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Color name
HEX #5ADE2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ADE2D it is the complementary color #A521D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ADE2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ADE2D shade: #5FDE28, #70F03B, #81FF4E, #92FF61 and #A3FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ADE2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ADE2D shade: #5ADE2D, #49CC1A, #38BA07, #27A800 and #169600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ADE2D shade: #59DE2B, #89DE2B, #B9DE2B, #DED32B and #DEA22B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ADE2D shade: #59DE2B, #2BDE2E, #2BDE5E, #2BDE8E and #2BDEBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ADE2D shade matches the following richer shades: #59DE2B and #4FF217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ADE2D shade: #59DE2B, #62CA3F, #6CB653, #76A367 and #808F7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ADE2D shade: #BADE2B, #8BDE2B, #5BDE2B, #2BDE2B and #2BDE5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ADE2D shade: #3B9E19, #48C21E, #59DE2B, #75E44F and #91E973

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ADE2D shade: #5ADE2D, #2BDED2 and #DE2BA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ADE2D shade: #5ADE2D, #2B5BDE and #DE2B5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ADE2D shade: #5ADE2D, #2BDED2, #AE2BDE and #DE2B37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ADE2D shade: #5ADE2D, #2BB4DE, #AE2BDE and #DE552B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 80 / 13

HEX #5ADE2D

RGB 90 222 45

HSL 104.75, 0.73%, 0.52%

LAB 78.81, -65.2, 69.21

 

Complementary color

CMYK 21 / 84 / 0 / 18

HEX #A521D2

RGB 165 33 210

HSL 284.75, 0.73%, 0.48%

LAB 43.86, 73.47, -62.71

 

CMYK 57 / 0 / 82 / 13

HEX #5FDE28

RGB 95 222 40

HSL 101.87, 0.73%, 0.51%

LAB 78.94, -64.24, 70.7

 

CMYK 53 / 0 / 75 / 6

HEX #70F03B

RGB 112 240 59

HSL 102.43, 0.86%, 0.59%

LAB 85.04, -65.13, 71.24

 

CMYK 49 / 0 / 69 / 0

HEX #81FF4E

RGB 129 255 78

HSL 102.71, 1%, 0.65%

LAB 90.2, -64.66, 70.21

 

CMYK 43 / 0 / 62 / 0

HEX #92FF61

RGB 146 255 97

HSL 101.39, 1%, 0.69%

LAB 91, -58.22, 63.95

 

CMYK 36 / 0 / 55 / 0

HEX #A3FF74

RGB 163 255 116

HSL 99.71, 1%, 0.73%

LAB 91.94, -51.1, 57.09

 

CMYK 59 / 0 / 80 / 13

HEX #5ADE2D

RGB 90 222 45

HSL 104.75, 0.73%, 0.52%

LAB 78.81, -65.2, 69.21

 

CMYK 64 / 0 / 87 / 20

HEX #49CC1A

RGB 73 204 26

HSL 104.16, 0.77%, 0.45%

LAB 72.68, -63.91, 68.07

 

CMYK 70 / 0 / 96 / 27

HEX #38BA07

RGB 56 186 7

HSL 103.58, 0.93%, 0.38%

LAB 66.5, -62.08, 65.58

 

CMYK 77 / 0 / 100 / 34

HEX #27A800

RGB 39 168 0

HSL 106.07, 1%, 0.33%

LAB 60.28, -59.56, 61.33

 

CMYK 85 / 0 / 100 / 41

HEX #169600

RGB 22 150 0

HSL 111.2, 1%, 0.29%

LAB 54.01, -56.36, 56.21

 

CMYK 60 / 0 / 81 / 13

HEX #59DE2B

RGB 89 222 43

HSL 104.58, 0.73%, 0.52%

LAB 78.78, -65.54, 69.71

 

CMYK 38 / 0 / 81 / 13

HEX #89DE2B

RGB 137 222 43

HSL 88.49, 0.73%, 0.52%

LAB 80.59, -51.68, 72.04

 

