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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD0A2 it is the complementary color #A52F5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD0A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AD0A2 shade: #5FD09D, #70E2B0, #81F4C3, #92FFD6 and #A3FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD0A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AD0A2 shade: #5AD0A2, #49BE8F, #38AC7C, #279A69 and #168856

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AD0A2 shade: #58D0A1, #58D081, #58D060, #70D058 and #90D058

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AD0A2 shade: #58D0A1, #58D0C1, #58BED0, #589ED0 and #587DD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AD0A2 shade matches the following richer shades: #58D0A1, #47E1A5 and #35F3A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AD0A2 shade: #58D0A1, #69BF9D, #7BAD99, #8C9C96 and #9D8B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AD0A2 shade: #58D060, #58D080, #58D0A0, #58D0C0 and #58C0D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AD0A2 shade: #2FA678, #38C78F, #58D0A1, #78D9B3 and #98E2C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AD0A2 shade: #5AD0A2, #5870D0 and #D07058

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AD0A2 shade: #5AD0A2, #A058D0 and #D0A058

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AD0A2 shade: #5AD0A2, #5870D0, #D05888 and #D0B858

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AD0A2 shade: #5AD0A2, #6458D0, #D05888 and #C4D058

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 22 / 18

HEX #5AD0A2

RGB 90 208 162

HSL 156.61, 0.56%, 0.58%

LAB 76, -44.11, 12.97

 

Complementary color

CMYK 0 / 72 / 44 / 35

HEX #A52F5D

RGB 165 47 93

HSL 336.61, 0.56%, 0.42%

LAB 39.28, 51.54, 0.86

 

CMYK 54 / 0 / 25 / 18

HEX #5FD09D

RGB 95 208 157

HSL 152.92, 0.55%, 0.59%

LAB 76.06, -44.1, 15.73

 

CMYK 50 / 0 / 22 / 11

HEX #70E2B0

RGB 112 226 176

HSL 153.68, 0.66%, 0.66%

LAB 82.36, -44.01, 14.63

 

CMYK 47 / 0 / 20 / 4

HEX #81F4C3

RGB 129 244 195

HSL 154.43, 0.84%, 0.73%

LAB 88.59, -43.86, 13.61

 

CMYK 43 / 0 / 16 / 0

HEX #92FFD6

RGB 146 255 214

HSL 157.43, 1%, 0.79%

LAB 92.79, -40.59, 9.85

 

CMYK 36 / 0 / 9 / 0

HEX #A3FFE9

RGB 163 255 233

HSL 165.65, 1%, 0.82%

LAB 93.96, -32.18, 1.84

 

CMYK 57 / 0 / 22 / 18

HEX #5AD0A2

RGB 90 208 162

HSL 156.61, 0.56%, 0.58%

LAB 76, -44.11, 12.97

 

CMYK 62 / 0 / 25 / 25

HEX #49BE8F

RGB 73 190 143

HSL 155.9, 0.47%, 0.52%

LAB 69.63, -44.03, 14.15

 

CMYK 67 / 0 / 28 / 33

HEX #38AC7C

RGB 56 172 124

HSL 155.17, 0.51%, 0.45%

LAB 63.18, -43.78, 15.45

 

CMYK 75 / 0 / 32 / 40

HEX #279A69

RGB 39 154 105

HSL 154.43, 0.6%, 0.38%

LAB 56.65, -43.28, 16.89

 

CMYK 84 / 0 / 37 / 47

HEX #168856

RGB 22 136 86

HSL 153.68, 0.72%, 0.31%

LAB 50.04, -42.36, 18.52

 

CMYK 58 / 0 / 23 / 18

HEX #58D0A1

RGB 88 208 161

HSL 156.5, 0.56%, 0.58%

LAB 75.92, -44.74, 13.38

 

CMYK 58 / 0 / 38 / 18

HEX #58D081

RGB 88 208 129

HSL 140.5, 0.56%, 0.58%

LAB 75.31, -51.1, 29.38

 

