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Color name
HEX #5AA310

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AA310 it is the complementary color #A55CEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AA310. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AA310 shade: #5FA30B, #70B51E, #81C731, #92D944 and #A3EB57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AA310. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AA310 shade: #5AA310, #499100, #387F00, #276D00 and #165B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AA310 shade: #5AA210, #81A210, #A29C10, #A27510 and #A24D10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AA310 shade: #5AA210, #32A210, #10A215, #10A23D and #10A264

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AA310 shade matches the following richer shades: #5AA210 and #5AB102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AA310 shade: #5AA210, #5A941F, #5A862D, #59773B and #59694A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AA310 shade: #A29B10, #83A210, #5CA210, #35A210 and #10A213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AA310 shade: #305709, #457D0C, #5AA210, #6EC814 and #83E91C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AA310 shade: #5AA310, #10A274 and #A21096

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AA310 shade: #5AA310, #105CA2 and #A2105C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AA310 shade: #5AA310, #10A274, #5710A2 and #A2103E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AA310 shade: #5AA310, #10A2A0, #5710A2 and #A21013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 90 / 36

HEX #5AA310

RGB 90 163 16

HSL 89.8, 0.82%, 0.35%

LAB 60.25, -44.73, 59.59

 

Complementary color

CMYK 31 / 62 / 0 / 6

HEX #A55CEF

RGB 165 92 239

HSL 269.8, 0.82%, 0.65%

LAB 53.91, 56.81, -62.94

 

CMYK 42 / 0 / 93 / 36

HEX #5FA30B

RGB 95 163 11

HSL 86.84, 0.87%, 0.34%

LAB 60.47, -43.15, 60.69

 

CMYK 38 / 0 / 83 / 29

HEX #70B51E

RGB 112 181 30

HSL 87.42, 0.72%, 0.41%

LAB 66.97, -44.06, 62.72

 

CMYK 35 / 0 / 75 / 22

HEX #81C731

RGB 129 199 49

HSL 88, 0.6%, 0.49%

LAB 73.37, -44.68, 63.41

 

CMYK 33 / 0 / 69 / 15

HEX #92D944

RGB 146 217 68

HSL 88.59, 0.66%, 0.56%

LAB 79.7, -45.1, 63.29

 

CMYK 31 / 0 / 63 / 8

HEX #A3EB57

RGB 163 235 87

HSL 89.19, 0.79%, 0.63%

LAB 85.95, -45.38, 62.72

 

CMYK 45 / 0 / 90 / 36

HEX #5AA310

RGB 90 163 16

HSL 89.8, 0.82%, 0.35%

LAB 60.25, -44.73, 59.59

 

CMYK 50 / 0 / 100 / 43

HEX #499100

RGB 73 145 0

HSL 89.79, 1%, 0.28%

LAB 53.67, -43.54, 56.51

 

CMYK 56 / 0 / 100 / 50

HEX #387F00

RGB 56 127 0

HSL 93.54, 1%, 0.25%

LAB 47, -41.81, 50.98

 

CMYK 64 / 0 / 100 / 57

HEX #276D00

RGB 39 109 0

HSL 98.53, 1%, 0.21%

LAB 40.19, -39.81, 45.36

 

CMYK 76 / 0 / 100 / 64

HEX #165B00

RGB 22 91 0

HSL 105.49, 1%, 0.18%

LAB 33.25, -37.33, 39.64

 

CMYK 44 / 0 / 90 / 36

HEX #5AA210

RGB 90 162 16

HSL 89.59, 0.82%, 0.35%

LAB 59.94, -44.33, 59.32

 

CMYK 20 / 0 / 90 / 36

HEX #81A210

RGB 129 162 16

HSL 73.56, 0.82%, 0.35%

LAB 62.12, -29.42, 62.02

 

CMYK 0 / 4 / 90 / 36

HEX #A29C10

RGB 162 156 16

HSL 57.53, 0.82%, 0.35%

LAB 62.92, -11.98, 63.73

 

CMYK 0 / 28 / 90 / 36

HEX #A27510

RGB 162 117 16

HSL 41.51, 0.82%, 0.35%

LAB 52.33, 9.43, 55.39

 

CMYK 0 / 52 / 90 / 36

HEX #A24D10

RGB 162 77 16

HSL 25.07, 0.82%, 0.35%

LAB 42.8, 31.78, 47.97

 

CMYK 44 / 0 / 90 / 36

HEX #5AA210

RGB 90 162 16

HSL 89.59, 0.82%, 0.35%

LAB 59.94, -44.33, 59.32

 

CMYK 69 / 0 / 90 / 36

HEX #32A210

RGB 50 162 16

HSL 106.03, 0.82%, 0.35%

LAB 58.56, -55.27, 57.6

 

CMYK 90 / 0 / 87 / 36

HEX #10A215

RGB 16 162 21

HSL 122.05, 0.82%, 0.35%

LAB 58.04, -59.76, 55.9

 

CMYK 90 / 0 / 62 / 36

HEX #10A23D

RGB 16 162 61

HSL 138.49, 0.82%, 0.35%

LAB 58.31, -56.39, 41.8

 

CMYK 90 / 0 / 38 / 36

HEX #10A264

RGB 16 162 100

HSL 154.52, 0.82%, 0.35%

LAB 58.85, -49.87, 22.58

 

CMYK 44 / 0 / 90 / 36

HEX #5AA210

RGB 90 162 16

HSL 89.59, 0.82%, 0.35%

LAB 59.94, -44.33, 59.32

 

CMYK 49 / 0 / 99 / 31

HEX #5AB102

RGB 90 177 2

HSL 89.83, 0.98%, 0.35%

LAB 64.66, -50.53, 65.16

 