CMYK 17 / 0 / 81 / 13

HEX #B9DE2B

RGB 185 222 43

HSL 72.4, 0.73%, 0.52%

LAB 83.3, -33.86, 75.48

 

CMYK 0 / 5 / 81 / 13

HEX #DED32B

RGB 222 211 43

HSL 56.31, 0.73%, 0.52%

LAB 83.07, -13.28, 76.35

 

CMYK 0 / 27 / 81 / 13

HEX #DEA22B

RGB 222 162 43

HSL 39.89, 0.73%, 0.52%

LAB 70.56, 12.18, 65.42

 

CMYK 60 / 0 / 81 / 13

HEX #59DE2B

RGB 89 222 43

HSL 104.58, 0.73%, 0.52%

LAB 78.78, -65.54, 69.71

 

CMYK 81 / 0 / 79 / 13

HEX #2BDE2E

RGB 43 222 46

HSL 121.01, 0.73%, 0.52%

LAB 77.85, -73.37, 67.68

 

CMYK 81 / 0 / 58 / 13

HEX #2BDE5E

RGB 43 222 94

HSL 137.09, 0.73%, 0.52%

LAB 78.21, -68.92, 49.9

 

CMYK 81 / 0 / 36 / 13

HEX #2BDE8E

RGB 43 222 142

HSL 153.18, 0.73%, 0.52%

LAB 78.87, -61.1, 27.27

 

CMYK 81 / 0 / 14 / 13

HEX #2BDEBF

RGB 43 222 191

HSL 169.61, 0.73%, 0.52%

LAB 79.91, -49.89, 2.98

 

CMYK 60 / 0 / 81 / 13

HEX #59DE2B

RGB 89 222 43

HSL 104.58, 0.73%, 0.52%

LAB 78.78, -65.54, 69.71

 

CMYK 67 / 0 / 90 / 5

HEX #4FF217

RGB 79 242 23

HSL 104.66, 0.89%, 0.52%

LAB 84.6, -74.8, 78.78

 

CMYK 60 / 0 / 81 / 13

HEX #59DE2B

RGB 89 222 43

HSL 104.58, 0.73%, 0.52%

LAB 78.78, -65.54, 69.71

 

CMYK 51 / 0 / 69 / 21

HEX #62CA3F

RGB 98 202 63

HSL 104.89, 0.57%, 0.52%

LAB 73.02, -54.81, 57.59

 

CMYK 41 / 0 / 54 / 29

HEX #6CB653

RGB 108 182 83

HSL 104.85, 0.4%, 0.52%

LAB 67.48, -41.72, 42.77

 

CMYK 28 / 0 / 37 / 36

HEX #76A367

RGB 118 163 103

HSL 105, 0.25%, 0.52%

LAB 62.53, -26.83, 26.43

 

CMYK 10 / 0 / 15 / 44

HEX #808F7A

RGB 128 143 122

HSL 102.86, 0.09%, 0.52%

LAB 57.69, -9.55, 9.36

 

CMYK 16 / 0 / 81 / 13

HEX #BADE2B

RGB 186 222 43

HSL 72.07, 0.73%, 0.52%

LAB 83.37, -33.46, 75.56

 

CMYK 37 / 0 / 81 / 13

HEX #8BDE2B

RGB 139 222 43

HSL 87.82, 0.73%, 0.52%

LAB 80.69, -51, 72.16

 

CMYK 59 / 0 / 81 / 13

HEX #5BDE2B

RGB 91 222 43

HSL 103.91, 0.73%, 0.52%

LAB 78.83, -65.07, 69.78

 

CMYK 81 / 0 / 81 / 13

HEX #2BDE2B

RGB 43 222 43

HSL 120, 0.73%, 0.52%

LAB 77.83, -73.54, 68.49

 

CMYK 81 / 0 / 59 / 13

HEX #2BDE5B

RGB 43 222 91

HSL 136.09, 0.73%, 0.52%

LAB 78.18, -69.3, 51.21

 

