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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A8ADE it is the complementary color #A57521. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A8ADE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A8ADE shade: #5F8AD9, #709CEC, #81AEFF, #92C0FF and #A3D2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A8ADE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A8ADE shade: #5A8ADE, #4978CB, #3866B8, #2754A5 and #164292

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A8ADE shade: #5989DE, #5965DE, #7059DE, #9459DE and #B859DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A8ADE shade: #5989DE, #5965DE and #5959DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A8ADE shade matches the following richer shades: #5989DE, #4985EE and #3981FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A8ADE shade: #5989DE, #698ECE, #7992BE, #8997AE and #999B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A8ADE shade: #59D1DE, #59ADDE, #598ADE, #5966DE and #6F59DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A8ADE shade: #265DBF, #3671D7, #5989DE, #7BA2E5 and #9EBAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A8ADE shade: #5A8ADE, #C859DE and #BFDE59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A8ADE shade: #5A8ADE, #DE598A and #8ADE59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A8ADE shade: #5A8ADE, #C859DE, #DEAD59 and #6FDE59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A8ADE shade: #5A8ADE, #DE59CC, #DEAD59 and #59DE6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 38 / 0 / 13

HEX #5A8ADE

RGB 90 138 222

HSL 218.18, 0.67%, 0.61%

LAB 57.68, 9.02, -47.74

 

Complementary color

CMYK 0 / 29 / 80 / 35

HEX #A57521

RGB 165 117 33

HSL 38.18, 0.67%, 0.39%

LAB 52.76, 11.3, 50.49

 

CMYK 56 / 36 / 0 / 15

HEX #5F8AD9

RGB 95 138 217

HSL 218.85, 0.62%, 0.61%

LAB 57.67, 8.39, -44.93

 

CMYK 53 / 34 / 0 / 7

HEX #709CEC

RGB 112 156 236

HSL 218.71, 0.77%, 0.68%

LAB 64.39, 7.44, -44.84

 

CMYK 49 / 32 / 0 / 0

HEX #81AEFF

RGB 129 174 255

HSL 218.57, 1%, 0.75%

LAB 70.98, 6.64, -44.78

 

CMYK 43 / 25 / 0 / 0

HEX #92C0FF

RGB 146 192 255

HSL 214.68, 1%, 0.79%

LAB 76.7, 0.69, -35.8

 

CMYK 36 / 18 / 0 / 0

HEX #A3D2FF

RGB 163 210 255

HSL 209.35, 1%, 0.82%

LAB 82.43, -4.61, -26.9

 

CMYK 59 / 38 / 0 / 13

HEX #5A8ADE

RGB 90 138 222

HSL 218.18, 0.67%, 0.61%

LAB 57.68, 9.02, -47.74

 

CMYK 64 / 41 / 0 / 20

HEX #4978CB

RGB 73 120 203

HSL 218.31, 0.56%, 0.54%

LAB 50.88, 10.34, -47.87

 

CMYK 70 / 45 / 0 / 28

HEX #3866B8

RGB 56 102 184

HSL 218.44, 0.53%, 0.47%

LAB 43.95, 12, -48.02

 

CMYK 76 / 49 / 0 / 35

HEX #2754A5

RGB 39 84 165

HSL 218.57, 0.62%, 0.4%

LAB 36.91, 14.11, -48.17

 

CMYK 85 / 55 / 0 / 43

HEX #164292

RGB 22 66 146

HSL 218.71, 0.74%, 0.33%

LAB 29.77, 16.87, -48.25

 

CMYK 60 / 38 / 0 / 13

HEX #5989DE

RGB 89 137 222

HSL 218.35, 0.67%, 0.61%

LAB 57.36, 9.42, -48.25

 

CMYK 60 / 55 / 0 / 13

HEX #5965DE

RGB 89 101 222

HSL 234.59, 0.67%, 0.61%

LAB 47.89, 31.43, -63.43

 

CMYK 50 / 60 / 0 / 13

HEX #7059DE

RGB 112 89 222

HSL 250.38, 0.67%, 0.61%

LAB 46.79, 42.88, -65.11

 

CMYK 33 / 60 / 0 / 13

HEX #9459DE

RGB 148 89 222

HSL 266.62, 0.67%, 0.61%

LAB 50.35, 50.49, -59.19

 

CMYK 17 / 60 / 0 / 13

HEX #B859DE

RGB 184 89 222

HSL 282.86, 0.67%, 0.61%

LAB 54.67, 58.91, -52.04

 

CMYK 60 / 38 / 0 / 13

HEX #5989DE

RGB 89 137 222

HSL 218.35, 0.67%, 0.61%

LAB 57.36, 9.42, -48.25

 

CMYK 60 / 55 / 0 / 13

HEX #5965DE

RGB 89 101 222

HSL 234.59, 0.67%, 0.61%

LAB 47.89, 31.43, -63.43

 

CMYK 60 / 60 / 0 / 13

HEX #5959DE

RGB 89 89 222

HSL 240, 0.67%, 0.61%

LAB 45, 38.74, -68.11

 

CMYK 60 / 38 / 0 / 13

HEX #5989DE

RGB 89 137 222

HSL 218.35, 0.67%, 0.61%

LAB 57.36, 9.42, -48.25

 

CMYK 69 / 44 / 0 / 7

HEX #4985EE

RGB 73 133 238

HSL 218.18, 0.83%, 0.61%

LAB 56.45, 14.63, -58.65

 

CMYK 78 / 49 / 0 / 0

HEX #3981FE

RGB 57 129 254

HSL 218.07, 0.99%, 0.61%

LAB 55.81, 20.87, -68.56

 

CMYK 60 / 38 / 0 / 13

HEX #5989DE

RGB 89 137 222

HSL 218.35, 0.67%, 0.61%

LAB 57.36, 9.42, -48.25

 

