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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AE33D it is the complementary color #A51CC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AE33D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AE33D shade: #5FE338, #70F54B, #81FF5E, #92FF71 and #A3FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AE33D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AE33D shade: #5AE33D, #49D12A, #38BF17, #27AD04 and #169B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AE33D shade: #58E33B, #85E33B, #B3E33B, #E0E33B and #E3B83B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AE33D shade: #58E33B, #3BE34B, #3BE378, #3BE3A5 and #3BE3D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AE33D shade matches the following richer shades: #58E33B and #4CF528

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AE33D shade: #58E33B, #64D14D, #70BF5F, #7BAC71 and #879A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AE33D shade: #B3E33B, #86E33B, #5AE33B, #3BE349 and #3BE376

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AE33D shade: #34B219, #3FD61F, #58E33B, #77E85F and #95ED83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AE33D shade: #5AE33D, #3BE0E3 and #E33B9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AE33D shade: #5AE33D, #3B5AE3 and #E33B5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AE33D shade: #5AE33D, #3BE0E3, #C43BE3 and #E33D3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AE33D shade: #5AE33D, #3BAEE3, #C43BE3 and #E3703B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 73 / 11

HEX #5AE33D

RGB 90 227 61

HSL 109.52, 0.75%, 0.56%

LAB 80.43, -65.91, 65.82

 

Complementary color

CMYK 15 / 86 / 0 / 24

HEX #A51CC2

RGB 165 28 194

HSL 289.52, 0.75%, 0.44%

LAB 42.35, 71.71, -55.88

 

CMYK 58 / 0 / 75 / 11

HEX #5FE338

RGB 95 227 56

HSL 106.32, 0.75%, 0.55%

LAB 80.55, -65.08, 67.64

 

CMYK 54 / 0 / 69 / 4

HEX #70F54B

RGB 112 245 75

HSL 106.94, 0.89%, 0.63%

LAB 86.63, -65.8, 67.42

 

CMYK 49 / 0 / 63 / 0

HEX #81FF5E

RGB 129 255 94

HSL 106.96, 1%, 0.68%

LAB 90.32, -63.35, 64.23

 

CMYK 43 / 0 / 56 / 0

HEX #92FF71

RGB 146 255 113

HSL 106.06, 1%, 0.72%

LAB 91.15, -56.65, 57.31

 

CMYK 36 / 0 / 48 / 0

HEX #A3FF84

RGB 163 255 132

HSL 104.88, 1%, 0.76%

LAB 92.12, -49.3, 49.99

 

CMYK 60 / 0 / 73 / 11

HEX #5AE33D

RGB 90 227 61

HSL 109.52, 0.75%, 0.56%

LAB 80.43, -65.91, 65.82

 

CMYK 65 / 0 / 80 / 18

HEX #49D12A

RGB 73 209 42

HSL 108.86, 0.67%, 0.49%

LAB 74.31, -64.82, 65.68

 

CMYK 71 / 0 / 88 / 25

HEX #38BF17

RGB 56 191 23

HSL 108.21, 0.79%, 0.42%

LAB 68.14, -63.23, 64.57

 

CMYK 77 / 0 / 98 / 32

HEX #27AD04

RGB 39 173 4

HSL 107.57, 0.95%, 0.35%

LAB 61.94, -60.99, 62.11

 

CMYK 86 / 0 / 100 / 39

HEX #169B00

RGB 22 155 0

HSL 111.48, 1%, 0.3%

LAB 55.7, -57.85, 57.56

 

CMYK 61 / 0 / 74 / 11

HEX #58E33B

RGB 88 227 59

HSL 109.64, 0.75%, 0.56%

LAB 80.36, -66.5, 66.41

 

CMYK 41 / 0 / 74 / 11

HEX #85E33B

RGB 133 227 59

HSL 93.57, 0.75%, 0.56%

LAB 81.97, -54.16, 68.53

 

