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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ABC68 it is the complementary color #A54397. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ABC68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ABC68 shade: #5FBC63, #70CE76, #81E089, #92F29C and #A3FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ABC68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ABC68 shade: #5ABC68, #49AA55, #389842, #27862F and #16741C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ABC68 shade: #5CBC6A, #68BC5C, #82BC5C, #9CBC5C and #B6BC5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ABC68 shade: #5CBC6A, #5CBC84, #5CBC9E, #5CBCB8 and #5CA7BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ABC68 shade matches the following richer shades: #5CBC6A, #49CF5D, #37E24F and #24F442

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ABC68 shade: #5CBC6A, #6FAA77, #819784, #948592 and #A6729F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ABC68 shade: #83BC5C, #69BC5C, #5CBC69, #5CBC83 and #5CBC9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ABC68 shade: #398D45, #45AA54, #5CBC6A, #79C885 and #97D49F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ABC68 shade: #5ABC68, #5C9CBC and #BC5C76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ABC68 shade: #5ABC68, #695CBC and #BC695C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ABC68 shade: #5ABC68, #5C9CBC, #BC5CB0 and #BC7C5C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ABC68 shade: #5ABC68, #5C7FBC, #BC5CB0 and #BC995C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 45 / 26

HEX #5ABC68

RGB 90 188 104

HSL 128.57, 0.42%, 0.55%

LAB 68.85, -46.68, 33.85

 

Complementary color

CMYK 0 / 59 / 8 / 35

HEX #A54397

RGB 165 67 151

HSL 308.57, 0.42%, 0.45%

LAB 44.59, 50.93, -26.84

 

CMYK 49 / 0 / 47 / 26

HEX #5FBC63

RGB 95 188 99

HSL 122.58, 0.41%, 0.55%

LAB 68.97, -46.08, 36.58

 

CMYK 46 / 0 / 43 / 19

HEX #70CE76

RGB 112 206 118

HSL 123.83, 0.49%, 0.62%

LAB 75.39, -45.99, 35.27

 

CMYK 42 / 0 / 39 / 12

HEX #81E089

RGB 129 224 137

HSL 125.05, 0.61%, 0.69%

LAB 81.72, -45.82, 34.02

 

CMYK 40 / 0 / 36 / 5

HEX #92F29C

RGB 146 242 156

HSL 126.25, 0.79%, 0.76%

LAB 87.98, -45.61, 32.83

 

CMYK 36 / 0 / 31 / 0

HEX #A3FFAF

RGB 163 255 175

HSL 127.83, 1%, 0.82%

LAB 92.75, -43.2, 29.81

 

CMYK 52 / 0 / 45 / 26

HEX #5ABC68

RGB 90 188 104

HSL 128.57, 0.42%, 0.55%

LAB 68.85, -46.68, 33.85

 

CMYK 57 / 0 / 50 / 33

HEX #49AA55

RGB 73 170 85

HSL 127.42, 0.4%, 0.48%

LAB 62.36, -46.62, 35.23

 

CMYK 63 / 0 / 57 / 40

HEX #389842

RGB 56 152 66

HSL 126.25, 0.46%, 0.41%

LAB 55.78, -46.32, 36.64

 

CMYK 71 / 0 / 65 / 47

HEX #27862F

RGB 39 134 47

HSL 125.05, 0.55%, 0.34%

LAB 49.11, -45.61, 37.96

 

CMYK 81 / 0 / 76 / 55

HEX #16741C

RGB 22 116 28

HSL 123.83, 0.68%, 0.27%

LAB 42.38, -44.2, 38.92

 

CMYK 51 / 0 / 44 / 26

HEX #5CBC6A

RGB 92 188 106

HSL 128.75, 0.42%, 0.55%

LAB 68.96, -45.83, 32.97

 

CMYK 45 / 0 / 51 / 26

HEX #68BC5C

RGB 104 188 92

HSL 112.5, 0.42%, 0.55%

LAB 69.24, -44.42, 40.48

 

