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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AAADE it is the complementary color #A55521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AAADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AAADE shade: #5FAAD9, #70BCEC, #81CEFF, #92E0FF and #A3F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AAADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AAADE shade: #5AAADE, #4998CB, #3886B8, #2774A5 and #166292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AAADE shade: #59AADE, #5986DE, #5962DE, #7459DE and #9859DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AAADE shade: #59AADE, #5986DE, #5962DE and #5959DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AAADE shade matches the following richer shades: #59AADE, #49ADEE and #39B0FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AAADE shade: #59AADE, #69A6CE, #79A3BE, #899FAE and #999C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AAADE shade: #59DECA, #59CFDE, #59ABDE, #5988DE and #5964DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AAADE shade: #2683BF, #3698D7, #59AADE, #7BBBE5 and #9ECDEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AAADE shade: #5AAADE, #A759DE and #DEDC59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AAADE shade: #5AAADE, #DE59AB and #ABDE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AAADE shade: #5AAADE, #A759DE, #DE8C59 and #90DE59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AAADE shade: #5AAADE, #CF59DE, #DE8C59 and #68DE59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 23 / 0 / 13

HEX #5AAADE

RGB 90 170 222

HSL 203.64, 0.67%, 0.61%

LAB 66.67, -9.32, -33.64

 

Complementary color

CMYK 0 / 48 / 80 / 35

HEX #A55521

RGB 165 85 33

HSL 23.64, 0.67%, 0.39%

LAB 45.09, 29.24, 43.26

 

CMYK 56 / 22 / 0 / 15

HEX #5FAAD9

RGB 95 170 217

HSL 203.11, 0.62%, 0.61%

LAB 66.67, -9.87, -30.88

 

CMYK 53 / 20 / 0 / 7

HEX #70BCEC

RGB 112 188 236

HSL 203.23, 0.77%, 0.68%

LAB 73.2, -10.39, -31.11

 

CMYK 49 / 19 / 0 / 0

HEX #81CEFF

RGB 129 206 255

HSL 203.33, 1%, 0.75%

LAB 79.63, -10.81, -31.34

 

CMYK 43 / 12 / 0 / 0

HEX #92E0FF

RGB 146 224 255

HSL 197.06, 1%, 0.79%

LAB 85.32, -16.18, -22.58

 

CMYK 36 / 5 / 0 / 0

HEX #A3F2FF

RGB 163 242 255

HSL 188.48, 1%, 0.82%

LAB 91.01, -20.96, -13.93

 

CMYK 59 / 23 / 0 / 13

HEX #5AAADE

RGB 90 170 222

HSL 203.64, 0.67%, 0.61%

LAB 66.67, -9.32, -33.64

 

CMYK 64 / 25 / 0 / 20

HEX #4998CB

RGB 73 152 203

HSL 203.54, 0.56%, 0.54%

LAB 60.06, -8.51, -33.42

 

CMYK 70 / 27 / 0 / 28

HEX #3886B8

RGB 56 134 184

HSL 203.44, 0.53%, 0.47%

LAB 53.33, -7.48, -33.18

 

CMYK 76 / 30 / 0 / 35

HEX #2774A5

RGB 39 116 165

HSL 203.33, 0.62%, 0.4%

LAB 46.5, -6.12, -32.92

 

CMYK 85 / 33 / 0 / 43

HEX #166292

RGB 22 98 146

HSL 203.23, 0.74%, 0.33%

LAB 39.55, -4.29, -32.6

 

CMYK 60 / 23 / 0 / 13

HEX #59AADE

RGB 89 170 222

HSL 203.46, 0.67%, 0.61%

LAB 66.63, -9.5, -33.7

 

CMYK 60 / 40 / 0 / 13

HEX #5986DE

RGB 89 134 222

HSL 219.7, 0.67%, 0.61%

LAB 56.53, 11.22, -49.56

 

