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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A962F it is the complementary color #A569D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A962F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A962F shade: #5F962A, #70A83D, #81BA50, #92CC63 and #A3DE76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A962F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A962F shade: #5A962F, #49841C, #387209, #276000 and #164E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A962F shade: #5B9730, #779730, #939730, #978030 and #976430

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A962F shade: #5B9730, #3F9730, #30973C, #309758 and #309774

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A962F shade matches the following richer shades: #5B9730, #58A720 and #56B710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A962F shade: #5B9730, #5E8740, #607750, #636760 and #665770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A962F shade: #949730, #789730, #5D9730, #419730 and #30973A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A962F shade: #35581C, #487826, #5B9730, #6EB73A and #83C851

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A962F shade: #5A962F, #30977F and #973086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A962F shade: #5A962F, #305D97 and #97305D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A962F shade: #5A962F, #30977F, #6A3097 and #973048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A962F shade: #5A962F, #309097, #6A3097 and #973730

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 69 / 41

HEX #5A962F

RGB 90 150 47

HSL 94.95, 0.52%, 0.39%

LAB 56.28, -37.58, 46.32

 

Complementary color

CMYK 21 / 50 / 0 / 18

HEX #A569D0

RGB 165 105 208

HSL 274.95, 0.52%, 0.61%

LAB 54.72, 42.85, -44.17

 

CMYK 37 / 0 / 72 / 41

HEX #5F962A

RGB 95 150 42

HSL 90.56, 0.56%, 0.38%

LAB 56.5, -36.17, 48.65

 

CMYK 33 / 0 / 64 / 34

HEX #70A83D

RGB 112 168 61

HSL 91.4, 0.47%, 0.45%

LAB 63.17, -36.46, 48.05

 

CMYK 31 / 0 / 57 / 27

HEX #81BA50

RGB 129 186 80

HSL 92.26, 0.43%, 0.52%

LAB 69.73, -36.59, 47.1

 

CMYK 28 / 0 / 51 / 20

HEX #92CC63

RGB 146 204 99

HSL 93.14, 0.51%, 0.59%

LAB 76.19, -36.62, 46

 

CMYK 27 / 0 / 47 / 13

HEX #A3DE76

RGB 163 222 118

HSL 94.04, 0.61%, 0.67%

LAB 82.56, -36.59, 44.85

 

CMYK 40 / 0 / 69 / 41

HEX #5A962F

RGB 90 150 47

HSL 94.95, 0.52%, 0.39%

LAB 56.28, -37.58, 46.32

 

CMYK 45 / 0 / 79 / 48

HEX #49841C

RGB 73 132 28

HSL 94.04, 0.65%, 0.31%

LAB 49.5, -37.13, 46.54

 

CMYK 51 / 0 / 92 / 55

HEX #387209

RGB 56 114 9

HSL 93.14, 0.85%, 0.24%

LAB 42.6, -36.28, 45.42

 

CMYK 59 / 0 / 100 / 62

HEX #276000

RGB 39 96 0

HSL 95.63, 1%, 0.19%

LAB 35.59, -34.78, 41.72

 

CMYK 72 / 0 / 100 / 69

HEX #164E00

RGB 22 78 0

HSL 103.08, 1%, 0.15%

LAB 28.43, -32.53, 35.81

 

CMYK 40 / 0 / 68 / 41

HEX #5B9730

RGB 91 151 48

HSL 94.95, 0.52%, 0.39%

LAB 56.65, -37.58, 46.31

 

CMYK 21 / 0 / 68 / 41

HEX #779730

RGB 119 151 48

HSL 78.64, 0.52%, 0.39%

LAB 58.29, -26.8, 48.53

 

CMYK 3 / 0 / 68 / 41

HEX #939730

RGB 147 151 48

HSL 62.33, 0.52%, 0.39%

LAB 60.38, -14.82, 51.34

 

CMYK 0 / 15 / 68 / 41

HEX #978030

RGB 151 128 48

HSL 46.6, 0.52%, 0.39%

LAB 54.27, -0.55, 45.14

 

CMYK 0 / 34 / 68 / 41

HEX #976430

RGB 151 100 48

HSL 30.29, 0.52%, 0.39%

LAB 46.85, 15.43, 37.1

 

CMYK 40 / 0 / 68 / 41

HEX #5B9730

RGB 91 151 48

HSL 94.95, 0.52%, 0.39%

LAB 56.65, -37.58, 46.31

 

CMYK 58 / 0 / 68 / 41

HEX #3F9730

RGB 63 151 48

HSL 111.26, 0.52%, 0.39%

LAB 55.49, -46.29, 44.71

 

CMYK 68 / 0 / 60 / 41

HEX #30973C

RGB 48 151 60

HSL 126.99, 0.52%, 0.39%

LAB 55.16, -48.45, 38.78

 

CMYK 68 / 0 / 42 / 41

HEX #309758

RGB 48 151 88

HSL 143.3, 0.52%, 0.39%

LAB 55.55, -44.05, 24.82

 

CMYK 68 / 0 / 23 / 41

HEX #309774

RGB 48 151 116

HSL 159.61, 0.52%, 0.39%

LAB 56.11, -38.01, 9.99

 

CMYK 40 / 0 / 68 / 41

HEX #5B9730

RGB 91 151 48

HSL 94.95, 0.52%, 0.39%

LAB 56.65, -37.58, 46.31

 

CMYK 47 / 0 / 81 / 35

HEX #58A720

RGB 88 167 32

HSL 95.11, 0.68%, 0.39%

LAB 61.5, -46.35, 56.8

 

CMYK 53 / 0 / 91 / 28

HEX #56B710

RGB 86 183 16

HSL 94.85, 0.84%, 0.39%

LAB 66.43, -53.68, 64.7

 

