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Color name
HEX #5AAD02

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AAD02 it is the complementary color #A552FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AAD02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AAD02 shade: #5FAD00, #70BF10, #81D123, #92E336 and #A3F549

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AAD02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AAD02 shade: #5AAD02, #499B00, #388900, #277700 and #166500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AAD02 shade: #59AC02, #87AC02, #ACA202, #AC7502 and #AC4702

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AAD02 shade: #59AC02, #2BAC02, #02AC06, #02AC34 and #02AC62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AAD02 shade matches the following richer shades: #59AC02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AAD02 shade: #59AC02, #599E10, #58901E, #58822C and #58743A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AAD02 shade: #ACA302, #87AC02, #5AAC02, #2CAC02 and #02AC05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AAD02 shade: #2F5A01, #448301, #59AC02, #6ED502 and #84FC03

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AAD02 shade: #5AAD02, #02AC76 and #AC029E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AAD02 shade: #5AAD02, #025AAC and #AC025A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AAD02 shade: #5AAD02, #02AC76, #5402AC and #AC0238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AAD02 shade: #5AAD02, #02ACA9, #5402AC and #AC0205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 99 / 32

HEX #5AAD02

RGB 90 173 2

HSL 89.12, 0.98%, 0.34%

LAB 63.4, -49, 64.16

 

Complementary color

CMYK 35 / 68 / 0 / 1

HEX #A552FD

RGB 165 82 253

HSL 269.12, 0.98%, 0.66%

LAB 53.09, 64.86, -72.06

 

CMYK 45 / 0 / 100 / 32

HEX #5FAD00

RGB 95 173 0

HSL 87.05, 1%, 0.34%

LAB 63.61, -47.42, 64.68

 

CMYK 41 / 0 / 92 / 25

HEX #70BF10

RGB 112 191 16

HSL 87.09, 0.85%, 0.41%

LAB 70, -48.59, 68.09

 

CMYK 38 / 0 / 83 / 18

HEX #81D123

RGB 129 209 35

HSL 87.59, 0.71%, 0.48%

LAB 76.31, -49.47, 70.07

 

CMYK 36 / 0 / 76 / 11

HEX #92E336

RGB 146 227 54

HSL 88.09, 0.76%, 0.55%

LAB 82.55, -50.12, 70.88

 

CMYK 33 / 0 / 70 / 4

HEX #A3F549

RGB 163 245 73

HSL 88.6, 0.9%, 0.62%

LAB 88.72, -50.57, 70.94

 

CMYK 48 / 0 / 99 / 32

HEX #5AAD02

RGB 90 173 2

HSL 89.12, 0.98%, 0.34%

LAB 63.4, -49, 64.16

 

CMYK 53 / 0 / 100 / 39

HEX #499B00

RGB 73 155 0

HSL 91.74, 1%, 0.3%

LAB 56.94, -47.41, 59.07

 

CMYK 59 / 0 / 100 / 46

HEX #388900

RGB 56 137 0

HSL 95.47, 1%, 0.27%

LAB 50.37, -45.59, 53.64

 

CMYK 67 / 0 / 100 / 53

HEX #277700

RGB 39 119 0

HSL 100.34, 1%, 0.23%

LAB 43.69, -43.46, 48.13

 

CMYK 78 / 0 / 100 / 60

HEX #166500

RGB 22 101 0

HSL 106.93, 1%, 0.2%

LAB 36.89, -40.81, 42.54

 

CMYK 48 / 0 / 99 / 33

HEX #59AC02

RGB 89 172 2

HSL 89.29, 0.98%, 0.34%

LAB 63.04, -48.93, 63.86

 

CMYK 22 / 0 / 99 / 33

HEX #87AC02

RGB 135 172 2

HSL 73.06, 0.98%, 0.34%

LAB 65.48, -31.91, 66.81

 

CMYK 0 / 6 / 99 / 33

HEX #ACA202

RGB 172 162 2

HSL 56.47, 0.98%, 0.34%

LAB 65.45, -10.85, 68.05

 

CMYK 0 / 32 / 99 / 33

HEX #AC7502

RGB 172 117 2

HSL 40.59, 0.98%, 0.34%

LAB 53.49, 13.78, 59.58

 

CMYK 0 / 59 / 99 / 33

HEX #AC4702

RGB 172 71 2

HSL 24.35, 0.98%, 0.34%

LAB 43.18, 38.66, 53

 

CMYK 48 / 0 / 99 / 33

HEX #59AC02

RGB 89 172 2

HSL 89.29, 0.98%, 0.34%

LAB 63.04, -48.93, 63.86

 

CMYK 75 / 0 / 99 / 33

HEX #2BAC02

RGB 43 172 2

HSL 105.53, 0.98%, 0.34%

LAB 61.67, -60.11, 62.2

 

CMYK 99 / 0 / 97 / 33

HEX #02AC06

RGB 2 172 6

HSL 121.41, 0.98%, 0.34%

LAB 61.25, -63.91, 61.13

 

CMYK 99 / 0 / 70 / 33

HEX #02AC34

RGB 2 172 52

HSL 137.65, 0.98%, 0.34%

LAB 61.45, -61.28, 49.14

 

CMYK 99 / 0 / 43 / 33

HEX #02AC62

RGB 2 172 98

HSL 153.88, 0.98%, 0.34%

LAB 62, -54.58, 27.79

 

CMYK 48 / 0 / 99 / 33

HEX #59AC02

RGB 89 172 2

HSL 89.29, 0.98%, 0.34%

LAB 63.04, -48.93, 63.86

 

CMYK 48 / 0 / 99 / 33

HEX #59AC02

RGB 89 172 2

HSL 89.29, 0.98%, 0.34%

LAB 63.04, -48.93, 63.86

 

