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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5ABC0D it is the complementary color #A543F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5ABC0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5ABC0D shade: #5FBC08, #70CE1B, #81E02E, #92F241 and #A3FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5ABC0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5ABC0D shade: #5ABC0D, #49AA00, #389800, #278600 and #167400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5ABC0D shade: #59BA0D, #88BA0D, #B6BA0D, #BA8F0D and #BA600D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5ABC0D shade: #59BA0D, #2ABA0D, #0DBA1E, #0DBA4D and #0DBA7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5ABC0D shade matches the following richer shades: #59BA0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5ABC0D shade: #59BA0D, #5BAA1D, #5D9A2D, #5F8A3D and #617A4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5ABC0D shade: #B7BA0D, #89BA0D, #5BBA0D, #2DBA0D and #0DBA1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5ABC0D shade: #346D08, #47930A, #59BA0D, #6CE110 and #81F029

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5ABC0D shade: #5ABC0D, #0DBA8F and #BA0DA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5ABC0D shade: #5ABC0D, #0D5BBA and #BA0D5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5ABC0D shade: #5ABC0D, #0DBA8F, #6C0DBA and #BA0D38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5ABC0D shade: #5ABC0D, #0DB1BA, #6C0DBA and #BA160D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 93 / 26

HEX #5ABC0D

RGB 90 188 13

HSL 93.6, 0.87%, 0.39%

LAB 68.15, -54.44, 66.62

 

Complementary color

CMYK 32 / 72 / 0 / 5

HEX #A543F2

RGB 165 67 242

HSL 273.6, 0.87%, 0.61%

LAB 50.01, 68.85, -70.92

 

CMYK 49 / 0 / 96 / 26

HEX #5FBC08

RGB 95 188 8

HSL 91, 0.92%, 0.38%

LAB 68.33, -53.05, 67.44

 

CMYK 46 / 0 / 87 / 19

HEX #70CE1B

RGB 112 206 27

HSL 91.51, 0.77%, 0.46%

LAB 74.61, -54.16, 70.05

 

CMYK 42 / 0 / 79 / 12

HEX #81E02E

RGB 129 224 46

HSL 92.02, 0.74%, 0.53%

LAB 80.84, -54.96, 71.32

 

CMYK 40 / 0 / 73 / 5

HEX #92F241

RGB 146 242 65

HSL 92.54, 0.87%, 0.6%

LAB 87, -55.52, 71.68

 

CMYK 36 / 0 / 67 / 0

HEX #A3FF54

RGB 163 255 84

HSL 92.28, 1%, 0.66%

LAB 91.66, -53.9, 69.97

 

CMYK 52 / 0 / 93 / 26

HEX #5ABC0D

RGB 90 188 13

HSL 93.6, 0.87%, 0.39%

LAB 68.15, -54.44, 66.62

 

CMYK 57 / 0 / 100 / 33

HEX #49AA00

RGB 73 170 0

HSL 94.24, 1%, 0.33%

LAB 61.8, -52.95, 62.9

 

CMYK 63 / 0 / 100 / 40

HEX #389800

RGB 56 152 0

HSL 97.89, 1%, 0.3%

LAB 55.38, -50.98, 57.6

 

CMYK 71 / 0 / 100 / 47

HEX #278600

RGB 39 134 0

HSL 102.54, 1%, 0.26%

LAB 48.86, -48.66, 52.23

 

CMYK 81 / 0 / 100 / 55

HEX #167400

RGB 22 116 0

HSL 108.62, 1%, 0.23%

LAB 42.25, -45.81, 46.82

 

CMYK 52 / 0 / 93 / 27

HEX #59BA0D

RGB 89 186 13

HSL 93.64, 0.87%, 0.39%

LAB 67.48, -53.99, 66.05

 

CMYK 27 / 0 / 93 / 27

HEX #88BA0D

RGB 136 186 13

HSL 77.34, 0.87%, 0.39%

LAB 69.74, -37.73, 68.83

 