CMYK 60 / 56 / 0 / 13

HEX #5962DE

RGB 89 98 222

HSL 235.94, 0.67%, 0.61%

LAB 47.15, 33.27, -64.62

 

CMYK 48 / 60 / 0 / 13

HEX #7459DE

RGB 116 89 222

HSL 252.18, 0.67%, 0.61%

LAB 47.15, 43.67, -64.52

 

CMYK 32 / 60 / 0 / 13

HEX #9859DE

RGB 152 89 222

HSL 268.42, 0.67%, 0.61%

LAB 50.8, 51.4, -58.45

 

CMYK 60 / 23 / 0 / 13

HEX #59AADE

RGB 89 170 222

HSL 203.46, 0.67%, 0.61%

LAB 66.63, -9.5, -33.7

 

CMYK 60 / 40 / 0 / 13

HEX #5986DE

RGB 89 134 222

HSL 219.7, 0.67%, 0.61%

LAB 56.53, 11.22, -49.56

 

CMYK 60 / 56 / 0 / 13

HEX #5962DE

RGB 89 98 222

HSL 235.94, 0.67%, 0.61%

LAB 47.15, 33.27, -64.62

 

CMYK 60 / 60 / 0 / 13

HEX #5959DE

RGB 89 89 222

HSL 240, 0.67%, 0.61%

LAB 45, 38.74, -68.11

 

CMYK 60 / 23 / 0 / 13

HEX #59AADE

RGB 89 170 222

HSL 203.46, 0.67%, 0.61%

LAB 66.63, -9.5, -33.7

 

CMYK 69 / 27 / 0 / 7

HEX #49ADEE

RGB 73 173 238

HSL 203.64, 0.83%, 0.61%

LAB 67.63, -8.63, -40.95

 

CMYK 78 / 31 / 0 / 0

HEX #39B0FE

RGB 57 176 254

HSL 203.76, 0.99%, 0.61%

LAB 68.81, -6.81, -47.84

 

CMYK 60 / 23 / 0 / 13

HEX #59AADE

RGB 89 170 222

HSL 203.46, 0.67%, 0.61%

LAB 66.63, -9.5, -33.7

 

CMYK 49 / 19 / 0 / 19

HEX #69A6CE

RGB 105 166 206

HSL 203.76, 0.51%, 0.61%

LAB 65.54, -8.77, -26.5

 

CMYK 36 / 14 / 0 / 25

HEX #79A3BE

RGB 121 163 190

HSL 203.48, 0.35%, 0.61%

LAB 64.94, -7.42, -18.44

 

CMYK 21 / 9 / 0 / 32

HEX #899FAE

RGB 137 159 174

HSL 204.32, 0.19%, 0.61%

LAB 64.3, -4.35, -10.36

 

CMYK 3 / 1 / 0 / 38

HEX #999C9E

RGB 153 156 158

HSL 204, 0.03%, 0.61%

LAB 64.18, -0.68, -1.43

 

CMYK 60 / 0 / 9 / 13

HEX #59DECA

RGB 89 222 202

HSL 170.98, 0.67%, 0.61%

LAB 81.09, -40.99, -1.04

 

CMYK 60 / 7 / 0 / 13

HEX #59CFDE

RGB 89 207 222

HSL 186.77, 0.67%, 0.61%

LAB 77.29, -28.64, -17.38

 

CMYK 60 / 23 / 0 / 13

HEX #59ABDE

RGB 89 171 222

HSL 203.01, 0.67%, 0.61%

LAB 66.92, -10.05, -33.26

 

CMYK 60 / 39 / 0 / 13

HEX #5988DE

RGB 89 136 222

HSL 218.8, 0.67%, 0.61%

LAB 57.08, 10.02, -48.69

 

CMYK 60 / 55 / 0 / 13

HEX #5964DE

RGB 89 100 222

HSL 235.04, 0.67%, 0.61%

LAB 47.64, 32.04, -63.82

 

