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Color name
HEX #5AD577

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD577 it is the complementary color #A52A88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AD577 shade: #5FD572, #70E785, #81F998, #92FFAB and #A3FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AD577 shade: #5AD577, #49C364, #38B151, #279F3E and #168D2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AD577 shade: #59D476, #5DD459, #7ED459, #9FD459 and #C1D459

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AD577 shade: #59D476, #59D497, #59D4B8, #59CFD4 and #59ADD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AD577 shade matches the following richer shades: #59D476, #48E56D and #37F664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AD577 shade: #59D476, #6AC37F, #7BB288, #8CA191 and #9C909A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AD577 shade: #7ED459, #5DD459, #59D476, #59D496 and #59D4B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AD577 shade: #2DAE4B, #38CC5B, #59D476, #7ADD91 and #9AE5AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AD577 shade: #5AD577, #599FD4 and #D4596D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AD577 shade: #5AD577, #7659D4 and #D47659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AD577 shade: #5AD577, #599FD4, #D459B7 and #D48E59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AD577 shade: #5AD577, #597AD4, #D459B7 and #D4B359

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 44 / 16

HEX #5AD577

RGB 90 213 119

HSL 134.15, 0.59%, 0.59%

LAB 76.74, -54.29, 36.35

 

Complementary color

CMYK 0 / 75 / 18 / 35

HEX #A52A88

RGB 165 42 136

HSL 314.15, 0.59%, 0.41%

LAB 40.3, 58.58, -24.42

 

CMYK 55 / 0 / 46 / 16

HEX #5FD572

RGB 95 213 114

HSL 129.66, 0.58%, 0.6%

LAB 76.82, -53.89, 38.98

 

CMYK 52 / 0 / 42 / 9

HEX #70E785

RGB 112 231 133

HSL 130.59, 0.71%, 0.67%

LAB 83.07, -53.91, 37.65

 

CMYK 48 / 0 / 39 / 2

HEX #81F998

RGB 129 249 152

HSL 131.5, 0.91%, 0.74%

LAB 89.25, -53.83, 36.38

 

CMYK 43 / 0 / 33 / 0

HEX #92FFAB

RGB 146 255 171

HSL 133.76, 1%, 0.79%

LAB 91.94, -48.69, 30.6

 

CMYK 36 / 0 / 25 / 0

HEX #A3FFBE

RGB 163 255 190

HSL 137.61, 1%, 0.82%

LAB 93.03, -40.64, 22.59

 

CMYK 58 / 0 / 44 / 16

HEX #5AD577

RGB 90 213 119

HSL 134.15, 0.59%, 0.59%

LAB 76.74, -54.29, 36.35

 

CMYK 63 / 0 / 49 / 24

HEX #49C364

RGB 73 195 100

HSL 133.28, 0.5%, 0.53%

LAB 70.43, -54.07, 37.76

 

CMYK 68 / 0 / 54 / 31

HEX #38B151

RGB 56 177 81

HSL 132.4, 0.52%, 0.46%

LAB 64.06, -53.58, 39.21

 

CMYK 75 / 0 / 61 / 38

HEX #279F3E

RGB 39 159 62

HSL 131.5, 0.61%, 0.39%

LAB 57.63, -52.67, 40.64

 

CMYK 84 / 0 / 70 / 45

HEX #168D2B

RGB 22 141 43

HSL 130.59, 0.73%, 0.32%

LAB 51.15, -51.11, 41.9

 

CMYK 58 / 0 / 44 / 17

HEX #59D476

RGB 89 212 118

HSL 134.15, 0.59%, 0.59%

LAB 76.39, -54.29, 36.4

 

CMYK 56 / 0 / 58 / 17

HEX #5DD459

RGB 93 212 89

HSL 118.05, 0.59%, 0.59%

LAB 76.15, -57.3, 50.03

 

CMYK 41 / 0 / 58 / 17

HEX #7ED459

RGB 126 212 89

HSL 101.95, 0.59%, 0.59%

LAB 77.43, -47.94, 51.83

 