CMYK 2 / 0 / 93 / 27

HEX #B6BA0D

RGB 182 186 13

HSL 61.39, 0.87%, 0.39%

LAB 72.95, -18.59, 72.72

 

CMYK 0 / 23 / 93 / 27

HEX #BA8F0D

RGB 186 143 13

HSL 45.09, 0.87%, 0.39%

LAB 61.75, 5.84, 64.38

 

CMYK 0 / 48 / 93 / 27

HEX #BA600D

RGB 186 96 13

HSL 28.79, 0.87%, 0.39%

LAB 50.49, 31.63, 56.14

 

CMYK 52 / 0 / 93 / 27

HEX #59BA0D

RGB 89 186 13

HSL 93.64, 0.87%, 0.39%

LAB 67.48, -53.99, 66.05

 

CMYK 77 / 0 / 93 / 27

HEX #2ABA0D

RGB 42 186 13

HSL 109.94, 0.87%, 0.39%

LAB 66.24, -64.28, 64.52

 

CMYK 93 / 0 / 84 / 27

HEX #0DBA1E

RGB 13 186 30

HSL 125.9, 0.87%, 0.39%

LAB 65.98, -66.44, 60.86

 

CMYK 93 / 0 / 59 / 27

HEX #0DBA4D

RGB 13 186 77

HSL 142.2, 0.87%, 0.39%

LAB 66.32, -62.14, 43.66

 

CMYK 93 / 0 / 34 / 27

HEX #0DBA7B

RGB 13 186 123

HSL 158.15, 0.87%, 0.39%

LAB 67, -54.06, 21.15

 

CMYK 52 / 0 / 93 / 27

HEX #59BA0D

RGB 89 186 13

HSL 93.64, 0.87%, 0.39%

LAB 67.48, -53.99, 66.05

 

CMYK 52 / 0 / 93 / 27

HEX #59BA0D

RGB 89 186 13

HSL 93.64, 0.87%, 0.39%

LAB 67.48, -53.99, 66.05

 

CMYK 46 / 0 / 83 / 33

HEX #5BAA1D

RGB 91 170 29

HSL 93.62, 0.71%, 0.39%

LAB 62.56, -46.73, 58.67

 

CMYK 40 / 0 / 71 / 40

HEX #5D9A2D

RGB 93 154 45

HSL 93.58, 0.55%, 0.39%

LAB 57.68, -38.43, 48.64

 

CMYK 31 / 0 / 56 / 46

HEX #5F8A3D

RGB 95 138 61

HSL 93.51, 0.39%, 0.39%

LAB 52.89, -28.86, 36.12

 

CMYK 20 / 0 / 37 / 52

HEX #617A4D

RGB 97 122 77

HSL 93.33, 0.23%, 0.39%

LAB 48.26, -17.84, 21.76

 

CMYK 2 / 0 / 93 / 27

HEX #B7BA0D

RGB 183 186 13

HSL 61.04, 0.87%, 0.39%

LAB 73.03, -18.15, 72.82

 

CMYK 26 / 0 / 93 / 27

HEX #89BA0D

RGB 137 186 13

HSL 76.99, 0.87%, 0.39%

LAB 69.8, -37.34, 68.9

 

CMYK 51 / 0 / 93 / 27

HEX #5BBA0D

RGB 91 186 13

HSL 92.95, 0.87%, 0.39%

LAB 67.55, -53.41, 66.15

 

CMYK 76 / 0 / 93 / 27

HEX #2DBA0D

RGB 45 186 13

HSL 108.9, 0.87%, 0.39%

LAB 66.29, -63.84, 64.59

 

CMYK 93 / 0 / 85 / 27

HEX #0DBA1B

RGB 13 186 27

HSL 124.86, 0.87%, 0.39%

LAB 65.97, -66.59, 61.58

 

