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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ACD0F it is the complementary color #A532F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ACD0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ACD0F shade: #5FCD0A, #70DF1D, #81F130, #92FF43 and #A3FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ACD0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ACD0F shade: #5ACD0F, #49BB00, #38A900, #279700 and #168500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ACD0F shade: #5ACC0F, #8DCC0F, #C0CC0F, #CCA60F and #CC730F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ACD0F shade: #5ACC0F, #27CC0F, #0FCC2B, #0FCC5D and #0FCC90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ACD0F shade matches the following richer shades: #5ACC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ACD0F shade: #5ACC0F, #5EBA21, #61A833, #659745 and #698556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ACD0F shade: #BFCC0F, #8DCC0F, #5BCC0F, #28CC0F and #0FCC28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ACD0F shade: #387F0A, #49A60C, #5ACC0F, #6CEE17 and #84F03D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ACD0F shade: #5ACD0F, #0FCCA6 and #CC0FA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ACD0F shade: #5ACD0F, #0F5BCC and #CC0F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ACD0F shade: #5ACD0F, #0FCCA6, #810FCC and #CC0F35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ACD0F shade: #5ACD0F, #0FB9CC, #810FCC and #CC220F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 93 / 20

HEX #5ACD0F

RGB 90 205 15

HSL 96.32, 0.86%, 0.43%

LAB 73.46, -60.48, 70.73

 

Complementary color

CMYK 31 / 79 / 0 / 6

HEX #A532F0

RGB 165 50 240

HSL 276.32, 0.86%, 0.57%

LAB 47.72, 74.59, -73.52

 

CMYK 54 / 0 / 95 / 20

HEX #5FCD0A

RGB 95 205 10

HSL 93.85, 0.91%, 0.42%

LAB 73.62, -59.23, 71.51

 

CMYK 50 / 0 / 87 / 13

HEX #70DF1D

RGB 112 223 29

HSL 94.33, 0.77%, 0.49%

LAB 79.79, -60.43, 74.09

 

CMYK 46 / 0 / 80 / 5

HEX #81F130

RGB 129 241 48

HSL 94.82, 0.87%, 0.57%

LAB 85.9, -61.31, 75.43

 

CMYK 43 / 0 / 74 / 0

HEX #92FF43

RGB 146 255 67

HSL 94.79, 1%, 0.63%

LAB 90.8, -60.43, 74.75

 

CMYK 36 / 0 / 66 / 0

HEX #A3FF56

RGB 163 255 86

HSL 92.66, 1%, 0.67%

LAB 91.68, -53.76, 69.23

 

CMYK 56 / 0 / 93 / 20

HEX #5ACD0F

RGB 90 205 15

HSL 96.32, 0.86%, 0.43%

LAB 73.46, -60.48, 70.73

 

CMYK 61 / 0 / 100 / 27

HEX #49BB00

RGB 73 187 0

HSL 96.58, 1%, 0.37%

LAB 67.24, -58.87, 67.2

 

CMYK 67 / 0 / 100 / 34

HEX #38A900

RGB 56 169 0

HSL 100.12, 1%, 0.33%

LAB 60.97, -56.75, 62.03

 

CMYK 74 / 0 / 100 / 41

HEX #279700

RGB 39 151 0

HSL 104.5, 1%, 0.3%

LAB 54.62, -54.24, 56.82

 

CMYK 83 / 0 / 100 / 48

HEX #168500

RGB 22 133 0

HSL 110.08, 1%, 0.26%

LAB 48.19, -51.19, 51.56

 

CMYK 56 / 0 / 93 / 20

HEX #5ACC0F

RGB 90 204 15

HSL 96.19, 0.86%, 0.43%

LAB 73.15, -60.13, 70.47

 

CMYK 31 / 0 / 93 / 20

HEX #8DCC0F

RGB 141 204 15

HSL 80, 0.86%, 0.43%

LAB 75.38, -43.65, 73.21

 

