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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A8DF0 it is the complementary color #A5720F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A8DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A8DF0 shade: #5F8DEB, #709FFE, #81B1FF, #92C3FF and #A3D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A8DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A8DF0 shade: #5A8DF0, #497BDD, #3869CA, #2757B7 and #1645A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A8DF0 shade: #5B8EEF, #5B66EF, #795BEF, #A15BEF and #C95BEF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A8DF0 shade: #5B8EEF, #5B66EF and #5B5BEF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A8DF0 shade matches the following richer shades: #5B8EEF and #4D89FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A8DF0 shade: #5B8EEF, #6A92E1, #7897D2, #869BC4 and #95A0B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A8DF0 shade: #5BDEEF, #5BB7EF, #5B8FEF, #5B68EF and #765BEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A8DF0 shade: #155BE3, #3573EC, #5B8EEF, #81A8F3 and #A7C2F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A8DF0 shade: #5A8DF0, #D95BEF and #CAEF5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A8DF0 shade: #5A8DF0, #EF5B8F and #8FEF5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A8DF0 shade: #5A8DF0, #D95BEF, #EFBB5B and #71EF5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A8DF0 shade: #5A8DF0, #EF5BD9, #EFBB5B and #5BEF71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 41 / 0 / 6

HEX #5A8DF0

RGB 90 141 240

HSL 219.6, 0.83%, 0.65%

LAB 59.45, 13.21, -54.93

 

Complementary color

CMYK 0 / 31 / 91 / 35

HEX #A5720F

RGB 165 114 15

HSL 39.6, 0.83%, 0.35%

LAB 51.91, 12.49, 55.46

 

CMYK 60 / 40 / 0 / 8

HEX #5F8DEB

RGB 95 141 235

HSL 220.29, 0.78%, 0.65%

LAB 59.42, 12.46, -52.2

 

CMYK 56 / 37 / 0 / 0

HEX #709FFE

RGB 112 159 254

HSL 220.14, 0.99%, 0.72%

LAB 66.06, 11.29, -52.05

 

CMYK 49 / 31 / 0 / 0

HEX #81B1FF

RGB 129 177 255

HSL 217.14, 1%, 0.75%

LAB 71.78, 4.96, -43.52

 

CMYK 43 / 24 / 0 / 0

HEX #92C3FF

RGB 146 195 255

HSL 213.03, 1%, 0.79%

LAB 77.5, -0.94, -34.56

 

CMYK 36 / 16 / 0 / 0

HEX #A3D5FF

RGB 163 213 255

HSL 207.39, 1%, 0.82%

LAB 83.23, -6.19, -25.68

 

CMYK 63 / 41 / 0 / 6

HEX #5A8DF0

RGB 90 141 240

HSL 219.6, 0.83%, 0.65%

LAB 59.45, 13.21, -54.93

 

CMYK 67 / 44 / 0 / 13

HEX #497BDD

RGB 73 123 221

HSL 219.73, 0.69%, 0.58%

LAB 52.73, 14.78, -55.1

 

CMYK 72 / 48 / 0 / 21

HEX #3869CA

RGB 56 105 202

HSL 219.86, 0.58%, 0.51%

LAB 45.92, 16.71, -55.28

 

CMYK 79 / 52 / 0 / 28

HEX #2757B7

RGB 39 87 183

HSL 220, 0.65%, 0.44%

LAB 39.01, 19.11, -55.42

 

CMYK 87 / 58 / 0 / 36

HEX #1645A4

RGB 22 69 164

HSL 220.14, 0.76%, 0.36%

LAB 32.05, 22.13, -55.47

 

CMYK 62 / 41 / 0 / 6

HEX #5B8EEF

RGB 91 142 239

HSL 219.32, 0.82%, 0.65%

LAB 59.71, 12.45, -53.96

 

CMYK 62 / 57 / 0 / 6

HEX #5B66EF

RGB 91 102 239

HSL 235.54, 0.82%, 0.65%

LAB 49.45, 36.74, -70.47

 

CMYK 49 / 62 / 0 / 6

HEX #795BEF

RGB 121 91 239

HSL 252.16, 0.82%, 0.65%

LAB 49.23, 48.37, -70.72

 

CMYK 33 / 62 / 0 / 6

HEX #A15BEF

RGB 161 91 239

HSL 268.38, 0.82%, 0.65%

LAB 53.27, 56.44, -63.99

 

CMYK 16 / 62 / 0 / 6

HEX #C95BEF

RGB 201 91 239

HSL 284.59, 0.82%, 0.65%

LAB 58.16, 65.39, -55.87

 

CMYK 62 / 41 / 0 / 6

HEX #5B8EEF

RGB 91 142 239

HSL 219.32, 0.82%, 0.65%

LAB 59.71, 12.45, -53.96

 

CMYK 62 / 57 / 0 / 6

HEX #5B66EF

RGB 91 102 239

HSL 235.54, 0.82%, 0.65%

LAB 49.45, 36.74, -70.47

 

CMYK 62 / 62 / 0 / 6

HEX #5B5BEF

RGB 91 91 239

HSL 240, 0.82%, 0.65%

LAB 46.89, 43.33, -74.62

 

CMYK 62 / 41 / 0 / 6

HEX #5B8EEF

RGB 91 142 239

HSL 219.32, 0.82%, 0.65%

LAB 59.71, 12.45, -53.96

 

CMYK 70 / 46 / 0 / 0

HEX #4D89FE

RGB 77 137 254

HSL 219.66, 0.99%, 0.65%

LAB 58.63, 18.38, -64

 

CMYK 62 / 41 / 0 / 6

HEX #5B8EEF

RGB 91 142 239

HSL 219.32, 0.82%, 0.65%

LAB 59.71, 12.45, -53.96

 

