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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AC0EB3F it is the complementary color #A53F143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AC0EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AC0EB3F shade: #5FC0E63F, #70D2F93F, #81E4FF3F, #92F6FF3F and #A3FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AC0EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AC0EB3F shade: #5AC0EB3F, #49AED83F, #389CC53F, #278AB23F and #16789F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AC0EB3F shade: #5CC0EB, #5C9AEB, #5C73EB, #6B5CEB and #915CEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AC0EB3F shade: #5CC0EB, #5C9AEB, #5C73EB and #5C5CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AC0EB3F shade matches the following richer shades: #5CC0EB and #4DC6FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AC0EB3F shade: #5CC0EB, #6ABADC, #79B4CD, #88AEBE and #97A8AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AC0EB3F shade: #5CEBC7, #5CE8EB, #5CC2EB, #5C9CEB and #5C76EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AC0EB3F shade: #1BA1D9, #37B2E6, #5CC0EB, #80CEEF and #A5DDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AC0EB3F shade: #5AC0EB, #A15CEB and #EBDA5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AC0EB3F shade: #5AC0EB, #EB5CC2 and #C2EB5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AC0EB3F shade: #5AC0EB, #A15CEB, #EB845C and #A6EB5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AC0EB3F shade: #5AC0EB, #CC5CEB, #EB845C and #7BEB5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 5 / 0 / 2

HEX #5AC0EB3F

RGBA 90 192 235 0.25

HSLA 197.79, 0.78%, 0.64%, 0.25

LABA 73.46, -17.07, -30.23, 0.25

 

Complementary color

CMYK 0 / 15 / 22 / 9

HEX #A53F143F

RGBA 165 63 20 0.25

HSLA 17.79, 0.78%, 0.36%, 0.25

LABA 40.58, 40.13, 44.93, 0.25

 

CMYK 15 / 4 / 0 / 2

HEX #5FC0E63F

RGBA 95 192 230 0.25

HSLA 196.89, 0.73%, 0.64%, 0.25

LABA 73.45, -17.68, -27.54, 0.25

 

CMYK 14 / 4 / 0 / 1

HEX #70D2F93F

RGBA 112 210 249 0.25

HSLA 197.08, 0.92%, 0.71%, 0.25

LABA 79.83, -18.15, -27.9, 0.25

 

CMYK 12 / 3 / 0 / 0

HEX #81E4FF3F

RGBA 129 228 255 0.25

HSLA 192.86, 1%, 0.75%, 0.25

LABA 85.69, -22.06, -22.09, 0.25

 

CMYK 11 / 1 / 0 / 0

HEX #92F6FF3F

RGBA 146 246 255 0.25

HSLA 184.95, 1%, 0.79%, 0.25

LABA 91.34, -27.06, -13.51, 0.25

 

CMYK 9 / 0 / 0 / 0

HEX #A3FFFF3F

RGBA 163 255 255 0.25

HSLA 180, 1%, 0.82%, 0.25

LABA 94.54, -27.27, -8.68, 0.25

 

CMYK 15 / 5 / 0 / 2

HEX #5AC0EB3F

RGBA 90 192 235 0.25

HSLA 197.79, 0.78%, 0.64%, 0.25

LABA 73.46, -17.07, -30.23, 0.25

 

CMYK 17 / 5 / 0 / 4

HEX #49AED83F

RGBA 73 174 216 0.25

HSLA 197.62, 0.65%, 0.57%, 0.25

LABA 67.01, -16.32, -29.86, 0.25

 

CMYK 18 / 5 / 0 / 6

HEX #389CC53F

RGBA 56 156 197 0.25

HSLA 197.45, 0.56%, 0.5%, 0.25

LABA 60.47, -15.36, -29.45, 0.25

 

CMYK 20 / 6 / 0 / 8

HEX #278AB23F

RGBA 39 138 178 0.25

HSLA 197.27, 0.64%, 0.43%, 0.25

LABA 53.84, -14.1, -28.99, 0.25

 

CMYK 22 / 6 / 0 / 9

HEX #16789F3F

RGBA 22 120 159 0.25

HSLA 197.08, 0.76%, 0.35%, 0.25

LABA 47.11, -12.43, -28.46, 0.25

 

