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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A8BA5 it is the complementary color #A5745A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A8BA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A8BA5 shade: #5F8BA0, #709DB3, #81AFC6, #92C1D9 and #A3D3EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A8BA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A8BA5 shade: #5A8BA5, #497992, #38677F, #27556C and #164359

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A8BA5 shade: #5B8BA4, #5B77A4, #5B63A4, #665BA4 and #7A5BA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A8BA5 shade: #5B8BA4, #5B77A4, #5B63A4 and #5B5BA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A8BA5 shade matches the following richer shades: #5B8BA4, #4691B9, #3197CE, #1D9EE2 and #08A4F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A8BA5 shade: #5B8BA4, #6F8590, #847E7B, #987867 and #AD7252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A8BA5 shade: #5BA496, #5BA0A4, #5B8CA4, #5B78A4 and #5B64A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A8BA5 shade: #3D5E6F, #4C748A, #5B8BA4, #759EB3 and #90B0C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A8BA5 shade: #5A8BA5, #825BA4 and #A4A05B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A8BA5 shade: #5A8BA5, #A45B8C and #8CA45B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A8BA5 shade: #5A8BA5, #825BA4, #A4735B and #7DA45B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A8BA5 shade: #5A8BA5, #985BA4, #A4735B and #67A45B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 16 / 0 / 35

HEX #5A8BA5

RGB 90 139 165

HSL 200.8, 0.29%, 0.5%

LAB 55.44, -9.33, -18.92

 

Complementary color

CMYK 0 / 30 / 45 / 35

HEX #A5745A

RGB 165 116 90

HSL 20.8, 0.29%, 0.5%

LAB 53.2, 16.03, 22.04

 

CMYK 41 / 13 / 0 / 37

HEX #5F8BA0

RGB 95 139 160

HSL 199.38, 0.25%, 0.5%

LAB 55.52, -9.41, -15.89

 

CMYK 37 / 12 / 0 / 30

HEX #709DB3

RGB 112 157 179

HSL 199.7, 0.31%, 0.57%

LAB 62.35, -9.54, -16.26

 

CMYK 35 / 12 / 0 / 22

HEX #81AFC6

RGB 129 175 198

HSL 200, 0.38%, 0.64%

LAB 69.04, -9.63, -16.62

 

CMYK 33 / 11 / 0 / 15

HEX #92C1D9

RGB 146 193 217

HSL 200.28, 0.48%, 0.71%

LAB 75.61, -9.72, -16.98

 

CMYK 31 / 11 / 0 / 7

HEX #A3D3EC

RGB 163 211 236

HSL 200.55, 0.66%, 0.78%

LAB 82.07, -9.79, -17.35

 

CMYK 45 / 16 / 0 / 35

HEX #5A8BA5

RGB 90 139 165

HSL 200.8, 0.29%, 0.5%

LAB 55.44, -9.33, -18.92

 

CMYK 50 / 17 / 0 / 43

HEX #497992

RGB 73 121 146

HSL 200.55, 0.33%, 0.43%

LAB 48.47, -9.05, -18.59

 

CMYK 56 / 19 / 0 / 50

HEX #38677F

RGB 56 103 127

HSL 200.28, 0.39%, 0.36%

LAB 41.33, -8.65, -18.27

 

CMYK 64 / 21 / 0 / 58

HEX #27556C

RGB 39 85 108

HSL 200, 0.47%, 0.29%

LAB 34.01, -8.06, -17.93

 

CMYK 75 / 25 / 0 / 65

HEX #164359

RGB 22 67 89

HSL 199.7, 0.6%, 0.22%

LAB 26.47, -7.1, -17.56

 

CMYK 45 / 15 / 0 / 36

HEX #5B8BA4

RGB 91 139 164

HSL 200.55, 0.29%, 0.5%

LAB 55.45, -9.36, -18.31

 

CMYK 45 / 27 / 0 / 36

HEX #5B77A4

RGB 91 119 164

HSL 216.99, 0.29%, 0.5%

LAB 49.61, 2.23, -27.29

 

