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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ACE3D it is the complementary color #A531C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ACE3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ACE3D shade: #5FCE38, #70E04B, #81F25E, #92FF71 and #A3FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ACE3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ACE3D shade: #5ACE3D, #49BC2A, #38AA17, #279804 and #168600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ACE3D shade: #59CE3B, #80CE3B, #A8CE3B, #CECD3B and #CEA53B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ACE3D shade: #59CE3B, #3BCE45, #3BCE6D, #3BCE95 and #3BCEBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ACE3D shade matches the following richer shades: #59CE3B, #4DE227 and #41F614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ACE3D shade: #59CE3B, #64BA4F, #70A663, #7C9377 and #887F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ACE3D shade: #A7CE3B, #80CE3B, #59CE3B, #3BCE45 and #3BCE6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ACE3D shade: #3A9225, #48B32D, #59CE3B, #75D65C and #91DF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ACE3D shade: #5ACE3D, #3BCECE and #CE3B93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ACE3D shade: #5ACE3D, #3B59CE and #CE3B59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ACE3D shade: #5ACE3D, #3BCECE, #B13BCE and #CE3B3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ACE3D shade: #5ACE3D, #3BA2CE, #B13BCE and #CE673B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 70 / 19

HEX #5ACE3D

RGB 90 206 61

HSL 108, 0.6%, 0.52%

LAB 73.97, -58.58, 59.25

 

Complementary color

CMYK 15 / 75 / 0 / 24

HEX #A531C2

RGB 165 49 194

HSL 288, 0.6%, 0.48%

LAB 44.36, 65.85, -52.63

 

CMYK 54 / 0 / 73 / 19

HEX #5FCE38

RGB 95 206 56

HSL 104.4, 0.6%, 0.51%

LAB 74.1, -57.65, 61.26

 

CMYK 50 / 0 / 67 / 12

HEX #70E04B

RGB 112 224 75

HSL 105.1, 0.71%, 0.59%

LAB 80.33, -58.17, 60.79

 

CMYK 47 / 0 / 61 / 5

HEX #81F25E

RGB 129 242 94

HSL 105.81, 0.85%, 0.66%

LAB 86.49, -58.47, 59.99

 

CMYK 43 / 0 / 56 / 0

HEX #92FF71

RGB 146 255 113

HSL 106.06, 1%, 0.72%

LAB 91.15, -56.65, 57.31

 

CMYK 36 / 0 / 48 / 0

HEX #A3FF84

RGB 163 255 132

HSL 104.88, 1%, 0.76%

LAB 92.12, -49.3, 49.99

 

CMYK 56 / 0 / 70 / 19

HEX #5ACE3D

RGB 90 206 61

HSL 108, 0.6%, 0.52%

LAB 73.97, -58.58, 59.25

 

CMYK 61 / 0 / 78 / 26

HEX #49BC2A

RGB 73 188 42

HSL 107.26, 0.63%, 0.45%

LAB 67.69, -57.74, 59.41

 

CMYK 67 / 0 / 86 / 33

HEX #38AA17

RGB 56 170 23

HSL 106.53, 0.76%, 0.38%

LAB 61.35, -56.42, 58.63

 

CMYK 74 / 0 / 97 / 40

HEX #279804

RGB 39 152 4

HSL 105.81, 0.95%, 0.31%

LAB 54.97, -54.45, 56.44

 

CMYK 84 / 0 / 100 / 47

HEX #168600

RGB 22 134 0

HSL 110.15, 1%, 0.26%

LAB 48.54, -51.5, 51.84

 

CMYK 57 / 0 / 71 / 19

HEX #59CE3B

RGB 89 206 59

HSL 107.76, 0.6%, 0.52%

LAB 73.92, -58.99, 59.94

 

CMYK 38 / 0 / 71 / 19

HEX #80CE3B

RGB 128 206 59

HSL 91.84, 0.6%, 0.52%

LAB 75.48, -47.34, 62.02

 

