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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AB311 it is the complementary color #A54CEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AB311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AB311 shade: #5FB30C, #70C51F, #81D732, #92E945 and #A3FB58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AB311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AB311 shade: #5AB311, #49A100, #388F00, #277D00 and #166B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AB311 shade: #59B110, #84B110, #B0B110, #B18810 and #B15C10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AB311 shade: #59B110, #2EB110, #10B11F, #10B14A and #10B175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AB311 shade matches the following richer shades: #59B110 and #57C101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AB311 shade: #59B110, #5BA220, #5C9230, #5E8240 and #5F734F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AB311 shade: #B1B110, #86B110, #5CB110, #31B110 and #10B11B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AB311 shade: #336609, #468C0D, #59B110, #6CD714 and #81EB29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AB311 shade: #5AB311, #10B186 and #B1109C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AB311 shade: #5AB311, #105CB1 and #B1105C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AB311 shade: #5AB311, #10B186, #6610B1 and #B1103B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AB311 shade: #5AB311, #10ACB1, #6610B1 and #B11610

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 91 / 30

HEX #5AB311

RGB 90 179 17

HSL 92.96, 0.83%, 0.38%

LAB 65.32, -50.98, 63.67

 

Complementary color

CMYK 31 / 68 / 0 / 7

HEX #A54CEE

RGB 165 76 238

HSL 272.96, 0.83%, 0.62%

LAB 51.08, 64.15, -66.93

 

CMYK 47 / 0 / 93 / 30

HEX #5FB30C

RGB 95 179 12

HSL 90.18, 0.87%, 0.37%

LAB 65.51, -49.54, 64.67

 

CMYK 43 / 0 / 84 / 23

HEX #70C51F

RGB 112 197 31

HSL 90.72, 0.73%, 0.45%

LAB 71.88, -50.52, 66.81

 

CMYK 40 / 0 / 77 / 16

HEX #81D732

RGB 129 215 50

HSL 91.27, 0.67%, 0.52%

LAB 78.17, -51.21, 67.67

 

CMYK 37 / 0 / 70 / 9

HEX #92E945

RGB 146 233 69

HSL 91.83, 0.79%, 0.59%

LAB 84.39, -51.68, 67.71

 

CMYK 35 / 0 / 65 / 2

HEX #A3FB58

RGB 163 251 88

HSL 92.39, 0.95%, 0.66%

LAB 90.54, -51.98, 67.27

 

CMYK 50 / 0 / 91 / 30

HEX #5AB311

RGB 90 179 17

HSL 92.96, 0.83%, 0.38%

LAB 65.32, -50.98, 63.67

 

CMYK 55 / 0 / 100 / 37

HEX #49A100

RGB 73 161 0

HSL 92.8, 1%, 0.32%

LAB 58.89, -49.66, 60.6

 

CMYK 61 / 0 / 100 / 44

HEX #388F00

RGB 56 143 0

HSL 96.5, 1%, 0.28%

LAB 52.38, -47.79, 55.23

 

CMYK 69 / 0 / 100 / 51

HEX #277D00

RGB 39 125 0

HSL 101.28, 1%, 0.25%

LAB 45.77, -45.58, 49.78

 

CMYK 79 / 0 / 100 / 58

HEX #166B00

RGB 22 107 0

HSL 107.66, 1%, 0.21%

LAB 39.05, -42.84, 44.26

 

CMYK 50 / 0 / 91 / 31

HEX #59B110

RGB 89 177 16

HSL 92.8, 0.83%, 0.38%

LAB 64.65, -50.55, 63.26

 

CMYK 25 / 0 / 91 / 31

HEX #84B110

RGB 132 177 16

HSL 76.77, 0.83%, 0.38%

LAB 66.81, -35.19, 65.93

 

CMYK 1 / 0 / 91 / 31

HEX #B0B110

RGB 176 177 16

HSL 60.37, 0.83%, 0.38%

LAB 69.97, -16.62, 69.78

 

CMYK 0 / 23 / 91 / 31

HEX #B18810

RGB 177 136 16

HSL 44.72, 0.83%, 0.38%

LAB 58.97, 5.67, 61.27

 

CMYK 0 / 48 / 91 / 31

HEX #B15C10

RGB 177 92 16

HSL 28.32, 0.83%, 0.38%

LAB 48.31, 30.04, 53.16

 

CMYK 50 / 0 / 91 / 31

HEX #59B110

RGB 89 177 16

HSL 92.8, 0.83%, 0.38%

LAB 64.65, -50.55, 63.26

 

CMYK 74 / 0 / 91 / 31

HEX #2EB110

RGB 46 177 16

HSL 108.82, 0.83%, 0.38%

LAB 63.39, -60.82, 61.7

 

CMYK 91 / 0 / 82 / 31

HEX #10B11F

RGB 16 177 31

HSL 125.59, 0.83%, 0.38%

LAB 63.06, -63.63, 57.92

 

CMYK 91 / 0 / 58 / 31

HEX #10B14A

RGB 16 177 74

HSL 141.61, 0.83%, 0.38%

LAB 63.38, -59.51, 41.62

 

CMYK 91 / 0 / 34 / 31

HEX #10B175

RGB 16 177 117

HSL 157.64, 0.83%, 0.38%

LAB 64.03, -51.85, 20.34

 

CMYK 50 / 0 / 91 / 31

HEX #59B110

RGB 89 177 16

HSL 92.8, 0.83%, 0.38%

LAB 64.65, -50.55, 63.26

 

CMYK 55 / 0 / 99 / 24

HEX #57C101

RGB 87 193 1

HSL 93.13, 0.99%, 0.38%

LAB 69.59, -57.31, 69.12

 

