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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A8CCD it is the complementary color #A57332. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A8CCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A8CCD shade: #5F8CC8, #709EDB, #81B0EE, #92C2FF and #A3D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A8CCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A8CCD shade: #5A8CCD, #497ABA, #3868A7, #275694 and #164481

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A8CCD shade: #5B8CCC, #5B6DCC, #675BCC, #855BCC and #A45BCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A8CCD shade: #5B8CCC, #5B6DCC and #5B5BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A8CCD shade matches the following richer shades: #5B8CCC, #498ADD and #3887EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A8CCD shade: #5B8CCC, #6C8EBB, #7D91AA, #8F9398 and #A09587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A8CCD shade: #5BCACC, #5BACCC, #5B8ECC, #5B6FCC and #645BCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A8CCD shade: #3263A3, #3B76C2, #5B8CCC, #7AA2D6 and #9AB8E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A8CCD shade: #5A8CCD, #B05BCC and #BBCC5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A8CCD shade: #5A8CCD, #CC5B8E and #8ECC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A8CCD shade: #5A8CCD, #B05BCC, #CC995B and #77CC5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A8CCD shade: #5A8CCD, #CC5BC6, #CC995B and #5BCC60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 32 / 0 / 20

HEX #5A8CCD

RGB 90 140 205

HSL 213.91, 0.53%, 0.58%

LAB 57.4, 2.31, -38.63

 

Complementary color

CMYK 0 / 30 / 70 / 35

HEX #A57332

RGB 165 115 50

HSL 33.91, 0.53%, 0.42%

LAB 52.39, 13.26, 42.65

 

CMYK 53 / 30 / 0 / 22

HEX #5F8CC8

RGB 95 140 200

HSL 214.29, 0.49%, 0.58%

LAB 57.42, 1.83, -35.76

 

CMYK 49 / 28 / 0 / 14

HEX #709EDB

RGB 112 158 219

HSL 214.21, 0.6%, 0.65%

LAB 64.17, 1.16, -35.79

 

CMYK 46 / 26 / 0 / 7

HEX #81B0EE

RGB 129 176 238

HSL 214.13, 0.76%, 0.72%

LAB 70.8, 0.61, -35.84

 

CMYK 43 / 24 / 0 / 0

HEX #92C2FF

RGB 146 194 255

HSL 213.58, 1%, 0.79%

LAB 77.23, -0.4, -34.98

 

CMYK 36 / 17 / 0 / 0

HEX #A3D4FF

RGB 163 212 255

HSL 208.04, 1%, 0.82%

LAB 82.96, -5.66, -26.09

 

CMYK 56 / 32 / 0 / 20

HEX #5A8CCD

RGB 90 140 205

HSL 213.91, 0.53%, 0.58%

LAB 57.4, 2.31, -38.63

 

CMYK 61 / 34 / 0 / 27

HEX #497ABA

RGB 73 122 186

HSL 213.98, 0.45%, 0.51%

LAB 50.55, 3.29, -38.65

 

CMYK 66 / 38 / 0 / 35

HEX #3868A7

RGB 56 104 167

HSL 214.05, 0.5%, 0.44%

LAB 43.55, 4.54, -38.7

 

CMYK 74 / 42 / 0 / 42

HEX #275694

RGB 39 86 148

HSL 214.13, 0.58%, 0.37%

LAB 36.41, 6.2, -38.75

 

CMYK 83 / 47 / 0 / 49

HEX #164481

RGB 22 68 129

HSL 214.21, 0.71%, 0.3%

LAB 29.13, 8.46, -38.78

 

CMYK 55 / 31 / 0 / 20

HEX #5B8CCC

RGB 91 140 204

HSL 213.98, 0.53%, 0.58%

LAB 57.41, 2.2, -38.06

 

CMYK 55 / 47 / 0 / 20

HEX #5B6DCC

RGB 91 109 204

HSL 230.44, 0.53%, 0.58%

LAB 48.91, 20.95, -51.52

 