CMYK 31 / 0 / 51 / 26

HEX #82BC5C

RGB 130 188 92

HSL 96.25, 0.42%, 0.55%

LAB 70.51, -35.83, 42.32

 

CMYK 17 / 0 / 51 / 26

HEX #9CBC5C

RGB 156 188 92

HSL 80, 0.42%, 0.55%

LAB 72.1, -26.11, 44.61

 

CMYK 3 / 0 / 51 / 26

HEX #B6BC5C

RGB 182 188 92

HSL 63.75, 0.42%, 0.55%

LAB 73.99, -15.68, 47.31

 

CMYK 51 / 0 / 44 / 26

HEX #5CBC6A

RGB 92 188 106

HSL 128.75, 0.42%, 0.55%

LAB 68.96, -45.83, 32.97

 

CMYK 51 / 0 / 30 / 26

HEX #5CBC84

RGB 92 188 132

HSL 145, 0.42%, 0.55%

LAB 69.4, -41.22, 19.86

 

CMYK 51 / 0 / 16 / 26

HEX #5CBC9E

RGB 92 188 158

HSL 161.25, 0.42%, 0.55%

LAB 69.97, -35.64, 6.56

 

CMYK 51 / 0 / 2 / 26

HEX #5CBCB8

RGB 92 188 184

HSL 177.5, 0.42%, 0.55%

LAB 70.67, -29.2, -6.67

 

CMYK 51 / 11 / 0 / 26

HEX #5CA7BC

RGB 92 167 188

HSL 193.13, 0.42%, 0.55%

LAB 64.6, -17.47, -17.98

 

CMYK 51 / 0 / 44 / 26

HEX #5CBC6A

RGB 92 188 106

HSL 128.75, 0.42%, 0.55%

LAB 68.96, -45.83, 32.97

 

CMYK 65 / 0 / 55 / 19

HEX #49CF5D

RGB 73 207 93

HSL 128.96, 0.58%, 0.55%

LAB 74.08, -59.46, 45.61

 

CMYK 76 / 0 / 65 / 11

HEX #37E24F

RGB 55 226 79

HSL 128.42, 0.75%, 0.55%

LAB 79.48, -70.44, 57.84

 

CMYK 85 / 0 / 73 / 4

HEX #24F442

RGB 36 244 66

HSL 128.65, 0.9%, 0.55%

LAB 84.73, -79.01, 68.13

 

CMYK 51 / 0 / 44 / 26

HEX #5CBC6A

RGB 92 188 106

HSL 128.75, 0.42%, 0.55%

LAB 68.96, -45.83, 32.97

 

CMYK 35 / 0 / 30 / 33

HEX #6FAA77

RGB 111 170 119

HSL 128.14, 0.26%, 0.55%

LAB 64.53, -29.96, 20.38

 

CMYK 15 / 0 / 13 / 41

HEX #819784

RGB 129 151 132

HSL 128.18, 0.1%, 0.55%

LAB 60.31, -11.64, 7.41

 

CMYK 0 / 10 / 1 / 42

HEX #948592

RGB 148 133 146

HSL 308, 0.07%, 0.55%

LAB 57.22, 8.1, -4.89

 

CMYK 0 / 31 / 4 / 35

HEX #A6729F

RGB 166 114 159

HSL 308.08, 0.23%, 0.55%

LAB 54.7, 27.94, -16

 

CMYK 30 / 0 / 51 / 26

HEX #83BC5C

RGB 131 188 92

HSL 95.63, 0.42%, 0.55%

LAB 70.57, -35.48, 42.4

 

CMYK 44 / 0 / 51 / 26

HEX #69BC5C

RGB 105 188 92

HSL 111.88, 0.42%, 0.55%

LAB 69.29, -44.12, 40.55

 

CMYK 51 / 0 / 44 / 26

HEX #5CBC69

RGB 92 188 105

HSL 128.13, 0.42%, 0.55%

LAB 68.94, -45.99, 33.47

 

CMYK 51 / 0 / 30 / 26

HEX #5CBC83

RGB 92 188 131

HSL 144.38, 0.42%, 0.55%

LAB 69.38, -41.42, 20.37

 

