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Color name
HEX #5A8C38

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A8C38 it is the complementary color #A573C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A8C38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A8C38 shade: #5F8C33, #709E46, #81B059, #92C26C and #A3D47F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A8C38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A8C38 shade: #5A8C38, #497A25, #386812, #275600 and #164400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A8C38 shade: #598B37, #6F8B37, #868B37, #8B7937 and #8B6237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A8C38 shade: #598B37, #428B37, #378B42, #378B59 and #378B6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A8C38 shade matches the following richer shades: #598B37, #569A28, #53AA18 and #50BA08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A8C38 shade: #598B37, #5C7B47, #5F6B57, #625C66 and #654C76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A8C38 shade: #868B37, #708B37, #5A8B37, #448B37 and #378B41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A8C38 shade: #335020, #466D2B, #598B37, #6CA843 and #81BC58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A8C38 shade: #5A8C38, #378B79 and #8B377B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A8C38 shade: #5A8C38, #375A8B and #8B375A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A8C38 shade: #5A8C38, #378B79, #68378B and #8B3749

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A8C38 shade: #5A8C38, #37848B, #68378B and #8B3E37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 60 / 45

HEX #5A8C38

RGB 90 140 56

HSL 95.71, 0.43%, 0.38%

LAB 53.18, -32.23, 38.85

 

Complementary color

CMYK 17 / 42 / 0 / 22

HEX #A573C7

RGB 165 115 199

HSL 275.71, 0.43%, 0.62%

LAB 56.47, 35.31, -36.29

 

CMYK 32 / 0 / 64 / 45

HEX #5F8C33

RGB 95 140 51

HSL 90.34, 0.47%, 0.37%

LAB 53.41, -30.84, 41.54

 

CMYK 29 / 0 / 56 / 38

HEX #709E46

RGB 112 158 70

HSL 91.36, 0.39%, 0.45%

LAB 60.2, -30.96, 40.51

 

CMYK 27 / 0 / 49 / 31

HEX #81B059

RGB 129 176 89

HSL 92.41, 0.36%, 0.52%

LAB 66.85, -30.97, 39.34

 

CMYK 25 / 0 / 44 / 24

HEX #92C26C

RGB 146 194 108

HSL 93.49, 0.41%, 0.59%

LAB 73.4, -30.93, 38.15

 

CMYK 23 / 0 / 40 / 17

HEX #A3D47F

RGB 163 212 127

HSL 94.59, 0.5%, 0.66%

LAB 79.84, -30.84, 36.97

 

CMYK 36 / 0 / 60 / 45

HEX #5A8C38

RGB 90 140 56

HSL 95.71, 0.43%, 0.38%

LAB 53.18, -32.23, 38.85

 

CMYK 40 / 0 / 70 / 52

HEX #497A25

RGB 73 122 37

HSL 94.59, 0.53%, 0.31%

LAB 46.27, -32.04, 39.75

 

CMYK 46 / 0 / 83 / 59

HEX #386812

RGB 56 104 18

HSL 93.49, 0.7%, 0.24%

LAB 39.22, -31.55, 39.9

 

CMYK 55 / 0 / 100 / 66

HEX #275600

RGB 39 86 0

HSL 92.79, 1%, 0.17%

LAB 32, -30.64, 38.9

 

CMYK 68 / 0 / 100 / 73

HEX #164400

RGB 22 68 0

HSL 100.59, 1%, 0.13%

LAB 24.65, -28.59, 32.43

 

CMYK 36 / 0 / 60 / 45

HEX #598B37

RGB 89 139 55

HSL 95.71, 0.43%, 0.38%

LAB 52.8, -32.24, 38.88

 

CMYK 20 / 0 / 60 / 45

HEX #6F8B37

RGB 111 139 55

HSL 80, 0.43%, 0.38%

LAB 54.15, -23.59, 40.78

 

CMYK 4 / 0 / 60 / 45

HEX #868B37

RGB 134 139 55

HSL 63.57, 0.43%, 0.38%

LAB 55.9, -13.73, 43.2

 

