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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AE228 it is the complementary color #A51DD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AE228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AE228 shade: #5FE223, #70F436, #81FF49, #92FF5C and #A3FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AE228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AE228 shade: #5AE228, #49D015, #38BE02, #27AC00 and #169A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AE228 shade: #5AE228, #8CE228, #BEE228, #E2D328 and #E2A128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AE228 shade: #5AE228, #28E228, #28E25A, #28E28C and #28E2BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AE228 shade matches the following richer shades: #5AE228 and #50F514

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AE228 shade: #5AE228, #63CE3B, #6CBA4F, #75A663 and #7E9277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AE228 shade: #C0E228, #8EE228, #5CE228, #2BE228 and #28E256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AE228 shade: #3BA116, #49C51B, #5AE228, #75E74C and #91EC70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AE228 shade: #5AE228, #28E2D2 and #E228A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AE228 shade: #5AE228, #285CE2 and #E2285C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AE228 shade: #5AE228, #28E2D2, #AD28E2 and #E22837

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AE228 shade: #5AE228, #28B9E2, #AD28E2 and #E25028

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

Complementary color

CMYK 23 / 87 / 0 / 16

HEX #A51DD7

RGB 165 29 215

HSL 283.87, 0.76%, 0.48%

LAB 43.92, 75.29, -65.49

 

CMYK 58 / 0 / 85 / 11

HEX #5FE223

RGB 95 226 35

HSL 101.15, 0.77%, 0.51%

LAB 80.15, -65.81, 72.96

 

CMYK 54 / 0 / 78 / 4

HEX #70F436

RGB 112 244 54

HSL 101.68, 0.9%, 0.58%

LAB 86.21, -66.82, 73.85

 

CMYK 49 / 0 / 71 / 0

HEX #81FF49

RGB 129 255 73

HSL 101.54, 1%, 0.64%

LAB 90.17, -65.02, 71.93

 

CMYK 43 / 0 / 64 / 0

HEX #92FF5C

RGB 146 255 92

HSL 100.12, 1%, 0.68%

LAB 90.96, -58.65, 65.92

 

CMYK 36 / 0 / 56 / 0

HEX #A3FF6F

RGB 163 255 111

HSL 98.33, 1%, 0.72%

LAB 91.89, -51.6, 59.23

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 65 / 0 / 90 / 18

HEX #49D015

RGB 73 208 21

HSL 103.32, 0.82%, 0.45%

LAB 73.92, -65.37, 70.03

 

CMYK 71 / 0 / 99 / 25

HEX #38BE02

RGB 56 190 2

HSL 102.77, 0.98%, 0.38%

LAB 67.78, -63.44, 67.21

 

CMYK 77 / 0 / 100 / 33

HEX #27AC00

RGB 39 172 0

HSL 106.4, 1%, 0.34%

LAB 61.6, -60.79, 62.38

 

CMYK 86 / 0 / 100 / 40

HEX #169A00

RGB 22 154 0

HSL 111.43, 1%, 0.3%

LAB 55.36, -57.55, 57.29

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 38 / 0 / 82 / 11

HEX #8CE228

RGB 140 226 40

HSL 87.74, 0.76%, 0.52%

LAB 81.9, -52.39, 74.02

 

CMYK 16 / 0 / 82 / 11

HEX #BEE228

RGB 190 226 40

HSL 71.61, 0.76%, 0.52%

LAB 84.74, -33.8, 77.59

 

CMYK 0 / 7 / 82 / 11

HEX #E2D328

RGB 226 211 40

HSL 55.16, 0.76%, 0.52%

LAB 83.4, -11.67, 77.52

 

CMYK 0 / 29 / 82 / 11

HEX #E2A128

RGB 226 161 40

HSL 39.03, 0.76%, 0.52%

LAB 70.74, 14.34, 66.73

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 82 / 0 / 82 / 11

HEX #28E228

RGB 40 226 40

HSL 120, 0.76%, 0.52%

LAB 79.04, -75.17, 70.37

 

CMYK 82 / 0 / 60 / 11

HEX #28E25A

RGB 40 226 90

HSL 136.13, 0.76%, 0.52%

LAB 79.38, -70.98, 53.02

 

CMYK 82 / 0 / 38 / 11

HEX #28E28C

RGB 40 226 140

HSL 152.26, 0.76%, 0.52%

LAB 80.03, -63.2, 29.84

 

CMYK 82 / 0 / 16 / 11

HEX #28E2BE

RGB 40 226 190

HSL 168.39, 0.76%, 0.52%

LAB 81.05, -52.04, 5.16

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 67 / 0 / 92 / 4

HEX #50F514

RGB 80 245 20

HSL 104, 0.92%, 0.52%

LAB 85.53, -75.59, 79.97

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 52 / 0 / 71 / 19

HEX #63CE3B

RGB 99 206 59

HSL 103.67, 0.6%, 0.52%

LAB 74.26, -56.34, 60.39

 

