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Color name
HEX #5ACB0C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ACB0C it is the complementary color #A534F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ACB0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ACB0C shade: #5FCB07, #70DD1A, #81EF2D, #92FF40 and #A3FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ACB0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ACB0C shade: #5ACB0C, #49B900, #38A700, #279500 and #168300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ACB0C shade: #5ACA0C, #8DCA0C, #C0CA0C, #CAA10C and #CA6E0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ACB0C shade: #5ACA0C, #26CA0C, #0CCA25, #0CCA58 and #0CCA8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ACB0C shade matches the following richer shades: #5ACA0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ACB0C shade: #5ACA0C, #5DB91D, #60A82E, #639640 and #668551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ACB0C shade: #C1CA0C, #8ECA0C, #5BCA0C, #28CA0C and #0CCA22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ACB0C shade: #377C07, #48A30A, #5ACA0C, #6BF10E and #83F335

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ACB0C shade: #5ACB0C, #0CCAA1 and #CA0CA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ACB0C shade: #5ACB0C, #0C5BCA and #CA0C5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ACB0C shade: #5ACB0C, #0CCAA1, #7B0CCA and #CA0C35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ACB0C shade: #5ACB0C, #0CBBCA, #7B0CCA and #CA1C0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 94 / 20

HEX #5ACB0C

RGB 90 203 12

HSL 95.5, 0.89%, 0.42%

LAB 72.83, -59.84, 70.58

 

Complementary color

CMYK 32 / 79 / 0 / 5

HEX #A534F3

RGB 165 52 243

HSL 275.5, 0.89%, 0.58%

LAB 48.17, 74.56, -74.47

 

CMYK 53 / 0 / 97 / 20

HEX #5FCB07

RGB 95 203 7

HSL 93.06, 0.93%, 0.41%

LAB 73, -58.56, 71.31

 

CMYK 49 / 0 / 88 / 13

HEX #70DD1A

RGB 112 221 26

HSL 93.54, 0.79%, 0.48%

LAB 79.17, -59.79, 74.12

 

CMYK 46 / 0 / 81 / 6

HEX #81EF2D

RGB 129 239 45

HSL 94.02, 0.86%, 0.56%

LAB 85.3, -60.7, 75.65

 

CMYK 43 / 0 / 75 / 0

HEX #92FF40

RGB 146 255 64

HSL 94.24, 1%, 0.63%

LAB 90.78, -60.6, 75.68

 

CMYK 36 / 0 / 67 / 0

HEX #A3FF53

RGB 163 255 83

HSL 92.09, 1%, 0.66%

LAB 91.65, -53.97, 70.33

 

CMYK 56 / 0 / 94 / 20

HEX #5ACB0C

RGB 90 203 12

HSL 95.5, 0.89%, 0.42%

LAB 72.83, -59.84, 70.58

 

CMYK 61 / 0 / 100 / 27

HEX #49B900

RGB 73 185 0

HSL 96.32, 1%, 0.36%

LAB 66.61, -58.19, 66.69

 

CMYK 66 / 0 / 100 / 35

HEX #38A700

RGB 56 167 0

HSL 99.88, 1%, 0.33%

LAB 60.32, -56.08, 61.51

 

CMYK 74 / 0 / 100 / 42

HEX #279500

RGB 39 149 0

HSL 104.3, 1%, 0.29%

LAB 53.95, -53.6, 56.28

 

CMYK 83 / 0 / 100 / 49

HEX #168300

RGB 22 131 0

HSL 109.92, 1%, 0.26%

LAB 47.5, -50.57, 51.01

 

CMYK 55 / 0 / 94 / 21

HEX #5ACA0C

RGB 90 202 12

HSL 95.37, 0.89%, 0.42%

LAB 72.52, -59.49, 70.33

 

CMYK 30 / 0 / 94 / 21

HEX #8DCA0C

RGB 141 202 12

HSL 79.26, 0.89%, 0.42%

LAB 74.78, -42.84, 73.09

 

