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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ADF97 it is the complementary color #A52068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ADF97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ADF97 shade: #5FDF92, #70F1A5, #81FFB8, #92FFCB and #A3FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ADF97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ADF97 shade: #5ADF97, #49CD84, #38BB71, #27A95E and #16974B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ADF97 shade: #58DF96, #58DF71, #63DF58, #87DF58 and #ACDF58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ADF97 shade: #58DF96, #58DFBA, #58DFDF, #58BBDF and #5897DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ADF97 shade matches the following richer shades: #58DF96 and #48EF95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ADF97 shade: #58DF96, #68CF97, #78BF99, #88AF9A and #989F9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ADF97 shade: #63DF58, #58DF71, #58DF95, #58DFB9 and #58DFDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ADF97 shade: #25C06C, #35D980, #58DF96, #7BE6AC and #9DECC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ADF97 shade: #5ADF97, #5887DF and #DF5F58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ADF97 shade: #5ADF97, #9558DF and #DF9558

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ADF97 shade: #5ADF97, #5887DF, #DF58A2 and #DFB058

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ADF97 shade: #5ADF97, #585FDF, #DF58A2 and #DFD858

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 32 / 13

HEX #5ADF97

RGB 90 223 151

HSL 147.52, 0.68%, 0.61%

LAB 80.28, -52.61, 24.69

 

Complementary color

CMYK 0 / 81 / 37 / 35

HEX #A52068

RGB 165 32 104

HSL 327.52, 0.68%, 0.39%

LAB 37.9, 57.61, -8.15

 

CMYK 57 / 0 / 35 / 13

HEX #5FDF92

RGB 95 223 146

HSL 143.91, 0.67%, 0.62%

LAB 80.34, -52.5, 27.37

 

CMYK 54 / 0 / 32 / 5

HEX #70F1A5

RGB 112 241 165

HSL 144.65, 0.82%, 0.69%

LAB 86.54, -52.49, 26.11

 

CMYK 49 / 0 / 28 / 0

HEX #81FFB8

RGB 129 255 184

HSL 146.19, 1%, 0.75%

LAB 91.53, -50.73, 23.36

 

CMYK 43 / 0 / 20 / 0

HEX #92FFCB

RGB 146 255 203

HSL 151.38, 1%, 0.79%

LAB 92.55, -42.83, 15.17

 

CMYK 36 / 0 / 13 / 0

HEX #A3FFDE

RGB 163 255 222

HSL 158.48, 1%, 0.82%

LAB 93.7, -34.5, 7.14

 

CMYK 60 / 0 / 32 / 13

HEX #5ADF97

RGB 90 223 151

HSL 147.52, 0.68%, 0.61%

LAB 80.28, -52.61, 24.69

 

CMYK 64 / 0 / 36 / 20

HEX #49CD84

RGB 73 205 132

HSL 146.82, 0.57%, 0.55%

LAB 74.03, -52.43, 26.04

 

CMYK 70 / 0 / 40 / 27

HEX #38BB71

RGB 56 187 113

HSL 146.11, 0.54%, 0.48%

LAB 67.71, -52.04, 27.5

 

CMYK 77 / 0 / 44 / 34

HEX #27A95E

RGB 39 169 94

HSL 145.38, 0.63%, 0.41%

LAB 61.32, -51.32, 29.09

 

CMYK 85 / 0 / 50 / 41

HEX #16974B

RGB 22 151 75

HSL 144.65, 0.75%, 0.34%

LAB 54.88, -50.11, 30.8

 

CMYK 61 / 0 / 33 / 13

HEX #58DF96

RGB 88 223 150

HSL 147.56, 0.68%, 0.61%

LAB 80.21, -53.21, 25.1

 

CMYK 61 / 0 / 49 / 13

HEX #58DF71

RGB 88 223 113

HSL 131.11, 0.68%, 0.61%

LAB 79.64, -59.42, 42.95

 