CMYK 18 / 0 / 71 / 19

HEX #A8CE3B

RGB 168 206 59

HSL 75.51, 0.6%, 0.52%

LAB 77.75, -32.51, 65.03

 

CMYK 0 / 0 / 71 / 19

HEX #CECD3B

RGB 206 205 59

HSL 59.59, 0.6%, 0.52%

LAB 80.24, -16.43, 68.4

 

CMYK 0 / 20 / 71 / 19

HEX #CEA53B

RGB 206 165 59

HSL 43.27, 0.6%, 0.52%

LAB 69.72, 4.28, 58.06

 

CMYK 57 / 0 / 71 / 19

HEX #59CE3B

RGB 89 206 59

HSL 107.76, 0.6%, 0.52%

LAB 73.92, -58.99, 59.94

 

CMYK 71 / 0 / 67 / 19

HEX #3BCE45

RGB 59 206 69

HSL 124.08, 0.6%, 0.52%

LAB 73.22, -64.43, 55.1

 

CMYK 71 / 0 / 47 / 19

HEX #3BCE6D

RGB 59 206 109

HSL 140.41, 0.6%, 0.52%

LAB 73.66, -59.27, 37.27

 

CMYK 71 / 0 / 28 / 19

HEX #3BCE95

RGB 59 206 149

HSL 156.73, 0.6%, 0.52%

LAB 74.34, -51.65, 17.46

 

CMYK 71 / 0 / 9 / 19

HEX #3BCEBC

RGB 59 206 188

HSL 172.65, 0.6%, 0.52%

LAB 75.27, -42.14, -2.16

 

CMYK 57 / 0 / 71 / 19

HEX #59CE3B

RGB 89 206 59

HSL 107.76, 0.6%, 0.52%

LAB 73.92, -58.99, 59.94

 

CMYK 66 / 0 / 83 / 11

HEX #4DE227

RGB 77 226 39

HSL 107.81, 0.76%, 0.52%

LAB 79.68, -69.64, 71.43

 

CMYK 74 / 0 / 92 / 4

HEX #41F614

RGB 65 246 20

HSL 108.05, 0.93%, 0.52%

LAB 85.55, -78.43, 79.86

 

CMYK 57 / 0 / 71 / 19

HEX #59CE3B

RGB 89 206 59

HSL 107.76, 0.6%, 0.52%

LAB 73.92, -58.99, 59.94

 

CMYK 46 / 0 / 58 / 27

HEX #64BA4F

RGB 100 186 79

HSL 108.22, 0.44%, 0.52%

LAB 68.31, -46.38, 45.55

 

CMYK 33 / 0 / 40 / 35

HEX #70A663

RGB 112 166 99

HSL 108.36, 0.27%, 0.52%

LAB 63.03, -31, 29.16

 

CMYK 16 / 0 / 19 / 42

HEX #7C9377

RGB 124 147 119

HSL 109.29, 0.11%, 0.52%

LAB 58.49, -13.75, 12.15

 

CMYK 1 / 8 / 0 / 46

HEX #887F8A

RGB 136 127 138

HSL 289.09, 0.04%, 0.52%

LAB 54.29, 5.55, -4.71

 

CMYK 19 / 0 / 71 / 19

HEX #A7CE3B

RGB 167 206 59

HSL 75.92, 0.6%, 0.52%

LAB 77.68, -32.9, 64.94

 

CMYK 38 / 0 / 71 / 19

HEX #80CE3B

RGB 128 206 59

HSL 91.84, 0.6%, 0.52%

LAB 75.48, -47.34, 62.02

 

CMYK 57 / 0 / 71 / 19

HEX #59CE3B

RGB 89 206 59

HSL 107.76, 0.6%, 0.52%

LAB 73.92, -58.99, 59.94

 

CMYK 71 / 0 / 67 / 19

HEX #3BCE45

RGB 59 206 69

HSL 124.08, 0.6%, 0.52%

LAB 73.22, -64.43, 55.1

 

