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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AC636 it is the complementary color #A539C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AC636. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AC636 shade: #5FC631, #70D844, #81EA57, #92FC6A and #A3FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AC636. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AC636 shade: #5AC636, #49B423, #38A210, #279000 and #167E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AC636 shade: #59C436, #80C436, #A6C436, #C4BC36 and #C49536

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AC636 shade: #59C436, #36C439, #36C45F, #36C485 and #36C4AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AC636 shade matches the following richer shades: #59C436, #4FD822 and #45ED0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AC636 shade: #59C436, #63B04A, #6E9C5E, #788872 and #827387

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AC636 shade: #A5C436, #7FC436, #59C436, #36C438 and #36C45E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AC636 shade: #3C8324, #4BA42D, #59C436, #72D053 and #8DD974

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AC636 shade: #5AC636, #36C4BD and #C43692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AC636 shade: #5AC636, #3659C4 and #C43659

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AC636 shade: #5AC636, #36C4BD, #A136C4 and #C4363D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AC636 shade: #5AC636, #36A1C4, #A136C4 and #C45936

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 73 / 22

HEX #5AC636

RGB 90 198 54

HSL 105, 0.57%, 0.49%

LAB 71.44, -56.2, 59.23

 

Complementary color

CMYK 18 / 72 / 0 / 21

HEX #A539C9

RGB 165 57 201

HSL 285, 0.57%, 0.51%

LAB 45.83, 64.29, -54.33

 

CMYK 52 / 0 / 75 / 22

HEX #5FC631

RGB 95 198 49

HSL 101.48, 0.6%, 0.48%

LAB 71.58, -55.17, 61.16

 

CMYK 48 / 0 / 69 / 15

HEX #70D844

RGB 112 216 68

HSL 102.16, 0.65%, 0.56%

LAB 77.86, -55.72, 60.9

 

CMYK 45 / 0 / 63 / 8

HEX #81EA57

RGB 129 234 87

HSL 102.86, 0.78%, 0.63%

LAB 84.07, -56.03, 60.21

 

CMYK 42 / 0 / 58 / 1

HEX #92FC6A

RGB 146 252 106

HSL 103.56, 0.96%, 0.7%

LAB 90.22, -56.19, 59.28

 

CMYK 36 / 0 / 51 / 0

HEX #A3FF7D

RGB 163 255 125

HSL 102.46, 1%, 0.75%

LAB 92.04, -50.12, 53.13

 

CMYK 55 / 0 / 73 / 22

HEX #5AC636

RGB 90 198 54

HSL 105, 0.57%, 0.49%

LAB 71.44, -56.2, 59.23

 

CMYK 59 / 0 / 81 / 29

HEX #49B423

RGB 73 180 35

HSL 104.28, 0.67%, 0.42%

LAB 65.11, -55.34, 59.09

 

CMYK 65 / 0 / 90 / 36

HEX #38A210

RGB 56 162 16

HSL 103.56, 0.82%, 0.35%

LAB 58.71, -53.99, 57.79

 

CMYK 73 / 0 / 100 / 44

HEX #279000

RGB 39 144 0

HSL 103.75, 1%, 0.28%

LAB 52.26, -51.98, 54.94

 

CMYK 83 / 0 / 100 / 51

HEX #167E00

RGB 22 126 0

HSL 109.52, 1%, 0.25%

LAB 45.76, -49, 49.62

 

CMYK 55 / 0 / 72 / 23

HEX #59C436

RGB 89 196 54

HSL 105.21, 0.57%, 0.49%

LAB 70.78, -55.74, 58.56

 

CMYK 35 / 0 / 72 / 23

HEX #80C436

RGB 128 196 54

HSL 88.73, 0.57%, 0.49%

LAB 72.45, -43.47, 60.78

 

CMYK 15 / 0 / 72 / 23

HEX #A6C436

RGB 166 196 54

HSL 72.68, 0.57%, 0.49%

LAB 74.73, -28.88, 63.79

 