CMYK 44 / 0 / 90 / 38

HEX #599E10

RGB 89 158 16

HSL 89.15, 0.82%, 0.34%

LAB 58.62, -43.04, 58.19

 

CMYK 39 / 0 / 79 / 44

HEX #58901E

RGB 88 144 30

HSL 89.47, 0.66%, 0.34%

LAB 54.15, -36.86, 50.56

 

CMYK 32 / 0 / 66 / 49

HEX #58822C

RGB 88 130 44

HSL 89.3, 0.49%, 0.34%

LAB 49.76, -29.46, 40.62

 

CMYK 24 / 0 / 50 / 55

HEX #58743A

RGB 88 116 58

HSL 88.97, 0.33%, 0.34%

LAB 45.46, -20.99, 28.64

 

CMYK 0 / 5 / 99 / 33

HEX #ACA302

RGB 172 163 2

HSL 56.82, 0.98%, 0.34%

LAB 65.72, -11.37, 68.25

 

CMYK 22 / 0 / 99 / 33

HEX #87AC02

RGB 135 172 2

HSL 73.06, 0.98%, 0.34%

LAB 65.48, -31.91, 66.81

 

CMYK 48 / 0 / 99 / 33

HEX #5AAC02

RGB 90 172 2

HSL 88.94, 0.98%, 0.34%

LAB 63.08, -48.61, 63.91

 

CMYK 74 / 0 / 99 / 33

HEX #2CAC02

RGB 44 172 2

HSL 105.18, 0.98%, 0.34%

LAB 61.69, -59.95, 62.22

 

CMYK 99 / 0 / 97 / 33

HEX #02AC05

RGB 2 172 5

HSL 121.06, 0.98%, 0.34%

LAB 61.25, -63.93, 61.26

 

CMYK 48 / 0 / 99 / 65

HEX #2F5A01

RGB 47 90 1

HSL 88.99, 0.98%, 0.18%

LAB 33.81, -29.46, 40.15

 

CMYK 48 / 0 / 99 / 49

HEX #448301

RGB 68 131 1

HSL 89.08, 0.98%, 0.26%

LAB 48.84, -39.52, 52.44

 

CMYK 48 / 0 / 99 / 33

HEX #59AC02

RGB 89 172 2

HSL 89.29, 0.98%, 0.34%

LAB 63.04, -48.93, 63.86

 

CMYK 48 / 0 / 99 / 16

HEX #6ED502

RGB 110 213 2

HSL 89.29, 0.98%, 0.42%

LAB 76.62, -57.92, 74.93

 

CMYK 48 / 0 / 99 / 1

HEX #84FC03

RGB 132 252 3

HSL 88.92, 0.98%, 0.5%

LAB 89.17, -65.54, 85.09

 

CMYK 48 / 0 / 99 / 32

HEX #5AAD02

RGB 90 173 2

HSL 89.12, 0.98%, 0.34%

LAB 63.4, -49, 64.16

 

CMYK 99 / 0 / 31 / 33

HEX #02AC76

RGB 2 172 118

HSL 160.94, 0.98%, 0.34%

LAB 62.36, -50.38, 17.5

 

CMYK 0 / 99 / 8 / 33

HEX #AC029E

RGB 172 2 158

HSL 304.94, 0.98%, 0.34%

LAB 40.05, 70.9, -38.11

 

CMYK 48 / 0 / 99 / 32

HEX #5AAD02

RGB 90 173 2

HSL 89.12, 0.98%, 0.34%

LAB 63.4, -49, 64.16

 

CMYK 99 / 48 / 0 / 33

HEX #025AAC

RGB 2 90 172

HSL 208.94, 0.98%, 0.34%

LAB 38.38, 10.19, -49.99

 

CMYK 0 / 99 / 48 / 33

HEX #AC025A

RGB 172 2 90

HSL 328.94, 0.98%, 0.34%

LAB 37.03, 63.18, -0.35

 

CMYK 48 / 0 / 99 / 32

HEX #5AAD02

RGB 90 173 2

HSL 89.12, 0.98%, 0.34%

LAB 63.4, -49, 64.16

 

CMYK 99 / 0 / 31 / 33

HEX #02AC76

RGB 2 172 118

HSL 160.94, 0.98%, 0.34%

LAB 62.36, -50.38, 17.5

 

CMYK 51 / 99 / 0 / 33

HEX #5402AC

RGB 84 2 172

HSL 268.94, 0.98%, 0.34%

LAB 26.47, 61.53, -69.29

 

CMYK 0 / 99 / 67 / 33

HEX #AC0238

RGB 172 2 56

HSL 340.94, 0.98%, 0.34%

LAB 36.18, 60.9, 20.49

 

CMYK 48 / 0 / 99 / 32

HEX #5AAD02

RGB 90 173 2

HSL 89.12, 0.98%, 0.34%

LAB 63.4, -49, 64.16

 

CMYK 99 / 0 / 2 / 33

HEX #02ACA9

RGB 2 172 169

HSL 178.94, 0.98%, 0.34%

LAB 63.66, -36.64, -8.97

 

CMYK 51 / 99 / 0 / 33

HEX #5402AC

RGB 84 2 172

HSL 268.94, 0.98%, 0.34%

LAB 26.47, 61.53, -69.29

 

CMYK 0 / 99 / 97 / 33

HEX #AC0205

RGB 172 2 5

HSL 358.94, 0.98%, 0.34%

LAB 35.65, 59.45, 47.9

 

Description

Color code: HEX #5AAD02 | qconv.com Color code: HEX #5AAD02 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 173 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 173 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 99 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 99% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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