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Color name
HEX #5AD930

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD930 it is the complementary color #A526CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD930. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AD930 shade: #5FD92B, #70EB3E, #81FD51, #92FF64 and #A3FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD930. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AD930 shade: #5AD930, #49C71D, #38B50A, #27A300 and #169100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AD930 shade: #5AD930, #88D930, #B5D930, #D9CF30 and #D9A230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AD930 shade: #5AD930, #30D934, #30D961, #30D98F and #30D9BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AD930 shade matches the following richer shades: #5AD930 and #50ED1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AD930 shade: #5AD930, #64C544, #6EB158, #789E6C and #828A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AD930 shade: #B4D930, #87D930, #5AD930, #30D933 and #30D960

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AD930 shade: #3C9A1C, #49BD23, #5AD930, #76DF53 and #92E676

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AD930 shade: #5AD930, #30D9D1 and #D9309E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AD930 shade: #5AD930, #305AD9 and #D9305A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AD930 shade: #5AD930, #30D9D1, #AF30D9 and #D93039

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AD930 shade: #5AD930, #30AFD9, #AF30D9 and #D95A30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

Complementary color

CMYK 20 / 82 / 0 / 19

HEX #A526CF

RGB 165 38 207

HSL 285.09, 0.69%, 0.48%

LAB 44.08, 71.64, -60.63

 

CMYK 56 / 0 / 80 / 15

HEX #5FD92B

RGB 95 217 43

HSL 102.07, 0.7%, 0.51%

LAB 77.42, -62.36, 68.52

 

CMYK 52 / 0 / 74 / 8

HEX #70EB3E

RGB 112 235 62

HSL 102.66, 0.81%, 0.58%

LAB 83.55, -63.17, 68.82

 

CMYK 49 / 0 / 68 / 1

HEX #81FD51

RGB 129 253 81

HSL 103.26, 0.98%, 0.65%

LAB 89.63, -63.71, 68.52

 

CMYK 43 / 0 / 61 / 0

HEX #92FF64

RGB 146 255 100

HSL 102.19, 1%, 0.7%

LAB 91.03, -57.94, 62.74

 

CMYK 36 / 0 / 53 / 0

HEX #A3FF77

RGB 163 255 119

HSL 100.59, 1%, 0.73%

LAB 91.97, -50.78, 55.78

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 63 / 0 / 85 / 22

HEX #49C71D

RGB 73 199 29

HSL 104.47, 0.75%, 0.45%

LAB 71.11, -62.15, 66.07

 

CMYK 69 / 0 / 94 / 29

HEX #38B50A

RGB 56 181 10

HSL 103.86, 0.9%, 0.37%

LAB 64.89, -60.43, 63.9

 

CMYK 76 / 0 / 100 / 36

HEX #27A300

RGB 39 163 0

HSL 105.64, 1%, 0.32%

LAB 58.63, -58.02, 60.01

 

CMYK 85 / 0 / 100 / 43

HEX #169100

RGB 22 145 0

HSL 110.9, 1%, 0.28%

LAB 52.31, -54.86, 54.85

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 37 / 0 / 78 / 15

HEX #88D930

RGB 136 217 48

HSL 88.76, 0.69%, 0.52%

LAB 79.08, -49.76, 69.25

 

CMYK 17 / 0 / 78 / 15

HEX #B5D930

RGB 181 217 48

HSL 72.78, 0.69%, 0.52%

LAB 81.65, -32.96, 72.55

 

CMYK 0 / 5 / 78 / 15

HEX #D9CF30

RGB 217 207 48

HSL 56.45, 0.69%, 0.52%

LAB 81.62, -13.23, 73.53

 

CMYK 0 / 25 / 78 / 15

HEX #D9A230

RGB 217 162 48

HSL 40.47, 0.69%, 0.52%

LAB 70.04, 10.19, 63.02

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 78 / 0 / 76 / 15

HEX #30D934

RGB 48 217 52

HSL 121.42, 0.69%, 0.52%

LAB 76.38, -70.91, 64.48

 

CMYK 78 / 0 / 55 / 15

HEX #30D961

RGB 48 217 97

HSL 137.4, 0.69%, 0.52%

LAB 76.75, -66.34, 46.81

 

CMYK 78 / 0 / 34 / 15

HEX #30D98F

RGB 48 217 143

HSL 153.73, 0.69%, 0.52%

LAB 77.42, -58.55, 24.81

 

