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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AE6C8 it is the complementary color #A51937. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AE6C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AE6C8 shade: #5FE6C3, #70F8D6, #81FFE9, #92FFFC and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AE6C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AE6C8 shade: #5AE6C8, #49D4B5, #38C2A2, #27B08F and #169E7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AE6C8 shade: #5BE6C9, #5BE6A3, #5BE67D, #5EE65B and #84E65B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AE6C8 shade: #5BE6C9, #5BDFE6, #5BB9E6, #5B93E6 and #5B6EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AE6C8 shade matches the following richer shades: #5BE6C9 and #4CF6D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AE6C8 shade: #5BE6C9, #6AD7C0, #79C8B7, #89B9AE and #98A9A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AE6C8 shade: #5BE67E, #5BE6A3, #5BE6C8, #5BDFE6 and #5BBAE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AE6C8 shade: #1FD0AA, #37E1BD, #5BE6C9, #7FECD4 and #A3F1E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AE6C8 shade: #5AE6C8, #5B5DE6 and #E6905B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AE6C8 shade: #5AE6C8, #C85BE6 and #E6C85B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AE6C8 shade: #5AE6C8, #5B5DE6, #E65B79 and #E6E45B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AE6C8 shade: #5AE6C8, #825BE6, #E65B79 and #BFE65B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 13 / 10

HEX #5AE6C8

RGB 90 230 200

HSL 167.14, 0.74%, 0.63%

LAB 83.41, -44.83, 3.4

 

Complementary color

CMYK 0 / 85 / 67 / 35

HEX #A51937

RGB 165 25 55

HSL 347.14, 0.74%, 0.37%

LAB 35.93, 55.4, 20.52

 

CMYK 59 / 0 / 15 / 10

HEX #5FE6C3

RGB 95 230 195

HSL 164.44, 0.73%, 0.64%

LAB 83.42, -45.12, 6.08

 

CMYK 55 / 0 / 14 / 3

HEX #70F8D6

RGB 112 248 214

HSL 165, 0.91%, 0.71%

LAB 89.6, -45.2, 5.11

 

CMYK 49 / 0 / 9 / 0

HEX #81FFE9

RGB 129 255 233

HSL 169.52, 1%, 0.75%

LAB 92.61, -40.35, -0.3

 

CMYK 43 / 0 / 1 / 0

HEX #92FFFC

RGB 146 255 252

HSL 178.35, 1%, 0.79%

LAB 93.74, -32.07, -8.39

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 61 / 0 / 13 / 10

HEX #5AE6C8

RGB 90 230 200

HSL 167.14, 0.74%, 0.63%

LAB 83.41, -44.83, 3.4

 

CMYK 66 / 0 / 15 / 17

HEX #49D4B5

RGB 73 212 181

HSL 166.62, 0.62%, 0.56%

LAB 77.18, -44.54, 4.44

 

CMYK 71 / 0 / 16 / 24

HEX #38C2A2

RGB 56 194 162

HSL 166.09, 0.55%, 0.49%

LAB 70.89, -44.06, 5.57

 

CMYK 78 / 0 / 19 / 31

HEX #27B08F

RGB 39 176 143

HSL 165.55, 0.64%, 0.42%

LAB 64.54, -43.34, 6.83

 

CMYK 86 / 0 / 22 / 38

HEX #169E7C

RGB 22 158 124

HSL 165, 0.76%, 0.35%

LAB 58.11, -42.25, 8.24

 

CMYK 60 / 0 / 13 / 10

HEX #5BE6C9

RGB 91 230 201

HSL 167.48, 0.74%, 0.63%

LAB 83.46, -44.42, 2.95

 

CMYK 60 / 0 / 29 / 10

HEX #5BE6A3

RGB 91 230 163

HSL 151.08, 0.74%, 0.63%

LAB 82.63, -52.87, 21.68

 