CMYK 56 / 0 / 61 / 13

HEX #63DF58

RGB 99 223 88

HSL 115.11, 0.68%, 0.61%

LAB 79.69, -59.99, 54.58

 

CMYK 39 / 0 / 61 / 13

HEX #87DF58

RGB 135 223 88

HSL 99.11, 0.68%, 0.61%

LAB 81.09, -49.69, 56.54

 

CMYK 23 / 0 / 61 / 13

HEX #ACDF58

RGB 172 223 88

HSL 82.67, 0.68%, 0.61%

LAB 83.05, -36.76, 59.27

 

CMYK 61 / 0 / 33 / 13

HEX #58DF96

RGB 88 223 150

HSL 147.56, 0.68%, 0.61%

LAB 80.21, -53.21, 25.1

 

CMYK 61 / 0 / 17 / 13

HEX #58DFBA

RGB 88 223 186

HSL 163.56, 0.68%, 0.61%

LAB 80.96, -45.51, 7.26

 

CMYK 61 / 0 / 0 / 13

HEX #58DFDF

RGB 88 223 223

HSL 180, 0.68%, 0.61%

LAB 81.93, -36.13, -10.96

 

CMYK 61 / 16 / 0 / 13

HEX #58BBDF

RGB 88 187 223

HSL 196, 0.68%, 0.61%

LAB 71.52, -18.45, -26.72

 

CMYK 61 / 32 / 0 / 13

HEX #5897DF

RGB 88 151 223

HSL 212, 0.68%, 0.61%

LAB 61.25, 1.33, -42.66

 

CMYK 61 / 0 / 33 / 13

HEX #58DF96

RGB 88 223 150

HSL 147.56, 0.68%, 0.61%

LAB 80.21, -53.21, 25.1

 

CMYK 70 / 0 / 38 / 6

HEX #48EF95

RGB 72 239 149

HSL 147.66, 0.84%, 0.61%

LAB 84.63, -62.31, 31.48

 

CMYK 61 / 0 / 33 / 13

HEX #58DF96

RGB 88 223 150

HSL 147.56, 0.68%, 0.61%

LAB 80.21, -53.21, 25.1

 

CMYK 50 / 0 / 27 / 19

HEX #68CF97

RGB 104 207 151

HSL 147.38, 0.52%, 0.61%

LAB 75.95, -42.76, 18.82

 

CMYK 37 / 0 / 20 / 25

HEX #78BF99

RGB 120 191 153

HSL 147.89, 0.36%, 0.61%

LAB 71.93, -30.72, 12.23

 

CMYK 22 / 0 / 12 / 31

HEX #88AF9A

RGB 136 175 154

HSL 147.69, 0.2%, 0.61%

LAB 68.19, -17.54, 6.47

 

CMYK 4 / 0 / 3 / 38

HEX #989F9B

RGB 152 159 155

HSL 145.71, 0.04%, 0.61%

LAB 64.83, -3.28, 1.21

 

CMYK 56 / 0 / 61 / 13

HEX #63DF58

RGB 99 223 88

HSL 115.11, 0.68%, 0.61%

LAB 79.69, -59.99, 54.58

 

CMYK 61 / 0 / 49 / 13

HEX #58DF71

RGB 88 223 113

HSL 131.11, 0.68%, 0.61%

LAB 79.64, -59.42, 42.95

 

CMYK 61 / 0 / 33 / 13

HEX #58DF95

RGB 88 223 149

HSL 147.11, 0.68%, 0.61%

LAB 80.19, -53.4, 25.59

 

CMYK 61 / 0 / 17 / 13

HEX #58DFB9

RGB 88 223 185

HSL 163.11, 0.68%, 0.61%

LAB 80.93, -45.74, 7.75

 

CMYK 61 / 0 / 1 / 13

HEX #58DFDD

RGB 88 223 221

HSL 179.11, 0.68%, 0.61%

LAB 81.88, -36.67, -9.98

 