CMYK 61 / 18 / 0 / 8

HEX #5CC0EB

RGB 92 192 235

HSL 198.04, 0.78%, 0.64%

LAB 73.53, -16.72, -30.12

 

CMYK 61 / 34 / 0 / 8

HEX #5C9AEB

RGB 92 154 235

HSL 213.99, 0.78%, 0.64%

LAB 62.83, 4.25, -46.8

 

CMYK 61 / 51 / 0 / 8

HEX #5C73EB

RGB 92 115 235

HSL 230.35, 0.78%, 0.64%

LAB 52.44, 27.66, -63.39

 

CMYK 54 / 61 / 0 / 8

HEX #6B5CEB

RGB 107 92 235

HSL 246.29, 0.78%, 0.64%

LAB 47.98, 44.1, -70.55

 

CMYK 38 / 61 / 0 / 8

HEX #915CEB

RGB 145 92 235

HSL 262.24, 0.78%, 0.64%

LAB 51.46, 51.52, -64.74

 

CMYK 61 / 18 / 0 / 8

HEX #5CC0EB

RGB 92 192 235

HSL 198.04, 0.78%, 0.64%

LAB 73.53, -16.72, -30.12

 

CMYK 61 / 34 / 0 / 8

HEX #5C9AEB

RGB 92 154 235

HSL 213.99, 0.78%, 0.64%

LAB 62.83, 4.25, -46.8

 

CMYK 61 / 51 / 0 / 8

HEX #5C73EB

RGB 92 115 235

HSL 230.35, 0.78%, 0.64%

LAB 52.44, 27.66, -63.39

 

CMYK 61 / 61 / 0 / 8

HEX #5C5CEB

RGB 92 92 235

HSL 240, 0.78%, 0.64%

LAB 46.88, 41.61, -72.39

 

CMYK 61 / 18 / 0 / 8

HEX #5CC0EB

RGB 92 192 235

HSL 198.04, 0.78%, 0.64%

LAB 73.53, -16.72, -30.12

 

CMYK 69 / 21 / 0 / 2

HEX #4DC6FA

RGB 77 198 250

HSL 198.03, 0.95%, 0.64%

LAB 75.37, -17.55, -35.4

 

CMYK 61 / 18 / 0 / 8

HEX #5CC0EB

RGB 92 192 235

HSL 198.04, 0.78%, 0.64%

LAB 73.53, -16.72, -30.12

 

CMYK 52 / 15 / 0 / 14

HEX #6ABADC

RGB 106 186 220

HSL 197.89, 0.62%, 0.64%

LAB 71.79, -15.24, -24.6

 

CMYK 41 / 12 / 0 / 20

HEX #79B4CD

RGB 121 180 205

HSL 197.86, 0.46%, 0.64%

LAB 70.26, -12.64, -18.67

 

CMYK 28 / 8 / 0 / 25

HEX #88AEBE

RGB 136 174 190

HSL 197.78, 0.29%, 0.64%

LAB 68.91, -9.05, -12.36

 

CMYK 14 / 4 / 0 / 31

HEX #97A8AF

RGB 151 168 175

HSL 197.5, 0.13%, 0.64%

LAB 67.78, -4.46, -5.63

 

CMYK 61 / 0 / 15 / 8

HEX #5CEBC7

RGB 92 235 199

HSL 164.9, 0.78%, 0.64%

LAB 84.9, -46.88, 6.09

 

CMYK 61 / 1 / 0 / 8

HEX #5CE8EB

RGB 92 232 235

HSL 181.26, 0.78%, 0.64%

LAB 84.99, -36.39, -12.73

 

CMYK 61 / 17 / 0 / 8

HEX #5CC2EB

RGB 92 194 235

HSL 197.2, 0.78%, 0.64%

LAB 74.1, -17.76, -29.25

 

CMYK 61 / 34 / 0 / 8

HEX #5C9CEB

RGB 92 156 235

HSL 213.15, 0.78%, 0.64%

LAB 63.38, 3.1, -45.93

 