CMYK 42 / 0 / 58 / 27

HEX #6CBA4F

RGB 108 186 79

HSL 103.74, 0.44%, 0.52%

LAB 68.66, -43.88, 46.05

 

CMYK 30 / 0 / 40 / 35

HEX #75A663

RGB 117 166 99

HSL 103.88, 0.27%, 0.52%

LAB 63.31, -29.25, 29.57

 

CMYK 14 / 0 / 18 / 43

HEX #7E9277

RGB 126 146 119

HSL 104.44, 0.11%, 0.52%

LAB 58.34, -12.47, 11.96

 

CMYK 15 / 0 / 82 / 11

HEX #C0E228

RGB 192 226 40

HSL 70.97, 0.76%, 0.52%

LAB 84.87, -33, 77.76

 

CMYK 37 / 0 / 82 / 11

HEX #8EE228

RGB 142 226 40

HSL 87.1, 0.76%, 0.52%

LAB 82, -51.71, 74.14

 

CMYK 59 / 0 / 82 / 11

HEX #5CE228

RGB 92 226 40

HSL 103.23, 0.76%, 0.52%

LAB 80.08, -66.32, 71.7

 

CMYK 81 / 0 / 82 / 11

HEX #2BE228

RGB 43 226 40

HSL 119.03, 0.76%, 0.52%

LAB 79.08, -74.85, 70.41

 

CMYK 82 / 0 / 62 / 11

HEX #28E256

RGB 40 226 86

HSL 134.84, 0.76%, 0.52%

LAB 79.34, -71.45, 54.71

 

CMYK 63 / 0 / 86 / 37

HEX #3BA116

RGB 59 161 22

HSL 104.03, 0.76%, 0.36%

LAB 58.49, -52.72, 56.35

 

CMYK 63 / 0 / 86 / 23

HEX #49C51B

RGB 73 197 27

HSL 103.76, 0.76%, 0.44%

LAB 70.47, -61.56, 65.94

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 49 / 0 / 67 / 9

HEX #75E74C

RGB 117 231 76

HSL 104.13, 0.76%, 0.6%

LAB 82.62, -59.31, 62.9

 

CMYK 39 / 0 / 53 / 7

HEX #91EC70

RGB 145 236 112

HSL 104.03, 0.77%, 0.68%

LAB 85.6, -49.38, 51.17

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 82 / 0 / 7 / 11

HEX #28E2D2

RGB 40 226 210

HSL 174.84, 0.76%, 0.52%

LAB 81.56, -46.77, -4.7

 

CMYK 0 / 82 / 26 / 11

HEX #E228A7

RGB 226 40 167

HSL 319.03, 0.76%, 0.52%

LAB 52.37, 77.15, -23.48

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 82 / 59 / 0 / 11

HEX #285CE2

RGB 40 92 226

HSL 223.23, 0.76%, 0.52%

LAB 43.65, 32.29, -72.69

 

CMYK 0 / 82 / 59 / 11

HEX #E2285C

RGB 226 40 92

HSL 343.23, 0.76%, 0.52%

LAB 50.05, 70.44, 18.27

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 82 / 0 / 7 / 11

HEX #28E2D2

RGB 40 226 210

HSL 174.84, 0.76%, 0.52%

LAB 81.56, -46.77, -4.7

 

CMYK 23 / 82 / 0 / 11

HEX #AD28E2

RGB 173 40 226

HSL 282.9, 0.76%, 0.52%

LAB 46.83, 75.98, -66.99

 

CMYK 0 / 82 / 76 / 11

HEX #E22837

RGB 226 40 55

HSL 355.16, 0.76%, 0.52%

LAB 49.45, 68.64, 39.58

 

CMYK 60 / 0 / 82 / 11

HEX #5AE228

RGB 90 226 40

HSL 103.87, 0.76%, 0.52%

LAB 80.02, -66.79, 71.62

 

CMYK 82 / 18 / 0 / 11

HEX #28B9E2

RGB 40 185 226

HSL 193.23, 0.76%, 0.52%

LAB 69.92, -22.7, -30.9

 

CMYK 23 / 82 / 0 / 11

HEX #AD28E2

RGB 173 40 226

HSL 282.9, 0.76%, 0.52%

LAB 46.83, 75.98, -66.99

 

CMYK 0 / 65 / 82 / 11

HEX #E25028

RGB 226 80 40

HSL 12.9, 0.76%, 0.52%

LAB 54.09, 54.95, 52

 

Description

Color code: HEX #5AE228 | qconv.com Color code: HEX #5AE228 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 226 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 226 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 82 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 82% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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