CMYK 80 / 31 / 0 / 25

HEX #2683BF

RGB 38 131 191

HSL 203.53, 0.67%, 0.45%

LAB 52.29, -5.55, -38.85

 

CMYK 75 / 29 / 0 / 16

HEX #3698D7

RGB 54 152 215

HSL 203.48, 0.67%, 0.53%

LAB 60.02, -7.25, -40.22

 

CMYK 60 / 23 / 0 / 13

HEX #59AADE

RGB 89 170 222

HSL 203.46, 0.67%, 0.61%

LAB 66.63, -9.5, -33.7

 

CMYK 46 / 18 / 0 / 10

HEX #7BBBE5

RGB 123 187 229

HSL 203.77, 0.67%, 0.69%

LAB 73.16, -9.36, -27.33

 

CMYK 33 / 13 / 0 / 7

HEX #9ECDEC

RGB 158 205 236

HSL 203.85, 0.67%, 0.77%

LAB 80.17, -8.05, -20.24

 

CMYK 59 / 23 / 0 / 13

HEX #5AAADE

RGB 90 170 222

HSL 203.64, 0.67%, 0.61%

LAB 66.67, -9.32, -33.64

 

CMYK 25 / 60 / 0 / 13

HEX #A759DE

RGB 167 89 222

HSL 275.19, 0.67%, 0.61%

LAB 52.55, 54.87, -55.55

 

CMYK 0 / 1 / 60 / 13

HEX #DEDC59

RGB 222 220 89

HSL 59.1, 0.67%, 0.61%

LAB 85.72, -15.54, 62.78

 

CMYK 59 / 23 / 0 / 13

HEX #5AAADE

RGB 90 170 222

HSL 203.64, 0.67%, 0.61%

LAB 66.67, -9.32, -33.64

 

CMYK 0 / 60 / 23 / 13

HEX #DE59AB

RGB 222 89 171

HSL 323.01, 0.67%, 0.61%

LAB 57.67, 60.4, -17.77

 

CMYK 23 / 0 / 60 / 13

HEX #ABDE59

RGB 171 222 89

HSL 83.01, 0.67%, 0.61%

LAB 82.71, -36.6, 58.45

 

CMYK 59 / 23 / 0 / 13

HEX #5AAADE

RGB 90 170 222

HSL 203.64, 0.67%, 0.61%

LAB 66.67, -9.32, -33.64

 

CMYK 25 / 60 / 0 / 13

HEX #A759DE

RGB 167 89 222

HSL 275.19, 0.67%, 0.61%

LAB 52.55, 54.87, -55.55

 

CMYK 0 / 37 / 60 / 13

HEX #DE8C59

RGB 222 140 89

HSL 23.01, 0.67%, 0.61%

LAB 65.75, 26.34, 39.94

 

CMYK 35 / 0 / 60 / 13

HEX #90DE59

RGB 144 222 89

HSL 95.19, 0.67%, 0.61%

LAB 81.23, -46.21, 56.39

 

CMYK 59 / 23 / 0 / 13

HEX #5AAADE

RGB 90 170 222

HSL 203.64, 0.67%, 0.61%

LAB 66.67, -9.32, -33.64

 

CMYK 7 / 60 / 0 / 13

HEX #CF59DE

RGB 207 89 222

HSL 293.23, 0.67%, 0.61%

LAB 57.74, 64.48, -46.97

 

CMYK 0 / 37 / 60 / 13

HEX #DE8C59

RGB 222 140 89

HSL 23.01, 0.67%, 0.61%

LAB 65.75, 26.34, 39.94

 

CMYK 53 / 0 / 60 / 13

HEX #68DE59

RGB 104 222 89

HSL 113.23, 0.67%, 0.61%

LAB 79.56, -58.24, 54.05

 

Description

Color code: HEX #5AAADE | qconv.com Color code: HEX #5AAADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 170 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 170 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 23 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 23% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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