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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ACFF5 it is the complementary color #A5300A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ACFF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ACFF5 shade: #5FCFF0, #70E1FF, #81F3FF, #92FFFF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ACFF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ACFF5 shade: #5ACFF5, #49BDE2, #38ABCF, #2799BC and #1687A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ACFF5 shade: #5BD0F5, #5BA6F5, #5B7CF5, #635BF5 and #8D5BF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ACFF5 shade: #5BD0F5, #5BA6F5, #5B7CF5 and #5B5BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ACFF5 shade matches the following richer shades: #5BD0F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ACFF5 shade: #5BD0F5, #69C8E7, #77C1D9, #85BACB and #93B3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ACFF5 shade: #5BF5C7, #5BF5F0, #5BD1F5, #5BA8F5 and #5B7FF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ACFF5 shade: #0EB9F0, #34C4F3, #5BD0F5, #82DBF8 and #A9E6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ACFF5 shade: #5ACFF5, #9E5BF5 and #F5DC5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ACFF5 shade: #5ACFF5, #F55BD1 and #D1F55B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ACFF5 shade: #5ACFF5, #9E5BF5, #F57F5B and #B3F55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ACFF5 shade: #5ACFF5, #CC5BF5, #F57F5B and #84F55B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 16 / 0 / 4

HEX #5ACFF5

RGB 90 207 245

HSL 194.71, 0.89%, 0.66%

LAB 78.11, -21.76, -28.47

 

Complementary color

CMYK 0 / 71 / 94 / 35

HEX #A5300A

RGB 165 48 10

HSL 14.71, 0.89%, 0.34%

LAB 38.08, 46.53, 46.76

 

CMYK 60 / 14 / 0 / 6

HEX #5FCFF0

RGB 95 207 240

HSL 193.66, 0.83%, 0.66%

LAB 78.08, -22.4, -25.82

 

CMYK 56 / 12 / 0 / 0

HEX #70E1FF

RGB 112 225 255

HSL 192.59, 1%, 0.72%

LAB 84.23, -24, -24.36

 

CMYK 49 / 5 / 0 / 0

HEX #81F3FF

RGB 129 243 255

HSL 185.71, 1%, 0.75%

LAB 89.85, -29.37, -15.81

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 63 / 16 / 0 / 4

HEX #5ACFF5

RGB 90 207 245

HSL 194.71, 0.89%, 0.66%

LAB 78.11, -21.76, -28.47

 

CMYK 68 / 16 / 0 / 11

HEX #49BDE2

RGB 73 189 226

HSL 194.51, 0.73%, 0.59%

LAB 71.76, -21.01, -28.01

 

CMYK 73 / 17 / 0 / 19

HEX #38ABCF

RGB 56 171 207

HSL 194.3, 0.61%, 0.52%

LAB 65.34, -20.06, -27.51

 

CMYK 79 / 19 / 0 / 26

HEX #2799BC

RGB 39 153 188

HSL 194.09, 0.66%, 0.45%

LAB 58.83, -18.82, -26.95

 

CMYK 87 / 20 / 0 / 34

HEX #1687A9

RGB 22 135 169

HSL 193.88, 0.77%, 0.37%

LAB 52.25, -17.19, -26.31

 

CMYK 63 / 15 / 0 / 4

HEX #5BD0F5

RGB 91 208 245

HSL 194.42, 0.89%, 0.66%

LAB 78.42, -22.1, -27.99

 

CMYK 63 / 32 / 0 / 4

HEX #5BA6F5

RGB 91 166 245

HSL 210.78, 0.89%, 0.66%

LAB 66.59, 0.45, -46.37

 

CMYK 63 / 49 / 0 / 4

HEX #5B7CF5

RGB 91 124 245

HSL 227.14, 0.89%, 0.66%

LAB 55.31, 25.33, -64.33

 

CMYK 60 / 63 / 0 / 4

HEX #635BF5

RGB 99 91 245

HSL 243.12, 0.89%, 0.66%

LAB 47.91, 46.43, -76.29

 

CMYK 42 / 63 / 0 / 4

HEX #8D5BF5

RGB 141 91 245

HSL 259.48, 0.89%, 0.66%

LAB 51.54, 53.82, -70.24

 

CMYK 63 / 15 / 0 / 4

HEX #5BD0F5

RGB 91 208 245

HSL 194.42, 0.89%, 0.66%

LAB 78.42, -22.1, -27.99

 

CMYK 63 / 32 / 0 / 4

HEX #5BA6F5

RGB 91 166 245

HSL 210.78, 0.89%, 0.66%

LAB 66.59, 0.45, -46.37

 

CMYK 63 / 49 / 0 / 4

HEX #5B7CF5

RGB 91 124 245

HSL 227.14, 0.89%, 0.66%

LAB 55.31, 25.33, -64.33

 

CMYK 63 / 63 / 0 / 4

HEX #5B5BF5

RGB 91 91 245

HSL 240, 0.89%, 0.66%

LAB 47.36, 45.25, -77.22

 

CMYK 63 / 15 / 0 / 4

HEX #5BD0F5

RGB 91 208 245

HSL 194.42, 0.89%, 0.66%

LAB 78.42, -22.1, -27.99

 

CMYK 63 / 15 / 0 / 4

HEX #5BD0F5

RGB 91 208 245

HSL 194.42, 0.89%, 0.66%

LAB 78.42, -22.1, -27.99

 

CMYK 55 / 13 / 0 / 9

HEX #69C8E7

RGB 105 200 231

HSL 194.76, 0.72%, 0.66%

LAB 76.12, -19.57, -23.96

 

