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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AA349 it is the complementary color #A55CB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AA349. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AA349 shade: #5FA344, #70B557, #81C76A, #92D97D and #A3EB90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AA349. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AA349 shade: #5AA349, #499136, #387F23, #276D10 and #165B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AA349 shade: #5AA249, #72A249, #8AA249, #A2A249 and #A28A49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AA349 shade: #5AA249, #49A250, #49A268, #49A280 and #49A298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AA349 shade matches the following richer shades: #5AA249, #4EB536, #42C823 and #36DB10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AA349 shade: #5AA249, #658F5C, #717C6F, #7D6982 and #895695

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AA349 shade: #8AA249, #72A249, #5BA249, #49A24F and #49A266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AA349 shade: #3A692F, #4A853C, #5AA249, #6EB65D and #88C37A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AA349 shade: #5AA349, #49A2A2 and #A2497E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AA349 shade: #5AA349, #495BA2 and #A2495B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AA349 shade: #5AA349, #49A2A2, #9049A2 and #A24949

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AA349 shade: #5AA349, #4987A2, #9049A2 and #A26349

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 55 / 36

HEX #5AA349

RGB 90 163 73

HSL 108.67, 0.38%, 0.46%

LAB 60.65, -40.53, 39.3

 

Complementary color

CMYK 9 / 49 / 0 / 29

HEX #A55CB6

RGB 165 92 182

HSL 288.67, 0.38%, 0.54%

LAB 50.72, 44.25, -35.53

 

CMYK 42 / 0 / 58 / 36

HEX #5FA344

RGB 95 163 68

HSL 102.95, 0.41%, 0.45%

LAB 60.82, -39.49, 41.97

 

CMYK 38 / 0 / 52 / 29

HEX #70B557

RGB 112 181 87

HSL 104.04, 0.39%, 0.53%

LAB 67.41, -39.49, 40.8

 

CMYK 35 / 0 / 47 / 22

HEX #81C76A

RGB 129 199 106

HSL 105.16, 0.45%, 0.6%

LAB 73.9, -39.4, 39.58

 

CMYK 33 / 0 / 42 / 15

HEX #92D97D

RGB 146 217 125

HSL 106.3, 0.55%, 0.67%

LAB 80.3, -39.25, 38.37

 

CMYK 31 / 0 / 39 / 8

HEX #A3EB90

RGB 163 235 144

HSL 107.47, 0.69%, 0.74%

LAB 86.61, -39.08, 37.2

 

CMYK 45 / 0 / 55 / 36

HEX #5AA349

RGB 90 163 73

HSL 108.67, 0.38%, 0.46%

LAB 60.65, -40.53, 39.3

 

CMYK 50 / 0 / 63 / 43

HEX #499136

RGB 73 145 54

HSL 107.47, 0.46%, 0.39%

LAB 53.96, -40.41, 40.46

 

CMYK 56 / 0 / 72 / 50

HEX #387F23

RGB 56 127 35

HSL 106.3, 0.57%, 0.32%

LAB 47.16, -40, 41.3

 

CMYK 64 / 0 / 85 / 57

HEX #276D10

RGB 39 109 16

HSL 105.16, 0.74%, 0.25%

LAB 40.26, -39.08, 41.27

 

CMYK 76 / 0 / 100 / 64

HEX #165B00

RGB 22 91 0

HSL 105.49, 1%, 0.18%

LAB 33.25, -37.33, 39.64

 

CMYK 44 / 0 / 55 / 36

HEX #5AA249

RGB 90 162 73

HSL 108.54, 0.38%, 0.46%

LAB 60.33, -40.1, 38.92

 

CMYK 30 / 0 / 55 / 36

HEX #72A249

RGB 114 162 73

HSL 92.36, 0.38%, 0.46%

LAB 61.57, -31.77, 40.69

 

CMYK 15 / 0 / 55 / 36

HEX #8AA249

RGB 138 162 73

HSL 76.18, 0.38%, 0.46%

LAB 63.11, -22.35, 42.89

 