CMYK 58 / 0 / 54 / 18

HEX #58D060

RGB 88 208 96

HSL 124, 0.56%, 0.58%

LAB 74.84, -56.16, 45.21

 

CMYK 46 / 0 / 58 / 18

HEX #70D058

RGB 112 208 88

HSL 108, 0.56%, 0.58%

LAB 75.61, -50.71, 50.03

 

CMYK 31 / 0 / 58 / 18

HEX #90D058

RGB 144 208 88

HSL 92, 0.56%, 0.58%

LAB 77.13, -40.26, 52.17

 

CMYK 58 / 0 / 23 / 18

HEX #58D0A1

RGB 88 208 161

HSL 156.5, 0.56%, 0.58%

LAB 75.92, -44.74, 13.38

 

CMYK 58 / 0 / 7 / 18

HEX #58D0C1

RGB 88 208 193

HSL 172.5, 0.56%, 0.58%

LAB 76.7, -37.12, -2.66

 

CMYK 58 / 9 / 0 / 18

HEX #58BED0

RGB 88 190 208

HSL 189, 0.56%, 0.58%

LAB 71.86, -24.4, -18.01

 

CMYK 58 / 24 / 0 / 18

HEX #589ED0

RGB 88 158 208

HSL 205, 0.56%, 0.58%

LAB 62.58, -7.45, -32.25

 

CMYK 58 / 40 / 0 / 18

HEX #587DD0

RGB 88 125 208

HSL 221.5, 0.56%, 0.58%

LAB 53.27, 11.83, -46.86

 

CMYK 58 / 0 / 23 / 18

HEX #58D0A1

RGB 88 208 161

HSL 156.5, 0.56%, 0.58%

LAB 75.92, -44.74, 13.38

 

CMYK 68 / 0 / 27 / 12

HEX #47E1A5

RGB 71 225 165

HSL 156.62, 0.72%, 0.58%

LAB 80.69, -53.94, 17.88

 

CMYK 78 / 0 / 30 / 5

HEX #35F3A9

RGB 53 243 169

HSL 156.63, 0.89%, 0.58%

LAB 85.87, -62.28, 22.93

 

CMYK 58 / 0 / 23 / 18

HEX #58D0A1

RGB 88 208 161

HSL 156.5, 0.56%, 0.58%

LAB 75.92, -44.74, 13.38

 

CMYK 45 / 0 / 18 / 25

HEX #69BF9D

RGB 105 191 157

HSL 156.28, 0.4%, 0.58%

LAB 71.35, -34.04, 9.14

 

CMYK 29 / 0 / 12 / 32

HEX #7BAD99

RGB 123 173 153

HSL 156, 0.23%, 0.58%

LAB 66.82, -20.92, 4.96

 

CMYK 10 / 0 / 4 / 39

HEX #8C9C96

RGB 140 156 150

HSL 157.5, 0.07%, 0.58%

LAB 62.97, -6.88, 1.2

 

CMYK 0 / 11 / 7 / 38

HEX #9D8B92

RGB 157 139 146

HSL 336.67, 0.08%, 0.58%

LAB 59.62, 8.01, -1.25

 

CMYK 58 / 0 / 54 / 18

HEX #58D060

RGB 88 208 96

HSL 124, 0.56%, 0.58%

LAB 74.84, -56.16, 45.21

 

CMYK 58 / 0 / 38 / 18

HEX #58D080

RGB 88 208 128

HSL 140, 0.56%, 0.58%

LAB 75.29, -51.28, 29.88

 

CMYK 58 / 0 / 23 / 18

HEX #58D0A0

RGB 88 208 160

HSL 156, 0.56%, 0.58%

LAB 75.9, -44.96, 13.88

 

CMYK 58 / 0 / 8 / 18

HEX #58D0C0

RGB 88 208 192

HSL 172, 0.56%, 0.58%

LAB 76.67, -37.38, -2.16

 