CMYK 0 / 4 / 72 / 23

HEX #C4BC36

RGB 196 188 54

HSL 56.62, 0.57%, 0.49%

LAB 74.81, -12.34, 64.65

 

CMYK 0 / 24 / 72 / 23

HEX #C49536

RGB 196 149 54

HSL 40.14, 0.57%, 0.49%

LAB 64.56, 8.31, 54.6

 

CMYK 55 / 0 / 72 / 23

HEX #59C436

RGB 89 196 54

HSL 105.21, 0.57%, 0.49%

LAB 70.78, -55.74, 58.56

 

CMYK 72 / 0 / 71 / 23

HEX #36C439

RGB 54 196 57

HSL 121.27, 0.57%, 0.49%

LAB 69.87, -63.12, 56.21

 

CMYK 72 / 0 / 52 / 23

HEX #36C45F

RGB 54 196 95

HSL 137.32, 0.57%, 0.49%

LAB 70.24, -58.67, 39.89

 

CMYK 72 / 0 / 32 / 23

HEX #36C485

RGB 54 196 133

HSL 153.38, 0.57%, 0.49%

LAB 70.84, -51.86, 21.13

 

CMYK 72 / 0 / 12 / 23

HEX #36C4AC

RGB 54 196 172

HSL 169.86, 0.57%, 0.49%

LAB 71.72, -42.63, 1.32

 

CMYK 55 / 0 / 72 / 23

HEX #59C436

RGB 89 196 54

HSL 105.21, 0.57%, 0.49%

LAB 70.78, -55.74, 58.56

 

CMYK 63 / 0 / 84 / 15

HEX #4FD822

RGB 79 216 34

HSL 105.16, 0.73%, 0.49%

LAB 76.61, -66.22, 69.87

 

CMYK 71 / 0 / 95 / 7

HEX #45ED0D

RGB 69 237 13

HSL 105, 0.9%, 0.49%

LAB 82.84, -75.29, 78.43

 

CMYK 55 / 0 / 72 / 23

HEX #59C436

RGB 89 196 54

HSL 105.21, 0.57%, 0.49%

LAB 70.78, -55.74, 58.56

 

CMYK 44 / 0 / 58 / 31

HEX #63B04A

RGB 99 176 74

HSL 105.29, 0.41%, 0.49%

LAB 65.12, -43.09, 44.17

 

CMYK 29 / 0 / 40 / 39

HEX #6E9C5E

RGB 110 156 94

HSL 104.52, 0.25%, 0.49%

LAB 59.8, -27.65, 27.62

 

CMYK 12 / 0 / 16 / 47

HEX #788872

RGB 120 136 114

HSL 103.64, 0.09%, 0.49%

LAB 54.88, -10.19, 9.88

 

CMYK 4 / 15 / 0 / 47

HEX #827387

RGB 130 115 135

HSL 285, 0.08%, 0.49%

LAB 50.4, 9.74, -8.8

 

CMYK 16 / 0 / 72 / 23

HEX #A5C436

RGB 165 196 54

HSL 73.1, 0.57%, 0.49%

LAB 74.66, -29.29, 63.7

 

CMYK 35 / 0 / 72 / 23

HEX #7FC436

RGB 127 196 54

HSL 89.15, 0.57%, 0.49%

LAB 72.4, -43.82, 60.71

 

CMYK 55 / 0 / 72 / 23

HEX #59C436

RGB 89 196 54

HSL 105.21, 0.57%, 0.49%

LAB 70.78, -55.74, 58.56

 

CMYK 72 / 0 / 71 / 23

HEX #36C438

RGB 54 196 56

HSL 120.85, 0.57%, 0.49%

LAB 69.86, -63.2, 56.58

 

CMYK 72 / 0 / 52 / 23

HEX #36C45E

RGB 54 196 94

HSL 136.9, 0.57%, 0.49%

LAB 70.23, -58.82, 40.36

 