CMYK 49 / 31 / 0 / 19

HEX #698ECE

RGB 105 142 206

HSL 218.02, 0.51%, 0.61%

LAB 58.79, 4.83, -36.96

 

CMYK 36 / 23 / 0 / 25

HEX #7992BE

RGB 121 146 190

HSL 218.26, 0.35%, 0.61%

LAB 60.2, 2.11, -25.7

 

CMYK 21 / 13 / 0 / 32

HEX #8997AE

RGB 137 151 174

HSL 217.3, 0.19%, 0.61%

LAB 62.09, 0.1, -13.68

 

CMYK 3 / 2 / 0 / 38

HEX #999B9E

RGB 153 155 158

HSL 216, 0.03%, 0.61%

LAB 63.9, -0.13, -1.83

 

CMYK 60 / 6 / 0 / 13

HEX #59D1DE

RGB 89 209 222

HSL 185.86, 0.67%, 0.61%

LAB 77.87, -29.61, -16.51

 

CMYK 60 / 22 / 0 / 13

HEX #59ADDE

RGB 89 173 222

HSL 202.11, 0.67%, 0.61%

LAB 67.49, -11.14, -32.37

 

CMYK 60 / 38 / 0 / 13

HEX #598ADE

RGB 89 138 222

HSL 217.89, 0.67%, 0.61%

LAB 57.63, 8.83, -47.82

 

CMYK 60 / 54 / 0 / 13

HEX #5966DE

RGB 89 102 222

HSL 234.14, 0.67%, 0.61%

LAB 48.13, 30.81, -63.02

 

CMYK 50 / 60 / 0 / 13

HEX #6F59DE

RGB 111 89 222

HSL 249.92, 0.67%, 0.61%

LAB 46.71, 42.69, -65.26

 

CMYK 80 / 51 / 0 / 25

HEX #265DBF

RGB 38 93 191

HSL 218.43, 0.67%, 0.45%

LAB 41.22, 18.16, -56.53

 

CMYK 75 / 47 / 0 / 16

HEX #3671D7

RGB 54 113 215

HSL 218.01, 0.67%, 0.53%

LAB 48.88, 16.18, -57.93

 

CMYK 60 / 38 / 0 / 13

HEX #5989DE

RGB 89 137 222

HSL 218.35, 0.67%, 0.61%

LAB 57.36, 9.42, -48.25

 

CMYK 46 / 29 / 0 / 10

HEX #7BA2E5

RGB 123 162 229

HSL 217.92, 0.67%, 0.69%

LAB 66.3, 4.44, -37.95

 

CMYK 33 / 21 / 0 / 7

HEX #9EBAEC

RGB 158 186 236

HSL 218.46, 0.67%, 0.77%

LAB 75.1, 2.14, -27.97

 

CMYK 59 / 38 / 0 / 13

HEX #5A8ADE

RGB 90 138 222

HSL 218.18, 0.67%, 0.61%

LAB 57.68, 9.02, -47.74

 

CMYK 10 / 60 / 0 / 13

HEX #C859DE

RGB 200 89 222

HSL 290.08, 0.67%, 0.61%

LAB 56.78, 62.78, -48.55

 

CMYK 14 / 0 / 60 / 13

HEX #BFDE59

RGB 191 222 89

HSL 73.98, 0.67%, 0.61%

LAB 83.99, -28.94, 60.22

 

CMYK 59 / 38 / 0 / 13

HEX #5A8ADE

RGB 90 138 222

HSL 218.18, 0.67%, 0.61%

LAB 57.68, 9.02, -47.74

 

CMYK 0 / 60 / 38 / 13

HEX #DE598A

RGB 222 89 138

HSL 337.89, 0.67%, 0.61%

LAB 56.59, 56.35, -0.11

 

CMYK 38 / 0 / 60 / 13

HEX #8ADE59

RGB 138 222 89

HSL 97.89, 0.67%, 0.61%

LAB 80.94, -48.21, 55.99

 

CMYK 59 / 38 / 0 / 13

HEX #5A8ADE

RGB 90 138 222

HSL 218.18, 0.67%, 0.61%

LAB 57.68, 9.02, -47.74

 

CMYK 10 / 60 / 0 / 13

HEX #C859DE

RGB 200 89 222

HSL 290.08, 0.67%, 0.61%

LAB 56.78, 62.78, -48.55

 

CMYK 0 / 22 / 60 / 13

HEX #DEAD59

RGB 222 173 89

HSL 37.89, 0.67%, 0.61%

LAB 73.63, 8.67, 49.25

 

CMYK 50 / 0 / 60 / 13

HEX #6FDE59

RGB 111 222 89

HSL 110.08, 0.67%, 0.61%

LAB 79.81, -56.37, 54.4

 

CMYK 59 / 38 / 0 / 13

HEX #5A8ADE

RGB 90 138 222

HSL 218.18, 0.67%, 0.61%

LAB 57.68, 9.02, -47.74

 

CMYK 0 / 60 / 8 / 13

HEX #DE59CC

RGB 222 89 204

HSL 308.12, 0.67%, 0.61%

LAB 59.01, 65.23, -34.64

 

CMYK 0 / 22 / 60 / 13

HEX #DEAD59

RGB 222 173 89

HSL 37.89, 0.67%, 0.61%

LAB 73.63, 8.67, 49.25

 

CMYK 60 / 0 / 52 / 13

HEX #59DE6B

RGB 89 222 107

HSL 128.12, 0.67%, 0.61%

LAB 79.29, -59.67, 45.39

 

Description

Color code: HEX #5A8ADE | qconv.com Color code: HEX #5A8ADE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 138 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 138 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 38 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 38% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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