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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ACA40 it is the complementary color #A535BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ACA40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ACA40 shade: #5FCA3B, #70DC4E, #81EE61, #92FF74 and #A3FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ACA40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ACA40 shade: #5ACA40, #49B82D, #38A61A, #279407 and #168200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ACA40 shade: #59CA3F, #7FCA3F, #A4CA3F, #CACA3F and #CAA53F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ACA40 shade: #59CA3F, #3FCA4A, #3FCA70, #3FCA95 and #3FCABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ACA40 shade matches the following richer shades: #59CA3F, #4DDE2B and #40F217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ACA40 shade: #59CA3F, #65B753, #72A366, #7E8F7A and #8A7B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ACA40 shade: #A5CA3F, #80CA3F, #5BCA3F, #3FCA48 and #3FCA6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ACA40 shade: #3B8F27, #48B030, #59CA3F, #75D35F and #91DC80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ACA40 shade: #5ACA40, #3FCACA and #CA3F93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ACA40 shade: #5ACA40, #3F5BCA and #CA3F5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ACA40 shade: #5ACA40, #3FCACA, #AE3FCA and #CA3F3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ACA40 shade: #5ACA40, #3FA1CA, #AE3FCA and #CA693F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 68 / 21

HEX #5ACA40

RGB 90 202 64

HSL 108.7, 0.57%, 0.52%

LAB 72.75, -56.88, 56.83

 

Complementary color

CMYK 14 / 72 / 0 / 25

HEX #A535BF

RGB 165 53 191

HSL 288.7, 0.57%, 0.48%

LAB 44.67, 63.87, -50.38

 

CMYK 53 / 0 / 71 / 21

HEX #5FCA3B

RGB 95 202 59

HSL 104.9, 0.57%, 0.51%

LAB 72.89, -55.95, 58.94

 

CMYK 49 / 0 / 65 / 14

HEX #70DC4E

RGB 112 220 78

HSL 105.63, 0.67%, 0.58%

LAB 79.15, -56.39, 58.32

 

CMYK 46 / 0 / 59 / 7

HEX #81EE61

RGB 129 238 97

HSL 106.38, 0.81%, 0.66%

LAB 85.34, -56.63, 57.41

 

CMYK 43 / 0 / 55 / 0

HEX #92FF74

RGB 146 255 116

HSL 107.05, 1%, 0.73%

LAB 91.19, -56.33, 56.01

 

CMYK 36 / 0 / 47 / 0

HEX #A3FF87

RGB 163 255 135

HSL 106, 1%, 0.76%

LAB 92.16, -48.94, 48.62

 

CMYK 55 / 0 / 68 / 21

HEX #5ACA40

RGB 90 202 64

HSL 108.7, 0.57%, 0.52%

LAB 72.75, -56.88, 56.83

 

CMYK 60 / 0 / 76 / 28

HEX #49B82D

RGB 73 184 45

HSL 107.91, 0.61%, 0.45%

LAB 66.43, -56.14, 57.2

 

CMYK 66 / 0 / 84 / 35

HEX #38A61A

RGB 56 166 26

HSL 107.14, 0.73%, 0.38%

LAB 60.06, -54.94, 56.74

 

CMYK 74 / 0 / 95 / 42

HEX #279407

RGB 39 148 7

HSL 106.38, 0.91%, 0.3%

LAB 53.63, -53.07, 54.86

 

CMYK 83 / 0 / 100 / 49

HEX #168200

RGB 22 130 0

HSL 109.85, 1%, 0.25%

LAB 47.15, -50.26, 50.73

 

CMYK 56 / 0 / 69 / 21

HEX #59CA3F

RGB 89 202 63

HSL 108.78, 0.57%, 0.52%

LAB 72.71, -57.22, 57.17

 

CMYK 37 / 0 / 69 / 21

HEX #7FCA3F

RGB 127 202 63

HSL 92.37, 0.57%, 0.52%

LAB 74.26, -45.74, 59.27

 