CMYK 0 / 13 / 60 / 45

HEX #8B7937

RGB 139 121 55

HSL 47.14, 0.43%, 0.38%

LAB 51.2, -1.59, 38.06

 

CMYK 0 / 29 / 60 / 45

HEX #8B6237

RGB 139 98 55

HSL 30.71, 0.43%, 0.38%

LAB 44.94, 11.69, 30.76

 

CMYK 36 / 0 / 60 / 45

HEX #598B37

RGB 89 139 55

HSL 95.71, 0.43%, 0.38%

LAB 52.8, -32.24, 38.88

 

CMYK 53 / 0 / 60 / 45

HEX #428B37

RGB 66 139 55

HSL 112.14, 0.43%, 0.38%

LAB 51.72, -39.91, 37.36

 

CMYK 60 / 0 / 53 / 45

HEX #378B42

RGB 55 139 66

HSL 127.86, 0.43%, 0.38%

LAB 51.46, -41.42, 31.41

 

CMYK 60 / 0 / 36 / 45

HEX #378B59

RGB 55 139 89

HSL 144.29, 0.43%, 0.38%

LAB 51.84, -37.37, 19.38

 

CMYK 60 / 0 / 20 / 45

HEX #378B6F

RGB 55 139 111

HSL 160, 0.43%, 0.38%

LAB 52.31, -32.44, 7.49

 

CMYK 36 / 0 / 60 / 45

HEX #598B37

RGB 89 139 55

HSL 95.71, 0.43%, 0.38%

LAB 52.8, -32.24, 38.88

 

CMYK 44 / 0 / 74 / 40

HEX #569A28

RGB 86 154 40

HSL 95.79, 0.59%, 0.38%

LAB 57.31, -41.21, 50.09

 

CMYK 51 / 0 / 86 / 33

HEX #53AA18

RGB 83 170 24

HSL 95.75, 0.75%, 0.38%

LAB 62.21, -49.43, 59.49

 

CMYK 57 / 0 / 96 / 27

HEX #50BA08

RGB 80 186 8

HSL 95.73, 0.92%, 0.38%

LAB 67.16, -56.59, 66.27

 

CMYK 36 / 0 / 60 / 45

HEX #598B37

RGB 89 139 55

HSL 95.71, 0.43%, 0.38%

LAB 52.8, -32.24, 38.88

 

CMYK 25 / 0 / 42 / 52

HEX #5C7B47

RGB 92 123 71

HSL 95.77, 0.27%, 0.38%

LAB 48.13, -21.24, 24.9

 

CMYK 11 / 0 / 19 / 58

HEX #5F6B57

RGB 95 107 87

HSL 96, 0.1%, 0.38%

LAB 43.71, -8.65, 9.7

 

CMYK 4 / 10 / 0 / 60

HEX #625C66

RGB 98 92 102

HSL 276, 0.05%, 0.38%

LAB 39.93, 4.5, -4.85

 

CMYK 14 / 36 / 0 / 54

HEX #654C76

RGB 101 76 118

HSL 275.71, 0.22%, 0.38%

LAB 36.45, 19.21, -20.01

 

CMYK 4 / 0 / 60 / 45

HEX #868B37

RGB 134 139 55

HSL 63.57, 0.43%, 0.38%

LAB 55.9, -13.73, 43.2

 

CMYK 19 / 0 / 60 / 45

HEX #708B37

RGB 112 139 55

HSL 79.29, 0.43%, 0.38%

LAB 54.22, -23.18, 40.87

 

CMYK 35 / 0 / 60 / 45

HEX #5A8B37

RGB 90 139 55

HSL 95, 0.43%, 0.38%

LAB 52.86, -31.87, 38.96

 

CMYK 51 / 0 / 60 / 45

HEX #448B37

RGB 68 139 55

HSL 110.71, 0.43%, 0.38%

LAB 51.8, -39.31, 37.47

 