CMYK 5 / 0 / 94 / 21

HEX #C0CA0C

RGB 192 202 12

HSL 63.16, 0.89%, 0.42%

LAB 78.15, -22.22, 77.17

 

CMYK 0 / 20 / 94 / 21

HEX #CAA10C

RGB 202 161 12

HSL 47.05, 0.89%, 0.42%

LAB 68.07, 3.25, 69.97

 

CMYK 0 / 46 / 94 / 21

HEX #CA6E0C

RGB 202 110 12

HSL 30.95, 0.89%, 0.42%

LAB 55.82, 30.86, 61.17

 

CMYK 55 / 0 / 94 / 21

HEX #5ACA0C

RGB 90 202 12

HSL 95.37, 0.89%, 0.42%

LAB 72.52, -59.49, 70.33

 

CMYK 81 / 0 / 94 / 21

HEX #26CA0C

RGB 38 202 12

HSL 111.79, 0.89%, 0.42%

LAB 71.34, -69.52, 68.86

 

CMYK 94 / 0 / 82 / 21

HEX #0CCA25

RGB 12 202 37

HSL 127.89, 0.89%, 0.42%

LAB 71.18, -70.63, 63.82

 

CMYK 94 / 0 / 56 / 21

HEX #0CCA58

RGB 12 202 88

HSL 144, 0.89%, 0.42%

LAB 71.57, -65.73, 44.74

 

CMYK 94 / 0 / 31 / 21

HEX #0CCA8C

RGB 12 202 140

HSL 160.42, 0.89%, 0.42%

LAB 72.37, -56.31, 19.43

 

CMYK 55 / 0 / 94 / 21

HEX #5ACA0C

RGB 90 202 12

HSL 95.37, 0.89%, 0.42%

LAB 72.52, -59.49, 70.33

 

CMYK 55 / 0 / 94 / 21

HEX #5ACA0C

RGB 90 202 12

HSL 95.37, 0.89%, 0.42%

LAB 72.52, -59.49, 70.33

 

CMYK 50 / 0 / 84 / 27

HEX #5DB91D

RGB 93 185 29

HSL 95.38, 0.73%, 0.42%

LAB 67.36, -51.93, 62.99

 

CMYK 43 / 0 / 73 / 34

HEX #60A82E

RGB 96 168 46

HSL 95.41, 0.57%, 0.42%

LAB 62.24, -43.28, 52.96

 

CMYK 34 / 0 / 57 / 41

HEX #639640

RGB 99 150 64

HSL 95.58, 0.4%, 0.42%

LAB 56.91, -32.7, 39.41

 

CMYK 23 / 0 / 39 / 48

HEX #668551

RGB 102 133 81

HSL 95.77, 0.24%, 0.42%

LAB 52.06, -21.04, 24.55

 

CMYK 4 / 0 / 94 / 21

HEX #C1CA0C

RGB 193 202 12

HSL 62.84, 0.89%, 0.42%

LAB 78.23, -21.8, 77.26

 

CMYK 30 / 0 / 94 / 21

HEX #8ECA0C

RGB 142 202 12

HSL 78.95, 0.89%, 0.42%

LAB 74.84, -42.47, 73.16

 

CMYK 55 / 0 / 94 / 21

HEX #5BCA0C

RGB 91 202 12

HSL 95.05, 0.89%, 0.42%

LAB 72.56, -59.22, 70.37

 

CMYK 80 / 0 / 94 / 21

HEX #28CA0C

RGB 40 202 12

HSL 111.16, 0.89%, 0.42%

LAB 71.36, -69.28, 68.9

 

CMYK 94 / 0 / 83 / 21

HEX #0CCA22

RGB 12 202 34

HSL 126.95, 0.89%, 0.42%

LAB 71.17, -70.79, 64.59

 

