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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A832E it is the complementary color #A57CD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A832E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A832E shade: #5F8329, #70953C, #81A74F, #92B962 and #A3CB75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A832E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A832E shade: #5A832E, #49711B, #385F08, #274D00 and #163B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A832E shade: #5B842E, #72842E, #847F2E, #84682E and #84512E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A832E shade: #5B842E, #44842E, #2E8430, #2E8447 and #2E845E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A832E shade matches the following richer shades: #5B842E, #5B9320, #5CA112 and #5CAF03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A832E shade: #5B842E, #5A763D, #5A674B, #59595A and #594A68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A832E shade: #847E2E, #73842E, #5C842E, #45842E and #2E842E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A832E shade: #314719, #466624, #5B842E, #70A339 and #85BE47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A832E shade: #5A832E, #2E8468 and #842E7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A832E shade: #5A832E, #2E5C84 and #842E5C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A832E shade: #5A832E, #2E8468, #562E84 and #842E4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A832E shade: #5A832E, #2E8481, #562E84 and #842E31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 65 / 49

HEX #5A832E

RGB 90 131 46

HSL 88.94, 0.48%, 0.35%

LAB 50.22, -28.97, 40.24

 

Complementary color

CMYK 21 / 41 / 0 / 18

HEX #A57CD1

RGB 165 124 209

HSL 268.94, 0.48%, 0.65%

LAB 58.99, 32.51, -38.01

 

CMYK 27 / 0 / 69 / 49

HEX #5F8329

RGB 95 131 41

HSL 84, 0.52%, 0.34%

LAB 50.48, -27.4, 42.84

 

CMYK 25 / 0 / 60 / 42

HEX #70953C

RGB 112 149 60

HSL 84.94, 0.43%, 0.41%

LAB 57.33, -27.66, 42.01

 

CMYK 23 / 0 / 53 / 35

HEX #81A74F

RGB 129 167 79

HSL 85.91, 0.36%, 0.48%

LAB 64.05, -27.8, 40.92

 

CMYK 21 / 0 / 47 / 27

HEX #92B962

RGB 146 185 98

HSL 86.9, 0.38%, 0.55%

LAB 70.66, -27.85, 39.75

 

CMYK 20 / 0 / 42 / 20

HEX #A3CB75

RGB 163 203 117

HSL 87.91, 0.45%, 0.63%

LAB 77.15, -27.85, 38.57

 

CMYK 31 / 0 / 65 / 49

HEX #5A832E

RGB 90 131 46

HSL 88.94, 0.48%, 0.35%

LAB 50.22, -28.97, 40.24

 

CMYK 35 / 0 / 76 / 56

HEX #49711B

RGB 73 113 27

HSL 87.91, 0.61%, 0.27%

LAB 43.22, -28.63, 40.78

 

CMYK 41 / 0 / 92 / 63

HEX #385F08

RGB 56 95 8

HSL 86.9, 0.84%, 0.2%

LAB 36.07, -27.95, 40.07

 

CMYK 49 / 0 / 100 / 70

HEX #274D00

RGB 39 77 0

HSL 89.61, 1%, 0.15%

LAB 28.74, -26.67, 36.35

 

CMYK 63 / 0 / 100 / 77

HEX #163B00

RGB 22 59 0

HSL 97.63, 1%, 0.12%

LAB 21.2, -24.78, 28.88

 

CMYK 31 / 0 / 65 / 48

HEX #5B842E

RGB 91 132 46

HSL 88.6, 0.48%, 0.35%

LAB 50.6, -29.06, 40.67

 

CMYK 14 / 0 / 65 / 48

HEX #72842E

RGB 114 132 46

HSL 72.56, 0.48%, 0.35%

LAB 52.15, -19.5, 42.8

 

CMYK 0 / 4 / 65 / 48

HEX #847F2E

RGB 132 127 46

HSL 56.51, 0.48%, 0.35%

LAB 52.15, -8.79, 43.25

 