CMYK 52 / 0 / 93 / 57

HEX #346D08

RGB 52 109 8

HSL 93.86, 0.86%, 0.23%

LAB 40.71, -35.57, 43.97

 

CMYK 52 / 0 / 93 / 42

HEX #47930A

RGB 71 147 10

HSL 93.28, 0.87%, 0.31%

LAB 54.27, -44.7, 55.29

 

CMYK 52 / 0 / 93 / 27

HEX #59BA0D

RGB 89 186 13

HSL 93.64, 0.87%, 0.39%

LAB 67.48, -53.99, 66.05

 

CMYK 52 / 0 / 93 / 12

HEX #6CE110

RGB 108 225 16

HSL 93.59, 0.87%, 0.47%

LAB 80.22, -62.61, 76.4

 

CMYK 46 / 0 / 83 / 6

HEX #81F029

RGB 129 240 41

HSL 93.47, 0.87%, 0.55%

LAB 85.58, -61.24, 76.86

 

CMYK 52 / 0 / 93 / 26

HEX #5ABC0D

RGB 90 188 13

HSL 93.6, 0.87%, 0.39%

LAB 68.15, -54.44, 66.62

 

CMYK 93 / 0 / 23 / 27

HEX #0DBA8F

RGB 13 186 143

HSL 165.09, 0.87%, 0.39%

LAB 67.42, -49.42, 10.89

 

CMYK 0 / 93 / 14 / 27

HEX #BA0DA0

RGB 186 13 160

HSL 309.02, 0.87%, 0.39%

LAB 43.16, 72.62, -34.23

 

CMYK 52 / 0 / 93 / 26

HEX #5ABC0D

RGB 90 188 13

HSL 93.6, 0.87%, 0.39%

LAB 68.15, -54.44, 66.62

 

CMYK 93 / 51 / 0 / 27

HEX #0D5BBA

RGB 13 91 186

HSL 212.95, 0.87%, 0.39%

LAB 39.77, 15.7, -55.98

 

CMYK 0 / 93 / 51 / 27

HEX #BA0D5B

RGB 186 13 91

HSL 332.95, 0.87%, 0.39%

LAB 40.38, 65.28, 4.23

 

CMYK 52 / 0 / 93 / 26

HEX #5ABC0D

RGB 90 188 13

HSL 93.6, 0.87%, 0.39%

LAB 68.15, -54.44, 66.62

 

CMYK 93 / 0 / 23 / 27

HEX #0DBA8F

RGB 13 186 143

HSL 165.09, 0.87%, 0.39%

LAB 67.42, -49.42, 10.89

 

CMYK 42 / 93 / 0 / 27

HEX #6C0DBA

RGB 108 13 186

HSL 272.95, 0.87%, 0.39%

LAB 31.86, 65.07, -68.65

 

CMYK 0 / 93 / 70 / 27

HEX #BA0D38

RGB 186 13 56

HSL 345.09, 0.87%, 0.39%

LAB 39.6, 63.12, 25.44

 

CMYK 52 / 0 / 93 / 26

HEX #5ABC0D

RGB 90 188 13

HSL 93.6, 0.87%, 0.39%

LAB 68.15, -54.44, 66.62

 

CMYK 93 / 5 / 0 / 27

HEX #0DB1BA

RGB 13 177 186

HSL 183.12, 0.87%, 0.39%

LAB 65.81, -33.32, -15.2

 

CMYK 42 / 93 / 0 / 27

HEX #6C0DBA

RGB 108 13 186

HSL 272.95, 0.87%, 0.39%

LAB 31.86, 65.07, -68.65

 

CMYK 0 / 88 / 93 / 27

HEX #BA160D

RGB 186 22 13

HSL 3.12, 0.87%, 0.39%

LAB 39.65, 60.51, 48.81

 

Description

Color code: HEX #5ABC0D | qconv.com Color code: HEX #5ABC0D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 188 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 188 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 93 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 93% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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