CMYK 81 / 0 / 44 / 25

HEX #25C06C

RGB 37 192 108

HSL 147.48, 0.68%, 0.45%

LAB 68.88, -57.38, 31.58

 

CMYK 76 / 0 / 41 / 15

HEX #35D980

RGB 53 217 128

HSL 147.44, 0.68%, 0.53%

LAB 77.25, -60.82, 32.3

 

CMYK 61 / 0 / 33 / 13

HEX #58DF96

RGB 88 223 150

HSL 147.56, 0.68%, 0.61%

LAB 80.21, -53.21, 25.1

 

CMYK 47 / 0 / 25 / 10

HEX #7BE6AC

RGB 123 230 172

HSL 147.48, 0.68%, 0.69%

LAB 83.85, -43.87, 18.87

 

CMYK 33 / 0 / 18 / 7

HEX #9DECC2

RGB 157 236 194

HSL 148.1, 0.68%, 0.77%

LAB 87.51, -32.98, 12.76

 

CMYK 60 / 0 / 32 / 13

HEX #5ADF97

RGB 90 223 151

HSL 147.52, 0.68%, 0.61%

LAB 80.28, -52.61, 24.69

 

CMYK 61 / 39 / 0 / 13

HEX #5887DF

RGB 88 135 223

HSL 219.11, 0.68%, 0.61%

LAB 56.81, 10.76, -49.68

 

CMYK 0 / 57 / 61 / 13

HEX #DF5F58

RGB 223 95 88

HSL 3.11, 0.68%, 0.61%

LAB 56.66, 49.52, 29.22

 

CMYK 60 / 0 / 32 / 13

HEX #5ADF97

RGB 90 223 151

HSL 147.52, 0.68%, 0.61%

LAB 80.28, -52.61, 24.69

 

CMYK 33 / 61 / 0 / 13

HEX #9558DF

RGB 149 88 223

HSL 267.11, 0.68%, 0.61%

LAB 50.33, 51.49, -59.78

 

CMYK 0 / 33 / 61 / 13

HEX #DF9558

RGB 223 149 88

HSL 27.11, 0.68%, 0.61%

LAB 67.94, 21.86, 43.1

 

CMYK 60 / 0 / 32 / 13

HEX #5ADF97

RGB 90 223 151

HSL 147.52, 0.68%, 0.61%

LAB 80.28, -52.61, 24.69

 

CMYK 61 / 39 / 0 / 13

HEX #5887DF

RGB 88 135 223

HSL 219.11, 0.68%, 0.61%

LAB 56.81, 10.76, -49.68

 

CMYK 0 / 61 / 27 / 13

HEX #DF58A2

RGB 223 88 162

HSL 327.11, 0.68%, 0.61%

LAB 57.34, 59.94, -13.02

 

CMYK 0 / 21 / 61 / 13

HEX #DFB058

RGB 223 176 88

HSL 39.11, 0.68%, 0.61%

LAB 74.47, 7.42, 50.72

 

CMYK 60 / 0 / 32 / 13

HEX #5ADF97

RGB 90 223 151

HSL 147.52, 0.68%, 0.61%

LAB 80.28, -52.61, 24.69

 

CMYK 61 / 57 / 0 / 13

HEX #585FDF

RGB 88 95 223

HSL 236.89, 0.68%, 0.61%

LAB 46.43, 35.26, -66.36

 

CMYK 0 / 61 / 27 / 13

HEX #DF58A2

RGB 223 88 162

HSL 327.11, 0.68%, 0.61%

LAB 57.34, 59.94, -13.02

 

CMYK 0 / 3 / 61 / 13

HEX #DFD858

RGB 223 216 88

HSL 56.89, 0.68%, 0.61%

LAB 84.74, -13.21, 62.16

 

Description

Color code: HEX #5ADF97 | qconv.com Color code: HEX #5ADF97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 223 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 223 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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