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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD820 it is the complementary color #A527DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AD820 shade: #5FD81B, #70EA2E, #81FC41, #92FF54 and #A3FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AD820 shade: #5AD820, #49C60D, #38B400, #27A200 and #169000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AD820 shade: #5BD920, #8DD920, #BFD920, #D9C220 and #D99120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AD820 shade: #5BD920, #29D920, #20D94A, #20D97C and #20D9AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AD820 shade matches the following richer shades: #5BD920 and #53EE0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AD820 shade: #5BD920, #62C535, #6AB149, #719D5D and #798971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AD820 shade: #BED920, #8CD920, #5BD920, #2AD920 and #20D949

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AD820 shade: #3D9216, #4CB61B, #5BD920, #74E341 and #8EE865

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AD820 shade: #5AD820, #20D9C4 and #D920A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AD820 shade: #5AD820, #205BD9 and #D9205B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AD820 shade: #5AD820, #20D9C4, #9F20D9 and #D92036

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AD820 shade: #5AD820, #20B8D9, #9F20D9 and #D94220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 85 / 15

HEX #5AD820

RGB 90 216 32

HSL 101.09, 0.74%, 0.49%

LAB 76.91, -63.76, 70.7

 

Complementary color

CMYK 26 / 83 / 0 / 13

HEX #A527DF

RGB 165 39 223

HSL 281.09, 0.74%, 0.51%

LAB 45.33, 74.42, -67.78

 

CMYK 56 / 0 / 88 / 15

HEX #5FD81B

RGB 95 216 27

HSL 98.41, 0.78%, 0.48%

LAB 77.06, -62.67, 71.9

 

CMYK 52 / 0 / 80 / 8

HEX #70EA2E

RGB 112 234 46

HSL 98.94, 0.82%, 0.55%

LAB 83.17, -63.71, 73.22

 

CMYK 49 / 0 / 74 / 1

HEX #81FC41

RGB 129 252 65

HSL 99.47, 0.97%, 0.62%

LAB 89.24, -64.44, 73.64

 

CMYK 43 / 0 / 67 / 0

HEX #92FF54

RGB 146 255 84

HSL 98.25, 1%, 0.66%

LAB 90.9, -59.29, 68.94

 

CMYK 36 / 0 / 60 / 0

HEX #A3FF67

RGB 163 255 103

HSL 96.32, 1%, 0.7%

LAB 91.81, -52.36, 62.57

 

CMYK 58 / 0 / 85 / 15

HEX #5AD820

RGB 90 216 32

HSL 101.09, 0.74%, 0.49%

LAB 76.91, -63.76, 70.7

 

CMYK 63 / 0 / 93 / 22

HEX #49C60D

RGB 73 198 13

HSL 100.54, 0.88%, 0.41%

LAB 70.76, -62.31, 68.54

 

CMYK 69 / 0 / 100 / 29

HEX #38B400

RGB 56 180 0

HSL 101.33, 1%, 0.35%

LAB 64.55, -60.32, 64.87

 

CMYK 76 / 0 / 100 / 36

HEX #27A200

RGB 39 162 0

HSL 105.56, 1%, 0.32%

LAB 58.29, -57.71, 59.74

 

CMYK 85 / 0 / 100 / 44

HEX #169000

RGB 22 144 0

HSL 110.83, 1%, 0.28%

LAB 51.97, -54.56, 54.58

 

CMYK 58 / 0 / 85 / 15

HEX #5BD920

RGB 91 217 32

HSL 100.86, 0.74%, 0.49%

LAB 77.25, -63.85, 71.01

 

CMYK 35 / 0 / 85 / 15

HEX #8DD920

RGB 141 217 32

HSL 84.65, 0.74%, 0.49%

LAB 79.27, -48.68, 73.55

 

CMYK 12 / 0 / 85 / 15

HEX #BFD920

RGB 191 217 32

HSL 68.43, 0.74%, 0.49%

LAB 82.27, -29.45, 77.29

 

CMYK 0 / 11 / 85 / 15

HEX #D9C220

RGB 217 194 32

HSL 52.54, 0.74%, 0.49%

LAB 78.13, -7.11, 74.72

 

CMYK 0 / 33 / 85 / 15

HEX #D99120

RGB 217 145 32

HSL 36.65, 0.74%, 0.49%

LAB 65.83, 18.83, 64.61

 

CMYK 58 / 0 / 85 / 15

HEX #5BD920

RGB 91 217 32

HSL 100.86, 0.74%, 0.49%

LAB 77.25, -63.85, 71.01

 

CMYK 81 / 0 / 85 / 15

HEX #29D920

RGB 41 217 32

HSL 117.08, 0.74%, 0.49%

LAB 76.19, -72.86, 69.67

 

CMYK 85 / 0 / 66 / 15

HEX #20D94A

RGB 32 217 74

HSL 133.62, 0.74%, 0.49%

LAB 76.33, -70.74, 56.34

 

CMYK 85 / 0 / 43 / 15

HEX #20D97C

RGB 32 217 124

HSL 149.84, 0.74%, 0.49%

LAB 76.91, -63.7, 33.84

 

CMYK 85 / 0 / 20 / 15

HEX #20D9AE

RGB 32 217 174

HSL 166.05, 0.74%, 0.49%

LAB 77.87, -53.01, 9.07

 

CMYK 58 / 0 / 85 / 15

HEX #5BD920

RGB 91 217 32

HSL 100.86, 0.74%, 0.49%

LAB 77.25, -63.85, 71.01

 

CMYK 65 / 0 / 95 / 7

HEX #53EE0C

RGB 83 238 12

HSL 101.15, 0.9%, 0.49%

LAB 83.45, -73.01, 79.15

 