CMYK 54 / 0 / 73 / 49

HEX #3C8324

RGB 60 131 36

HSL 104.84, 0.57%, 0.33%

LAB 48.66, -40.35, 42.49

 

CMYK 54 / 0 / 73 / 36

HEX #4BA42D

RGB 75 164 45

HSL 104.87, 0.57%, 0.41%

LAB 60.1, -48.25, 50.88

 

CMYK 55 / 0 / 72 / 23

HEX #59C436

RGB 89 196 54

HSL 105.21, 0.57%, 0.49%

LAB 70.78, -55.74, 58.56

 

CMYK 45 / 0 / 60 / 18

HEX #72D053

RGB 114 208 83

HSL 105.12, 0.57%, 0.57%

LAB 75.65, -50.64, 52.33

 

CMYK 35 / 0 / 47 / 15

HEX #8DD974

RGB 141 217 116

HSL 105.15, 0.57%, 0.65%

LAB 79.93, -42.09, 42.29

 

CMYK 55 / 0 / 73 / 22

HEX #5AC636

RGB 90 198 54

HSL 105, 0.57%, 0.49%

LAB 71.44, -56.2, 59.23

 

CMYK 72 / 0 / 4 / 23

HEX #36C4BD

RGB 54 196 189

HSL 177.04, 0.57%, 0.49%

LAB 72.19, -38, -7.25

 

CMYK 0 / 72 / 26 / 23

HEX #C43692

RGB 196 54 146

HSL 321.13, 0.57%, 0.49%

LAB 47.56, 63.7, -18.84

 

CMYK 55 / 0 / 73 / 22

HEX #5AC636

RGB 90 198 54

HSL 105, 0.57%, 0.49%

LAB 71.44, -56.2, 59.23

 

CMYK 72 / 55 / 0 / 23

HEX #3659C4

RGB 54 89 196

HSL 225.21, 0.57%, 0.49%

LAB 41.08, 24.51, -59.63

 

CMYK 0 / 72 / 55 / 23

HEX #C43659

RGB 196 54 89

HSL 345.21, 0.57%, 0.49%

LAB 45.76, 57.88, 13.34

 

CMYK 55 / 0 / 73 / 22

HEX #5AC636

RGB 90 198 54

HSL 105, 0.57%, 0.49%

LAB 71.44, -56.2, 59.23

 

CMYK 72 / 0 / 4 / 23

HEX #36C4BD

RGB 54 196 189

HSL 177.04, 0.57%, 0.49%

LAB 72.19, -38, -7.25

 

CMYK 18 / 72 / 0 / 23

HEX #A136C4

RGB 161 54 196

HSL 285.21, 0.57%, 0.49%

LAB 44.52, 63.63, -53.57

 

CMYK 0 / 72 / 69 / 23

HEX #C4363D

RGB 196 54 61

HSL 357.04, 0.57%, 0.49%

LAB 45.24, 56.1, 29.72

 

CMYK 55 / 0 / 73 / 22

HEX #5AC636

RGB 90 198 54

HSL 105, 0.57%, 0.49%

LAB 71.44, -56.2, 59.23

 

CMYK 72 / 18 / 0 / 23

HEX #36A1C4

RGB 54 161 196

HSL 194.79, 0.57%, 0.49%

LAB 61.88, -18.64, -26.72

 

CMYK 18 / 72 / 0 / 23

HEX #A136C4

RGB 161 54 196

HSL 285.21, 0.57%, 0.49%

LAB 44.52, 63.63, -53.57

 

CMYK 0 / 55 / 72 / 23

HEX #C45936

RGB 196 89 54

HSL 14.79, 0.57%, 0.49%

LAB 50.86, 40.51, 40.18

 

Description

Color code: HEX #5AC636 | qconv.com Color code: HEX #5AC636 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 198 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 198 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 73 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 73% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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