CMYK 0 / 21 / 65 / 48

HEX #84682E

RGB 132 104 46

HSL 40.47, 0.48%, 0.35%

LAB 45.64, 4.27, 36.15

 

CMYK 0 / 39 / 65 / 48

HEX #84512E

RGB 132 81 46

HSL 24.42, 0.48%, 0.35%

LAB 39.56, 17.81, 29.18

 

CMYK 31 / 0 / 65 / 48

HEX #5B842E

RGB 91 132 46

HSL 88.6, 0.48%, 0.35%

LAB 50.6, -29.06, 40.67

 

CMYK 48 / 0 / 65 / 48

HEX #44842E

RGB 68 132 46

HSL 104.65, 0.48%, 0.35%

LAB 49.41, -37.33, 39.03

 

CMYK 65 / 0 / 64 / 48

HEX #2E8430

RGB 46 132 48

HSL 121.4, 0.48%, 0.35%

LAB 48.63, -43.24, 37

 

CMYK 65 / 0 / 46 / 48

HEX #2E8447

RGB 46 132 71

HSL 137.44, 0.48%, 0.35%

LAB 48.93, -39.85, 25.5

 

CMYK 65 / 0 / 29 / 48

HEX #2E845E

RGB 46 132 94

HSL 153.49, 0.48%, 0.35%

LAB 49.36, -35.17, 13.11

 

CMYK 31 / 0 / 65 / 48

HEX #5B842E

RGB 91 132 46

HSL 88.6, 0.48%, 0.35%

LAB 50.6, -29.06, 40.67

 

CMYK 38 / 0 / 78 / 42

HEX #5B9320

RGB 91 147 32

HSL 89.22, 0.64%, 0.35%

LAB 55.27, -36.96, 51.01

 

CMYK 43 / 0 / 89 / 37

HEX #5CA112

RGB 92 161 18

HSL 88.95, 0.8%, 0.35%

LAB 59.72, -43.18, 58.78

 

CMYK 47 / 0 / 98 / 31

HEX #5CAF03

RGB 92 175 3

HSL 88.95, 0.97%, 0.35%

LAB 64.11, -49.12, 64.63

 

CMYK 31 / 0 / 65 / 48

HEX #5B842E

RGB 91 132 46

HSL 88.6, 0.48%, 0.35%

LAB 50.6, -29.06, 40.67

 

CMYK 24 / 0 / 48 / 54

HEX #5A763D

RGB 90 118 61

HSL 89.47, 0.32%, 0.35%

LAB 46.27, -20.83, 28.04

 

CMYK 13 / 0 / 27 / 60

HEX #5A674B

RGB 90 103 75

HSL 87.86, 0.16%, 0.35%

LAB 41.82, -10.55, 14.2

 

CMYK 1 / 1 / 0 / 65

HEX #59595A

RGB 89 89 90

HSL 240, 0.01%, 0.35%

LAB 37.85, 0.22, -0.58

 

CMYK 14 / 29 / 0 / 59

HEX #594A68

RGB 89 74 104

HSL 270, 0.17%, 0.35%

LAB 34.03, 12.83, -15.09

 

CMYK 0 / 5 / 65 / 48

HEX #847E2E

RGB 132 126 46

HSL 55.81, 0.48%, 0.35%

LAB 51.86, -8.24, 42.95

 

CMYK 13 / 0 / 65 / 48

HEX #73842E

RGB 115 132 46

HSL 71.86, 0.48%, 0.35%

LAB 52.22, -19.06, 42.91

 

CMYK 30 / 0 / 65 / 48

HEX #5C842E

RGB 92 132 46

HSL 87.91, 0.48%, 0.35%

LAB 50.66, -28.66, 40.76

 

CMYK 48 / 0 / 65 / 48

HEX #45842E

RGB 69 132 46

HSL 103.95, 0.48%, 0.35%

LAB 49.45, -37.01, 39.09

 

