71%

LAB 88.77, -64, 53.29

 

CMYK 49 / 0 / 47 / 0

HEX #81FF86

RGB 129 255 134

HSL 122.38, 1%, 0.75%

LAB 90.74, -58.84, 47.02

 

CMYK 43 / 0 / 40 / 0

HEX #92FF99

RGB 146 255 153

HSL 123.85, 1%, 0.79%

LAB 91.65, -51.54, 39.16

 

CMYK 36 / 0 / 33 / 0

HEX #A3FFAC

RGB 163 255 172

HSL 125.87, 1%, 0.82%

LAB 92.7, -43.68, 31.25

 

CMYK 61 / 0 / 57 / 9

HEX #5AE965

RGB 90 233 101

HSL 124.62, 0.76%, 0.63%

LAB 82.59, -64.18, 52.13

 

CMYK 66 / 0 / 62 / 16

HEX #49D752

RGB 73 215 82

HSL 123.8, 0.64%, 0.56%

LAB 76.45, -63.56, 53.32

 

CMYK 72 / 0 / 68 / 23

HEX #38C53F

RGB 56 197 63

HSL 122.98, 0.56%, 0.5%

LAB 70.27, -62.57, 54.32

 

CMYK 78 / 0 / 75 / 30

HEX #27B32C

RGB 39 179 44

HSL 122.14, 0.64%, 0.43%

LAB 64.04, -61.04, 54.92

 

CMYK 86 / 0 / 84 / 37

HEX #16A119

RGB 22 161 25

HSL 121.29, 0.76%, 0.36%

LAB 57.78, -58.75, 54.7

 

CMYK 62 / 0 / 57 / 9

HEX #59E864

RGB 89 232 100

HSL 124.62, 0.76%, 0.63%

LAB 82.25, -64.16, 52.17

 

CMYK 50 / 0 / 62 / 9

HEX #75E859

RGB 117 232 89

HSL 108.25, 0.76%, 0.63%

LAB 83.03, -58.52, 58.09

 

CMYK 33 / 0 / 62 / 9

HEX #9BE859

RGB 155 232 89

HSL 92.31, 0.76%, 0.63%

LAB 84.69, -46.7, 60.4

 

CMYK 16 / 0 / 62 / 9

HEX #C2E859

RGB 194 232 89

HSL 75.94, 0.76%, 0.63%

LAB 86.95, -32.44, 63.52

 

CMYK 0 / 0 / 62 / 9

HEX #E8E859

RGB 232 232 89

HSL 60, 0.76%, 0.63%

LAB 89.67, -17.36, 67.24

 

CMYK 62 / 0 / 57 / 9

HEX #59E864

RGB 89 232 100

HSL 124.62, 0.76%, 0.63%

LAB 82.25, -64.16, 52.17

 

CMYK 62 / 0 / 40 / 9

HEX #59E88B

RGB 89 232 139

HSL 140.98, 0.76%, 0.63%

LAB 82.75, -58.5, 34.11

 

CMYK 62 / 0 / 24 / 9

HEX #59E8B1

RGB 89 232 177

HSL 156.92, 0.76%, 0.63%

LAB 83.45, -51.14, 15.53

 

CMYK 62 / 0 / 7 / 9

HEX #59E8D8

RGB 89 232 216

HSL 173.29, 0.76%, 0.63%

LAB 84.38, -41.9, -3.63

 

CMYK 62 / 9 / 0 / 9

HEX #59D2E8

RGB 89 210 232

HSL 189.23, 0.76%, 0.63%

LAB 78.49, -27.25, -20.94

 

CMYK 62 / 0 / 57 / 9

HEX #59E864

RGB 89 232 100

HSL 124.62, 0.76%, 0.63%

LAB 82.25, -64.16, 52.17

 

CMYK 70 / 0 / 65 / 3

HEX #4AF857

RGB 74 248 87

HSL 124.48, 0.93%, 0.63%

LAB 86.64, -73.72, 62.56

 

CMYK 62 / 0 / 57 / 9

HEX #59E864

RGB 89 232 100

HSL 124.62, 0.76%, 0.63%

LAB 82.25, -64.16, 52.17

 

CMYK 52 / 0 / 48 / 15

HEX #68D971

RGB 104 217 113

HSL 124.78, 0.6%, 0.63%

LAB 78.32, -53.37, 41.42

 

CMYK 41 / 0 / 38 / 21

HEX #77CA7E

RGB 119 202 126

HSL 125.06, 0.44%, 0.63%

LAB 74.62, -40.97, 30.23

 

CMYK 28 / 0 / 26 / 27

HEX #87BB8B

RGB 135 187 139

HSL 124.62, 0.28%, 0.63%

LAB 71.25, -26.73, 18.96

 

CMYK 12 / 0 / 11 / 33

HEX #96AB98

RGB 150 171 152

HSL 125.71, 0.11%, 0.63%

LAB 67.93, -11.03, 7.33

 