CMYK 45 / 40 / 0 / 36

HEX #5B63A4

RGB 91 99 164

HSL 233.42, 0.29%, 0.5%

LAB 43.99, 14.48, -36.11

 

CMYK 38 / 45 / 0 / 36

HEX #665BA4

RGB 102 91 164

HSL 249.04, 0.29%, 0.5%

LAB 42.74, 22.42, -38.02

 

CMYK 26 / 45 / 0 / 36

HEX #7A5BA4

RGB 122 91 164

HSL 265.48, 0.29%, 0.5%

LAB 44.66, 28.13, -34.86

 

CMYK 45 / 15 / 0 / 36

HEX #5B8BA4

RGB 91 139 164

HSL 200.55, 0.29%, 0.5%

LAB 55.45, -9.36, -18.31

 

CMYK 45 / 27 / 0 / 36

HEX #5B77A4

RGB 91 119 164

HSL 216.99, 0.29%, 0.5%

LAB 49.61, 2.23, -27.29

 

CMYK 45 / 40 / 0 / 36

HEX #5B63A4

RGB 91 99 164

HSL 233.42, 0.29%, 0.5%

LAB 43.99, 14.48, -36.11

 

CMYK 45 / 45 / 0 / 36

HEX #5B5BA4

RGB 91 91 164

HSL 240, 0.29%, 0.5%

LAB 41.82, 19.49, -39.53

 

CMYK 45 / 15 / 0 / 36

HEX #5B8BA4

RGB 91 139 164

HSL 200.55, 0.29%, 0.5%

LAB 55.45, -9.36, -18.31

 

CMYK 62 / 22 / 0 / 27

HEX #4691B9

RGB 70 145 185

HSL 200.87, 0.45%, 0.5%

LAB 57.13, -11, -27.81

 

CMYK 76 / 27 / 0 / 19

HEX #3197CE

RGB 49 151 206

HSL 201.02, 0.62%, 0.5%

LAB 59.2, -10.43, -36.49

 

CMYK 87 / 30 / 0 / 11

HEX #1D9EE2

RGB 29 158 226

HSL 200.71, 0.77%, 0.5%

LAB 61.83, -9, -43.52

 

CMYK 97 / 34 / 0 / 3

HEX #08A4F7

RGB 8 164 247

HSL 200.84, 0.94%, 0.5%

LAB 64.42, -5.58, -51

 

CMYK 45 / 15 / 0 / 36

HEX #5B8BA4

RGB 91 139 164

HSL 200.55, 0.29%, 0.5%

LAB 55.45, -9.36, -18.31

 

CMYK 23 / 8 / 0 / 44

HEX #6F8590

RGB 111 133 144

HSL 200, 0.13%, 0.5%

LAB 54.2, -5.33, -8.53

 

CMYK 0 / 5 / 7 / 48

HEX #847E7B

RGB 132 126 123

HSL 20, 0.04%, 0.5%

LAB 53.23, 1.7, 2.43

 

CMYK 0 / 21 / 32 / 40

HEX #987867

RGB 152 120 103

HSL 20.82, 0.19%, 0.5%

LAB 53.05, 9.91, 14.09

 

CMYK 0 / 34 / 53 / 32

HEX #AD7252

RGB 173 114 82

HSL 21.1, 0.36%, 0.5%

LAB 53.52, 19.72, 27.19

 

CMYK 45 / 0 / 9 / 36

HEX #5BA496

RGB 91 164 150

HSL 168.49, 0.29%, 0.5%

LAB 62.49, -26.31, 0.15

 

CMYK 45 / 2 / 0 / 36

HEX #5BA0A4

RGB 91 160 164

HSL 183.29, 0.29%, 0.5%

LAB 61.69, -20.69, -8.9

 

CMYK 45 / 15 / 0 / 36

HEX #5B8CA4

RGB 91 140 164

HSL 199.73, 0.29%, 0.5%

LAB 55.75, -9.92, -17.87

 

CMYK 45 / 27 / 0 / 36

HEX #5B78A4

RGB 91 120 164

HSL 216.16, 0.29%, 0.5%

LAB 49.9, 1.63, -26.85

 