CMYK 58 / 0 / 85 / 15

HEX #5BD920

RGB 91 217 32

HSL 100.86, 0.74%, 0.49%

LAB 77.25, -63.85, 71.01

 

CMYK 50 / 0 / 73 / 23

HEX #62C535

RGB 98 197 53

HSL 101.25, 0.58%, 0.49%

LAB 71.41, -53.67, 59.65

 

CMYK 40 / 0 / 59 / 31

HEX #6AB149

RGB 106 177 73

HSL 100.96, 0.42%, 0.49%

LAB 65.74, -41.35, 45.44

 

CMYK 28 / 0 / 41 / 38

HEX #719D5D

RGB 113 157 93

HSL 101.25, 0.26%, 0.49%

LAB 60.26, -27.2, 28.79

 

CMYK 12 / 0 / 18 / 46

HEX #798971

RGB 121 137 113

HSL 100, 0.1%, 0.49%

LAB 55.22, -10.55, 10.95

 

CMYK 12 / 0 / 85 / 15

HEX #BED920

RGB 190 217 32

HSL 68.76, 0.74%, 0.49%

LAB 82.2, -29.86, 77.2

 

CMYK 35 / 0 / 85 / 15

HEX #8CD920

RGB 140 217 32

HSL 84.97, 0.74%, 0.49%

LAB 79.22, -49.03, 73.48

 

CMYK 58 / 0 / 85 / 15

HEX #5BD920

RGB 91 217 32

HSL 100.86, 0.74%, 0.49%

LAB 77.25, -63.85, 71.01

 

CMYK 81 / 0 / 85 / 15

HEX #2AD920

RGB 42 217 32

HSL 116.76, 0.74%, 0.49%

LAB 76.21, -72.74, 69.69

 

CMYK 85 / 0 / 66 / 15

HEX #20D949

RGB 32 217 73

HSL 133.3, 0.74%, 0.49%

LAB 76.32, -70.84, 56.74

 

CMYK 58 / 0 / 85 / 43

HEX #3D9216

RGB 61 146 22

HSL 101.13, 0.74%, 0.33%

LAB 53.61, -46.8, 52.02

 

CMYK 58 / 0 / 85 / 29

HEX #4CB61B

RGB 76 182 27

HSL 101.03, 0.74%, 0.41%

LAB 65.8, -55.67, 61.86

 

CMYK 58 / 0 / 85 / 15

HEX #5BD920

RGB 91 217 32

HSL 100.86, 0.74%, 0.49%

LAB 77.25, -63.85, 71.01

 

CMYK 49 / 0 / 71 / 11

HEX #74E341

RGB 116 227 65

HSL 101.11, 0.74%, 0.57%

LAB 81.31, -58.93, 65.6

 

CMYK 39 / 0 / 56 / 9

HEX #8EE865

RGB 142 232 101

HSL 101.22, 0.74%, 0.65%

LAB 84.18, -49.87, 54.46

 

CMYK 58 / 0 / 85 / 15

HEX #5AD820

RGB 90 216 32

HSL 101.09, 0.74%, 0.49%

LAB 76.91, -63.76, 70.7

 

CMYK 85 / 0 / 10 / 15

HEX #20D9C4

RGB 32 217 196

HSL 173.19, 0.74%, 0.49%

LAB 78.41, -47.31, -1.88

 

CMYK 0 / 85 / 24 / 15

HEX #D920A5

RGB 217 32 165

HSL 316.86, 0.74%, 0.49%

LAB 50.1, 76.6, -25.95

 

CMYK 58 / 0 / 85 / 15

HEX #5AD820

RGB 90 216 32

HSL 101.09, 0.74%, 0.49%

LAB 76.91, -63.76, 70.7

 

CMYK 85 / 58 / 0 / 15

HEX #205BD9

RGB 32 91 217

HSL 220.86, 0.74%, 0.49%

LAB 42.46, 28.97, -69.51

 

CMYK 0 / 85 / 58 / 15

HEX #D9205B

RGB 217 32 91

HSL 340.86, 0.74%, 0.49%

LAB 47.68, 69.79, 15.37

 

CMYK 58 / 0 / 85 / 15

HEX #5AD820

RGB 90 216 32

HSL 101.09, 0.74%, 0.49%

LAB 76.91, -63.76, 70.7

 

CMYK 85 / 0 / 10 / 15

HEX #20D9C4

RGB 32 217 196

HSL 173.19, 0.74%, 0.49%

LAB 78.41, -47.31, -1.88

 

CMYK 27 / 85 / 0 / 15

HEX #9F20D9

RGB 159 32 217

HSL 281.19, 0.74%, 0.49%

LAB 43.38, 74.1, -67.56

 

CMYK 0 / 85 / 75 / 15

HEX #D92036

RGB 217 32 54

HSL 352.86, 0.74%, 0.49%

LAB 47.04, 67.93, 36.99

 

CMYK 58 / 0 / 85 / 15

HEX #5AD820

RGB 90 216 32

HSL 101.09, 0.74%, 0.49%

LAB 76.91, -63.76, 70.7

 

CMYK 85 / 15 / 0 / 15

HEX #20B8D9

RGB 32 184 217

HSL 190.7, 0.74%, 0.49%

LAB 69.18, -25.75, -27.13

 

CMYK 27 / 85 / 0 / 15

HEX #9F20D9

RGB 159 32 217

HSL 281.19, 0.74%, 0.49%

LAB 43.38, 74.1, -67.56

 

CMYK 0 / 70 / 85 / 15

HEX #D94220

RGB 217 66 32

HSL 11.03, 0.74%, 0.49%

LAB 50.4, 57.33, 51.74

 

Description

Color code: HEX #5AD820 | qconv.com Color code: HEX #5AD820 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 216 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 216 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 85 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 85% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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