CMYK 0 / 0 / 55 / 36

HEX #A2A249

RGB 162 162 73

HSL 60, 0.38%, 0.46%

LAB 64.97, -12.29, 45.51

 

CMYK 0 / 15 / 55 / 36

HEX #A28A49

RGB 162 138 73

HSL 43.82, 0.38%, 0.46%

LAB 58.36, 0.67, 37.79

 

CMYK 44 / 0 / 55 / 36

HEX #5AA249

RGB 90 162 73

HSL 108.54, 0.38%, 0.46%

LAB 60.33, -40.1, 38.92

 

CMYK 55 / 0 / 51 / 36

HEX #49A250

RGB 73 162 80

HSL 124.72, 0.38%, 0.46%

LAB 59.74, -44.12, 34.54

 

CMYK 55 / 0 / 36 / 36

HEX #49A268

RGB 73 162 104

HSL 140.9, 0.38%, 0.46%

LAB 60.12, -40.09, 22.31

 

CMYK 55 / 0 / 21 / 36

HEX #49A280

RGB 73 162 128

HSL 157.08, 0.38%, 0.46%

LAB 60.62, -35.03, 9.71

 

CMYK 55 / 0 / 6 / 36

HEX #49A298

RGB 73 162 152

HSL 173.26, 0.38%, 0.46%

LAB 61.24, -29.06, -2.88

 

CMYK 44 / 0 / 55 / 36

HEX #5AA249

RGB 90 162 73

HSL 108.54, 0.38%, 0.46%

LAB 60.33, -40.1, 38.92

 

CMYK 57 / 0 / 70 / 29

HEX #4EB536

RGB 78 181 54

HSL 108.66, 0.54%, 0.46%

LAB 65.7, -53.11, 53.22

 

CMYK 67 / 0 / 83 / 22

HEX #42C823

RGB 66 200 35

HSL 108.73, 0.7%, 0.46%

LAB 71.27, -63.69, 64.7

 

CMYK 75 / 0 / 93 / 14

HEX #36DB10

RGB 54 219 16

HSL 108.77, 0.86%, 0.46%

LAB 76.97, -72.27, 73.15

 

CMYK 44 / 0 / 55 / 36

HEX #5AA249

RGB 90 162 73

HSL 108.54, 0.38%, 0.46%

LAB 60.33, -40.1, 38.92

 

CMYK 29 / 0 / 36 / 44

HEX #658F5C

RGB 101 143 92

HSL 109.41, 0.22%, 0.46%

LAB 55.26, -24.78, 22.65

 

CMYK 9 / 0 / 10 / 51

HEX #717C6F

RGB 113 124 111

HSL 110.77, 0.06%, 0.46%

LAB 50.77, -6.73, 5.71

 

CMYK 4 / 19 / 0 / 49

HEX #7D6982

RGB 125 105 130

HSL 288, 0.11%, 0.46%

LAB 47.07, 12.79, -10.88

 

CMYK 8 / 42 / 0 / 42

HEX #895695

RGB 137 86 149

HSL 288.57, 0.27%, 0.46%

LAB 44.44, 32.2, -26.17

 

CMYK 15 / 0 / 55 / 36

HEX #8AA249

RGB 138 162 73

HSL 76.18, 0.38%, 0.46%

LAB 63.11, -22.35, 42.89

 

CMYK 30 / 0 / 55 / 36

HEX #72A249

RGB 114 162 73

HSL 92.36, 0.38%, 0.46%

LAB 61.57, -31.77, 40.69

 

CMYK 44 / 0 / 55 / 36

HEX #5BA249

RGB 91 162 73

HSL 107.87, 0.38%, 0.46%

LAB 60.38, -39.78, 38.99

 

CMYK 55 / 0 / 51 / 36

HEX #49A24F

RGB 73 162 79

HSL 124.04, 0.38%, 0.46%

LAB 59.73, -44.26, 35.03

 

