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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ADC7E it is the complementary color #A52381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ADC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ADC7E shade: #5FDC79, #70EE8C, #81FF9F, #92FFB2 and #A3FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ADC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ADC7E shade: #5ADC7E, #49CA6B, #38B858, #27A645 and #169432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ADC7E shade: #5ADC7E, #5ADC5B, #7CDC5A, #9FDC5A and #C2DC5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ADC7E shade: #5ADC7E, #5ADCA1, #5ADCC4, #5AD1DC and #5AAEDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ADC7E shade matches the following richer shades: #5ADC7E, #4AEC77 and #3AFC70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ADC7E shade: #5ADC7E, #6ACC85, #7BBC8D, #8BAB94 and #9B9B9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ADC7E shade: #7DDC5A, #5ADC5A, #5ADC7D, #5ADC9F and #5ADCC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ADC7E shade: #28BC51, #38D464, #5ADC7E, #7CE399 and #9EEAB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ADC7E shade: #5ADC7E, #5A9FDC and #DC5A6C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ADC7E shade: #5ADC7E, #7D5ADC and #DC7D5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ADC7E shade: #5ADC7E, #5A9FDC, #DC5AB9 and #DC975A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ADC7E shade: #5ADC7E, #5A79DC, #DC5AB9 and #DCBE5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

Complementary color

CMYK 0 / 79 / 22 / 35

HEX #A52381

RGB 165 35 129

HSL 316.62, 0.65%, 0.39%

LAB 39.22, 59.78, -21.79

 

CMYK 57 / 0 / 45 / 14

HEX #5FDC79

RGB 95 220 121

HSL 132.48, 0.64%, 0.62%

LAB 79.04, -55.55, 38.33

 

CMYK 53 / 0 / 41 / 7

HEX #70EE8C

RGB 112 238 140

HSL 133.33, 0.79%, 0.69%

LAB 85.24, -55.59, 37

 

CMYK 49 / 0 / 38 / 0

HEX #81FF9F

RGB 129 255 159

HSL 134.29, 1%, 0.75%

LAB 91.09, -55.12, 35.34

 

CMYK 43 / 0 / 30 / 0

HEX #92FFB2

RGB 146 255 178

HSL 137.61, 1%, 0.79%

LAB 92.06, -47.5, 27.24

 

CMYK 36 / 0 / 23 / 0

HEX #A3FFC5

RGB 163 255 197

HSL 142.17, 1%, 0.82%

LAB 93.16, -39.37, 19.21

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 64 / 0 / 47 / 21

HEX #49CA6B

RGB 73 202 107

HSL 135.81, 0.55%, 0.54%

LAB 72.71, -55.62, 37.13

 

CMYK 70 / 0 / 52 / 28

HEX #38B858

RGB 56 184 88

HSL 135, 0.53%, 0.47%

LAB 66.39, -55.1, 38.6

 

CMYK 77 / 0 / 58 / 35

HEX #27A645

RGB 39 166 69

HSL 134.17, 0.62%, 0.4%

LAB 60.01, -54.18, 40.1

 

CMYK 85 / 0 / 66 / 42

HEX #169432

RGB 22 148 50

HSL 133.33, 0.74%, 0.33%

LAB 53.58, -52.64, 41.49

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 59 / 0 / 59 / 14

HEX #5ADC5B

RGB 90 220 91

HSL 120.46, 0.65%, 0.61%

LAB 78.53, -60.71, 51.87

 

CMYK 44 / 0 / 59 / 14

HEX #7CDC5A

RGB 124 220 90

HSL 104.31, 0.65%, 0.61%

LAB 79.73, -51.72, 54.01

 

CMYK 28 / 0 / 59 / 14

HEX #9FDC5A

RGB 159 220 90

HSL 88.15, 0.65%, 0.61%

LAB 81.45, -40.02, 56.42

 

CMYK 12 / 0 / 59 / 14

HEX #C2DC5A

RGB 194 220 90

HSL 72, 0.65%, 0.61%

LAB 83.65, -26.74, 59.48

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 59 / 0 / 27 / 14

HEX #5ADCA1

RGB 90 220 161

HSL 152.77, 0.65%, 0.61%

LAB 79.58, -49.39, 18.5

 

CMYK 59 / 0 / 11 / 14

HEX #5ADCC4

RGB 90 220 196

HSL 168.92, 0.65%, 0.61%

LAB 80.37, -41.42, 1.11

 

CMYK 59 / 5 / 0 / 14

HEX #5AD1DC

RGB 90 209 220

HSL 185.08, 0.65%, 0.61%

LAB 77.84, -29.99, -15.48

 

CMYK 59 / 21 / 0 / 14

HEX #5AAEDC

RGB 90 174 220

HSL 201.23, 0.65%, 0.61%

LAB 67.73, -12.11, -30.89

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 69 / 0 / 50 / 7

HEX #4AEC77

RGB 74 236 119

HSL 136.67, 0.81%, 0.61%

LAB 83.33, -65.87, 44.58

 