CMYK 25 / 0 / 58 / 17

HEX #9FD459

RGB 159 212 89

HSL 85.85, 0.59%, 0.59%

LAB 79.14, -36.52, 54.25

 

CMYK 9 / 0 / 58 / 17

HEX #C1D459

RGB 193 212 89

HSL 69.27, 0.59%, 0.59%

LAB 81.37, -23.37, 57.36

 

CMYK 58 / 0 / 44 / 17

HEX #59D476

RGB 89 212 118

HSL 134.15, 0.59%, 0.59%

LAB 76.39, -54.29, 36.4

 

CMYK 58 / 0 / 29 / 17

HEX #59D497

RGB 89 212 151

HSL 150.24, 0.59%, 0.59%

LAB 76.95, -48.33, 20.12

 

CMYK 58 / 0 / 13 / 17

HEX #59D4B8

RGB 89 212 184

HSL 166.34, 0.59%, 0.59%

LAB 77.68, -40.98, 3.6

 

CMYK 58 / 2 / 0 / 17

HEX #59CFD4

RGB 89 207 212

HSL 182.44, 0.59%, 0.59%

LAB 76.98, -31.43, -12.47

 

CMYK 58 / 18 / 0 / 17

HEX #59ADD4

RGB 89 173 212

HSL 199.02, 0.59%, 0.59%

LAB 67.1, -14.21, -27.47

 

CMYK 58 / 0 / 44 / 17

HEX #59D476

RGB 89 212 118

HSL 134.15, 0.59%, 0.59%

LAB 76.39, -54.29, 36.4

 

CMYK 69 / 0 / 52 / 10

HEX #48E56D

RGB 72 229 109

HSL 134.14, 0.75%, 0.59%

LAB 81.03, -65.2, 46.47

 

CMYK 78 / 0 / 59 / 4

HEX #37F664

RGB 55 246 100

HSL 134.14, 0.91%, 0.59%

LAB 85.83, -74.39, 56.16

 

CMYK 58 / 0 / 44 / 17

HEX #59D476

RGB 89 212 118

HSL 134.15, 0.59%, 0.59%

LAB 76.39, -54.29, 36.4

 

CMYK 46 / 0 / 35 / 24

HEX #6AC37F

RGB 106 195 127

HSL 134.16, 0.43%, 0.59%

LAB 71.98, -41.49, 26.1

 

CMYK 31 / 0 / 24 / 30

HEX #7BB288

RGB 123 178 136

HSL 134.18, 0.26%, 0.59%

LAB 67.89, -26.83, 15.83

 

CMYK 13 / 0 / 10 / 37

HEX #8CA191

RGB 140 161 145

HSL 134.29, 0.1%, 0.59%

LAB 64.25, -10.57, 5.85

 

CMYK 0 / 8 / 1 / 39

HEX #9C909A

RGB 156 144 154

HSL 310, 0.06%, 0.59%

LAB 61.09, 6.32, -3.68

 

CMYK 41 / 0 / 58 / 17

HEX #7ED459

RGB 126 212 89

HSL 101.95, 0.59%, 0.59%

LAB 77.43, -47.94, 51.83

 

CMYK 56 / 0 / 58 / 17

HEX #5DD459

RGB 93 212 89

HSL 118.05, 0.59%, 0.59%

LAB 76.15, -57.3, 50.03

 

CMYK 58 / 0 / 44 / 17

HEX #59D476

RGB 89 212 118

HSL 134.15, 0.59%, 0.59%

LAB 76.39, -54.29, 36.4

 

CMYK 58 / 0 / 29 / 17

HEX #59D496

RGB 89 212 150

HSL 149.76, 0.59%, 0.59%

LAB 76.93, -48.54, 20.62

 

CMYK 58 / 0 / 14 / 17

HEX #59D4B7

RGB 89 212 183

HSL 165.85, 0.59%, 0.59%

LAB 77.66, -41.22, 4.1

 

