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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AA031 it is the complementary color #A55FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AA031. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AA031 shade: #5FA02C, #70B23F, #81C452, #92D665 and #A3E878

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AA031. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AA031 shade: #5AA031, #498E1E, #387C0B, #276A00 and #165800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AA031 shade: #5AA031, #78A031, #96A031, #A08C31 and #A06E31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AA031 shade: #5AA031, #3CA031, #31A044, #31A062 and #31A080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AA031 shade matches the following richer shades: #5AA031, #56B120 and #51C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AA031 shade: #5AA031, #5E8F42, #637E53, #676D64 and #6C5C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AA031 shade: #97A031, #79A031, #5CA031, #3EA031 and #31A042

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AA031 shade: #37611E, #488027, #5AA031, #6CC03B and #83CC58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AA031 shade: #5AA031, #31A08C and #A03188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AA031 shade: #5AA031, #315CA0 and #A0315C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AA031 shade: #5AA031, #31A08C, #7531A0 and #A03145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AA031 shade: #5AA031, #3193A0, #7531A0 and #A03E31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

Complementary color

CMYK 20 / 54 / 0 / 19

HEX #A55FCE

RGB 165 95 206

HSL 277.84, 0.53%, 0.59%

LAB 52.55, 47.76, -46.46

 

CMYK 41 / 0 / 73 / 37

HEX #5FA02C

RGB 95 160 44

HSL 93.62, 0.57%, 0.4%

LAB 59.67, -40.39, 51.09

 

CMYK 37 / 0 / 65 / 30

HEX #70B23F

RGB 112 178 63

HSL 94.43, 0.48%, 0.47%

LAB 66.25, -40.7, 50.55

 

CMYK 34 / 0 / 58 / 23

HEX #81C452

RGB 129 196 82

HSL 95.26, 0.49%, 0.55%

LAB 72.73, -40.84, 49.64

 

CMYK 32 / 0 / 53 / 16

HEX #92D665

RGB 146 214 101

HSL 96.11, 0.58%, 0.62%

LAB 79.12, -40.87, 48.56

 

CMYK 30 / 0 / 48 / 9

HEX #A3E878

RGB 163 232 120

HSL 96.96, 0.71%, 0.69%

LAB 85.43, -40.83, 47.43

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 49 / 0 / 79 / 44

HEX #498E1E

RGB 73 142 30

HSL 96.96, 0.65%, 0.34%

LAB 52.79, -41.2, 49.02

 

CMYK 55 / 0 / 91 / 51

HEX #387C0B

RGB 56 124 11

HSL 96.11, 0.84%, 0.26%

LAB 46.02, -40.27, 47.91

 

CMYK 63 / 0 / 100 / 58

HEX #276A00

RGB 39 106 0

HSL 97.92, 1%, 0.21%

LAB 39.14, -38.68, 44.52

 

CMYK 75 / 0 / 100 / 65

HEX #165800

RGB 22 88 0

HSL 105, 1%, 0.17%

LAB 32.15, -36.25, 38.77

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 25 / 0 / 69 / 37

HEX #78A031

RGB 120 160 49

HSL 81.62, 0.53%, 0.41%

LAB 61.09, -30.65, 51.04

 

CMYK 6 / 0 / 69 / 37

HEX #96A031

RGB 150 160 49

HSL 65.41, 0.53%, 0.41%

LAB 63.22, -18.12, 53.88

 

CMYK 0 / 13 / 69 / 37

HEX #A08C31

RGB 160 140 49

HSL 49.19, 0.53%, 0.41%

LAB 58.46, -3.06, 49.33

 

CMYK 0 / 31 / 69 / 37

HEX #A06E31

RGB 160 110 49

HSL 32.97, 0.53%, 0.41%

LAB 50.51, 13.8, 40.93

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 63 / 0 / 69 / 37

HEX #3CA031

RGB 60 160 49

HSL 114.05, 0.53%, 0.41%

LAB 58.34, -50.31, 47.31

 

CMYK 69 / 0 / 58 / 37

HEX #31A044

RGB 49 160 68

HSL 130.27, 0.53%, 0.41%

LAB 58.24, -50.51, 38.54

 

CMYK 69 / 0 / 39 / 37

HEX #31A062

RGB 49 160 98

HSL 146.49, 0.53%, 0.41%

LAB 58.67, -45.55, 23.52

 

CMYK 69 / 0 / 20 / 37

HEX #31A080

RGB 49 160 128

HSL 162.7, 0.53%, 0.41%

LAB 59.3, -38.86, 7.74

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 51 / 0 / 82 / 31

HEX #56B120

RGB 86 177 32

HSL 97.66, 0.69%, 0.41%

LAB 64.59, -50.85, 59.62

 