CMYK 78 / 0 / 13 / 15

HEX #30D9BC

RGB 48 217 188

HSL 169.7, 0.69%, 0.52%

LAB 78.39, -48.12, 2.39

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 66 / 0 / 88 / 7

HEX #50ED1C

RGB 80 237 28

HSL 105.07, 0.85%, 0.52%

LAB 83.1, -72.92, 76.73

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 49 / 0 / 65 / 23

HEX #64C544

RGB 100 197 68

HSL 105.12, 0.53%, 0.52%

LAB 71.6, -51.89, 54.09

 

CMYK 38 / 0 / 50 / 31

HEX #6EB158

RGB 110 177 88

HSL 105.17, 0.36%, 0.52%

LAB 66.11, -38.26, 38.69

 

CMYK 24 / 0 / 32 / 38

HEX #789E6C

RGB 120 158 108

HSL 105.6, 0.2%, 0.52%

LAB 61.25, -22.83, 22.03

 

CMYK 6 / 0 / 8 / 46

HEX #828A7F

RGB 130 138 127

HSL 103.64, 0.04%, 0.52%

LAB 56.54, -5.1, 4.88

 

CMYK 17 / 0 / 78 / 15

HEX #B4D930

RGB 180 217 48

HSL 73.14, 0.69%, 0.52%

LAB 81.59, -33.36, 72.47

 

CMYK 38 / 0 / 78 / 15

HEX #87D930

RGB 135 217 48

HSL 89.11, 0.69%, 0.52%

LAB 79.04, -50.1, 69.18

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 78 / 0 / 76 / 15

HEX #30D933

RGB 48 217 51

HSL 121.07, 0.69%, 0.52%

LAB 76.37, -70.98, 64.79

 

CMYK 78 / 0 / 56 / 15

HEX #30D960

RGB 48 217 96

HSL 137.04, 0.69%, 0.52%

LAB 76.74, -66.48, 47.26

 

CMYK 61 / 0 / 82 / 40

HEX #3C9A1C

RGB 60 154 28

HSL 104.76, 0.69%, 0.36%

LAB 56.24, -49.69, 52.73

 

CMYK 61 / 0 / 81 / 26

HEX #49BD23

RGB 73 189 35

HSL 105.19, 0.69%, 0.44%

LAB 67.97, -58.49, 61.74

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 47 / 0 / 63 / 13

HEX #76DF53

RGB 118 223 83

HSL 105, 0.69%, 0.6%

LAB 80.32, -55.37, 57.61

 

CMYK 37 / 0 / 49 / 10

HEX #92E676

RGB 146 230 118

HSL 105, 0.69%, 0.68%

LAB 83.97, -45.83, 46.4

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 78 / 0 / 4 / 15

HEX #30D9D1

RGB 48 217 209

HSL 177.16, 0.69%, 0.52%

LAB 78.96, -42.46, -8.01

 

CMYK 0 / 78 / 27 / 15

HEX #D9309E

RGB 217 48 158

HSL 320.95, 0.69%, 0.52%

LAB 51.08, 72.12, -20.29

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 78 / 59 / 0 / 15

HEX #305AD9

RGB 48 90 217

HSL 225.09, 0.69%, 0.52%

LAB 42.69, 30.93, -69.12

 

CMYK 0 / 78 / 59 / 15

HEX #D9305A

RGB 217 48 90

HSL 345.09, 0.69%, 0.52%

LAB 49.01, 65.85, 17.8

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 78 / 0 / 4 / 15

HEX #30D9D1

RGB 48 217 209

HSL 177.16, 0.69%, 0.52%

LAB 78.96, -42.46, -8.01

 

CMYK 19 / 78 / 0 / 15

HEX #AF30D9

RGB 175 48 217

HSL 285.09, 0.69%, 0.52%

LAB 47.28, 72.36, -61.11

 

CMYK 0 / 78 / 74 / 15

HEX #D93039

RGB 217 48 57

HSL 356.8, 0.69%, 0.52%

LAB 48.46, 64.12, 36.85

 

CMYK 59 / 0 / 78 / 15

HEX #5AD930

RGB 90 217 48

HSL 105.09, 0.69%, 0.52%

LAB 77.29, -63.33, 66.92

 

CMYK 78 / 19 / 0 / 15

HEX #30AFD9

RGB 48 175 217

HSL 194.91, 0.69%, 0.52%

LAB 66.75, -19.78, -30.86

 

CMYK 19 / 78 / 0 / 15

HEX #AF30D9

RGB 175 48 217

HSL 285.09, 0.69%, 0.52%

LAB 47.28, 72.36, -61.11

 

CMYK 0 / 59 / 78 / 15

HEX #D95A30

RGB 217 90 48

HSL 14.91, 0.69%, 0.52%

LAB 54.32, 47.62, 47.91

 

Description

Color code: HEX #5AD930 | qconv.com Color code: HEX #5AD930 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 217 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 217 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 78 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 78% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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