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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AC0F5 it is the complementary color #A53F0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AC0F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AC0F5 shade: #5FC0F0, #70D2FF, #81E4FF, #92F6FF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AC0F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AC0F5 shade: #5AC0F5, #49AEE2, #389CCF, #278ABC and #1678A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AC0F5 shade: #5BC1F5, #5B97F5, #5B6DF5, #725BF5 and #9C5BF5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AC0F5 shade: #5BC1F5, #5B97F5, #5B6DF5 and #5B5BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AC0F5 shade matches the following richer shades: #5BC1F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AC0F5 shade: #5BC1F5, #69BCE7, #77B8D9, #85B3CB and #93AFBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AC0F5 shade: #5BF5D7, #5BEBF5, #5BC2F5, #5B99F5 and #5B70F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AC0F5 shade: #0EA3F0, #34B2F3, #5BC1F5, #82D0F8 and #A9DEFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AC0F5 shade: #5AC0F5, #AD5BF5 and #F5EB5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AC0F5 shade: #5AC0F5, #F55BC2 and #C2F55B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AC0F5 shade: #5AC0F5, #AD5BF5, #F58F5B and #A3F55B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AC0F5 shade: #5AC0F5, #DC5BF5, #F58F5B and #75F55B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 22 / 0 / 4

HEX #5AC0F5

RGB 90 192 245

HSL 200.52, 0.89%, 0.66%

LAB 73.85, -13.99, -35.04

 

Complementary color

CMYK 0 / 62 / 94 / 35

HEX #A53F0A

RGB 165 63 10

HSL 20.52, 0.89%, 0.34%

LAB 40.53, 39.95, 48.41

 

CMYK 60 / 20 / 0 / 6

HEX #5FC0F0

RGB 95 192 240

HSL 199.86, 0.83%, 0.66%

LAB 73.82, -14.67, -32.37

 

CMYK 56 / 18 / 0 / 0

HEX #70D2FF

RGB 112 210 255

HSL 198.88, 1%, 0.72%

LAB 80.04, -16.42, -30.77

 

CMYK 49 / 11 / 0 / 0

HEX #81E4FF

RGB 129 228 255

HSL 192.86, 1%, 0.75%

LAB 85.69, -22.06, -22.09

 

CMYK 43 / 4 / 0 / 0

HEX #92F6FF

RGB 146 246 255

HSL 184.95, 1%, 0.79%

LAB 91.34, -27.06, -13.51

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 63 / 22 / 0 / 4

HEX #5AC0F5

RGB 90 192 245

HSL 200.52, 0.89%, 0.66%

LAB 73.85, -13.99, -35.04

 

CMYK 68 / 23 / 0 / 11

HEX #49AEE2

RGB 73 174 226

HSL 200.39, 0.73%, 0.59%

LAB 67.41, -13.11, -34.73

 

CMYK 73 / 25 / 0 / 19

HEX #389CCF

RGB 56 156 207

HSL 200.26, 0.61%, 0.52%

LAB 60.89, -12, -34.39

 

CMYK 79 / 27 / 0 / 26

HEX #278ABC

RGB 39 138 188

HSL 200.13, 0.66%, 0.45%

LAB 54.28, -10.56, -34.02

 

CMYK 87 / 29 / 0 / 34

HEX #1678A9

RGB 22 120 169

HSL 200, 0.77%, 0.37%

LAB 47.58, -8.7, -33.57

 

CMYK 63 / 21 / 0 / 4

HEX #5BC1F5

RGB 91 193 245

HSL 200.26, 0.89%, 0.66%

LAB 74.16, -14.35, -34.54

 

CMYK 63 / 38 / 0 / 4

HEX #5B97F5

RGB 91 151 245

HSL 216.62, 0.89%, 0.66%

LAB 62.47, 9.12, -52.88

 

CMYK 63 / 56 / 0 / 4

HEX #5B6DF5

RGB 91 109 245

HSL 232.99, 0.89%, 0.66%

LAB 51.56, 34.47, -70.39

 

CMYK 53 / 63 / 0 / 4

HEX #725BF5

RGB 114 91 245

HSL 248.96, 0.89%, 0.66%

LAB 49.07, 48.86, -74.36

 

CMYK 36 / 63 / 0 / 4

HEX #9C5BF5

RGB 156 91 245

HSL 265.32, 0.89%, 0.66%

LAB 53.11, 56.83, -67.63

 

CMYK 63 / 21 / 0 / 4

HEX #5BC1F5

RGB 91 193 245

HSL 200.26, 0.89%, 0.66%

LAB 74.16, -14.35, -34.54

 

CMYK 63 / 38 / 0 / 4

HEX #5B97F5

RGB 91 151 245

HSL 216.62, 0.89%, 0.66%

LAB 62.47, 9.12, -52.88

 

CMYK 63 / 56 / 0 / 4

HEX #5B6DF5

RGB 91 109 245

HSL 232.99, 0.89%, 0.66%

LAB 51.56, 34.47, -70.39

 

CMYK 63 / 63 / 0 / 4

HEX #5B5BF5

RGB 91 91 245

HSL 240, 0.89%, 0.66%

LAB 47.36, 45.25, -77.22

 

CMYK 63 / 21 / 0 / 4

HEX #5BC1F5

RGB 91 193 245

HSL 200.26, 0.89%, 0.66%

LAB 74.16, -14.35, -34.54

 

CMYK 63 / 21 / 0 / 4

HEX #5BC1F5

RGB 91 193 245

HSL 200.26, 0.89%, 0.66%

LAB 74.16, -14.35, -34.54

 