CMYK 19 / 0 / 69 / 21

HEX #A4CA3F

RGB 164 202 63

HSL 76.4, 0.57%, 0.52%

LAB 76.37, -31.99, 62.11

 

CMYK 0 / 0 / 69 / 21

HEX #CACA3F

RGB 202 202 63

HSL 60, 0.57%, 0.52%

LAB 79.13, -16.42, 65.78

 

CMYK 0 / 18 / 69 / 21

HEX #CAA53F

RGB 202 165 63

HSL 44.03, 0.57%, 0.52%

LAB 69.35, 2.75, 55.87

 

CMYK 56 / 0 / 69 / 21

HEX #59CA3F

RGB 89 202 63

HSL 108.78, 0.57%, 0.52%

LAB 72.71, -57.22, 57.17

 

CMYK 69 / 0 / 63 / 21

HEX #3FCA4A

RGB 63 202 74

HSL 124.75, 0.57%, 0.52%

LAB 72.09, -61.89, 51.79

 

CMYK 69 / 0 / 45 / 21

HEX #3FCA70

RGB 63 202 112

HSL 141.15, 0.57%, 0.52%

LAB 72.54, -56.67, 34.35

 

CMYK 69 / 0 / 26 / 21

HEX #3FCA95

RGB 63 202 149

HSL 157.12, 0.57%, 0.52%

LAB 73.2, -49.44, 15.88

 

CMYK 69 / 0 / 7 / 21

HEX #3FCABB

RGB 63 202 187

HSL 173.53, 0.57%, 0.52%

LAB 74.12, -40.09, -3.3

 

CMYK 56 / 0 / 69 / 21

HEX #59CA3F

RGB 89 202 63

HSL 108.78, 0.57%, 0.52%

LAB 72.71, -57.22, 57.17

 

CMYK 65 / 0 / 81 / 13

HEX #4DDE2B

RGB 77 222 43

HSL 108.6, 0.73%, 0.52%

LAB 78.46, -68.17, 69.3

 

CMYK 74 / 0 / 90 / 5

HEX #40F217

RGB 64 242 23

HSL 108.77, 0.89%, 0.52%

LAB 84.31, -77.34, 78.41

 

CMYK 56 / 0 / 69 / 21

HEX #59CA3F

RGB 89 202 63

HSL 108.78, 0.57%, 0.52%

LAB 72.71, -57.22, 57.17

 

CMYK 45 / 0 / 55 / 28

HEX #65B753

RGB 101 183 83

HSL 109.2, 0.41%, 0.52%

LAB 67.47, -44.36, 42.69

 

CMYK 30 / 0 / 37 / 36

HEX #72A366

RGB 114 163 102

HSL 108.2, 0.25%, 0.52%

LAB 62.28, -28.41, 26.6

 

CMYK 12 / 0 / 15 / 44

HEX #7E8F7A

RGB 126 143 122

HSL 108.57, 0.09%, 0.52%

LAB 57.55, -10.29, 9.13

 

CMYK 3 / 13 / 0 / 44

HEX #8A7B8E

RGB 138 123 142

HSL 287.37, 0.08%, 0.52%

LAB 53.52, 9.42, -8.17

 

CMYK 18 / 0 / 69 / 21

HEX #A5CA3F

RGB 165 202 63

HSL 75.97, 0.57%, 0.52%

LAB 76.44, -31.6, 62.19

 

CMYK 37 / 0 / 69 / 21

HEX #80CA3F

RGB 128 202 63

HSL 91.94, 0.57%, 0.52%

LAB 74.31, -45.39, 59.34

 

CMYK 55 / 0 / 69 / 21

HEX #5BCA3F

RGB 91 202 63

HSL 107.91, 0.57%, 0.52%

LAB 72.78, -56.7, 57.26

 

CMYK 69 / 0 / 64 / 21

HEX #3FCA48

RGB 63 202 72

HSL 123.88, 0.57%, 0.52%

LAB 72.07, -62.1, 52.62

 