CMYK 74 / 0 / 57 / 32

HEX #2DAE4B

RGB 45 174 75

HSL 133.95, 0.59%, 0.43%

LAB 62.79, -55.24, 40.54

 

CMYK 73 / 0 / 55 / 20

HEX #38CC5B

RGB 56 204 91

HSL 134.19, 0.59%, 0.51%

LAB 72.75, -61.7, 44.86

 

CMYK 58 / 0 / 44 / 17

HEX #59D476

RGB 89 212 118

HSL 134.15, 0.59%, 0.59%

LAB 76.39, -54.29, 36.4

 

CMYK 45 / 0 / 34 / 13

HEX #7ADD91

RGB 122 221 145

HSL 133.94, 0.59%, 0.67%

LAB 80.68, -45.2, 28.51

 

CMYK 33 / 0 / 25 / 10

HEX #9AE5AC

RGB 154 229 172

HSL 134.4, 0.59%, 0.75%

LAB 84.94, -34.73, 20.58

 

CMYK 58 / 0 / 44 / 16

HEX #5AD577

RGB 90 213 119

HSL 134.15, 0.59%, 0.59%

LAB 76.74, -54.29, 36.35

 

CMYK 58 / 25 / 0 / 17

HEX #599FD4

RGB 89 159 212

HSL 205.85, 0.59%, 0.59%

LAB 63.07, -6.55, -33.7

 

CMYK 0 / 58 / 49 / 17

HEX #D4596D

RGB 212 89 109

HSL 350.24, 0.59%, 0.59%

LAB 54.29, 50.17, 13.5

 

CMYK 58 / 0 / 44 / 16

HEX #5AD577

RGB 90 213 119

HSL 134.15, 0.59%, 0.59%

LAB 76.74, -54.29, 36.35

 

CMYK 44 / 58 / 0 / 17

HEX #7659D4

RGB 118 89 212

HSL 254.15, 0.59%, 0.59%

LAB 46.64, 41.23, -59.63

 

CMYK 0 / 44 / 58 / 17

HEX #D47659

RGB 212 118 89

HSL 14.15, 0.59%, 0.59%

LAB 59.59, 34.02, 32.04

 

CMYK 58 / 0 / 44 / 16

HEX #5AD577

RGB 90 213 119

HSL 134.15, 0.59%, 0.59%

LAB 76.74, -54.29, 36.35

 

CMYK 58 / 25 / 0 / 17

HEX #599FD4

RGB 89 159 212

HSL 205.85, 0.59%, 0.59%

LAB 63.07, -6.55, -33.7

 

CMYK 0 / 58 / 14 / 17

HEX #D459B7

RGB 212 89 183

HSL 314.15, 0.59%, 0.59%

LAB 56.64, 59.28, -26.4

 

CMYK 0 / 33 / 58 / 17

HEX #D48E59

RGB 212 142 89

HSL 25.85, 0.59%, 0.59%

LAB 65.01, 21.16, 38.76

 

CMYK 58 / 0 / 44 / 16

HEX #5AD577

RGB 90 213 119

HSL 134.15, 0.59%, 0.59%

LAB 76.74, -54.29, 36.35

 

CMYK 58 / 42 / 0 / 17

HEX #597AD4

RGB 89 122 212

HSL 223.9, 0.59%, 0.59%

LAB 52.73, 15.18, -49.99

 

CMYK 0 / 58 / 14 / 17

HEX #D459B7

RGB 212 89 183

HSL 314.15, 0.59%, 0.59%

LAB 56.64, 59.28, -26.4

 

CMYK 0 / 16 / 58 / 17

HEX #D4B359

RGB 212 179 89

HSL 43.9, 0.59%, 0.59%

LAB 74.16, 1.28, 49.61

 

Description

Color code: HEX #5AD577 | qconv.com Color code: HEX #5AD577 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 213 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 213 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 44 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 44% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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