CMYK 50 / 55 / 0 / 20

HEX #675BCC

RGB 103 91 204

HSL 246.37, 0.53%, 0.58%

LAB 45.26, 34.52, -57.35

 

CMYK 35 / 55 / 0 / 20

HEX #855BCC

RGB 133 91 204

HSL 262.3, 0.53%, 0.58%

LAB 48.04, 41.35, -52.72

 

CMYK 20 / 55 / 0 / 20

HEX #A45BCC

RGB 164 91 204

HSL 278.76, 0.53%, 0.58%

LAB 51.54, 49.14, -46.94

 

CMYK 55 / 31 / 0 / 20

HEX #5B8CCC

RGB 91 140 204

HSL 213.98, 0.53%, 0.58%

LAB 57.41, 2.2, -38.06

 

CMYK 55 / 47 / 0 / 20

HEX #5B6DCC

RGB 91 109 204

HSL 230.44, 0.53%, 0.58%

LAB 48.91, 20.95, -51.52

 

CMYK 55 / 55 / 0 / 20

HEX #5B5BCC

RGB 91 91 204

HSL 240, 0.53%, 0.58%

LAB 44.33, 32.09, -58.89

 

CMYK 55 / 31 / 0 / 20

HEX #5B8CCC

RGB 91 140 204

HSL 213.98, 0.53%, 0.58%

LAB 57.41, 2.2, -38.06

 

CMYK 67 / 38 / 0 / 13

HEX #498ADD

RGB 73 138 221

HSL 213.65, 0.69%, 0.58%

LAB 56.89, 5.68, -48.47

 

CMYK 77 / 44 / 0 / 6

HEX #3887EF

RGB 56 135 239

HSL 214.1, 0.85%, 0.58%

LAB 56.49, 11.61, -59.18

 

CMYK 55 / 31 / 0 / 20

HEX #5B8CCC

RGB 91 140 204

HSL 213.98, 0.53%, 0.58%

LAB 57.41, 2.2, -38.06

 

CMYK 42 / 24 / 0 / 27

HEX #6C8EBB

RGB 108 142 187

HSL 214.18, 0.37%, 0.58%

LAB 58.15, -0.01, -27.22

 

CMYK 26 / 15 / 0 / 33

HEX #7D91AA

RGB 125 145 170

HSL 213.33, 0.21%, 0.58%

LAB 59.45, -1.3, -15.48

 

CMYK 6 / 3 / 0 / 40

HEX #8F9398

RGB 143 147 152

HSL 213.33, 0.04%, 0.58%

LAB 60.76, -0.44, -3.15

 

CMYK 0 / 7 / 16 / 37

HEX #A09587

RGB 160 149 135

HSL 33.6, 0.12%, 0.58%

LAB 62.27, 1.62, 8.85

 

CMYK 55 / 1 / 0 / 20

HEX #5BCACC

RGB 91 202 204

HSL 181.06, 0.53%, 0.58%

LAB 75.34, -30.84, -10.6

 

CMYK 55 / 16 / 0 / 20

HEX #5BACCC

RGB 91 172 204

HSL 196.99, 0.53%, 0.58%

LAB 66.59, -15.68, -23.83

 

CMYK 55 / 30 / 0 / 20

HEX #5B8ECC

RGB 91 142 204

HSL 212.92, 0.53%, 0.58%

LAB 57.97, 1.04, -37.18

 

CMYK 55 / 46 / 0 / 20

HEX #5B6FCC

RGB 91 111 204

HSL 229.38, 0.53%, 0.58%

LAB 49.44, 19.72, -50.68

 

CMYK 51 / 55 / 0 / 20

HEX #645BCC

RGB 100 91 204

HSL 244.78, 0.53%, 0.58%

LAB 45.01, 33.89, -57.75

 

