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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A8CF6 it is the complementary color #A57309. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A8CF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A8CF6 shade: #5F8CF1, #709EFF, #81B0FF, #92C2FF and #A3D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A8CF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A8CF6 shade: #5A8CF6, #497AE3, #3868D0, #2756BD and #1644AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A8CF6 shade: #5A8CF6, #5A62F6, #7C5AF6, #A65AF6 and #D05AF6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A8CF6 shade: #5A8CF6, #5A62F6 and #5A5AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A8CF6 shade matches the following richer shades: #5A8CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A8CF6 shade: #5A8CF6, #6891E8, #7696DA, #849BCC and #92A0BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A8CF6 shade: #5AE1F6, #5AB7F6, #5A8EF6, #5A64F6 and #795AF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A8CF6 shade: #0C55F1, #3370F4, #5A8CF6, #81A7F8 and #A8C2FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A8CF6 shade: #5A8CF6, #E15AF6 and #CCF65A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A8CF6 shade: #5A8CF6, #F65A8E and #8EF65A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A8CF6 shade: #5A8CF6, #E15AF6, #F6C25A and #6FF65A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A8CF6 shade: #5A8CF6, #F65ADC, #F6C25A and #5AF674

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

Complementary color

CMYK 0 / 30 / 95 / 35

HEX #A57309

RGB 165 115 9

HSL 40.77, 0.9%, 0.34%

LAB 52.15, 11.82, 56.9

 

CMYK 61 / 42 / 0 / 5

HEX #5F8CF1

RGB 95 140 241

HSL 221.51, 0.84%, 0.66%

LAB 59.47, 15.03, -55.43

 

CMYK 56 / 38 / 0 / 0

HEX #709EFF

RGB 112 158 255

HSL 220.7, 1%, 0.72%

LAB 65.84, 12.19, -52.94

 

CMYK 49 / 31 / 0 / 0

HEX #81B0FF

RGB 129 176 255

HSL 217.62, 1%, 0.75%

LAB 71.51, 5.52, -43.94

 

CMYK 43 / 24 / 0 / 0

HEX #92C2FF

RGB 146 194 255

HSL 213.58, 1%, 0.79%

LAB 77.23, -0.4, -34.98

 

CMYK 36 / 17 / 0 / 0

HEX #A3D4FF

RGB 163 212 255

HSL 208.04, 1%, 0.82%

LAB 82.96, -5.66, -26.09

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 68 / 46 / 0 / 11

HEX #497AE3

RGB 73 122 227

HSL 220.91, 0.73%, 0.59%

LAB 52.82, 17.5, -58.34

 

CMYK 73 / 50 / 0 / 18

HEX #3868D0

RGB 56 104 208

HSL 221.05, 0.62%, 0.52%

LAB 46.04, 19.56, -58.53

 

CMYK 79 / 54 / 0 / 26

HEX #2756BD

RGB 39 86 189

HSL 221.2, 0.66%, 0.45%

LAB 39.18, 22.08, -58.67

 

CMYK 87 / 60 / 0 / 33

HEX #1644AA

RGB 22 68 170

HSL 221.35, 0.77%, 0.38%

LAB 32.27, 25.21, -58.7

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 63 / 60 / 0 / 4

HEX #5A62F6

RGB 90 98 246

HSL 236.92, 0.9%, 0.66%

LAB 48.96, 41.28, -75.17

 

CMYK 50 / 63 / 0 / 4

HEX #7C5AF6

RGB 124 90 246

HSL 253.08, 0.9%, 0.66%

LAB 49.8, 51.45, -73.69

 

CMYK 33 / 63 / 0 / 4

HEX #A65AF6

RGB 166 90 246

HSL 269.23, 0.9%, 0.66%

LAB 54.1, 59.64, -66.51

 

CMYK 15 / 63 / 0 / 4

HEX #D05AF6

RGB 208 90 246

HSL 285.38, 0.9%, 0.66%

LAB 59.32, 68.77, -57.86

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 63 / 60 / 0 / 4

HEX #5A62F6

RGB 90 98 246

HSL 236.92, 0.9%, 0.66%

LAB 48.96, 41.28, -75.17

 

CMYK 63 / 63 / 0 / 4

HEX #5A5AF6

RGB 90 90 246

HSL 240, 0.9%, 0.66%

LAB 47.16, 46.01, -78.12

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 55 / 38 / 0 / 9

HEX #6891E8

RGB 104 145 232

HSL 220.78, 0.74%, 0.66%

LAB 60.8, 10.91, -48.32

 