CMYK 53 / 35 / 0 / 12

HEX #6A92E1

RGB 106 146 225

HSL 219.83, 0.66%, 0.65%

LAB 60.83, 8.55, -44.37

 

CMYK 43 / 28 / 0 / 18

HEX #7897D2

RGB 120 151 210

HSL 219.33, 0.5%, 0.65%

LAB 62.32, 4.52, -33.63

 

CMYK 32 / 21 / 0 / 23

HEX #869BC4

RGB 134 155 196

HSL 219.68, 0.34%, 0.65%

LAB 63.75, 2.32, -23.53

 

CMYK 18 / 12 / 0 / 29

HEX #95A0B6

RGB 149 160 182

HSL 220, 0.18%, 0.65%

LAB 65.68, 0.81, -12.68

 

CMYK 62 / 7 / 0 / 6

HEX #5BDEEF

RGB 91 222 239

HSL 186.89, 0.82%, 0.65%

LAB 82.22, -30.74, -19.02

 

CMYK 62 / 23 / 0 / 6

HEX #5BB7EF

RGB 91 183 239

HSL 202.7, 0.82%, 0.65%

LAB 71.09, -10.89, -36.06

 

CMYK 62 / 40 / 0 / 6

HEX #5B8FEF

RGB 91 143 239

HSL 218.92, 0.82%, 0.65%

LAB 59.98, 11.86, -53.53

 

CMYK 62 / 56 / 0 / 6

HEX #5B68EF

RGB 91 104 239

HSL 234.73, 0.82%, 0.65%

LAB 49.93, 35.53, -69.69

 

CMYK 51 / 62 / 0 / 6

HEX #765BEF

RGB 118 91 239

HSL 250.95, 0.82%, 0.65%

LAB 48.97, 47.82, -71.16

 

CMYK 91 / 60 / 0 / 11

HEX #155BE3

RGB 21 91 227

HSL 219.61, 0.83%, 0.49%

LAB 43.04, 32.18, -74.26

 

CMYK 78 / 51 / 0 / 7

HEX #3573EC

RGB 53 115 236

HSL 219.67, 0.83%, 0.57%

LAB 50.77, 22.58, -66.72

 

CMYK 62 / 41 / 0 / 6

HEX #5B8EEF

RGB 91 142 239

HSL 219.32, 0.82%, 0.65%

LAB 59.71, 12.45, -53.96

 

CMYK 47 / 31 / 0 / 5

HEX #81A8F3

RGB 129 168 243

HSL 219.47, 0.83%, 0.73%

LAB 68.86, 6.53, -41.59

 

CMYK 32 / 21 / 0 / 4

HEX #A7C2F6

RGB 167 194 246

HSL 219.49, 0.81%, 0.81%

LAB 78.14, 2.8, -28.64

 

CMYK 63 / 41 / 0 / 6

HEX #5A8DF0

RGB 90 141 240

HSL 219.6, 0.83%, 0.65%

LAB 59.45, 13.21, -54.93

 

CMYK 9 / 62 / 0 / 6

HEX #D95BEF

RGB 217 91 239

HSL 291.08, 0.82%, 0.65%

LAB 60.31, 69.09, -52.32

 

CMYK 15 / 0 / 62 / 6

HEX #CAEF5B

RGB 202 239 91

HSL 75, 0.82%, 0.65%

LAB 89.41, -32.45, 65.52

 

CMYK 63 / 41 / 0 / 6

HEX #5A8DF0

RGB 90 141 240

HSL 219.6, 0.83%, 0.65%

LAB 59.45, 13.21, -54.93

 

CMYK 0 / 62 / 40 / 6

HEX #EF5B8F

RGB 239 91 143

HSL 338.92, 0.82%, 0.65%

LAB 59.72, 61.27, 1.84

 

CMYK 40 / 0 / 62 / 6

HEX #8FEF5B

RGB 143 239 91

HSL 98.92, 0.82%, 0.65%

LAB 86.17, -53.36, 61.04

 

CMYK 63 / 41 / 0 / 6

HEX #5A8DF0

RGB 90 141 240

HSL 219.6, 0.83%, 0.65%

LAB 59.45, 13.21, -54.93

 

CMYK 9 / 62 / 0 / 6

HEX #D95BEF

RGB 217 91 239

HSL 291.08, 0.82%, 0.65%

LAB 60.31, 69.09, -52.32

 

CMYK 0 / 22 / 62 / 6

HEX #EFBB5B

RGB 239 187 91

HSL 38.92, 0.82%, 0.65%

LAB 78.84, 8.52, 54.7

 

CMYK 53 / 0 / 62 / 6

HEX #71EF5B

RGB 113 239 91

HSL 111.08, 0.82%, 0.65%

LAB 85, -62, 59.41

 

CMYK 63 / 41 / 0 / 6

HEX #5A8DF0

RGB 90 141 240

HSL 219.6, 0.83%, 0.65%

LAB 59.45, 13.21, -54.93

 

CMYK 0 / 62 / 9 / 6

HEX #EF5BD9

RGB 239 91 217

HSL 308.92, 0.82%, 0.65%

LAB 62.37, 70.76, -36.55

 

CMYK 0 / 22 / 62 / 6

HEX #EFBB5B

RGB 239 187 91

HSL 38.92, 0.82%, 0.65%

LAB 78.84, 8.52, 54.7

 

CMYK 62 / 0 / 53 / 6

HEX #5BEF71

RGB 91 239 113

HSL 128.92, 0.82%, 0.65%

LAB 84.56, -64.59, 49

 

Description

Color code: HEX #5A8DF0 | qconv.com Color code: HEX #5A8DF0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 141 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 141 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 41 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 41% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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