CMYK 69 / 39 / 0 / 36

HEX #3263A3

RGB 50 99 163

HSL 213.98, 0.53%, 0.42%

LAB 41.6, 5.21, -39.44

 

CMYK 70 / 39 / 0 / 24

HEX #3B76C2

RGB 59 118 194

HSL 213.78, 0.53%, 0.5%

LAB 49.23, 6.07, -45.37

 

CMYK 55 / 31 / 0 / 20

HEX #5B8CCC

RGB 91 140 204

HSL 213.98, 0.53%, 0.58%

LAB 57.41, 2.2, -38.06

 

CMYK 43 / 24 / 0 / 16

HEX #7AA2D6

RGB 122 162 214

HSL 213.91, 0.53%, 0.66%

LAB 65.62, -0.09, -30.73

 

CMYK 31 / 18 / 0 / 12

HEX #9AB8E0

RGB 154 184 224

HSL 214.29, 0.53%, 0.74%

LAB 73.89, -0.9, -23.35

 

CMYK 56 / 32 / 0 / 20

HEX #5A8CCD

RGB 90 140 205

HSL 213.91, 0.53%, 0.58%

LAB 57.4, 2.31, -38.63

 

CMYK 14 / 55 / 0 / 20

HEX #B05BCC

RGB 176 91 204

HSL 285.13, 0.53%, 0.58%

LAB 53.03, 52.26, -44.48

 

CMYK 8 / 0 / 55 / 20

HEX #BBCC5B

RGB 187 204 91

HSL 69.03, 0.53%, 0.58%

LAB 78.76, -21.71, 53.4

 

CMYK 56 / 32 / 0 / 20

HEX #5A8CCD

RGB 90 140 205

HSL 213.91, 0.53%, 0.58%

LAB 57.4, 2.31, -38.63

 

CMYK 0 / 55 / 30 / 20

HEX #CC5B8E

RGB 204 91 142

HSL 332.92, 0.53%, 0.58%

LAB 54.31, 50.2, -6.14

 

CMYK 30 / 0 / 55 / 20

HEX #8ECC5B

RGB 142 204 91

HSL 92.92, 0.53%, 0.58%

LAB 75.88, -38.9, 49.34

 

CMYK 56 / 32 / 0 / 20

HEX #5A8CCD

RGB 90 140 205

HSL 213.91, 0.53%, 0.58%

LAB 57.4, 2.31, -38.63

 

CMYK 14 / 55 / 0 / 20

HEX #B05BCC

RGB 176 91 204

HSL 285.13, 0.53%, 0.58%

LAB 53.03, 52.26, -44.48

 

CMYK 0 / 25 / 55 / 20

HEX #CC995B

RGB 204 153 91

HSL 32.92, 0.53%, 0.58%

LAB 66.81, 12.01, 39.69

 

CMYK 42 / 0 / 55 / 20

HEX #77CC5B

RGB 119 204 91

HSL 105.13, 0.53%, 0.58%

LAB 74.74, -46.61, 47.71

 

CMYK 56 / 32 / 0 / 20

HEX #5A8CCD

RGB 90 140 205

HSL 213.91, 0.53%, 0.58%

LAB 57.4, 2.31, -38.63

 

CMYK 0 / 55 / 3 / 20

HEX #CC5BC6

RGB 204 91 198

HSL 303.19, 0.53%, 0.58%

LAB 56.48, 58.6, -35.35

 

CMYK 0 / 25 / 55 / 20

HEX #CC995B

RGB 204 153 91

HSL 32.92, 0.53%, 0.58%

LAB 66.81, 12.01, 39.69

 

CMYK 55 / 0 / 53 / 20

HEX #5BCC60

RGB 91 204 96

HSL 122.65, 0.53%, 0.58%

LAB 73.71, -53.92, 43.86

 

Description

Color code: HEX #5A8CCD | qconv.com Color code: HEX #5A8CCD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 140 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 140 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 32 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 32% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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