CMYK 60 / 0 / 46 / 10

HEX #5BE67D

RGB 91 230 125

HSL 134.68, 0.74%, 0.63%

LAB 82, -59.61, 40.1

 

CMYK 59 / 0 / 60 / 10

HEX #5EE65B

RGB 94 230 91

HSL 118.71, 0.74%, 0.63%

LAB 81.69, -63.38, 55.52

 

CMYK 43 / 0 / 60 / 10

HEX #84E65B

RGB 132 230 91

HSL 102.3, 0.74%, 0.63%

LAB 83.05, -53.18, 57.42

 

CMYK 60 / 0 / 13 / 10

HEX #5BE6C9

RGB 91 230 201

HSL 167.48, 0.74%, 0.63%

LAB 83.46, -44.42, 2.95

 

CMYK 60 / 3 / 0 / 10

HEX #5BDFE6

RGB 91 223 230

HSL 183.02, 0.74%, 0.63%

LAB 82.22, -33.72, -14.23

 

CMYK 60 / 20 / 0 / 10

HEX #5BB9E6

RGB 91 185 230

HSL 199.42, 0.74%, 0.63%

LAB 71.31, -14.74, -30.84

 

CMYK 60 / 36 / 0 / 10

HEX #5B93E6

RGB 91 147 230

HSL 215.83, 0.74%, 0.63%

LAB 60.61, 6.52, -47.55

 

CMYK 60 / 52 / 0 / 10

HEX #5B6EE6

RGB 91 110 230

HSL 231.8, 0.74%, 0.63%

LAB 50.79, 28.89, -63.24

 

CMYK 60 / 0 / 13 / 10

HEX #5BE6C9

RGB 91 230 201

HSL 167.48, 0.74%, 0.63%

LAB 83.46, -44.42, 2.95

 

CMYK 69 / 0 / 15 / 4

HEX #4CF6D1

RGB 76 246 209

HSL 166.94, 0.9%, 0.63%

LAB 87.99, -51.62, 5.28

 

CMYK 60 / 0 / 13 / 10

HEX #5BE6C9

RGB 91 230 201

HSL 167.48, 0.74%, 0.63%

LAB 83.46, -44.42, 2.95

 

CMYK 51 / 0 / 11 / 16

HEX #6AD7C0

RGB 106 215 192

HSL 167.34, 0.58%, 0.63%

LAB 79.31, -36.89, 1.76

 

CMYK 40 / 0 / 9 / 22

HEX #79C8B7

RGB 121 200 183

HSL 167.09, 0.42%, 0.63%

LAB 75.32, -28.26, 0.86

 

CMYK 26 / 0 / 6 / 27

HEX #89B9AE

RGB 137 185 174

HSL 166.25, 0.26%, 0.63%

LAB 71.6, -18.18, 0.43

 

CMYK 10 / 0 / 2 / 34

HEX #98A9A6

RGB 152 169 166

HSL 169.41, 0.09%, 0.63%

LAB 67.88, -6.53, -0.49

 

CMYK 60 / 0 / 45 / 10

HEX #5BE67E

RGB 91 230 126

HSL 135.11, 0.74%, 0.63%

LAB 82.01, -59.45, 39.63

 

CMYK 60 / 0 / 29 / 10

HEX #5BE6A3

RGB 91 230 163

HSL 151.08, 0.74%, 0.63%

LAB 82.63, -52.87, 21.68

 

CMYK 60 / 0 / 13 / 10

HEX #5BE6C8

RGB 91 230 200

HSL 167.05, 0.74%, 0.63%

LAB 83.44, -44.66, 3.44

 

CMYK 60 / 3 / 0 / 10

HEX #5BDFE6

RGB 91 223 230

HSL 183.02, 0.74%, 0.63%

LAB 82.22, -33.72, -14.23

 

CMYK 60 / 19 / 0 / 10

HEX #5BBAE6

RGB 91 186 230

HSL 198.99, 0.74%, 0.63%

LAB 71.59, -15.27, -30.4

 

