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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AE51D it is the complementary color #A51AE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AE51D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AE51D shade: #5FE518, #70F72B, #81FF3E, #92FF51 and #A3FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AE51D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AE51D shade: #5AE51D, #49D30A, #38C100, #27AF00 and #169D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AE51D shade: #5CE51F, #91E51F, #C6E51F, #E5CE1F and #E5991F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AE51D shade: #5CE51F, #26E51F, #1FE54E, #1FE583 and #1FE5B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AE51D shade matches the following richer shades: #5CE51F and #54F90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AE51D shade: #5CE51F, #63D134, #6BBC48, #73A85C and #7B9470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AE51D shade: #C7E51F, #93E51F, #5EE51F, #29E51F and #1FE54A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AE51D shade: #3D9F13, #4CC417, #5CE51F, #77E944 and #92ED69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AE51D shade: #5AE51D, #1FE5CE and #E51FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AE51D shade: #5AE51D, #1F5EE5 and #E51F5E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AE51D shade: #5AE51D, #1FE5CE, #A61FE5 and #E51F36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AE51D shade: #5AE51D, #1FC1E5, #A61FE5 and #E5441F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 87 / 10

HEX #5AE51D

RGB 90 229 29

HSL 101.7, 0.79%, 0.51%

LAB 80.91, -68.21, 74.77

 

Complementary color

CMYK 27 / 88 / 0 / 11

HEX #A51AE2

RGB 165 26 226

HSL 281.7, 0.79%, 0.49%

LAB 44.56, 77.93, -70.74

 

CMYK 59 / 0 / 90 / 10

HEX #5FE518

RGB 95 229 24

HSL 99.22, 0.81%, 0.5%

LAB 81.04, -67.18, 75.8

 

CMYK 55 / 0 / 83 / 3

HEX #70F72B

RGB 112 247 43

HSL 99.71, 0.93%, 0.57%

LAB 87.07, -68.38, 77.49

 

CMYK 49 / 0 / 76 / 0

HEX #81FF3E

RGB 129 255 62

HSL 99.17, 1%, 0.62%

LAB 90.11, -65.7, 75.41

 

CMYK 43 / 0 / 68 / 0

HEX #92FF51

RGB 146 255 81

HSL 97.59, 1%, 0.66%

LAB 90.88, -59.51, 70.03

 

CMYK 36 / 0 / 61 / 0

HEX #A3FF64

RGB 163 255 100

HSL 95.61, 1%, 0.7%

LAB 91.79, -52.63, 63.8

 

CMYK 61 / 0 / 87 / 10

HEX #5AE51D

RGB 90 229 29

HSL 101.7, 0.79%, 0.51%

LAB 80.91, -68.21, 74.77

 

CMYK 65 / 0 / 95 / 17

HEX #49D30A

RGB 73 211 10

HSL 101.19, 0.91%, 0.43%

LAB 74.84, -66.58, 72.23

 

CMYK 71 / 0 / 100 / 24

HEX #38C100

RGB 56 193 0

HSL 102.59, 1%, 0.38%

LAB 68.74, -64.42, 68.2

 

CMYK 78 / 0 / 100 / 31

HEX #27AF00

RGB 39 175 0

HSL 106.63, 1%, 0.34%

LAB 62.58, -61.69, 63.17

 

CMYK 86 / 0 / 100 / 38

HEX #169D00

RGB 22 157 0

HSL 111.59, 1%, 0.31%

LAB 56.37, -58.44, 58.1

 

CMYK 60 / 0 / 86 / 10

HEX #5CE51F

RGB 92 229 31

HSL 101.52, 0.79%, 0.51%

LAB 80.97, -67.68, 74.47

 

CMYK 37 / 0 / 86 / 10

HEX #91E51F

RGB 145 229 31

HSL 85.45, 0.79%, 0.51%

LAB 83, -52.19, 77.01

 