CMYK 6 / 0 / 93 / 20

HEX #C0CC0F

RGB 192 204 15

HSL 63.81, 0.86%, 0.43%

LAB 78.71, -23.16, 77.25

 

CMYK 0 / 19 / 93 / 20

HEX #CCA60F

RGB 204 166 15

HSL 47.94, 0.86%, 0.43%

LAB 69.57, 1.5, 70.74

 

CMYK 0 / 44 / 93 / 20

HEX #CC730F

RGB 204 115 15

HSL 31.75, 0.86%, 0.43%

LAB 57.21, 29.07, 61.65

 

CMYK 56 / 0 / 93 / 20

HEX #5ACC0F

RGB 90 204 15

HSL 96.19, 0.86%, 0.43%

LAB 73.15, -60.13, 70.47

 

CMYK 81 / 0 / 93 / 20

HEX #27CC0F

RGB 39 204 15

HSL 112.38, 0.86%, 0.43%

LAB 71.99, -69.91, 69.04

 

CMYK 93 / 0 / 79 / 20

HEX #0FCC2B

RGB 15 204 43

HSL 128.89, 0.86%, 0.43%

LAB 71.87, -70.7, 62.78

 

CMYK 93 / 0 / 54 / 20

HEX #0FCC5D

RGB 15 204 93

HSL 144.76, 0.86%, 0.43%

LAB 72.28, -65.52, 43.24

 

CMYK 93 / 0 / 29 / 20

HEX #0FCC90

RGB 15 204 144

HSL 160.95, 0.86%, 0.43%

LAB 73.09, -56.04, 18.3

 

CMYK 56 / 0 / 93 / 20

HEX #5ACC0F

RGB 90 204 15

HSL 96.19, 0.86%, 0.43%

LAB 73.15, -60.13, 70.47

 

CMYK 56 / 0 / 93 / 20

HEX #5ACC0F

RGB 90 204 15

HSL 96.19, 0.86%, 0.43%

LAB 73.15, -60.13, 70.47

 

CMYK 49 / 0 / 82 / 27

HEX #5EBA21

RGB 94 186 33

HSL 96.08, 0.7%, 0.43%

LAB 67.73, -51.83, 62.33

 

CMYK 42 / 0 / 70 / 34

HEX #61A833

RGB 97 168 51

HSL 96.41, 0.53%, 0.43%

LAB 62.33, -42.57, 51.12

 

CMYK 33 / 0 / 54 / 41

HEX #659745

RGB 101 151 69

HSL 96.59, 0.37%, 0.43%

LAB 57.4, -31.87, 37.54

 

CMYK 21 / 0 / 35 / 48

HEX #698556

RGB 105 133 86

HSL 95.74, 0.21%, 0.43%

LAB 52.34, -19.12, 22.17

 

CMYK 6 / 0 / 93 / 20

HEX #BFCC0F

RGB 191 204 15

HSL 64.13, 0.86%, 0.43%

LAB 78.63, -23.58, 77.16

 

CMYK 31 / 0 / 93 / 20

HEX #8DCC0F

RGB 141 204 15

HSL 80, 0.86%, 0.43%

LAB 75.38, -43.65, 73.21

 

CMYK 55 / 0 / 93 / 20

HEX #5BCC0F

RGB 91 204 15

HSL 95.87, 0.86%, 0.43%

LAB 73.18, -59.86, 70.51

 

CMYK 80 / 0 / 93 / 20

HEX #28CC0F

RGB 40 204 15

HSL 112.06, 0.86%, 0.43%

LAB 72.01, -69.79, 69.06

 

CMYK 93 / 0 / 80 / 20

HEX #0FCC28

RGB 15 204 40

HSL 127.94, 0.86%, 0.43%

LAB 71.85, -70.88, 63.63

 