CMYK 58 / 0 / 92 / 24

HEX #51C20F

RGB 81 194 15

HSL 97.88, 0.86%, 0.41%

LAB 69.73, -58.99, 67.53

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 34 / 0 / 54 / 44

HEX #5E8F42

RGB 94 143 66

HSL 98.18, 0.37%, 0.41%

LAB 54.47, -31.03, 35.46

 

CMYK 21 / 0 / 34 / 51

HEX #637E53

RGB 99 126 83

HSL 97.67, 0.21%, 0.41%

LAB 49.74, -18.24, 20.33

 

CMYK 6 / 0 / 8 / 57

HEX #676D64

RGB 103 109 100

HSL 100, 0.04%, 0.41%

LAB 45.28, -4.14, 4.23

 

CMYK 8 / 21 / 0 / 54

HEX #6C5C75

RGB 108 92 117

HSL 278.4, 0.12%, 0.41%

LAB 41.42, 11.59, -11.73

 

CMYK 6 / 0 / 69 / 37

HEX #97A031

RGB 151 160 49

HSL 64.86, 0.53%, 0.41%

LAB 63.3, -17.68, 53.99

 

CMYK 24 / 0 / 69 / 37

HEX #79A031

RGB 121 160 49

HSL 81.08, 0.53%, 0.41%

LAB 61.16, -30.26, 51.12

 

CMYK 43 / 0 / 69 / 37

HEX #5CA031

RGB 92 160 49

HSL 96.76, 0.53%, 0.41%

LAB 59.56, -41.04, 48.97

 

CMYK 61 / 0 / 69 / 37

HEX #3EA031

RGB 62 160 49

HSL 112.97, 0.53%, 0.41%

LAB 58.4, -49.83, 47.4

 

CMYK 69 / 0 / 59 / 37

HEX #31A042

RGB 49 160 66

HSL 129.19, 0.53%, 0.41%

LAB 58.22, -50.77, 39.48

 

CMYK 43 / 0 / 69 / 62

HEX #37611E

RGB 55 97 30

HSL 97.61, 0.53%, 0.25%

LAB 36.85, -27.77, 32.56

 

CMYK 44 / 0 / 70 / 50

HEX #488027

RGB 72 128 39

HSL 97.75, 0.53%, 0.33%

LAB 48.21, -34.92, 40.92

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 44 / 0 / 69 / 25

HEX #6CC03B

RGB 108 192 59

HSL 97.89, 0.53%, 0.49%

LAB 70.32, -48.22, 56.45

 

CMYK 36 / 0 / 57 / 20

HEX #83CC58

RGB 131 204 88

HSL 97.76, 0.53%, 0.57%

LAB 75.27, -43.02, 49.86

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 69 / 0 / 13 / 37

HEX #31A08C

RGB 49 160 140

HSL 169.19, 0.53%, 0.41%

LAB 59.61, -35.75, 1.41

 

CMYK 0 / 69 / 15 / 37

HEX #A03188

RGB 160 49 136

HSL 312.97, 0.53%, 0.41%

LAB 40.32, 54.81, -24.45

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 69 / 43 / 0 / 37

HEX #315CA0

RGB 49 92 160

HSL 216.76, 0.53%, 0.41%

LAB 39.32, 8.42, -41.3

 

CMYK 0 / 69 / 43 / 37

HEX #A0315C

RGB 160 49 92

HSL 336.76, 0.53%, 0.41%

LAB 38.63, 49.14, 0.43

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 69 / 0 / 13 / 37

HEX #31A08C

RGB 49 160 140

HSL 169.19, 0.53%, 0.41%

LAB 59.61, -35.75, 1.41

 

CMYK 27 / 69 / 0 / 37

HEX #7531A0

RGB 117 49 160

HSL 276.76, 0.53%, 0.41%

LAB 35.04, 48.89, -47.86

 

CMYK 0 / 69 / 57 / 37

HEX #A03145

RGB 160 49 69

HSL 349.19, 0.53%, 0.41%

LAB 38.02, 47.03, 14.18

 

CMYK 44 / 0 / 69 / 37

HEX #5AA031

RGB 90 160 49

HSL 97.84, 0.53%, 0.41%

LAB 59.47, -41.71, 48.84

 

CMYK 69 / 8 / 0 / 37

HEX #3193A0

RGB 49 147 160

HSL 187.03, 0.53%, 0.41%

LAB 56.15, -23.6, -15.11

 

CMYK 27 / 69 / 0 / 37

HEX #7531A0

RGB 117 49 160

HSL 276.76, 0.53%, 0.41%

LAB 35.04, 48.89, -47.86

 

CMYK 0 / 61 / 69 / 37

HEX #A03E31

RGB 160 62 49

HSL 7.03, 0.53%, 0.41%

LAB 39.82, 39.87, 28.81

 

Description

Color code: HEX #5AA031 | qconv.com Color code: HEX #5AA031 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 160 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 160 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 69 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 69% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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