CMYK 56 / 0 / 94 / 51

HEX #377C07

RGB 55 124 7

HSL 95.38, 0.89%, 0.26%

LAB 45.97, -40.71, 48.67

 

CMYK 56 / 0 / 94 / 36

HEX #48A30A

RGB 72 163 10

HSL 95.69, 0.88%, 0.34%

LAB 59.52, -50.45, 59.66

 

CMYK 55 / 0 / 94 / 21

HEX #5ACA0C

RGB 90 202 12

HSL 95.37, 0.89%, 0.42%

LAB 72.52, -59.49, 70.33

 

CMYK 56 / 0 / 94 / 5

HEX #6BF10E

RGB 107 241 14

HSL 95.42, 0.89%, 0.5%

LAB 85.03, -68.44, 80.52

 

CMYK 46 / 0 / 78 / 5

HEX #83F335

RGB 131 243 53

HSL 95.37, 0.89%, 0.58%

LAB 86.59, -61.22, 74.74

 

CMYK 56 / 0 / 94 / 20

HEX #5ACB0C

RGB 90 203 12

HSL 95.5, 0.89%, 0.42%

LAB 72.83, -59.84, 70.58

 

CMYK 94 / 0 / 20 / 21

HEX #0CCAA1

RGB 12 202 161

HSL 167.05, 0.89%, 0.42%

LAB 72.82, -51.33, 8.81

 

CMYK 0 / 94 / 17 / 21

HEX #CA0CA7

RGB 202 12 167

HSL 311.05, 0.89%, 0.42%

LAB 46.46, 76.67, -33.02

 

CMYK 56 / 0 / 94 / 20

HEX #5ACB0C

RGB 90 203 12

HSL 95.5, 0.89%, 0.42%

LAB 72.83, -59.84, 70.58

 

CMYK 94 / 55 / 0 / 21

HEX #0C5BCA

RGB 12 91 202

HSL 215.05, 0.89%, 0.42%

LAB 40.94, 22.08, -63.39

 

CMYK 0 / 94 / 55 / 21

HEX #CA0C5B

RGB 202 12 91

HSL 335.05, 0.89%, 0.42%

LAB 43.62, 69.17, 9.28

 

CMYK 56 / 0 / 94 / 20

HEX #5ACB0C

RGB 90 203 12

HSL 95.5, 0.89%, 0.42%

LAB 72.83, -59.84, 70.58

 

CMYK 94 / 0 / 20 / 21

HEX #0CCAA1

RGB 12 202 161

HSL 167.05, 0.89%, 0.42%

LAB 72.82, -51.33, 8.81

 

CMYK 39 / 94 / 0 / 21

HEX #7B0CCA

RGB 123 12 202

HSL 275.05, 0.89%, 0.42%

LAB 35.48, 70.28, -72.03

 

CMYK 0 / 94 / 74 / 21

HEX #CA0C35

RGB 202 12 53

HSL 347.05, 0.89%, 0.42%

LAB 42.88, 67.13, 32.02

 

CMYK 56 / 0 / 94 / 20

HEX #5ACB0C

RGB 90 203 12

HSL 95.5, 0.89%, 0.42%

LAB 72.83, -59.84, 70.58

 

CMYK 94 / 7 / 0 / 21

HEX #0CBBCA

RGB 12 187 202

HSL 184.74, 0.89%, 0.42%

LAB 69.39, -33.06, -18.61

 

CMYK 39 / 94 / 0 / 21

HEX #7B0CCA

RGB 123 12 202

HSL 275.05, 0.89%, 0.42%

LAB 35.48, 70.28, -72.03

 

CMYK 0 / 86 / 94 / 21

HEX #CA1C0C

RGB 202 28 12

HSL 5.05, 0.89%, 0.42%

LAB 43.38, 63.72, 53.11

 

Description

Color code: HEX #5ACB0C | qconv.com Color code: HEX #5ACB0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 203 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 203 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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