CMYK 77 / 0 / 56 / 1

HEX #3AFC70

RGB 58 252 112

HSL 136.7, 0.97%, 0.61%

LAB 87.82, -74.43, 53.21

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 48 / 0 / 35 / 20

HEX #6ACC85

RGB 106 204 133

HSL 136.53, 0.49%, 0.61%

LAB 74.79, -44.33, 26.72

 

CMYK 35 / 0 / 25 / 26

HEX #7BBC8D

RGB 123 188 141

HSL 136.62, 0.33%, 0.61%

LAB 70.94, -30.72, 17.35

 

CMYK 19 / 0 / 13 / 33

HEX #8BAB94

RGB 139 171 148

HSL 136.88, 0.16%, 0.61%

LAB 67.09, -15.63, 8.24

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 43 / 0 / 59 / 14

HEX #7DDC5A

RGB 125 220 90

HSL 103.85, 0.65%, 0.61%

LAB 79.78, -51.41, 54.07

 

CMYK 59 / 0 / 59 / 14

HEX #5ADC5A

RGB 90 220 90

HSL 120, 0.65%, 0.61%

LAB 78.52, -60.83, 52.3

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7D

RGB 90 220 125

HSL 136.15, 0.65%, 0.61%

LAB 78.95, -56.04, 36.19

 

CMYK 59 / 0 / 28 / 14

HEX #5ADC9F

RGB 90 220 159

HSL 151.85, 0.65%, 0.61%

LAB 79.54, -49.8, 19.5

 

CMYK 59 / 0 / 12 / 14

HEX #5ADCC2

RGB 90 220 194

HSL 168, 0.65%, 0.61%

LAB 80.32, -41.91, 2.1

 

CMYK 79 / 0 / 57 / 26

HEX #28BC51

RGB 40 188 81

HSL 136.62, 0.65%, 0.45%

LAB 67.29, -59.9, 43

 

CMYK 74 / 0 / 53 / 17

HEX #38D464

RGB 56 212 100

HSL 136.92, 0.64%, 0.53%

LAB 75.36, -63.18, 43.75

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 45 / 0 / 33 / 11

HEX #7CE399

RGB 124 227 153

HSL 136.89, 0.65%, 0.69%

LAB 82.66, -45.84, 27.07

 

CMYK 32 / 0 / 24 / 8

HEX #9EEAB3

RGB 158 234 179

HSL 136.58, 0.64%, 0.77%

LAB 86.69, -34.57, 19.41

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 59 / 28 / 0 / 14

HEX #5A9FDC

RGB 90 159 220

HSL 208.15, 0.65%, 0.61%

LAB 63.46, -3.83, -37.54

 

CMYK 0 / 59 / 51 / 14

HEX #DC5A6C

RGB 220 90 108

HSL 351.69, 0.65%, 0.61%

LAB 55.7, 52.32, 16.23

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 43 / 59 / 0 / 14

HEX #7D5ADC

RGB 125 90 220

HSL 256.15, 0.65%, 0.61%

LAB 48.06, 44.39, -61.87

 

CMYK 0 / 43 / 59 / 14

HEX #DC7D5A

RGB 220 125 90

HSL 16.15, 0.65%, 0.61%

LAB 62.19, 33.56, 34.97

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 59 / 28 / 0 / 14

HEX #5A9FDC

RGB 90 159 220

HSL 208.15, 0.65%, 0.61%

LAB 63.46, -3.83, -37.54

 

CMYK 0 / 59 / 16 / 14

HEX #DC5AB9

RGB 220 90 185

HSL 316.15, 0.65%, 0.61%

LAB 58.07, 61.37, -25.26

 

CMYK 0 / 31 / 59 / 14

HEX #DC975A

RGB 220 151 90

HSL 28.15, 0.65%, 0.61%

LAB 68.08, 19.69, 42.17

 

CMYK 59 / 0 / 43 / 14

HEX #5ADC7E

RGB 90 220 126

HSL 136.62, 0.65%, 0.61%

LAB 78.96, -55.88, 35.71

 

CMYK 59 / 45 / 0 / 14

HEX #5A79DC

RGB 90 121 220

HSL 225.69, 0.65%, 0.61%

LAB 52.97, 18.64, -54.12

 

CMYK 0 / 59 / 16 / 14

HEX #DC5AB9

RGB 220 90 185

HSL 316.15, 0.65%, 0.61%

LAB 58.07, 61.37, -25.26

 

CMYK 0 / 14 / 59 / 14

HEX #DCBE5A

RGB 220 190 90

HSL 46.15, 0.65%, 0.61%

LAB 77.75, -1.06, 53.44

 

Description

Color code: HEX #5ADC7E | qconv.com Color code: HEX #5ADC7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 220 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 220 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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