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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AC53E it is the complementary color #A53AC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AC53E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AC53E shade: #5FC539, #70D74C, #81E95F, #92FB72 and #A3FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AC53E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AC53E shade: #5AC53E, #49B32B, #38A118, #278F05 and #167D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AC53E shade: #5AC53E, #7EC53E, #A3C53E, #C5C33E and #C59E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AC53E shade: #5AC53E, #3EC546, #3EC56B, #3EC58F and #3EC5B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AC53E shade matches the following richer shades: #5AC53E, #4ED92A and #42ED16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AC53E shade: #5AC53E, #66B152, #729D67, #7E887B and #89748F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AC53E shade: #A3C53E, #7FC53E, #5BC53E, #3EC545 and #3EC569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AC53E shade: #3C8828, #4AA832, #5AC53E, #75CF5E and #90D87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AC53E shade: #5AC53E, #3EC5C3 and #C53E91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AC53E shade: #5AC53E, #3E5BC5 and #C53E5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AC53E shade: #5AC53E, #3EC5C3, #A83EC5 and #C53E40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AC53E shade: #5AC53E, #3E9FC5, #A83EC5 and #C5643E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

Complementary color

CMYK 15 / 70 / 0 / 24

HEX #A53AC1

RGB 165 58 193

HSL 287.56, 0.54%, 0.49%

LAB 45.46, 62.35, -50.28

 

CMYK 52 / 0 / 71 / 23

HEX #5FC539

RGB 95 197 57

HSL 103.71, 0.55%, 0.5%

LAB 71.32, -54.24, 58.08

 

CMYK 48 / 0 / 65 / 16

HEX #70D74C

RGB 112 215 76

HSL 104.46, 0.63%, 0.57%

LAB 77.62, -54.66, 57.47

 

CMYK 45 / 0 / 59 / 9

HEX #81E95F

RGB 129 233 95

HSL 105.22, 0.76%, 0.64%

LAB 83.85, -54.88, 56.57

 

CMYK 42 / 0 / 55 / 2

HEX #92FB72

RGB 146 251 114

HSL 105.99, 0.94%, 0.72%

LAB 90.01, -54.96, 55.52

 

CMYK 36 / 0 / 48 / 0

HEX #A3FF85

RGB 163 255 133

HSL 105.25, 1%, 0.76%

LAB 92.13, -49.18, 49.53

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 59 / 0 / 76 / 30

HEX #49B32B

RGB 73 179 43

HSL 106.76, 0.61%, 0.44%

LAB 64.83, -54.49, 56.3

 

CMYK 65 / 0 / 85 / 37

HEX #38A118

RGB 56 161 24

HSL 105.99, 0.74%, 0.36%

LAB 58.41, -53.32, 55.77

 

CMYK 73 / 0 / 97 / 44

HEX #278F05

RGB 39 143 5

HSL 105.22, 0.93%, 0.29%

LAB 51.94, -51.5, 53.8

 

CMYK 82 / 0 / 100 / 51

HEX #167D00

RGB 22 125 0

HSL 109.44, 1%, 0.25%

LAB 45.41, -48.69, 49.34

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 36 / 0 / 69 / 23

HEX #7EC53E

RGB 126 197 62

HSL 91.56, 0.54%, 0.51%

LAB 72.7, -44.05, 58.03

 

CMYK 17 / 0 / 69 / 23

HEX #A3C53E

RGB 163 197 62

HSL 75.11, 0.54%, 0.51%

LAB 74.87, -30.11, 60.94

 

CMYK 0 / 1 / 69 / 23

HEX #C5C33E

RGB 197 195 62

HSL 59.11, 0.54%, 0.51%

LAB 76.83, -15.07, 63.73

 

CMYK 0 / 20 / 69 / 23

HEX #C59E3E

RGB 197 158 62

HSL 42.67, 0.54%, 0.51%

LAB 67.03, 4.28, 53.73

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 69 / 0 / 64 / 23

HEX #3EC546

RGB 62 197 70

HSL 123.56, 0.54%, 0.51%

LAB 70.45, -60.81, 51.68

 

CMYK 69 / 0 / 46 / 23

HEX #3EC56B

RGB 62 197 107

HSL 140, 0.54%, 0.51%

LAB 70.88, -55.83, 34.76

 

CMYK 69 / 0 / 27 / 23

HEX #3EC58F

RGB 62 197 143

HSL 156, 0.54%, 0.51%

LAB 71.51, -48.89, 16.74

 

CMYK 69 / 0 / 9 / 23

HEX #3EC5B4

RGB 62 197 180

HSL 172.44, 0.54%, 0.51%

LAB 72.4, -39.87, -2.03

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 64 / 0 / 81 / 15

HEX #4ED92A

RGB 78 217 42

HSL 107.66, 0.7%, 0.51%

LAB 76.93, -66.39, 68.16

 