CMYK 40 / 0 / 68 / 41

HEX #5B9730

RGB 91 151 48

HSL 94.95, 0.52%, 0.39%

LAB 56.65, -37.58, 46.31

 

CMYK 30 / 0 / 53 / 47

HEX #5E8740

RGB 94 135 64

HSL 94.65, 0.36%, 0.39%

LAB 51.93, -27.44, 33.42

 

CMYK 19 / 0 / 33 / 53

HEX #607750

RGB 96 119 80

HSL 95.38, 0.2%, 0.39%

LAB 47.31, -16.16, 18.78

 

CMYK 4 / 0 / 7 / 60

HEX #636760

RGB 99 103 96

HSL 94.29, 0.04%, 0.39%

LAB 43.06, -2.99, 3.41

 

CMYK 9 / 22 / 0 / 56

HEX #665770

RGB 102 87 112

HSL 276, 0.13%, 0.39%

LAB 39.26, 11.33, -11.98

 

CMYK 2 / 0 / 68 / 41

HEX #949730

RGB 148 151 48

HSL 61.75, 0.52%, 0.39%

LAB 60.46, -14.38, 51.45

 

CMYK 21 / 0 / 68 / 41

HEX #789730

RGB 120 151 48

HSL 78.06, 0.52%, 0.39%

LAB 58.36, -26.39, 48.62

 

CMYK 38 / 0 / 68 / 41

HEX #5D9730

RGB 93 151 48

HSL 93.79, 0.52%, 0.39%

LAB 56.76, -36.87, 46.45

 

CMYK 57 / 0 / 68 / 41

HEX #419730

RGB 65 151 48

HSL 110.1, 0.52%, 0.39%

LAB 55.55, -45.75, 44.8

 

CMYK 68 / 0 / 62 / 41

HEX #30973A

RGB 48 151 58

HSL 125.83, 0.52%, 0.39%

LAB 55.14, -48.7, 39.71

 

CMYK 40 / 0 / 68 / 65

HEX #35581C

RGB 53 88 28

HSL 95, 0.52%, 0.23%

LAB 33.61, -24.4, 29.96

 

CMYK 40 / 0 / 68 / 53

HEX #487826

RGB 72 120 38

HSL 95.12, 0.52%, 0.31%

LAB 45.57, -31.4, 38.54

 

CMYK 40 / 0 / 68 / 41

HEX #5B9730

RGB 91 151 48

HSL 94.95, 0.52%, 0.39%

LAB 56.65, -37.58, 46.31

 

CMYK 40 / 0 / 68 / 28

HEX #6EB73A

RGB 110 183 58

HSL 95.04, 0.52%, 0.47%

LAB 67.64, -43.93, 54.07

 

CMYK 35 / 0 / 60 / 22

HEX #83C851

RGB 131 200 81

HSL 94.79, 0.52%, 0.55%

LAB 74.02, -41.98, 51.58

 

CMYK 40 / 0 / 69 / 41

HEX #5A962F

RGB 90 150 47

HSL 94.95, 0.52%, 0.39%

LAB 56.28, -37.58, 46.32

 

CMYK 68 / 0 / 16 / 41

HEX #30977F

RGB 48 151 127

HSL 166.02, 0.52%, 0.39%

LAB 56.38, -35.24, 4.12

 

CMYK 0 / 68 / 11 / 41

HEX #973086

RGB 151 48 134

HSL 309.9, 0.52%, 0.39%

LAB 38.58, 52.54, -26.06

 

CMYK 40 / 0 / 69 / 41

HEX #5A962F

RGB 90 150 47

HSL 94.95, 0.52%, 0.39%

LAB 56.28, -37.58, 46.32

 

CMYK 68 / 38 / 0 / 41

HEX #305D97

RGB 48 93 151

HSL 213.79, 0.52%, 0.39%

LAB 39.06, 4.26, -36.33

 

CMYK 0 / 68 / 38 / 41

HEX #97305D

RGB 151 48 93

HSL 333.79, 0.52%, 0.39%

LAB 36.9, 46.88, -2.93

 

CMYK 40 / 0 / 69 / 41

HEX #5A962F

RGB 90 150 47

HSL 94.95, 0.52%, 0.39%

LAB 56.28, -37.58, 46.32

 

CMYK 68 / 0 / 16 / 41

HEX #30977F

RGB 48 151 127

HSL 166.02, 0.52%, 0.39%

LAB 56.38, -35.24, 4.12

 

CMYK 30 / 68 / 0 / 41

HEX #6A3097

RGB 106 48 151

HSL 273.79, 0.52%, 0.39%

LAB 32.73, 44.82, -46.19

 

CMYK 0 / 68 / 52 / 41

HEX #973048

RGB 151 48 72

HSL 346.02, 0.52%, 0.39%

LAB 36.29, 44.74, 9.63

 

CMYK 40 / 0 / 69 / 41

HEX #5A962F

RGB 90 150 47

HSL 94.95, 0.52%, 0.39%

LAB 56.28, -37.58, 46.32

 

CMYK 68 / 5 / 0 / 41

HEX #309097

RGB 48 144 151

HSL 184.08, 0.52%, 0.39%

LAB 54.88, -25.02, -11.87

 

CMYK 30 / 68 / 0 / 41

HEX #6A3097

RGB 106 48 151

HSL 273.79, 0.52%, 0.39%

LAB 32.73, 44.82, -46.19

 

CMYK 0 / 64 / 68 / 41

HEX #973730

RGB 151 55 48

HSL 4.08, 0.52%, 0.39%

LAB 36.98, 39.81, 25.63

 

Description

Color code: HEX #5A962F | qconv.com Color code: HEX #5A962F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 150 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 150 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 69 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 69% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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