CMYK 21 / 0 / 74 / 11

HEX #B3E33B

RGB 179 227 59

HSL 77.14, 0.75%, 0.56%

LAB 84.4, -37.8, 71.72

 

CMYK 1 / 0 / 74 / 11

HEX #E0E33B

RGB 224 227 59

HSL 61.07, 0.75%, 0.56%

LAB 87.53, -19.75, 75.79

 

CMYK 0 / 19 / 74 / 11

HEX #E3B83B

RGB 227 184 59

HSL 44.64, 0.75%, 0.56%

LAB 76.64, 3.28, 65.58

 

CMYK 61 / 0 / 74 / 11

HEX #58E33B

RGB 88 227 59

HSL 109.64, 0.75%, 0.56%

LAB 80.36, -66.5, 66.41

 

CMYK 74 / 0 / 67 / 11

HEX #3BE34B

RGB 59 227 75

HSL 125.71, 0.75%, 0.56%

LAB 79.83, -70.58, 59.84

 

CMYK 74 / 0 / 47 / 11

HEX #3BE378

RGB 59 227 120

HSL 141.79, 0.75%, 0.56%

LAB 80.31, -64.89, 40.25

 

CMYK 74 / 0 / 27 / 11

HEX #3BE3A5

RGB 59 227 165

HSL 157.86, 0.75%, 0.56%

LAB 81.06, -56.4, 18.37

 

CMYK 74 / 0 / 7 / 11

HEX #3BE3D3

RGB 59 227 211

HSL 174.29, 0.75%, 0.56%

LAB 82.15, -45.17, -4.34

 

CMYK 61 / 0 / 74 / 11

HEX #58E33B

RGB 88 227 59

HSL 109.64, 0.75%, 0.56%

LAB 80.36, -66.5, 66.41

 

CMYK 69 / 0 / 84 / 4

HEX #4CF528

RGB 76 245 40

HSL 109.46, 0.91%, 0.56%

LAB 85.5, -75.69, 76.42

 

CMYK 61 / 0 / 74 / 11

HEX #58E33B

RGB 88 227 59

HSL 109.64, 0.75%, 0.56%

LAB 80.36, -66.5, 66.41

 

CMYK 52 / 0 / 63 / 18

HEX #64D14D

RGB 100 209 77

HSL 109.55, 0.59%, 0.56%

LAB 75.36, -55.64, 54.45

 

CMYK 41 / 0 / 50 / 25

HEX #70BF5F

RGB 112 191 95

HSL 109.38, 0.43%, 0.56%

LAB 70.55, -42.84, 40.69

 

CMYK 28 / 0 / 34 / 33

HEX #7BAC71

RGB 123 172 113

HSL 109.83, 0.26%, 0.56%

LAB 65.68, -27.89, 25.28

 

CMYK 12 / 0 / 15 / 40

HEX #879A83

RGB 135 154 131

HSL 109.57, 0.1%, 0.56%

LAB 61.57, -11.26, 9.83

 

CMYK 21 / 0 / 74 / 11

HEX #B3E33B

RGB 179 227 59

HSL 77.14, 0.75%, 0.56%

LAB 84.4, -37.8, 71.72

 

CMYK 41 / 0 / 74 / 11

HEX #86E33B

RGB 134 227 59

HSL 93.21, 0.75%, 0.56%

LAB 82.01, -53.84, 68.59

 

CMYK 60 / 0 / 74 / 11

HEX #5AE33B

RGB 90 227 59

HSL 108.93, 0.75%, 0.56%

LAB 80.42, -66.05, 66.49

 

CMYK 74 / 0 / 68 / 11

HEX #3BE349

RGB 59 227 73

HSL 125, 0.75%, 0.56%

LAB 79.81, -70.76, 60.6

 

CMYK 74 / 0 / 48 / 11

HEX #3BE376

RGB 59 227 118

HSL 141.07, 0.75%, 0.56%

LAB 80.28, -65.2, 41.19

 