CMYK 72 / 0 / 91 / 7

HEX #42ED16

RGB 66 237 22

HSL 107.72, 0.86%, 0.51%

LAB 82.8, -75.59, 77.3

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 42 / 0 / 54 / 31

HEX #66B152

RGB 102 177 82

HSL 107.37, 0.38%, 0.51%

LAB 65.65, -41.63, 41.01

 

CMYK 27 / 0 / 34 / 38

HEX #729D67

RGB 114 157 103

HSL 107.78, 0.22%, 0.51%

LAB 60.49, -25.31, 23.69

 

CMYK 7 / 0 / 10 / 47

HEX #7E887B

RGB 126 136 123

HSL 106.15, 0.05%, 0.51%

LAB 55.56, -6.24, 5.72

 

CMYK 4 / 19 / 0 / 44

HEX #89748F

RGB 137 116 143

HSL 286.67, 0.11%, 0.51%

LAB 51.6, 13.36, -11.64

 

CMYK 17 / 0 / 69 / 23

HEX #A3C53E

RGB 163 197 62

HSL 75.11, 0.54%, 0.51%

LAB 74.87, -30.11, 60.94

 

CMYK 36 / 0 / 69 / 23

HEX #7FC53E

RGB 127 197 62

HSL 91.11, 0.54%, 0.51%

LAB 72.75, -43.7, 58.09

 

CMYK 54 / 0 / 69 / 23

HEX #5BC53E

RGB 91 197 62

HSL 107.11, 0.54%, 0.51%

LAB 71.22, -54.94, 56.01

 

CMYK 69 / 0 / 65 / 23

HEX #3EC545

RGB 62 197 69

HSL 123.11, 0.54%, 0.51%

LAB 70.45, -60.91, 52.09

 

CMYK 69 / 0 / 47 / 23

HEX #3EC569

RGB 62 197 105

HSL 139.11, 0.54%, 0.51%

LAB 70.85, -56.15, 35.73

 

CMYK 56 / 0 / 71 / 47

HEX #3C8828

RGB 60 136 40

HSL 107.5, 0.55%, 0.35%

LAB 50.36, -42, 42.61

 

CMYK 56 / 0 / 70 / 34

HEX #4AA832

RGB 74 168 50

HSL 107.8, 0.54%, 0.43%

LAB 61.39, -49.65, 50.25

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 43 / 0 / 55 / 19

HEX #75CF5E

RGB 117 207 94

HSL 107.79, 0.54%, 0.59%

LAB 75.59, -48.13, 47.29

 

CMYK 33 / 0 / 42 / 15

HEX #90D87E

RGB 144 216 126

HSL 108, 0.54%, 0.67%

LAB 79.92, -39.32, 37.37

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 69 / 0 / 1 / 23

HEX #3EC5C3

RGB 62 197 195

HSL 179.11, 0.54%, 0.51%

LAB 72.82, -35.74, -9.56

 

CMYK 0 / 69 / 26 / 23

HEX #C53E91

RGB 197 62 145

HSL 323.11, 0.54%, 0.51%

LAB 48.71, 60.98, -16.46

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 69 / 54 / 0 / 23

HEX #3E5BC5

RGB 62 91 197

HSL 227.11, 0.54%, 0.51%

LAB 42.06, 24.71, -58.61

 

CMYK 0 / 69 / 54 / 23

HEX #C53E5B

RGB 197 62 91

HSL 347.11, 0.54%, 0.51%

LAB 47.07, 55.36, 13.94

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 69 / 0 / 1 / 23

HEX #3EC5C3

RGB 62 197 195

HSL 179.11, 0.54%, 0.51%

LAB 72.82, -35.74, -9.56

 

CMYK 15 / 69 / 0 / 23

HEX #A83EC5

RGB 168 62 197

HSL 287.11, 0.54%, 0.51%

LAB 46.71, 62.18, -50.57

 

CMYK 0 / 69 / 68 / 23

HEX #C53E40

RGB 197 62 64

HSL 359.11, 0.54%, 0.51%

LAB 46.56, 53.56, 29.6

 

CMYK 54 / 0 / 69 / 23

HEX #5AC53E

RGB 90 197 62

HSL 107.56, 0.54%, 0.51%

LAB 71.18, -55.21, 55.96

 

CMYK 69 / 19 / 0 / 23

HEX #3E9FC5

RGB 62 159 197

HSL 196.89, 0.54%, 0.51%

LAB 61.53, -16.12, -27.8

 

CMYK 15 / 69 / 0 / 23

HEX #A83EC5

RGB 168 62 197

HSL 287.11, 0.54%, 0.51%

LAB 46.71, 62.18, -50.57

 

CMYK 0 / 49 / 69 / 23

HEX #C5643E

RGB 197 100 62

HSL 16.89, 0.54%, 0.51%

LAB 53.31, 35.72, 38.72

 

Description

Color code: HEX #5AC53E | qconv.com Color code: HEX #5AC53E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 197 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 197 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 69% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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