CMYK 55 / 19 / 0 / 9

HEX #69BCE7

RGB 105 188 231

HSL 200.48, 0.72%, 0.66%

LAB 72.72, -13.32, -29.16

 

CMYK 45 / 15 / 0 / 15

HEX #77B8D9

RGB 119 184 217

HSL 200.2, 0.56%, 0.66%

LAB 71.7, -12.04, -23.05

 

CMYK 34 / 12 / 0 / 20

HEX #85B3CB

RGB 133 179 203

HSL 200.57, 0.4%, 0.66%

LAB 70.55, -9.4, -17.07

 

CMYK 22 / 7 / 0 / 26

HEX #93AFBD

RGB 147 175 189

HSL 200, 0.24%, 0.66%

LAB 69.85, -6.46, -10.33

 

CMYK 63 / 0 / 12 / 4

HEX #5BF5D7

RGB 91 245 215

HSL 168.31, 0.89%, 0.66%

LAB 88.18, -47.49, 2.46

 

CMYK 63 / 4 / 0 / 4

HEX #5BEBF5

RGB 91 235 245

HSL 183.9, 0.89%, 0.66%

LAB 86.12, -35.21, -16.3

 

CMYK 63 / 21 / 0 / 4

HEX #5BC2F5

RGB 91 194 245

HSL 199.87, 0.89%, 0.66%

LAB 74.45, -14.88, -34.11

 

CMYK 63 / 38 / 0 / 4

HEX #5B99F5

RGB 91 153 245

HSL 215.84, 0.89%, 0.66%

LAB 63.01, 7.95, -52.02

 

CMYK 63 / 54 / 0 / 4

HEX #5B70F5

RGB 91 112 245

HSL 231.82, 0.89%, 0.66%

LAB 52.29, 32.65, -69.2

 

CMYK 94 / 32 / 0 / 6

HEX #0EA3F0

RGB 14 163 240

HSL 200.44, 0.89%, 0.5%

LAB 63.82, -7.41, -48.11

 

CMYK 79 / 27 / 0 / 5

HEX #34B2F3

RGB 52 178 243

HSL 200.42, 0.89%, 0.58%

LAB 68.78, -12.2, -41.91

 

CMYK 63 / 21 / 0 / 4

HEX #5BC1F5

RGB 91 193 245

HSL 200.26, 0.89%, 0.66%

LAB 74.16, -14.35, -34.54

 

CMYK 48 / 16 / 0 / 3

HEX #82D0F8

RGB 130 208 248

HSL 200.34, 0.89%, 0.74%

LAB 79.97, -13.57, -27.08

 

CMYK 32 / 11 / 0 / 2

HEX #A9DEFA

RGB 169 222 250

HSL 200.74, 0.89%, 0.82%

LAB 85.8, -10.48, -19.11

 

CMYK 63 / 22 / 0 / 4

HEX #5AC0F5

RGB 90 192 245

HSL 200.52, 0.89%, 0.66%

LAB 73.85, -13.99, -35.04

 

CMYK 29 / 63 / 0 / 4

HEX #AD5BF5

RGB 173 91 245

HSL 271.95, 0.89%, 0.66%

LAB 55.03, 60.41, -64.42

 

CMYK 0 / 4 / 63 / 4

HEX #F5EB5B

RGB 245 235 91

HSL 56.1, 0.89%, 0.66%

LAB 91.5, -13.43, 68.68

 

CMYK 63 / 22 / 0 / 4

HEX #5AC0F5

RGB 90 192 245

HSL 200.52, 0.89%, 0.66%

LAB 73.85, -13.99, -35.04

 

CMYK 0 / 63 / 21 / 4

HEX #F55BC2

RGB 245 91 194

HSL 319.87, 0.89%, 0.66%

LAB 62.33, 69.03, -23.54

 

CMYK 21 / 0 / 63 / 4

HEX #C2F55B

RGB 194 245 91

HSL 79.87, 0.89%, 0.66%

LAB 90.56, -38.21, 66.61

 

CMYK 63 / 22 / 0 / 4

HEX #5AC0F5

RGB 90 192 245

HSL 200.52, 0.89%, 0.66%

LAB 73.85, -13.99, -35.04

 

CMYK 29 / 63 / 0 / 4

HEX #AD5BF5

RGB 173 91 245

HSL 271.95, 0.89%, 0.66%

LAB 55.03, 60.41, -64.42

 

CMYK 0 / 42 / 63 / 4

HEX #F58F5B

RGB 245 143 91

HSL 20.26, 0.89%, 0.66%

LAB 69.34, 34.09, 43.88

 

CMYK 33 / 0 / 63 / 4

HEX #A3F55B

RGB 163 245 91

HSL 91.95, 0.89%, 0.66%

LAB 88.85, -49.27, 64.25

 

CMYK 63 / 22 / 0 / 4

HEX #5AC0F5

RGB 90 192 245

HSL 200.52, 0.89%, 0.66%

LAB 73.85, -13.99, -35.04

 

CMYK 10 / 63 / 0 / 4

HEX #DC5BF5

RGB 220 91 245

HSL 290.26, 0.89%, 0.66%

LAB 61.04, 70.86, -54.47

 

CMYK 0 / 42 / 63 / 4

HEX #F58F5B

RGB 245 143 91

HSL 20.26, 0.89%, 0.66%

LAB 69.34, 34.09, 43.88

 

CMYK 52 / 0 / 63 / 4

HEX #75F55B

RGB 117 245 91

HSL 109.87, 0.89%, 0.66%

LAB 86.92, -63.15, 61.58

 

Description

Color code: HEX #5AC0F5 | qconv.com Color code: HEX #5AC0F5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 192 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 192 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 22 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 22% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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