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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AB8E2 it is the complementary color #A5471D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AB8E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AB8E2 shade: #5FB8DD, #70CAF0, #81DCFF, #92EEFF and #A3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AB8E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AB8E2 shade: #5AB8E2, #49A6CF, #3894BC, #2782A9 and #167096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AB8E2 shade: #5AB8E2, #5A93E2, #5A6FE2, #6A5AE2 and #8F5AE2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AB8E2 shade: #5AB8E2, #5A93E2, #5A6FE2 and #5A5AE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AB8E2 shade matches the following richer shades: #5AB8E2 and #4BBEF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AB8E2 shade: #5AB8E2, #6AB2D2, #7AACC3, #89A6B3 and #99A0A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AB8E2 shade: #5AE2C2, #5ADDE2, #5AB9E2, #5A95E2 and #5A71E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AB8E2 shade: #2394C7, #37A9DC, #5AB8E2, #7DC7E8 and #A0D6EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AB8E2 shade: #5AB8E2, #9E5AE2 and #E2D45A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AB8E2 shade: #5AB8E2, #E25AB9 and #B9E25A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AB8E2 shade: #5AB8E2, #9E5AE2, #E2835A and #9EE25A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AB8E2 shade: #5AB8E2, #C75AE2, #E2835A and #75E25A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

Complementary color

CMYK 0 / 57 / 82 / 35

HEX #A5471D

RGB 165 71 29

HSL 18.53, 0.7%, 0.38%

LAB 42.15, 36.46, 42.33

 

CMYK 57 / 17 / 0 / 13

HEX #5FB8DD

RGB 95 184 221

HSL 197.62, 0.65%, 0.62%

LAB 70.83, -16.17, -26.66

 

CMYK 53 / 16 / 0 / 6

HEX #70CAF0

RGB 112 202 240

HSL 197.81, 0.81%, 0.69%

LAB 77.27, -16.6, -27.01

 

CMYK 49 / 14 / 0 / 0

HEX #81DCFF

RGB 129 220 255

HSL 196.67, 1%, 0.75%

LAB 83.48, -18.04, -25.45

 

CMYK 43 / 7 / 0 / 0

HEX #92EEFF

RGB 146 238 255

HSL 189.36, 1%, 0.79%

LAB 89.15, -23.17, -16.8

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 65 / 20 / 0 / 19

HEX #49A6CF

RGB 73 166 207

HSL 198.36, 0.58%, 0.55%

LAB 64.32, -14.91, -29.04

 

CMYK 70 / 21 / 0 / 26

HEX #3894BC

RGB 56 148 188

HSL 198.18, 0.54%, 0.48%

LAB 57.7, -14, -28.66

 

CMYK 77 / 23 / 0 / 34

HEX #2782A9

RGB 39 130 169

HSL 198, 0.63%, 0.41%

LAB 50.99, -12.79, -28.23

 

CMYK 85 / 25 / 0 / 41

HEX #167096

RGB 22 112 150

HSL 197.81, 0.74%, 0.34%

LAB 44.18, -11.15, -27.73

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 60 / 35 / 0 / 11

HEX #5A93E2

RGB 90 147 226

HSL 214.85, 0.7%, 0.62%

LAB 60.37, 5.02, -45.72

 

CMYK 60 / 51 / 0 / 11

HEX #5A6FE2

RGB 90 111 226

HSL 230.74, 0.7%, 0.62%

LAB 50.73, 26.78, -61.1

 

CMYK 53 / 60 / 0 / 11

HEX #6A5AE2

RGB 106 90 226

HSL 247.06, 0.7%, 0.62%

LAB 46.8, 42.36, -67.39

 

CMYK 37 / 60 / 0 / 11

HEX #8F5AE2

RGB 143 90 226

HSL 263.38, 0.7%, 0.62%

LAB 50.27, 49.85, -61.62

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 60 / 35 / 0 / 11

HEX #5A93E2

RGB 90 147 226

HSL 214.85, 0.7%, 0.62%

LAB 60.37, 5.02, -45.72

 

CMYK 60 / 51 / 0 / 11

HEX #5A6FE2

RGB 90 111 226

HSL 230.74, 0.7%, 0.62%

LAB 50.73, 26.78, -61.1

 

CMYK 60 / 60 / 0 / 11

HEX #5A5AE2

RGB 90 90 226

HSL 240, 0.7%, 0.62%

LAB 45.6, 39.59, -69.39

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 69 / 21 / 0 / 5

HEX #4BBEF2

RGB 75 190 242

HSL 198.68, 0.87%, 0.62%

LAB 72.72, -16.19, -35.2

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 50 / 15 / 0 / 18

HEX #6AB2D2

RGB 106 178 210

HSL 198.46, 0.54%, 0.62%

LAB 69.15, -13.86, -23.16

 