CMYK 69 / 0 / 46 / 21

HEX #3FCA6D

RGB 63 202 109

HSL 139.86, 0.57%, 0.52%

LAB 72.5, -57.16, 35.81

 

CMYK 59 / 0 / 73 / 44

HEX #3B8F27

RGB 59 143 39

HSL 108.46, 0.57%, 0.36%

LAB 52.64, -45.1, 45.39

 

CMYK 59 / 0 / 73 / 31

HEX #48B030

RGB 72 176 48

HSL 108.75, 0.57%, 0.44%

LAB 63.87, -53.3, 53.56

 

CMYK 56 / 0 / 69 / 21

HEX #59CA3F

RGB 89 202 63

HSL 108.78, 0.57%, 0.52%

LAB 72.71, -57.22, 57.17

 

CMYK 45 / 0 / 55 / 17

HEX #75D35F

RGB 117 211 95

HSL 108.62, 0.57%, 0.6%

LAB 76.8, -49.65, 48.26

 

CMYK 34 / 0 / 42 / 14

HEX #91DC80

RGB 145 220 128

HSL 108.91, 0.57%, 0.68%

LAB 81.16, -40.5, 37.97

 

CMYK 55 / 0 / 68 / 21

HEX #5ACA40

RGB 90 202 64

HSL 108.7, 0.57%, 0.52%

LAB 72.75, -56.88, 56.83

 

CMYK 69 / 0 / 0 / 21

HEX #3FCACA

RGB 63 202 202

HSL 180, 0.57%, 0.52%

LAB 74.55, -35.95, -10.78

 

CMYK 0 / 69 / 27 / 21

HEX #CA3F93

RGB 202 63 147

HSL 323.74, 0.57%, 0.52%

LAB 49.76, 62.21, -15.99

 

CMYK 55 / 0 / 68 / 21

HEX #5ACA40

RGB 90 202 64

HSL 108.7, 0.57%, 0.52%

LAB 72.75, -56.88, 56.83

 

CMYK 69 / 55 / 0 / 21

HEX #3F5BCA

RGB 63 91 202

HSL 227.91, 0.57%, 0.52%

LAB 42.47, 26.65, -60.84

 

CMYK 0 / 69 / 55 / 21

HEX #CA3F5B

RGB 202 63 91

HSL 347.91, 0.57%, 0.52%

LAB 48.09, 56.53, 15.48

 

CMYK 55 / 0 / 68 / 21

HEX #5ACA40

RGB 90 202 64

HSL 108.7, 0.57%, 0.52%

LAB 72.75, -56.88, 56.83

 

CMYK 69 / 0 / 0 / 21

HEX #3FCACA

RGB 63 202 202

HSL 180, 0.57%, 0.52%

LAB 74.55, -35.95, -10.78

 

CMYK 14 / 69 / 0 / 21

HEX #AE3FCA

RGB 174 63 202

HSL 287.91, 0.57%, 0.52%

LAB 48.03, 64.04, -51.31

 

CMYK 0 / 69 / 69 / 21

HEX #CA3F3F

RGB 202 63 63

HSL 0, 0.57%, 0.52%

LAB 47.59, 54.74, 31.64

 

CMYK 55 / 0 / 68 / 21

HEX #5ACA40

RGB 90 202 64

HSL 108.7, 0.57%, 0.52%

LAB 72.75, -56.88, 56.83

 

CMYK 69 / 20 / 0 / 21

HEX #3FA1CA

RGB 63 161 202

HSL 197.7, 0.57%, 0.52%

LAB 62.35, -15.41, -29.32

 

CMYK 14 / 69 / 0 / 21

HEX #AE3FCA

RGB 174 63 202

HSL 287.91, 0.57%, 0.52%

LAB 48.03, 64.04, -51.31

 

CMYK 0 / 48 / 69 / 21

HEX #CA693F

RGB 202 105 63

HSL 18.13, 0.57%, 0.52%

LAB 55.09, 35.16, 40.41

 

Description

Color code: HEX #5ACA40 | qconv.com Color code: HEX #5ACA40 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 202 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 202 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 68 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 68% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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