CMYK 55 / 0 / 37 / 36

HEX #49A266

RGB 73 162 102

HSL 139.55, 0.38%, 0.46%

LAB 60.08, -40.46, 23.35

 

CMYK 45 / 0 / 55 / 59

HEX #3A692F

RGB 58 105 47

HSL 108.62, 0.38%, 0.3%

LAB 39.93, -28.44, 27.45

 

CMYK 44 / 0 / 55 / 48

HEX #4A853C

RGB 74 133 60

HSL 108.49, 0.38%, 0.38%

LAB 50.17, -34.17, 33.12

 

CMYK 44 / 0 / 55 / 36

HEX #5AA249

RGB 90 162 73

HSL 108.54, 0.38%, 0.46%

LAB 60.33, -40.1, 38.92

 

CMYK 40 / 0 / 49 / 29

HEX #6EB65D

RGB 110 182 93

HSL 108.54, 0.38%, 0.54%

LAB 67.7, -39.83, 38.15

 

CMYK 30 / 0 / 37 / 24

HEX #88C37A

RGB 136 195 122

HSL 108.49, 0.38%, 0.62%

LAB 73.33, -32.98, 30.77

 

CMYK 45 / 0 / 55 / 36

HEX #5AA349

RGB 90 163 73

HSL 108.67, 0.38%, 0.46%

LAB 60.65, -40.53, 39.3

 

CMYK 55 / 0 / 0 / 36

HEX #49A2A2

RGB 73 162 162

HSL 180, 0.38%, 0.46%

LAB 61.54, -26.34, -8.08

 

CMYK 0 / 55 / 22 / 36

HEX #A2497E

RGB 162 73 126

HSL 324.27, 0.38%, 0.46%

LAB 44.17, 43.17, -12.41

 

CMYK 45 / 0 / 55 / 36

HEX #5AA349

RGB 90 163 73

HSL 108.67, 0.38%, 0.46%

LAB 60.65, -40.53, 39.3

 

CMYK 55 / 44 / 0 / 36

HEX #495BA2

RGB 73 91 162

HSL 227.87, 0.38%, 0.46%

LAB 40.42, 14.49, -40.65

 

CMYK 0 / 55 / 44 / 36

HEX #A2495B

RGB 162 73 91

HSL 347.87, 0.38%, 0.46%

LAB 43.07, 38.64, 7.48

 

CMYK 45 / 0 / 55 / 36

HEX #5AA349

RGB 90 163 73

HSL 108.67, 0.38%, 0.46%

LAB 60.65, -40.53, 39.3

 

CMYK 55 / 0 / 0 / 36

HEX #49A2A2

RGB 73 162 162

HSL 180, 0.38%, 0.46%

LAB 61.54, -26.34, -8.08

 

CMYK 11 / 55 / 0 / 36

HEX #9049A2

RGB 144 73 162

HSL 287.87, 0.38%, 0.46%

LAB 43.22, 44.15, -35.78

 

CMYK 0 / 55 / 55 / 36

HEX #A24949

RGB 162 73 73

HSL 0, 0.38%, 0.46%

LAB 42.65, 36.87, 17.98

 

CMYK 45 / 0 / 55 / 36

HEX #5AA349

RGB 90 163 73

HSL 108.67, 0.38%, 0.46%

LAB 60.65, -40.53, 39.3

 

CMYK 55 / 17 / 0 / 36

HEX #4987A2

RGB 73 135 162

HSL 198.2, 0.38%, 0.46%

LAB 53.33, -12.08, -20.47

 

CMYK 11 / 55 / 0 / 36

HEX #9049A2

RGB 144 73 162

HSL 287.87, 0.38%, 0.46%

LAB 43.22, 44.15, -35.78

 

CMYK 0 / 39 / 55 / 36

HEX #A26349

RGB 162 99 73

HSL 17.53, 0.38%, 0.46%

LAB 48.37, 22.72, 25.44

 

Description

Color code: HEX #5AA349 | qconv.com Color code: HEX #5AA349 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 163 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 163 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 55 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 55% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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