CMYK 56 / 0 / 92 / 50

HEX #387F0A

RGB 56 127 10

HSL 96.41, 0.85%, 0.27%

LAB 47.03, -41.48, 48.98

 

CMYK 56 / 0 / 93 / 35

HEX #49A60C

RGB 73 166 12

HSL 96.23, 0.87%, 0.35%

LAB 60.53, -51.23, 60.22

 

CMYK 56 / 0 / 93 / 20

HEX #5ACC0F

RGB 90 204 15

HSL 96.19, 0.86%, 0.43%

LAB 73.15, -60.13, 70.47

 

CMYK 55 / 0 / 90 / 7

HEX #6CEE17

RGB 108 238 23

HSL 96.28, 0.86%, 0.51%

LAB 84.17, -66.98, 78.74

 

CMYK 45 / 0 / 75 / 6

HEX #84F03D

RGB 132 240 61

HSL 96.2, 0.86%, 0.59%

LAB 85.79, -59.36, 71.59

 

CMYK 56 / 0 / 93 / 20

HEX #5ACD0F

RGB 90 205 15

HSL 96.32, 0.86%, 0.43%

LAB 73.46, -60.48, 70.73

 

CMYK 93 / 0 / 19 / 20

HEX #0FCCA6

RGB 15 204 166

HSL 167.94, 0.86%, 0.43%

LAB 73.57, -50.75, 7.19

 

CMYK 0 / 93 / 19 / 20

HEX #CC0FA6

RGB 204 15 166

HSL 312.06, 0.86%, 0.43%

LAB 46.89, 76.62, -31.73

 

CMYK 56 / 0 / 93 / 20

HEX #5ACD0F

RGB 90 205 15

HSL 96.32, 0.86%, 0.43%

LAB 73.46, -60.48, 70.73

 

CMYK 93 / 55 / 0 / 20

HEX #0F5BCC

RGB 15 91 204

HSL 215.87, 0.86%, 0.43%

LAB 41.13, 22.99, -64.24

 

CMYK 0 / 93 / 55 / 20

HEX #CC0F5B

RGB 204 15 91

HSL 335.87, 0.86%, 0.43%

LAB 44.14, 69.31, 10.07

 

CMYK 56 / 0 / 93 / 20

HEX #5ACD0F

RGB 90 205 15

HSL 96.32, 0.86%, 0.43%

LAB 73.46, -60.48, 70.73

 

CMYK 93 / 0 / 19 / 20

HEX #0FCCA6

RGB 15 204 166

HSL 167.94, 0.86%, 0.43%

LAB 73.57, -50.75, 7.19

 

CMYK 37 / 93 / 0 / 20

HEX #810FCC

RGB 129 15 204

HSL 276.19, 0.86%, 0.43%

LAB 36.68, 70.92, -71.17

 

CMYK 0 / 93 / 74 / 20

HEX #CC0F35

RGB 204 15 53

HSL 347.94, 0.86%, 0.43%

LAB 43.41, 67.29, 32.75

 

CMYK 56 / 0 / 93 / 20

HEX #5ACD0F

RGB 90 205 15

HSL 96.32, 0.86%, 0.43%

LAB 73.46, -60.48, 70.73

 

CMYK 93 / 9 / 0 / 20

HEX #0FB9CC

RGB 15 185 204

HSL 186.03, 0.86%, 0.43%

LAB 68.87, -31.36, -20.5

 

CMYK 37 / 93 / 0 / 20

HEX #810FCC

RGB 129 15 204

HSL 276.19, 0.86%, 0.43%

LAB 36.68, 70.92, -71.17

 

CMYK 0 / 83 / 93 / 20

HEX #CC220F

RGB 204 34 15

HSL 6.03, 0.86%, 0.43%

LAB 44.26, 63.01, 52.85

 

Description

Color code: HEX #5ACD0F | qconv.com Color code: HEX #5ACD0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 205 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 205 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 93 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 93% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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