CMYK 58 / 8 / 0 / 18

HEX #58C0D0

RGB 88 192 208

HSL 188, 0.56%, 0.58%

LAB 72.45, -25.4, -17.13

 

CMYK 72 / 0 / 28 / 35

HEX #2FA678

RGB 47 166 120

HSL 156.81, 0.56%, 0.42%

LAB 60.99, -43.65, 14.58

 

CMYK 72 / 0 / 28 / 22

HEX #38C78F

RGB 56 199 143

HSL 156.5, 0.56%, 0.5%

LAB 72.01, -50.61, 17.41

 

CMYK 58 / 0 / 23 / 18

HEX #58D0A1

RGB 88 208 161

HSL 156.5, 0.56%, 0.58%

LAB 75.92, -44.74, 13.38

 

CMYK 45 / 0 / 18 / 15

HEX #78D9B3

RGB 120 217 179

HSL 156.49, 0.56%, 0.66%

LAB 80.11, -37.41, 9.9

 

CMYK 33 / 0 / 13 / 11

HEX #98E2C5

RGB 152 226 197

HSL 156.49, 0.56%, 0.74%

LAB 84.53, -29.11, 6.91

 

CMYK 57 / 0 / 22 / 18

HEX #5AD0A2

RGB 90 208 162

HSL 156.61, 0.56%, 0.58%

LAB 76, -44.11, 12.97

 

CMYK 58 / 46 / 0 / 18

HEX #5870D0

RGB 88 112 208

HSL 228, 0.56%, 0.58%

LAB 49.76, 19.8, -52.46

 

CMYK 0 / 46 / 58 / 18

HEX #D07058

RGB 208 112 88

HSL 12, 0.56%, 0.58%

LAB 57.75, 35.52, 30.16

 

CMYK 57 / 0 / 22 / 18

HEX #5AD0A2

RGB 90 208 162

HSL 156.61, 0.56%, 0.58%

LAB 76, -44.11, 12.97

 

CMYK 23 / 58 / 0 / 18

HEX #A058D0

RGB 160 88 208

HSL 276, 0.56%, 0.58%

LAB 50.7, 50.56, -50.6

 

CMYK 0 / 23 / 58 / 18

HEX #D0A058

RGB 208 160 88

HSL 36, 0.56%, 0.58%

LAB 68.94, 9.66, 43.88

 

CMYK 57 / 0 / 22 / 18

HEX #5AD0A2

RGB 90 208 162

HSL 156.61, 0.56%, 0.58%

LAB 76, -44.11, 12.97

 

CMYK 58 / 46 / 0 / 18

HEX #5870D0

RGB 88 112 208

HSL 228, 0.56%, 0.58%

LAB 49.76, 19.8, -52.46

 

CMYK 0 / 58 / 35 / 18

HEX #D05888

RGB 208 88 136

HSL 336, 0.56%, 0.58%

LAB 54.2, 52.15, -2.69

 

CMYK 0 / 12 / 58 / 18

HEX #D0B858

RGB 208 184 88

HSL 48, 0.56%, 0.58%

LAB 75.07, -3.11, 51.03

 

CMYK 57 / 0 / 22 / 18

HEX #5AD0A2

RGB 90 208 162

HSL 156.61, 0.56%, 0.58%

LAB 76, -44.11, 12.97

 

CMYK 52 / 58 / 0 / 18

HEX #6458D0

RGB 100 88 208

HSL 246, 0.56%, 0.58%

LAB 44.58, 36.92, -60.75

 

CMYK 0 / 58 / 35 / 18

HEX #D05888

RGB 208 88 136

HSL 336, 0.56%, 0.58%

LAB 54.2, 52.15, -2.69

 

CMYK 6 / 0 / 58 / 18

HEX #C4D058

RGB 196 208 88

HSL 66, 0.56%, 0.58%

LAB 80.49, -20.28, 56.88

 

Description

Color code: HEX #5AD0A2 | qconv.com Color code: HEX #5AD0A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 208 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 208 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 22 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 22% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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