CMYK 45 / 39 / 0 / 36

HEX #5B64A4

RGB 91 100 164

HSL 232.6, 0.29%, 0.5%

LAB 44.26, 13.85, -35.68

 

CMYK 45 / 15 / 0 / 56

HEX #3D5E6F

RGB 61 94 111

HSL 200.4, 0.29%, 0.34%

LAB 38.1, -7.03, -13.42

 

CMYK 45 / 16 / 0 / 46

HEX #4C748A

RGB 76 116 138

HSL 201.29, 0.29%, 0.42%

LAB 46.79, -7.78, -16.41

 

CMYK 45 / 15 / 0 / 36

HEX #5B8BA4

RGB 91 139 164

HSL 200.55, 0.29%, 0.5%

LAB 55.45, -9.36, -18.31

 

CMYK 35 / 12 / 0 / 30

HEX #759EB3

RGB 117 158 179

HSL 200.32, 0.29%, 0.58%

LAB 62.92, -8.67, -15.37

 

CMYK 26 / 9 / 0 / 24

HEX #90B0C2

RGB 144 176 194

HSL 201.6, 0.29%, 0.66%

LAB 70.09, -6.76, -12.75

 

CMYK 45 / 16 / 0 / 35

HEX #5A8BA5

RGB 90 139 165

HSL 200.8, 0.29%, 0.5%

LAB 55.44, -9.33, -18.92

 

CMYK 21 / 45 / 0 / 36

HEX #825BA4

RGB 130 91 164

HSL 272.05, 0.29%, 0.5%

LAB 45.51, 30.52, -33.47

 

CMYK 0 / 2 / 45 / 36

HEX #A4A05B

RGB 164 160 91

HSL 56.71, 0.29%, 0.5%

LAB 64.8, -8.7, 36.35

 

CMYK 45 / 16 / 0 / 35

HEX #5A8BA5

RGB 90 139 165

HSL 200.8, 0.29%, 0.5%

LAB 55.44, -9.33, -18.92

 

CMYK 0 / 45 / 15 / 36

HEX #A45B8C

RGB 164 91 140

HSL 319.73, 0.29%, 0.5%

LAB 48.6, 36.65, -14.11

 

CMYK 15 / 0 / 45 / 36

HEX #8CA45B

RGB 140 164 91

HSL 79.73, 0.29%, 0.5%

LAB 64.07, -20.62, 35.04

 

CMYK 45 / 16 / 0 / 35

HEX #5A8BA5

RGB 90 139 165

HSL 200.8, 0.29%, 0.5%

LAB 55.44, -9.33, -18.92

 

CMYK 21 / 45 / 0 / 36

HEX #825BA4

RGB 130 91 164

HSL 272.05, 0.29%, 0.5%

LAB 45.51, 30.52, -33.47

 

CMYK 0 / 30 / 45 / 36

HEX #A4735B

RGB 164 115 91

HSL 19.73, 0.29%, 0.5%

LAB 52.85, 16.29, 20.98

 

CMYK 24 / 0 / 45 / 36

HEX #7DA45B

RGB 125 164 91

HSL 92.05, 0.29%, 0.5%

LAB 63.07, -26.44, 33.57

 

CMYK 45 / 16 / 0 / 35

HEX #5A8BA5

RGB 90 139 165

HSL 200.8, 0.29%, 0.5%

LAB 55.44, -9.33, -18.92

 

CMYK 7 / 45 / 0 / 36

HEX #985BA4

RGB 152 91 164

HSL 290.14, 0.29%, 0.5%

LAB 48.06, 37.23, -29.3

 

CMYK 0 / 30 / 45 / 36

HEX #A4735B

RGB 164 115 91

HSL 19.73, 0.29%, 0.5%

LAB 52.85, 16.29, 20.98

 

CMYK 37 / 0 / 45 / 36

HEX #67A45B

RGB 103 164 91

HSL 110.14, 0.29%, 0.5%

LAB 61.82, -34.32, 31.73

 

Description

Color code: HEX #5A8BA5 | qconv.com Color code: HEX #5A8BA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 139 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 139 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 16 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 16% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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