CMYK 63 / 0 / 84 / 38

HEX #3B9E19

RGB 59 158 25

HSL 104.66, 0.73%, 0.36%

LAB 57.51, -51.53, 54.73

 

CMYK 63 / 0 / 85 / 24

HEX #48C21E

RGB 72 194 30

HSL 104.63, 0.73%, 0.44%

LAB 69.51, -60.66, 64.4

 

CMYK 60 / 0 / 81 / 13

HEX #59DE2B

RGB 89 222 43

HSL 104.58, 0.73%, 0.52%

LAB 78.78, -65.54, 69.71

 

CMYK 49 / 0 / 65 / 11

HEX #75E44F

RGB 117 228 79

HSL 104.7, 0.73%, 0.6%

LAB 81.75, -57.93, 60.79

 

CMYK 38 / 0 / 51 / 9

HEX #91E973

RGB 145 233 115

HSL 104.75, 0.73%, 0.68%

LAB 84.76, -47.78, 48.77

 

CMYK 59 / 0 / 80 / 13

HEX #5ADE2D

RGB 90 222 45

HSL 104.75, 0.73%, 0.52%

LAB 78.81, -65.2, 69.21

 

CMYK 81 / 0 / 5 / 13

HEX #2BDED2

RGB 43 222 210

HSL 175.98, 0.73%, 0.52%

LAB 80.41, -44.81, -6.4

 

CMYK 0 / 81 / 27 / 13

HEX #DE2BA2

RGB 222 43 162

HSL 320.11, 0.73%, 0.52%

LAB 51.69, 75, -21.65

 

CMYK 59 / 0 / 80 / 13

HEX #5ADE2D

RGB 90 222 45

HSL 104.75, 0.73%, 0.52%

LAB 78.81, -65.2, 69.21

 

CMYK 81 / 59 / 0 / 13

HEX #2B5BDE

RGB 43 91 222

HSL 223.91, 0.73%, 0.52%

LAB 43.17, 31.69, -71.2

 

CMYK 0 / 81 / 59 / 13

HEX #DE2B5B

RGB 222 43 91

HSL 343.91, 0.73%, 0.52%

LAB 49.51, 68.61, 18.03

 

CMYK 59 / 0 / 80 / 13

HEX #5ADE2D

RGB 90 222 45

HSL 104.75, 0.73%, 0.52%

LAB 78.81, -65.2, 69.21

 

CMYK 81 / 0 / 5 / 13

HEX #2BDED2

RGB 43 222 210

HSL 175.98, 0.73%, 0.52%

LAB 80.41, -44.81, -6.4

 

CMYK 22 / 81 / 0 / 13

HEX #AE2BDE

RGB 174 43 222

HSL 283.91, 0.73%, 0.52%

LAB 46.97, 74.59, -64.48

 

CMYK 0 / 81 / 75 / 13

HEX #DE2B37

RGB 222 43 55

HSL 355.98, 0.73%, 0.52%

LAB 48.92, 66.81, 38.78

 

CMYK 59 / 0 / 80 / 13

HEX #5ADE2D

RGB 90 222 45

HSL 104.75, 0.73%, 0.52%

LAB 78.81, -65.2, 69.21

 

CMYK 81 / 19 / 0 / 13

HEX #2BB4DE

RGB 43 180 222

HSL 194.08, 0.73%, 0.52%

LAB 68.34, -21.2, -31.16

 

CMYK 22 / 81 / 0 / 13

HEX #AE2BDE

RGB 174 43 222

HSL 283.91, 0.73%, 0.52%

LAB 46.97, 74.59, -64.48

 

CMYK 0 / 62 / 81 / 13

HEX #DE552B

RGB 222 85 43

HSL 14.08, 0.73%, 0.52%

LAB 54.24, 51.51, 50.51

 

Description

Color code: HEX #5ADE2D | qconv.com Color code: HEX #5ADE2D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 222 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 222 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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