CMYK 45 / 11 / 0 / 15

HEX #77C1D9

RGB 119 193 217

HSL 194.69, 0.56%, 0.66%

LAB 74.24, -16.76, -19.2

 

CMYK 34 / 8 / 0 / 20

HEX #85BACB

RGB 133 186 203

HSL 194.57, 0.4%, 0.66%

LAB 72.51, -13.11, -14.12

 

CMYK 22 / 5 / 0 / 26

HEX #93B3BD

RGB 147 179 189

HSL 194.29, 0.24%, 0.66%

LAB 70.95, -8.6, -8.69

 

CMYK 63 / 0 / 19 / 4

HEX #5BF5C7

RGB 91 245 199

HSL 162.08, 0.89%, 0.66%

LAB 87.8, -51.26, 10.24

 

CMYK 63 / 0 / 2 / 4

HEX #5BF5F0

RGB 91 245 240

HSL 178.05, 0.89%, 0.66%

LAB 88.84, -41.13, -9.62

 

CMYK 63 / 15 / 0 / 4

HEX #5BD1F5

RGB 91 209 245

HSL 194.03, 0.89%, 0.66%

LAB 78.7, -22.61, -27.55

 

CMYK 63 / 31 / 0 / 4

HEX #5BA8F5

RGB 91 168 245

HSL 210, 0.89%, 0.66%

LAB 67.14, -0.68, -45.49

 

CMYK 63 / 48 / 0 / 4

HEX #5B7FF5

RGB 91 127 245

HSL 225.97, 0.89%, 0.66%

LAB 56.08, 23.51, -63.08

 

CMYK 94 / 23 / 0 / 6

HEX #0EB9F0

RGB 14 185 240

HSL 194.6, 0.89%, 0.5%

LAB 70.23, -19.36, -38.05

 

CMYK 79 / 19 / 0 / 5

HEX #34C4F3

RGB 52 196 243

HSL 194.76, 0.89%, 0.58%

LAB 73.99, -21.69, -33.82

 

CMYK 63 / 15 / 0 / 4

HEX #5BD0F5

RGB 91 208 245

HSL 194.42, 0.89%, 0.66%

LAB 78.42, -22.1, -27.99

 

CMYK 48 / 12 / 0 / 3

HEX #82DBF8

RGB 130 219 248

HSL 194.75, 0.89%, 0.74%

LAB 83.01, -19.2, -22.45

 

CMYK 32 / 8 / 0 / 2

HEX #A9E6FA

RGB 169 230 250

HSL 194.81, 0.89%, 0.82%

LAB 87.94, -14.56, -15.89

 

CMYK 63 / 16 / 0 / 4

HEX #5ACFF5

RGB 90 207 245

HSL 194.71, 0.89%, 0.66%

LAB 78.11, -21.76, -28.47

 

CMYK 36 / 63 / 0 / 4

HEX #9E5BF5

RGB 158 91 245

HSL 266.1, 0.89%, 0.66%

LAB 53.32, 57.25, -67.26

 

CMYK 0 / 10 / 63 / 4

HEX #F5DC5B

RGB 245 220 91

HSL 50.26, 0.89%, 0.66%

LAB 87.66, -5.97, 64.58

 

CMYK 63 / 16 / 0 / 4

HEX #5ACFF5

RGB 90 207 245

HSL 194.71, 0.89%, 0.66%

LAB 78.11, -21.76, -28.47

 

CMYK 0 / 63 / 15 / 4

HEX #F55BD1

RGB 245 91 209

HSL 314.03, 0.89%, 0.66%

LAB 62.93, 71.1, -31.12

 

CMYK 15 / 0 / 63 / 4

HEX #D1F55B

RGB 209 245 91

HSL 74.03, 0.89%, 0.66%

LAB 91.51, -32.51, 67.9

 

CMYK 63 / 16 / 0 / 4

HEX #5ACFF5

RGB 90 207 245

HSL 194.71, 0.89%, 0.66%

LAB 78.11, -21.76, -28.47

 

CMYK 36 / 63 / 0 / 4

HEX #9E5BF5

RGB 158 91 245

HSL 266.1, 0.89%, 0.66%

LAB 53.32, 57.25, -67.26

 

CMYK 0 / 48 / 63 / 4

HEX #F57F5B

RGB 245 127 91

HSL 14.03, 0.89%, 0.66%

LAB 66.02, 42.24, 39.9

 

CMYK 27 / 0 / 63 / 4

HEX #B3F55B

RGB 179 245 91

HSL 85.71, 0.89%, 0.66%

LAB 89.69, -43.69, 65.41

 

CMYK 63 / 16 / 0 / 4

HEX #5ACFF5

RGB 90 207 245

HSL 194.71, 0.89%, 0.66%

LAB 78.11, -21.76, -28.47

 

CMYK 17 / 63 / 0 / 4

HEX #CC5BF5

RGB 204 91 245

HSL 284.03, 0.89%, 0.66%

LAB 58.89, 67.24, -58.02

 

CMYK 0 / 48 / 63 / 4

HEX #F57F5B

RGB 245 127 91

HSL 14.03, 0.89%, 0.66%

LAB 66.02, 42.24, 39.9

 

CMYK 46 / 0 / 63 / 4

HEX #84F55B

RGB 132 245 91

HSL 104.03, 0.89%, 0.66%

LAB 87.47, -59.03, 62.34

 

Description

Color code: HEX #5ACFF5 | qconv.com Color code: HEX #5ACFF5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 207 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 207 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 16 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 16% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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