CMYK 50 / 0 / 91 / 31

HEX #59B110

RGB 89 177 16

HSL 92.8, 0.83%, 0.38%

LAB 64.65, -50.55, 63.26

 

CMYK 44 / 0 / 80 / 36

HEX #5BA220

RGB 91 162 32

HSL 92.77, 0.67%, 0.38%

LAB 60.04, -43.34, 55.5

 

CMYK 37 / 0 / 67 / 43

HEX #5C9230

RGB 92 146 48

HSL 93.06, 0.51%, 0.38%

LAB 55.12, -35, 44.69

 

CMYK 28 / 0 / 51 / 49

HEX #5E8240

RGB 94 130 64

HSL 92.73, 0.34%, 0.38%

LAB 50.35, -24.97, 31.51

 

CMYK 17 / 0 / 31 / 55

HEX #5F734F

RGB 95 115 79

HSL 93.33, 0.19%, 0.38%

LAB 45.99, -14.54, 17.56

 

CMYK 0 / 0 / 91 / 31

HEX #B1B110

RGB 177 177 16

HSL 60, 0.83%, 0.38%

LAB 70.06, -16.18, 69.88

 

CMYK 24 / 0 / 91 / 31

HEX #86B110

RGB 134 177 16

HSL 76.02, 0.83%, 0.38%

LAB 66.94, -34.39, 66.08

 

CMYK 48 / 0 / 91 / 31

HEX #5CB110

RGB 92 177 16

HSL 91.68, 0.83%, 0.38%

LAB 64.77, -49.62, 63.41

 

CMYK 72 / 0 / 91 / 31

HEX #31B110

RGB 49 177 16

HSL 107.7, 0.83%, 0.38%

LAB 63.45, -60.31, 61.77

 

CMYK 91 / 0 / 85 / 31

HEX #10B11B

RGB 16 177 27

HSL 124.1, 0.83%, 0.38%

LAB 63.04, -63.84, 58.95

 

CMYK 50 / 0 / 91 / 60

HEX #336609

RGB 51 102 9

HSL 92.9, 0.84%, 0.22%

LAB 38.25, -32.91, 41.58

 

CMYK 50 / 0 / 91 / 45

HEX #468C0D

RGB 70 140 13

HSL 93.07, 0.83%, 0.3%

LAB 51.94, -42.16, 52.78

 

CMYK 50 / 0 / 91 / 31

HEX #59B110

RGB 89 177 16

HSL 92.8, 0.83%, 0.38%

LAB 64.65, -50.55, 63.26

 

CMYK 50 / 0 / 91 / 16

HEX #6CD714

RGB 108 215 20

HSL 92.92, 0.83%, 0.46%

LAB 77.18, -58.93, 73.37

 

CMYK 45 / 0 / 83 / 8

HEX #81EB29

RGB 129 235 41

HSL 92.78, 0.83%, 0.54%

LAB 84.09, -59.37, 75.54

 

CMYK 50 / 0 / 91 / 30

HEX #5AB311

RGB 90 179 17

HSL 92.96, 0.83%, 0.38%

LAB 65.32, -50.98, 63.67

 

CMYK 91 / 0 / 24 / 31

HEX #10B186

RGB 16 177 134

HSL 163.98, 0.83%, 0.38%

LAB 64.38, -47.91, 11.54

 

CMYK 0 / 91 / 12 / 31

HEX #B1109C

RGB 177 16 156

HSL 307.83, 0.83%, 0.38%

LAB 41.4, 69.99, -34.7

 

CMYK 50 / 0 / 91 / 30

HEX #5AB311

RGB 90 179 17

HSL 92.96, 0.83%, 0.38%

LAB 65.32, -50.98, 63.67

 

CMYK 91 / 48 / 0 / 31

HEX #105CB1

RGB 16 92 177

HSL 211.68, 0.83%, 0.38%

LAB 39.48, 11.54, -51.17

 

CMYK 0 / 91 / 48 / 31

HEX #B1105C

RGB 177 16 92

HSL 331.68, 0.83%, 0.38%

LAB 38.71, 62.81, 0.94

 

CMYK 50 / 0 / 91 / 30

HEX #5AB311

RGB 90 179 17

HSL 92.96, 0.83%, 0.38%

LAB 65.32, -50.98, 63.67

 

CMYK 91 / 0 / 24 / 31

HEX #10B186

RGB 16 177 134

HSL 163.98, 0.83%, 0.38%

LAB 64.38, -47.91, 11.54

 

CMYK 42 / 91 / 0 / 31

HEX #6610B1

RGB 102 16 177

HSL 272.05, 0.83%, 0.38%

LAB 30.33, 61.84, -65.84

 

CMYK 0 / 91 / 67 / 31

HEX #B1103B

RGB 177 16 59

HSL 343.98, 0.83%, 0.38%

LAB 37.9, 60.56, 21

 

CMYK 50 / 0 / 91 / 30

HEX #5AB311

RGB 90 179 17

HSL 92.96, 0.83%, 0.38%

LAB 65.32, -50.98, 63.67

 

CMYK 91 / 3 / 0 / 31

HEX #10ACB1

RGB 16 172 177

HSL 181.86, 0.83%, 0.38%

LAB 63.99, -33.65, -12.93

 

CMYK 42 / 91 / 0 / 31

HEX #6610B1

RGB 102 16 177

HSL 272.05, 0.83%, 0.38%

LAB 30.33, 61.84, -65.84

 

CMYK 0 / 88 / 91 / 31

HEX #B11610

RGB 177 22 16

HSL 2.24, 0.83%, 0.38%

LAB 37.77, 58.07, 45.44

 

Description

Color code: HEX #5AB311 | qconv.com Color code: HEX #5AB311 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 179 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 179 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 91 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 91% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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