CMYK 65 / 0 / 65 / 48

HEX #2E842E

RGB 46 132 46

HSL 120, 0.48%, 0.35%

LAB 48.61, -43.47, 37.92

 

CMYK 31 / 0 / 65 / 72

HEX #314719

RGB 49 71 25

HSL 88.7, 0.48%, 0.19%

LAB 27.38, -17.59, 24.47

 

CMYK 31 / 0 / 65 / 60

HEX #466624

RGB 70 102 36

HSL 89.09, 0.48%, 0.27%

LAB 39.47, -23.71, 32.78

 

CMYK 31 / 0 / 65 / 48

HEX #5B842E

RGB 91 132 46

HSL 88.6, 0.48%, 0.35%

LAB 50.6, -29.06, 40.67

 

CMYK 31 / 0 / 65 / 36

HEX #70A339

RGB 112 163 57

HSL 88.87, 0.48%, 0.43%

LAB 61.6, -34.53, 48.09

 

CMYK 30 / 0 / 63 / 25

HEX #85BE47

RGB 133 190 71

HSL 88.74, 0.48%, 0.51%

LAB 71.06, -37.77, 52.69

 

CMYK 31 / 0 / 65 / 49

HEX #5A832E

RGB 90 131 46

HSL 88.94, 0.48%, 0.35%

LAB 50.22, -28.97, 40.24

 

CMYK 65 / 0 / 21 / 48

HEX #2E8468

RGB 46 132 104

HSL 160.47, 0.48%, 0.35%

LAB 49.6, -32.77, 7.64

 

CMYK 0 / 65 / 5 / 48

HEX #842E7E

RGB 132 46 126

HSL 304.19, 0.48%, 0.35%

LAB 34.73, 47, -27.35

 

CMYK 31 / 0 / 65 / 49

HEX #5A832E

RGB 90 131 46

HSL 88.94, 0.48%, 0.35%

LAB 50.22, -28.97, 40.24

 

CMYK 65 / 30 / 0 / 48

HEX #2E5C84

RGB 46 92 132

HSL 207.91, 0.48%, 0.35%

LAB 37.66, -2.42, -27.03

 

CMYK 0 / 65 / 30 / 48

HEX #842E5C

RGB 132 46 92

HSL 327.91, 0.48%, 0.35%

LAB 33.2, 41.67, -8.15

 

CMYK 31 / 0 / 65 / 49

HEX #5A832E

RGB 90 131 46

HSL 88.94, 0.48%, 0.35%

LAB 50.22, -28.97, 40.24

 

CMYK 65 / 0 / 21 / 48

HEX #2E8468

RGB 46 132 104

HSL 160.47, 0.48%, 0.35%

LAB 49.6, -32.77, 7.64

 

CMYK 35 / 65 / 0 / 48

HEX #562E84

RGB 86 46 132

HSL 267.91, 0.48%, 0.35%

LAB 28.38, 36.45, -41.62

 

CMYK 0 / 65 / 43 / 48

HEX #842E4B

RGB 132 46 75

HSL 339.77, 0.48%, 0.35%

LAB 32.63, 39.56, 2.01

 

CMYK 31 / 0 / 65 / 49

HEX #5A832E

RGB 90 131 46

HSL 88.94, 0.48%, 0.35%

LAB 50.22, -28.97, 40.24

 

CMYK 65 / 0 / 2 / 48

HEX #2E8481

RGB 46 132 129

HSL 177.91, 0.48%, 0.35%

LAB 50.3, -25.92, -5.95

 

CMYK 35 / 65 / 0 / 48

HEX #562E84

RGB 86 46 132

HSL 267.91, 0.48%, 0.35%

LAB 28.38, 36.45, -41.62

 

CMYK 0 / 65 / 63 / 48

HEX #842E31

RGB 132 46 49

HSL 357.91, 0.48%, 0.35%

LAB 31.99, 37.15, 18.02

 

Description

Color code: HEX #5A832E | qconv.com Color code: HEX #5A832E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 131 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 131 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 65 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 65% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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