CMYK 14 / 0 / 86 / 10

HEX #C6E51F

RGB 198 229 31

HSL 69.39, 0.79%, 0.51%

LAB 86.08, -32.22, 80.83

 

CMYK 0 / 10 / 86 / 10

HEX #E5CE1F

RGB 229 206 31

HSL 53.03, 0.79%, 0.51%

LAB 82.32, -8.09, 78.78

 

CMYK 0 / 33 / 86 / 10

HEX #E5991F

RGB 229 153 31

HSL 36.97, 0.79%, 0.51%

LAB 69.14, 19.66, 68.18

 

CMYK 60 / 0 / 86 / 10

HEX #5CE51F

RGB 92 229 31

HSL 101.52, 0.79%, 0.51%

LAB 80.97, -67.68, 74.47

 

CMYK 83 / 0 / 86 / 10

HEX #26E51F

RGB 38 229 31

HSL 117.88, 0.79%, 0.51%

LAB 79.93, -76.61, 73.15

 

CMYK 86 / 0 / 66 / 10

HEX #1FE54E

RGB 31 229 78

HSL 134.24, 0.79%, 0.51%

LAB 80.11, -74, 58.85

 

CMYK 86 / 0 / 43 / 10

HEX #1FE583

RGB 31 229 131

HSL 150.3, 0.79%, 0.51%

LAB 80.72, -66.62, 35.27

 

CMYK 86 / 0 / 20 / 10

HEX #1FE5B8

RGB 31 229 184

HSL 166.36, 0.79%, 0.51%

LAB 81.72, -55.37, 9.28

 

CMYK 60 / 0 / 86 / 10

HEX #5CE51F

RGB 92 229 31

HSL 101.52, 0.79%, 0.51%

LAB 80.97, -67.68, 74.47

 

CMYK 66 / 0 / 96 / 2

HEX #54F90B

RGB 84 249 11

HSL 101.6, 0.95%, 0.51%

LAB 86.83, -76.21, 81.99

 

CMYK 60 / 0 / 86 / 10

HEX #5CE51F

RGB 92 229 31

HSL 101.52, 0.79%, 0.51%

LAB 80.97, -67.68, 74.47

 

CMYK 53 / 0 / 75 / 18

HEX #63D134

RGB 99 209 52

HSL 102.04, 0.63%, 0.51%

LAB 75.14, -57.93, 63.69

 

CMYK 43 / 0 / 62 / 26

HEX #6BBC48

RGB 107 188 72

HSL 101.9, 0.46%, 0.51%

LAB 69.16, -45.77, 49.78

 

CMYK 32 / 0 / 45 / 34

HEX #73A85C

RGB 115 168 92

HSL 101.84, 0.3%, 0.51%

LAB 63.69, -31.9, 33.71

 

CMYK 17 / 0 / 24 / 42

HEX #7B9470

RGB 123 148 112

HSL 101.67, 0.14%, 0.51%

LAB 58.57, -15.89, 16.19

 

CMYK 13 / 0 / 86 / 10

HEX #C7E51F

RGB 199 229 31

HSL 69.09, 0.79%, 0.51%

LAB 86.15, -31.82, 80.91

 

CMYK 36 / 0 / 86 / 10

HEX #93E51F

RGB 147 229 31

HSL 84.85, 0.79%, 0.51%

LAB 83.09, -51.5, 77.13

 

CMYK 59 / 0 / 86 / 10

HEX #5EE51F

RGB 94 229 31

HSL 100.91, 0.79%, 0.51%

LAB 81.03, -67.21, 74.54

 

CMYK 82 / 0 / 86 / 10

HEX #29E51F

RGB 41 229 31

HSL 116.97, 0.79%, 0.51%

LAB 79.96, -76.31, 73.2

 

CMYK 86 / 0 / 68 / 10

HEX #1FE54A

RGB 31 229 74

HSL 133.03, 0.79%, 0.51%

LAB 80.08, -74.39, 60.39

 