CMYK 44 / 0 / 90 / 36

HEX #5AA210

RGB 90 162 16

HSL 89.59, 0.82%, 0.35%

LAB 59.94, -44.33, 59.32

 

CMYK 39 / 0 / 79 / 42

HEX #5A941F

RGB 90 148 31

HSL 89.74, 0.65%, 0.35%

LAB 55.54, -37.82, 51.58

 

CMYK 33 / 0 / 66 / 47

HEX #5A862D

RGB 90 134 45

HSL 89.66, 0.5%, 0.35%

LAB 51.17, -30.49, 41.73

 

CMYK 25 / 0 / 50 / 53

HEX #59773B

RGB 89 119 59

HSL 90, 0.34%, 0.35%

LAB 46.49, -22.01, 29.38

 

CMYK 15 / 0 / 30 / 59

HEX #59694A

RGB 89 105 74

HSL 90.97, 0.17%, 0.35%

LAB 42.34, -12.26, 15.5

 

CMYK 0 / 4 / 90 / 36

HEX #A29B10

RGB 162 155 16

HSL 57.12, 0.82%, 0.35%

LAB 62.64, -11.46, 63.51

 

CMYK 19 / 0 / 90 / 36

HEX #83A210

RGB 131 162 16

HSL 72.74, 0.82%, 0.35%

LAB 62.26, -28.59, 62.19

 

CMYK 43 / 0 / 90 / 36

HEX #5CA210

RGB 92 162 16

HSL 88.77, 0.82%, 0.35%

LAB 60.03, -43.65, 59.43

 

CMYK 67 / 0 / 90 / 36

HEX #35A210

RGB 53 162 16

HSL 104.79, 0.82%, 0.35%

LAB 58.63, -54.65, 57.7

 

CMYK 90 / 0 / 88 / 36

HEX #10A213

RGB 16 162 19

HSL 121.23, 0.82%, 0.35%

LAB 58.03, -59.85, 56.33

 

CMYK 45 / 0 / 90 / 66

HEX #305709

RGB 48 87 9

HSL 90, 0.81%, 0.19%

LAB 32.84, -27.31, 36.77

 

CMYK 45 / 0 / 90 / 51

HEX #457D0C

RGB 69 125 12

HSL 89.73, 0.82%, 0.27%

LAB 46.92, -36.32, 48.7

 

CMYK 44 / 0 / 90 / 36

HEX #5AA210

RGB 90 162 16

HSL 89.59, 0.82%, 0.35%

LAB 59.94, -44.33, 59.32

 

CMYK 45 / 0 / 90 / 22

HEX #6EC814

RGB 110 200 20

HSL 90, 0.82%, 0.43%

LAB 72.68, -52.69, 69.65

 

CMYK 44 / 0 / 88 / 9

HEX #83E91C

RGB 131 233 28

HSL 89.85, 0.82%, 0.51%

LAB 83.54, -58.44, 77.76

 

CMYK 45 / 0 / 90 / 36

HEX #5AA310

RGB 90 163 16

HSL 89.8, 0.82%, 0.35%

LAB 60.25, -44.73, 59.59

 

CMYK 90 / 0 / 28 / 36

HEX #10A274

RGB 16 162 116

HSL 161.1, 0.82%, 0.35%

LAB 59.17, -46.29, 14.2

 

CMYK 0 / 90 / 7 / 36

HEX #A21096

RGB 162 16 150

HSL 304.93, 0.82%, 0.35%

LAB 38.29, 66.27, -36.17

 

CMYK 45 / 0 / 90 / 36

HEX #5AA310

RGB 90 163 16

HSL 89.8, 0.82%, 0.35%

LAB 60.25, -44.73, 59.59

 

CMYK 90 / 43 / 0 / 36

HEX #105CA2

RGB 16 92 162

HSL 208.77, 0.82%, 0.35%

LAB 38.5, 5.46, -43.85

 

CMYK 0 / 90 / 43 / 36

HEX #A2105C

RGB 162 16 92

HSL 328.77, 0.82%, 0.35%

LAB 35.64, 59.2, -3.91

 

CMYK 45 / 0 / 90 / 36

HEX #5AA310

RGB 90 163 16

HSL 89.8, 0.82%, 0.35%

LAB 60.25, -44.73, 59.59

 

CMYK 90 / 0 / 28 / 36

HEX #10A274

RGB 16 162 116

HSL 161.1, 0.82%, 0.35%

LAB 59.17, -46.29, 14.2

 

CMYK 46 / 90 / 0 / 36

HEX #5710A2

RGB 87 16 162

HSL 269.18, 0.82%, 0.35%

LAB 26.75, 56.69, -62.76

 

CMYK 0 / 90 / 62 / 36

HEX #A2103E

RGB 162 16 62

HSL 341.1, 0.82%, 0.35%

LAB 34.8, 56.84, 14.39

 

CMYK 45 / 0 / 90 / 36

HEX #5AA310

RGB 90 163 16

HSL 89.8, 0.82%, 0.35%

LAB 60.25, -44.73, 59.59

 

CMYK 90 / 0 / 1 / 36

HEX #10A2A0

RGB 16 162 160

HSL 179.18, 0.82%, 0.35%

LAB 60.33, -34.21, -8.88

 

CMYK 46 / 90 / 0 / 36

HEX #5710A2

RGB 87 16 162

HSL 269.18, 0.82%, 0.35%

LAB 26.75, 56.69, -62.76

 

CMYK 0 / 90 / 88 / 36

HEX #A21013

RGB 162 16 19

HSL 358.77, 0.82%, 0.35%

LAB 34.19, 55.09, 39.92

 

Description

Color code: HEX #5AA310 | qconv.com Color code: HEX #5AA310 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 163 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 163 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 90 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 90% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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