CMYK 46 / 31 / 0 / 15

HEX #7696DA

RGB 118 150 218

HSL 220.8, 0.57%, 0.66%

LAB 62.28, 6.9, -38.17

 

CMYK 35 / 24 / 0 / 20

HEX #849BCC

RGB 132 155 204

HSL 220.83, 0.41%, 0.66%

LAB 63.92, 3.83, -27.74

 

CMYK 23 / 16 / 0 / 25

HEX #92A0BE

RGB 146 160 190

HSL 220.91, 0.25%, 0.66%

LAB 65.73, 1.69, -17.1

 

CMYK 63 / 9 / 0 / 4

HEX #5AE1F6

RGB 90 225 246

HSL 188.08, 0.9%, 0.66%

LAB 83.27, -30.35, -21.13

 

CMYK 63 / 26 / 0 / 4

HEX #5AB7F6

RGB 90 183 246

HSL 204.23, 0.9%, 0.66%

LAB 71.35, -8.85, -39.46

 

CMYK 63 / 42 / 0 / 4

HEX #5A8EF6

RGB 90 142 246

HSL 220, 0.9%, 0.66%

LAB 60.05, 14.62, -57.29

 

CMYK 63 / 59 / 0 / 4

HEX #5A64F6

RGB 90 100 246

HSL 236.15, 0.9%, 0.66%

LAB 49.43, 40.09, -74.42

 

CMYK 51 / 63 / 0 / 4

HEX #795AF6

RGB 121 90 246

HSL 251.92, 0.9%, 0.66%

LAB 49.53, 50.91, -74.14

 

CMYK 95 / 65 / 0 / 5

HEX #0C55F1

RGB 12 85 241

HSL 220.87, 0.91%, 0.5%

LAB 42.65, 40.96, -82.81

 

CMYK 79 / 54 / 0 / 4

HEX #3370F4

RGB 51 112 244

HSL 221.04, 0.9%, 0.58%

LAB 50.48, 27.21, -71.66

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 48 / 33 / 0 / 3

HEX #81A7F8

RGB 129 167 248

HSL 220.84, 0.89%, 0.74%

LAB 68.81, 8.55, -44.38

 

CMYK 33 / 22 / 0 / 2

HEX #A8C2FA

RGB 168 194 250

HSL 220.98, 0.89%, 0.82%

LAB 78.35, 4.07, -30.46

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 9 / 63 / 0 / 4

HEX #E15AF6

RGB 225 90 246

HSL 291.92, 0.9%, 0.66%

LAB 61.63, 72.59, -54.04

 

CMYK 17 / 0 / 63 / 4

HEX #CCF65A

RGB 204 246 90

HSL 76.15, 0.9%, 0.66%

LAB 91.45, -34.96, 68.14

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 0 / 63 / 42 / 4

HEX #F65A8E

RGB 246 90 142

HSL 340, 0.9%, 0.66%

LAB 60.66, 63.69, 3.92

 

CMYK 42 / 0 / 63 / 4

HEX #8EF65A

RGB 142 246 90

HSL 100, 0.9%, 0.66%

LAB 88.16, -56.53, 63.62

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 9 / 63 / 0 / 4

HEX #E15AF6

RGB 225 90 246

HSL 291.92, 0.9%, 0.66%

LAB 61.63, 72.59, -54.04

 

CMYK 0 / 21 / 63 / 4

HEX #F6C25A

RGB 246 194 90

HSL 40, 0.9%, 0.66%

LAB 81.24, 7.71, 58.05

 

CMYK 55 / 0 / 63 / 4

HEX #6FF65A

RGB 111 246 90

HSL 111.92, 0.9%, 0.66%

LAB 87.01, -65.13, 62.03

 

CMYK 63 / 43 / 0 / 4

HEX #5A8CF6

RGB 90 140 246

HSL 220.77, 0.9%, 0.66%

LAB 59.51, 15.82, -58.14

 

CMYK 0 / 63 / 11 / 4

HEX #F65ADC

RGB 246 90 220

HSL 310, 0.9%, 0.66%

LAB 63.4, 73.34, -36.55

 

CMYK 0 / 21 / 63 / 4

HEX #F6C25A

RGB 246 194 90

HSL 40, 0.9%, 0.66%

LAB 81.24, 7.71, 58.05

 

CMYK 63 / 0 / 53 / 4

HEX #5AF674

RGB 90 246 116

HSL 130, 0.9%, 0.66%

LAB 86.68, -66.86, 50.17

 

Description

Color code: HEX #5A8CF6 | qconv.com Color code: HEX #5A8CF6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 140 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 140 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 43 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 43% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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