CMYK 51 / 0 / 17 / 26

HEX #5CBC9C

RGB 92 188 156

HSL 160, 0.42%, 0.55%

LAB 69.92, -36.1, 7.58

 

CMYK 60 / 0 / 51 / 45

HEX #398D45

RGB 57 141 69

HSL 128.57, 0.42%, 0.39%

LAB 52.23, -41.28, 30.81

 

CMYK 59 / 0 / 51 / 33

HEX #45AA54

RGB 69 170 84

HSL 128.91, 0.42%, 0.47%

LAB 62.22, -47.74, 35.54

 

CMYK 51 / 0 / 44 / 26

HEX #5CBC6A

RGB 92 188 106

HSL 128.75, 0.42%, 0.55%

LAB 68.96, -45.83, 32.97

 

CMYK 40 / 0 / 34 / 22

HEX #79C885

RGB 121 200 133

HSL 129.11, 0.42%, 0.63%

LAB 74.23, -38.32, 26.09

 

CMYK 29 / 0 / 25 / 17

HEX #97D49F

RGB 151 212 159

HSL 127.87, 0.41%, 0.71%

LAB 79.71, -30.01, 20.13

 

CMYK 52 / 0 / 45 / 26

HEX #5ABC68

RGB 90 188 104

HSL 128.57, 0.42%, 0.55%

LAB 68.85, -46.68, 33.85

 

CMYK 51 / 17 / 0 / 26

HEX #5C9CBC

RGB 92 156 188

HSL 200, 0.42%, 0.55%

LAB 61.38, -11.56, -22.89

 

CMYK 0 / 51 / 37 / 26

HEX #BC5C76

RGB 188 92 118

HSL 343.75, 0.42%, 0.55%

LAB 51.44, 41.34, 3.61

 

CMYK 52 / 0 / 45 / 26

HEX #5ABC68

RGB 90 188 104

HSL 128.57, 0.42%, 0.55%

LAB 68.85, -46.68, 33.85

 

CMYK 44 / 51 / 0 / 26

HEX #695CBC

RGB 105 92 188

HSL 248.13, 0.42%, 0.55%

LAB 44.64, 29.57, -49.07

 

CMYK 0 / 44 / 51 / 26

HEX #BC695C

RGB 188 105 92

HSL 8.13, 0.42%, 0.55%

LAB 53.56, 31.74, 21.9

 

CMYK 52 / 0 / 45 / 26

HEX #5ABC68

RGB 90 188 104

HSL 128.57, 0.42%, 0.55%

LAB 68.85, -46.68, 33.85

 

CMYK 51 / 17 / 0 / 26

HEX #5C9CBC

RGB 92 156 188

HSL 200, 0.42%, 0.55%

LAB 61.38, -11.56, -22.89

 

CMYK 0 / 51 / 6 / 26

HEX #BC5CB0

RGB 188 92 176

HSL 307.5, 0.42%, 0.55%

LAB 53.47, 49.84, -27.54

 

CMYK 0 / 34 / 51 / 26

HEX #BC7C5C

RGB 188 124 92

HSL 20, 0.42%, 0.55%

LAB 57.92, 21.34, 27.61

 

CMYK 52 / 0 / 45 / 26

HEX #5ABC68

RGB 90 188 104

HSL 128.57, 0.42%, 0.55%

LAB 68.85, -46.68, 33.85

 

CMYK 51 / 32 / 0 / 26

HEX #5C7FBC

RGB 92 127 188

HSL 218.13, 0.42%, 0.55%

LAB 53.04, 5.06, -35.81

 

CMYK 0 / 51 / 6 / 26

HEX #BC5CB0

RGB 188 92 176

HSL 307.5, 0.42%, 0.55%

LAB 53.47, 49.84, -27.54

 

CMYK 0 / 19 / 51 / 26

HEX #BC995C

RGB 188 153 92

HSL 38.13, 0.42%, 0.55%

LAB 65.16, 5.33, 36.77

 

Description

Color code: HEX #5ABC68 | qconv.com Color code: HEX #5ABC68 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 188 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 188 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 45 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 45% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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