CMYK 71 / 0 / 86 / 30

HEX #34B219

RGB 52 178 25

HSL 109.41, 0.75%, 0.4%

LAB 63.87, -59.75, 60.36

 

CMYK 71 / 0 / 86 / 16

HEX #3FD61F

RGB 63 214 31

HSL 109.51, 0.75%, 0.48%

LAB 75.61, -68.85, 69.5

 

CMYK 61 / 0 / 74 / 11

HEX #58E33B

RGB 88 227 59

HSL 109.64, 0.75%, 0.56%

LAB 80.36, -66.5, 66.41

 

CMYK 49 / 0 / 59 / 9

HEX #77E85F

RGB 119 232 95

HSL 109.49, 0.75%, 0.64%

LAB 83.16, -57.36, 55.68

 

CMYK 37 / 0 / 45 / 7

HEX #95ED83

RGB 149 237 131

HSL 109.81, 0.75%, 0.72%

LAB 86.3, -46.21, 43.07

 

CMYK 60 / 0 / 73 / 11

HEX #5AE33D

RGB 90 227 61

HSL 109.52, 0.75%, 0.56%

LAB 80.43, -65.91, 65.82

 

CMYK 74 / 1 / 0 / 11

HEX #3BE0E3

RGB 59 224 227

HSL 181.07, 0.75%, 0.56%

LAB 81.72, -39.4, -13.46

 

CMYK 0 / 74 / 31 / 11

HEX #E33B9D

RGB 227 59 157

HSL 325, 0.75%, 0.56%

LAB 53.91, 71.23, -15.21

 

CMYK 60 / 0 / 73 / 11

HEX #5AE33D

RGB 90 227 61

HSL 109.52, 0.75%, 0.56%

LAB 80.43, -65.91, 65.82

 

CMYK 74 / 60 / 0 / 11

HEX #3B5AE3

RGB 59 90 227

HSL 228.93, 0.75%, 0.56%

LAB 43.93, 35.7, -72.77

 

CMYK 0 / 74 / 60 / 11

HEX #E33B5A

RGB 227 59 90

HSL 348.93, 0.75%, 0.56%

LAB 52.06, 65.32, 22.2

 

CMYK 60 / 0 / 73 / 11

HEX #5AE33D

RGB 90 227 61

HSL 109.52, 0.75%, 0.56%

LAB 80.43, -65.91, 65.82

 

CMYK 74 / 1 / 0 / 11

HEX #3BE0E3

RGB 59 224 227

HSL 181.07, 0.75%, 0.56%

LAB 81.72, -39.4, -13.46

 

CMYK 14 / 74 / 0 / 11

HEX #C43BE3

RGB 196 59 227

HSL 288.93, 0.75%, 0.56%

LAB 52.3, 74.58, -58.56

 

CMYK 0 / 73 / 74 / 11

HEX #E33D3B

RGB 227 61 59

HSL 0.71, 0.75%, 0.56%

LAB 51.82, 63.09, 40

 

CMYK 60 / 0 / 73 / 11

HEX #5AE33D

RGB 90 227 61

HSL 109.52, 0.75%, 0.56%

LAB 80.43, -65.91, 65.82

 

CMYK 74 / 23 / 0 / 11

HEX #3BAEE3

RGB 59 174 227

HSL 198.93, 0.75%, 0.56%

LAB 67.09, -14.69, -35.81

 

CMYK 14 / 74 / 0 / 11

HEX #C43BE3

RGB 196 59 227

HSL 288.93, 0.75%, 0.56%

LAB 52.3, 74.58, -58.56

 

CMYK 0 / 51 / 74 / 11

HEX #E3703B

RGB 227 112 59

HSL 18.93, 0.75%, 0.56%

LAB 60.1, 41.17, 48.97

 

Description

Color code: HEX #5AE33D | qconv.com Color code: HEX #5AE33D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 227 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 227 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 73 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 73% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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