CMYK 60 / 0 / 53 / 45

HEX #378B41

RGB 55 139 65

HSL 127.14, 0.43%, 0.38%

LAB 51.45, -41.57, 31.92

 

CMYK 36 / 0 / 60 / 69

HEX #335020

RGB 51 80 32

HSL 96.25, 0.43%, 0.22%

LAB 30.75, -20.69, 24.58

 

CMYK 36 / 0 / 61 / 57

HEX #466D2B

RGB 70 109 43

HSL 95.45, 0.43%, 0.3%

LAB 41.87, -26.44, 31.99

 

CMYK 36 / 0 / 60 / 45

HEX #598B37

RGB 89 139 55

HSL 95.71, 0.43%, 0.38%

LAB 52.8, -32.24, 38.88

 

CMYK 36 / 0 / 60 / 34

HEX #6CA843

RGB 108 168 67

HSL 95.64, 0.43%, 0.46%

LAB 63.01, -37.33, 45.12

 

CMYK 31 / 0 / 53 / 26

HEX #81BC58

RGB 129 188 88

HSL 95.4, 0.43%, 0.54%

LAB 70.41, -36.64, 44.12

 

CMYK 36 / 0 / 60 / 45

HEX #5A8C38

RGB 90 140 56

HSL 95.71, 0.43%, 0.38%

LAB 53.18, -32.23, 38.85

 

CMYK 60 / 0 / 13 / 45

HEX #378B79

RGB 55 139 121

HSL 167.14, 0.43%, 0.38%

LAB 52.57, -29.89, 2.08

 

CMYK 0 / 60 / 12 / 45

HEX #8B377B

RGB 139 55 123

HSL 311.43, 0.43%, 0.38%

LAB 37.21, 44.34, -21.53

 

CMYK 36 / 0 / 60 / 45

HEX #5A8C38

RGB 90 140 56

HSL 95.71, 0.43%, 0.38%

LAB 53.18, -32.23, 38.85

 

CMYK 60 / 35 / 0 / 45

HEX #375A8B

RGB 55 90 139

HSL 215, 0.43%, 0.38%

LAB 37.82, 3.2, -31.02

 

CMYK 0 / 60 / 35 / 45

HEX #8B375A

RGB 139 55 90

HSL 335, 0.43%, 0.38%

LAB 35.91, 39.44, -2.72

 

CMYK 36 / 0 / 60 / 45

HEX #5A8C38

RGB 90 140 56

HSL 95.71, 0.43%, 0.38%

LAB 53.18, -32.23, 38.85

 

CMYK 60 / 0 / 13 / 45

HEX #378B79

RGB 55 139 121

HSL 167.14, 0.43%, 0.38%

LAB 52.57, -29.89, 2.08

 

CMYK 25 / 60 / 0 / 45

HEX #68378B

RGB 104 55 139

HSL 275, 0.43%, 0.38%

LAB 33, 37.75, -38.4

 

CMYK 0 / 60 / 47 / 45

HEX #8B3749

RGB 139 55 73

HSL 347.14, 0.43%, 0.38%

LAB 35.4, 37.46, 7.43

 

CMYK 36 / 0 / 60 / 45

HEX #5A8C38

RGB 90 140 56

HSL 95.71, 0.43%, 0.38%

LAB 53.18, -32.23, 38.85

 

CMYK 60 / 5 / 0 / 45

HEX #37848B

RGB 55 132 139

HSL 185, 0.43%, 0.38%

LAB 50.9, -21.26, -10.88

 

CMYK 25 / 60 / 0 / 45

HEX #68378B

RGB 104 55 139

HSL 275, 0.43%, 0.38%

LAB 33, 37.75, -38.4

 

CMYK 0 / 55 / 60 / 45

HEX #8B3E37

RGB 139 62 55

HSL 5, 0.43%, 0.38%

LAB 36.39, 32.21, 20.14

 

Description

Color code: HEX #5A8C38 | qconv.com Color code: HEX #5A8C38 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 140 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 140 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 60 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 60% 45% C M Y K

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Provide designers and agencies with accurate color values.

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