CMYK 62 / 0 / 88 / 38

HEX #3D9F13

RGB 61 159 19

HSL 102, 0.79%, 0.35%

LAB 57.88, -51.65, 56.52

 

CMYK 61 / 0 / 88 / 23

HEX #4CC417

RGB 76 196 23

HSL 101.62, 0.79%, 0.43%

LAB 70.23, -60.67, 66.57

 

CMYK 60 / 0 / 86 / 10

HEX #5CE51F

RGB 92 229 31

HSL 101.52, 0.79%, 0.51%

LAB 80.97, -67.68, 74.47

 

CMYK 49 / 0 / 71 / 9

HEX #77E944

RGB 119 233 68

HSL 101.45, 0.79%, 0.59%

LAB 83.24, -60.1, 66.53

 

CMYK 38 / 0 / 56 / 7

HEX #92ED69

RGB 146 237 105

HSL 101.36, 0.79%, 0.67%

LAB 85.86, -50.24, 54.67

 

CMYK 61 / 0 / 87 / 10

HEX #5AE51D

RGB 90 229 29

HSL 101.7, 0.79%, 0.51%

LAB 80.91, -68.21, 74.77

 

CMYK 86 / 0 / 10 / 10

HEX #1FE5CE

RGB 31 229 206

HSL 173.03, 0.79%, 0.51%

LAB 82.26, -49.72, -1.56

 

CMYK 0 / 86 / 24 / 10

HEX #E51FAD

RGB 229 31 173

HSL 316.97, 0.79%, 0.51%

LAB 52.57, 80.21, -26.66

 

CMYK 61 / 0 / 87 / 10

HEX #5AE51D

RGB 90 229 29

HSL 101.7, 0.79%, 0.51%

LAB 80.91, -68.21, 74.77

 

CMYK 86 / 59 / 0 / 10

HEX #1F5EE5

RGB 31 94 229

HSL 220.91, 0.79%, 0.51%

LAB 44.17, 31.52, -73.55

 

CMYK 0 / 86 / 59 / 10

HEX #E51F5E

RGB 229 31 94

HSL 340.91, 0.79%, 0.51%

LAB 50.03, 73.15, 17.13

 

CMYK 61 / 0 / 87 / 10

HEX #5AE51D

RGB 90 229 29

HSL 101.7, 0.79%, 0.51%

LAB 80.91, -68.21, 74.77

 

CMYK 86 / 0 / 10 / 10

HEX #1FE5CE

RGB 31 229 206

HSL 173.03, 0.79%, 0.51%

LAB 82.26, -49.72, -1.56

 

CMYK 28 / 86 / 0 / 10

HEX #A61FE5

RGB 166 31 229

HSL 280.91, 0.79%, 0.51%

LAB 45.28, 77.64, -71.27

 

CMYK 0 / 86 / 76 / 10

HEX #E51F36

RGB 229 31 54

HSL 353.03, 0.79%, 0.51%

LAB 49.38, 71.27, 40.25

 

CMYK 61 / 0 / 87 / 10

HEX #5AE51D

RGB 90 229 29

HSL 101.7, 0.79%, 0.51%

LAB 80.91, -68.21, 74.77

 

CMYK 86 / 16 / 0 / 10

HEX #1FC1E5

RGB 31 193 229

HSL 190.91, 0.79%, 0.51%

LAB 72.29, -26.39, -28.89

 

CMYK 28 / 86 / 0 / 10

HEX #A61FE5

RGB 166 31 229

HSL 280.91, 0.79%, 0.51%

LAB 45.28, 77.64, -71.27

 

CMYK 0 / 70 / 86 / 10

HEX #E5441F

RGB 229 68 31

HSL 11.21, 0.79%, 0.51%

LAB 52.83, 60.42, 55.06

 

Description

Color code: HEX #5AE51D | qconv.com Color code: HEX #5AE51D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 229 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 229 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 87 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 87% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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