CMYK 85 / 0 / 18 / 18

HEX #1FD0AA

RGB 31 208 170

HSL 167.12, 0.74%, 0.47%

LAB 75.02, -50.46, 7.12

 

CMYK 76 / 0 / 16 / 12

HEX #37E1BD

RGB 55 225 189

HSL 167.29, 0.74%, 0.55%

LAB 80.93, -50.46, 5.53

 

CMYK 60 / 0 / 13 / 10

HEX #5BE6C9

RGB 91 230 201

HSL 167.48, 0.74%, 0.63%

LAB 83.46, -44.42, 2.95

 

CMYK 46 / 0 / 10 / 7

HEX #7FECD4

RGB 127 236 212

HSL 166.79, 0.74%, 0.71%

LAB 86.63, -37.05, 1.91

 

CMYK 32 / 0 / 7 / 5

HEX #A3F1E0

RGB 163 241 224

HSL 166.92, 0.74%, 0.79%

LAB 89.9, -27.5, 0.59

 

CMYK 61 / 0 / 13 / 10

HEX #5AE6C8

RGB 90 230 200

HSL 167.14, 0.74%, 0.63%

LAB 83.41, -44.83, 3.4

 

CMYK 60 / 60 / 0 / 10

HEX #5B5DE6

RGB 91 93 230

HSL 239.14, 0.74%, 0.63%

LAB 46.67, 39.24, -69.92

 

CMYK 0 / 37 / 60 / 10

HEX #E6905B

RGB 230 144 91

HSL 22.88, 0.74%, 0.63%

LAB 67.67, 27.59, 41.43

 

CMYK 61 / 0 / 13 / 10

HEX #5AE6C8

RGB 90 230 200

HSL 167.14, 0.74%, 0.63%

LAB 83.41, -44.83, 3.4

 

CMYK 13 / 60 / 0 / 10

HEX #C85BE6

RGB 200 91 230

HSL 287.05, 0.74%, 0.63%

LAB 57.54, 63.4, -51.84

 

CMYK 0 / 13 / 60 / 10

HEX #E6C85B

RGB 230 200 91

HSL 47.05, 0.74%, 0.63%

LAB 81.23, -1.99, 57.15

 

CMYK 61 / 0 / 13 / 10

HEX #5AE6C8

RGB 90 230 200

HSL 167.14, 0.74%, 0.63%

LAB 83.41, -44.83, 3.4

 

CMYK 60 / 60 / 0 / 10

HEX #5B5DE6

RGB 91 93 230

HSL 239.14, 0.74%, 0.63%

LAB 46.67, 39.24, -69.92

 

CMYK 0 / 60 / 47 / 10

HEX #E65B79

RGB 230 91 121

HSL 347.05, 0.74%, 0.63%

LAB 57.74, 56.31, 11.68

 

CMYK 0 / 1 / 60 / 10

HEX #E6E45B

RGB 230 228 91

HSL 59.14, 0.74%, 0.63%

LAB 88.48, -16.09, 65.1

 

CMYK 61 / 0 / 13 / 10

HEX #5AE6C8

RGB 90 230 200

HSL 167.14, 0.74%, 0.63%

LAB 83.41, -44.83, 3.4

 

CMYK 43 / 60 / 0 / 10

HEX #825BE6

RGB 130 91 230

HSL 256.83, 0.74%, 0.63%

LAB 49.42, 47.61, -65.3

 

CMYK 0 / 60 / 47 / 10

HEX #E65B79

RGB 230 91 121

HSL 347.05, 0.74%, 0.63%

LAB 57.74, 56.31, 11.68

 

CMYK 17 / 0 / 60 / 10

HEX #BFE65B

RGB 191 230 91

HSL 76.83, 0.74%, 0.63%

LAB 86.22, -32.52, 61.83

 

Description

Color code: HEX #5AE6C8 | qconv.com Color code: HEX #5AE6C8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 230 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 230 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 13 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 13% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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