CMYK 61 / 50 / 0 / 8

HEX #5C76EB

RGB 92 118 235

HSL 229.09, 0.78%, 0.64%

LAB 53.2, 25.83, -62.15

 

CMYK 88 / 26 / 0 / 15

HEX #1BA1D9

RGB 27 161 217

HSL 197.68, 0.78%, 0.48%

LAB 62.28, -14.01, -37.83

 

CMYK 76 / 23 / 0 / 10

HEX #37B2E6

RGB 55 178 230

HSL 197.83, 0.78%, 0.56%

LAB 68.29, -16.29, -35.59

 

CMYK 61 / 18 / 0 / 8

HEX #5CC0EB

RGB 92 192 235

HSL 198.04, 0.78%, 0.64%

LAB 73.53, -16.72, -30.12

 

CMYK 46 / 14 / 0 / 6

HEX #80CEEF

RGB 128 206 239

HSL 197.84, 0.78%, 0.72%

LAB 79.02, -15.44, -23.74

 

CMYK 32 / 9 / 0 / 4

HEX #A5DDF4

RGB 165 221 244

HSL 197.47, 0.78%, 0.8%

LAB 85.12, -12.49, -16.99

 

CMYK 62 / 18 / 0 / 8

HEX #5AC0EB

RGB 90 192 235

HSL 197.79, 0.78%, 0.64%

LAB 73.46, -17.07, -30.23

 

CMYK 31 / 61 / 0 / 8

HEX #A15CEB

RGB 161 92 235

HSL 268.95, 0.78%, 0.64%

LAB 53.2, 54.98, -61.86

 

CMYK 0 / 7 / 61 / 8

HEX #EBDA5C

RGB 235 218 92

HSL 52.87, 0.78%, 0.64%

LAB 86.29, -9.02, 62.43

 

CMYK 62 / 18 / 0 / 8

HEX #5AC0EB

RGB 90 192 235

HSL 197.79, 0.78%, 0.64%

LAB 73.46, -17.07, -30.23

 

CMYK 0 / 61 / 17 / 8

HEX #EB5CC2

RGB 235 92 194

HSL 317.2, 0.78%, 0.64%

LAB 60.97, 65.93, -25.76

 

CMYK 17 / 0 / 61 / 8

HEX #C2EB5C

RGB 194 235 92

HSL 77.2, 0.78%, 0.64%

LAB 87.8, -33.6, 63.21

 

CMYK 62 / 18 / 0 / 8

HEX #5AC0EB

RGB 90 192 235

HSL 197.79, 0.78%, 0.64%

LAB 73.46, -17.07, -30.23

 

CMYK 31 / 61 / 0 / 8

HEX #A15CEB

RGB 161 92 235

HSL 268.95, 0.78%, 0.64%

LAB 53.2, 54.98, -61.86

 

CMYK 0 / 44 / 61 / 8

HEX #EB845C

RGB 235 132 92

HSL 16.78, 0.78%, 0.64%

LAB 65.7, 35.93, 38.67

 

CMYK 29 / 0 / 61 / 8

HEX #A6EB5C

RGB 166 235 92

HSL 88.95, 0.78%, 0.64%

LAB 86.15, -43.91, 60.92

 

CMYK 62 / 18 / 0 / 8

HEX #5AC0EB

RGB 90 192 235

HSL 197.79, 0.78%, 0.64%

LAB 73.46, -17.07, -30.23

 

CMYK 13 / 61 / 0 / 8

HEX #CC5CEB

RGB 204 92 235

HSL 286.99, 0.78%, 0.64%

LAB 58.5, 64.86, -53.07

 

CMYK 0 / 44 / 61 / 8

HEX #EB845C

RGB 235 132 92

HSL 16.78, 0.78%, 0.64%

LAB 65.7, 35.93, 38.67

 

CMYK 48 / 0 / 61 / 8

HEX #7BEB5C

RGB 123 235 92

HSL 106.99, 0.78%, 0.64%

LAB 84.17, -57.69, 58.16

 

Description

Color code: HEX #5AC0EB3F | qconv.com Color code: HEX #5AC0EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 192 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 192 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 5 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 5% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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