CMYK 71 / 0 / 48 / 19

HEX #3BCE6C

RGB 59 206 108

HSL 140, 0.6%, 0.52%

LAB 73.65, -59.43, 37.75

 

CMYK 60 / 0 / 75 / 43

HEX #3A9225

RGB 58 146 37

HSL 108.44, 0.6%, 0.36%

LAB 53.59, -46.66, 47.11

 

CMYK 60 / 0 / 75 / 30

HEX #48B32D

RGB 72 179 45

HSL 107.91, 0.6%, 0.44%

LAB 64.81, -54.6, 55.59

 

CMYK 57 / 0 / 71 / 19

HEX #59CE3B

RGB 89 206 59

HSL 107.76, 0.6%, 0.52%

LAB 73.92, -58.99, 59.94

 

CMYK 45 / 0 / 57 / 16

HEX #75D65C

RGB 117 214 92

HSL 107.7, 0.6%, 0.6%

LAB 77.67, -51.2, 50.66

 

CMYK 35 / 0 / 44 / 13

HEX #91DF7D

RGB 145 223 125

HSL 107.76, 0.6%, 0.68%

LAB 81.99, -42.23, 40.51

 

CMYK 56 / 0 / 70 / 19

HEX #5ACE3D

RGB 90 206 61

HSL 108, 0.6%, 0.52%

LAB 73.97, -58.58, 59.25

 

CMYK 71 / 0 / 0 / 19

HEX #3BCECE

RGB 59 206 206

HSL 180, 0.6%, 0.52%

LAB 75.78, -37.16, -11.11

 

CMYK 0 / 71 / 29 / 19

HEX #CE3B93

RGB 206 59 147

HSL 324.08, 0.6%, 0.52%

LAB 49.93, 64.7, -15.67

 

CMYK 56 / 0 / 70 / 19

HEX #5ACE3D

RGB 90 206 61

HSL 108, 0.6%, 0.52%

LAB 73.97, -58.58, 59.25

 

CMYK 71 / 57 / 0 / 19

HEX #3B59CE

RGB 59 89 206

HSL 227.76, 0.6%, 0.52%

LAB 42.05, 28.81, -63.83

 

CMYK 0 / 71 / 57 / 19

HEX #CE3B59

RGB 206 59 89

HSL 347.76, 0.6%, 0.52%

LAB 48.22, 59.09, 17

 

CMYK 56 / 0 / 70 / 19

HEX #5ACE3D

RGB 90 206 61

HSL 108, 0.6%, 0.52%

LAB 73.97, -58.58, 59.25

 

CMYK 71 / 0 / 0 / 19

HEX #3BCECE

RGB 59 206 206

HSL 180, 0.6%, 0.52%

LAB 75.78, -37.16, -11.11

 

CMYK 14 / 71 / 0 / 19

HEX #B13BCE

RGB 177 59 206

HSL 288.16, 0.6%, 0.52%

LAB 48.17, 66.96, -53.36

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 56 / 0 / 70 / 19

HEX #5ACE3D

RGB 90 206 61

HSL 108, 0.6%, 0.52%

LAB 73.97, -58.58, 59.25

 

CMYK 71 / 21 / 0 / 19

HEX #3BA2CE

RGB 59 162 206

HSL 197.96, 0.6%, 0.52%

LAB 62.7, -15.21, -31.02

 

CMYK 14 / 71 / 0 / 19

HEX #B13BCE

RGB 177 59 206

HSL 288.16, 0.6%, 0.52%

LAB 48.17, 66.96, -53.36

 

CMYK 0 / 50 / 71 / 19

HEX #CE673B

RGB 206 103 59

HSL 17.96, 0.6%, 0.52%

LAB 55.21, 37.56, 42.8

 

Description

Color code: HEX #5ACE3D | qconv.com Color code: HEX #5ACE3D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 206 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 206 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 70 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 70% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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