CMYK 33 / 0 / 62 / 9

HEX #9CE859

RGB 156 232 89

HSL 91.89, 0.76%, 0.63%

LAB 84.74, -46.36, 60.47

 

CMYK 49 / 0 / 62 / 9

HEX #76E859

RGB 118 232 89

HSL 107.83, 0.76%, 0.63%

LAB 83.07, -58.24, 58.14

 

CMYK 62 / 0 / 57 / 9

HEX #59E863

RGB 89 232 99

HSL 124.2, 0.76%, 0.63%

LAB 82.24, -64.28, 52.6

 

CMYK 62 / 0 / 41 / 9

HEX #59E889

RGB 89 232 137

HSL 140.14, 0.76%, 0.63%

LAB 82.72, -58.84, 35.07

 

CMYK 62 / 0 / 25 / 9

HEX #59E8AF

RGB 89 232 175

HSL 156.08, 0.76%, 0.63%

LAB 83.41, -51.57, 16.52

 

CMYK 86 / 0 / 80 / 18

HEX #1DD22B

RGB 29 210 43

HSL 124.64, 0.76%, 0.47%

LAB 73.89, -71.46, 64.74

 

CMYK 77 / 0 / 71 / 11

HEX #35E342

RGB 53 227 66

HSL 124.48, 0.76%, 0.55%

LAB 79.66, -72.21, 63.03

 

CMYK 62 / 0 / 57 / 9

HEX #59E864

RGB 89 232 100

HSL 124.62, 0.76%, 0.63%

LAB 82.25, -64.16, 52.17

 

CMYK 47 / 0 / 43 / 7

HEX #7DED86

RGB 125 237 134

HSL 124.82, 0.76%, 0.71%

LAB 85.33, -52.78, 40.15

 

CMYK 33 / 0 / 31 / 5

HEX #A2F2A8

RGB 162 242 168

HSL 124.5, 0.75%, 0.79%

LAB 88.93, -38.88, 28.17

 

CMYK 61 / 0 / 57 / 9

HEX #5AE965

RGB 90 233 101

HSL 124.62, 0.76%, 0.63%

LAB 82.59, -64.18, 52.13

 

CMYK 62 / 16 / 0 / 9

HEX #59C2E8

RGB 89 194 232

HSL 195.94, 0.76%, 0.63%

LAB 73.89, -19.19, -27.95

 

CMYK 0 / 62 / 41 / 9

HEX #E85989

RGB 232 89 137

HSL 339.86, 0.76%, 0.63%

LAB 58.14, 59.35, 2.91

 

CMYK 61 / 0 / 57 / 9

HEX #5AE965

RGB 90 233 101

HSL 124.62, 0.76%, 0.63%

LAB 82.59, -64.18, 52.13

 

CMYK 57 / 62 / 0 / 9

HEX #6359E8

RGB 99 89 232

HSL 244.2, 0.76%, 0.63%

LAB 46.48, 43.56, -71.34

 

CMYK 0 / 57 / 62 / 9

HEX #E86359

RGB 232 99 89

HSL 4.2, 0.76%, 0.63%

LAB 58.79, 50.9, 31.64

 

CMYK 61 / 0 / 57 / 9

HEX #5AE965

RGB 90 233 101

HSL 124.62, 0.76%, 0.63%

LAB 82.59, -64.18, 52.13

 

CMYK 62 / 16 / 0 / 9

HEX #59C2E8

RGB 89 194 232

HSL 195.94, 0.76%, 0.63%

LAB 73.89, -19.19, -27.95

 

CMYK 0 / 62 / 4 / 9

HEX #E859DF

RGB 232 89 223

HSL 303.78, 0.76%, 0.63%

LAB 61.33, 70.76, -41.62

 

CMYK 0 / 45 / 62 / 9

HEX #E87F59

RGB 232 127 89

HSL 15.94, 0.76%, 0.63%

LAB 64.21, 37.14, 38.35

 

CMYK 61 / 0 / 57 / 9

HEX #5AE965

RGB 90 233 101

HSL 124.62, 0.76%, 0.63%

LAB 82.59, -64.18, 52.13

 

CMYK 62 / 35 / 0 / 9

HEX #5997E8

RGB 89 151 232

HSL 213.99, 0.76%, 0.63%

LAB 61.73, 4.47, -46.9

 

CMYK 0 / 62 / 4 / 9

HEX #E859DF

RGB 232 89 223

HSL 303.78, 0.76%, 0.63%

LAB 61.33, 70.76, -41.62

 

CMYK 0 / 27 / 62 / 9

HEX #E8AA59

RGB 232 170 89

HSL 33.99, 0.76%, 0.63%

LAB 73.95, 14.44, 49.89

 

Description

Color code: HEX #5AE965 | qconv.com Color code: HEX #5AE965 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 233 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 233 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 57 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 57% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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