CMYK 37 / 12 / 0 / 24

HEX #7AACC3

RGB 122 172 195

HSL 198.9, 0.38%, 0.62%

LAB 67.71, -10.73, -17.01

 

CMYK 23 / 7 / 0 / 30

HEX #89A6B3

RGB 137 166 179

HSL 198.57, 0.22%, 0.62%

LAB 66.4, -7.02, -10.01

 

CMYK 6 / 2 / 0 / 36

HEX #99A0A3

RGB 153 160 163

HSL 198, 0.05%, 0.62%

LAB 65.4, -1.89, -2.43

 

CMYK 60 / 0 / 14 / 11

HEX #5AE2C2

RGB 90 226 194

HSL 165.88, 0.7%, 0.62%

LAB 82.09, -44.54, 4.66

 

CMYK 60 / 2 / 0 / 11

HEX #5ADDE2

RGB 90 221 226

HSL 182.21, 0.7%, 0.62%

LAB 81.5, -34.05, -13.2

 

CMYK 60 / 18 / 0 / 11

HEX #5AB9E2

RGB 90 185 226

HSL 198.09, 0.7%, 0.62%

LAB 71.12, -16.14, -28.95

 

CMYK 60 / 34 / 0 / 11

HEX #5A95E2

RGB 90 149 226

HSL 213.97, 0.7%, 0.62%

LAB 60.92, 3.85, -44.84

 

CMYK 60 / 50 / 0 / 11

HEX #5A71E2

RGB 90 113 226

HSL 229.85, 0.7%, 0.62%

LAB 51.24, 25.55, -60.27

 

CMYK 82 / 26 / 0 / 22

HEX #2394C7

RGB 35 148 199

HSL 198.66, 0.7%, 0.46%

LAB 57.71, -12.65, -34.89

 

CMYK 75 / 23 / 0 / 14

HEX #37A9DC

RGB 55 169 220

HSL 198.55, 0.7%, 0.54%

LAB 65.24, -14.82, -34.83

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 46 / 14 / 0 / 9

HEX #7DC7E8

RGB 125 199 232

HSL 198.5, 0.7%, 0.7%

LAB 76.7, -14.4, -23.53

 

CMYK 33 / 10 / 0 / 7

HEX #A0D6EE

RGB 160 214 238

HSL 198.46, 0.7%, 0.78%

LAB 82.77, -11.7, -17.37

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 30 / 60 / 0 / 11

HEX #9E5AE2

RGB 158 90 226

HSL 270, 0.7%, 0.62%

LAB 51.92, 53.2, -58.87

 

CMYK 0 / 6 / 60 / 11

HEX #E2D45A

RGB 226 212 90

HSL 53.82, 0.7%, 0.62%

LAB 83.96, -9.84, 60.52

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 0 / 60 / 18 / 11

HEX #E25AB9

RGB 226 90 185

HSL 318.09, 0.7%, 0.62%

LAB 58.96, 63.03, -23.82

 

CMYK 18 / 0 / 60 / 11

HEX #B9E25A

RGB 185 226 90

HSL 78.09, 0.7%, 0.62%

LAB 84.71, -33.05, 60.49

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 30 / 60 / 0 / 11

HEX #9E5AE2

RGB 158 90 226

HSL 270, 0.7%, 0.62%

LAB 51.92, 53.2, -58.87

 

CMYK 0 / 42 / 60 / 11

HEX #E2835A

RGB 226 131 90

HSL 18.09, 0.7%, 0.62%

LAB 64.27, 32.78, 37.72

 

CMYK 30 / 0 / 60 / 11

HEX #9EE25A

RGB 158 226 90

HSL 90, 0.7%, 0.62%

LAB 83.13, -43.01, 58.28

 

CMYK 60 / 19 / 0 / 11

HEX #5AB8E2

RGB 90 184 226

HSL 198.53, 0.7%, 0.62%

LAB 70.83, -15.61, -29.39

 

CMYK 12 / 60 / 0 / 11

HEX #C75AE2

RGB 199 90 226

HSL 288.09, 0.7%, 0.62%

LAB 57.02, 62.85, -50.42

 

CMYK 0 / 42 / 60 / 11

HEX #E2835A

RGB 226 131 90

HSL 18.09, 0.7%, 0.62%

LAB 64.27, 32.78, 37.72

 

CMYK 48 / 0 / 60 / 11

HEX #75E25A

RGB 117 226 90

HSL 108.09, 0.7%, 0.62%

LAB 81.24, -56.13, 55.65

 

Description

Color code: HEX #5AB8E2 | qconv.com Color code: HEX #5AB8E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 184 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 184 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 19 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 19% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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