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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A78DC it is the complementary color #A58723. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A78DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A78DC shade: #5F78D7, #708AEA, #819CFD, #92AEFF and #A3C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A78DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A78DC shade: #5A78DC, #4966C9, #3854B6, #2742A3 and #163090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A78DC shade: #5B79DC, #605BDC, #835BDC, #A65BDC and #C95BDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A78DC shade: #5B79DC and #5B5BDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A78DC shade matches the following richer shades: #5B79DC, #4B70EC and #3B67FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A78DC shade: #5B79DC, #6B81CC, #7B8ABC, #8B93AC and #9B9B9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A78DC shade: #5BBEDC, #5B9CDC, #5B79DC, #5F5BDC and #825BDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A78DC shade: #284ABD, #395DD5, #5B79DC, #7D95E3 and #9FB0EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A78DC shade: #5A78DC, #D85BDC and #ADDC5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A78DC shade: #5A78DC, #DC5B79 and #79DC5B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A78DC shade: #5A78DC, #D85BDC, #DCBE5B and #5FDC5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A78DC shade: #5A78DC, #DC5BBA, #DCBE5B and #5BDC7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 45 / 0 / 14

HEX #5A78DC

RGB 90 120 220

HSL 226.15, 0.65%, 0.61%

LAB 52.7, 19.25, -54.54

 

Complementary color

CMYK 0 / 18 / 79 / 35

HEX #A58723

RGB 165 135 35

HSL 46.15, 0.65%, 0.39%

LAB 57.51, 1.29, 54.12

 

CMYK 56 / 44 / 0 / 16

HEX #5F78D7

RGB 95 120 215

HSL 227.5, 0.6%, 0.61%

LAB 52.7, 18.6, -51.71

 

CMYK 52 / 41 / 0 / 8

HEX #708AEA

RGB 112 138 234

HSL 227.21, 0.74%, 0.68%

LAB 59.49, 17.38, -51.47

 

CMYK 49 / 38 / 0 / 1

HEX #819CFD

RGB 129 156 253

HSL 226.94, 0.97%, 0.75%

LAB 66.16, 16.34, -51.27

 

CMYK 43 / 32 / 0 / 0

HEX #92AEFF

RGB 146 174 255

HSL 224.59, 1%, 0.79%

LAB 71.96, 10.67, -43.17

 

CMYK 36 / 25 / 0 / 0

HEX #A3C0FF

RGB 163 192 255

HSL 221.09, 1%, 0.82%

LAB 77.7, 5.07, -34.17

 

CMYK 59 / 45 / 0 / 14

HEX #5A78DC

RGB 90 120 220

HSL 226.15, 0.65%, 0.61%

LAB 52.7, 19.25, -54.54

 

CMYK 64 / 49 / 0 / 21

HEX #4966C9

RGB 73 102 201

HSL 226.41, 0.54%, 0.54%

LAB 45.82, 20.89, -54.82

 

CMYK 69 / 54 / 0 / 29

HEX #3854B6

RGB 56 84 182

HSL 226.67, 0.53%, 0.47%

LAB 38.83, 22.9, -55.1

 

CMYK 76 / 60 / 0 / 36

HEX #2742A3

RGB 39 66 163

HSL 226.94, 0.61%, 0.4%

LAB 31.74, 25.4, -55.34

 

CMYK 85 / 67 / 0 / 44

HEX #163090

RGB 22 48 144

HSL 227.21, 0.73%, 0.33%

LAB 24.63, 28.5, -55.4

 

CMYK 59 / 45 / 0 / 14

HEX #5B79DC

RGB 91 121 220

HSL 226.05, 0.65%, 0.61%

LAB 53.02, 18.83, -54.03

 

CMYK 56 / 59 / 0 / 14

HEX #605BDC

RGB 96 91 220

HSL 242.33, 0.65%, 0.61%

LAB 45.82, 38.11, -65.61

 

CMYK 40 / 59 / 0 / 14

HEX #835BDC

RGB 131 91 220

HSL 258.6, 0.65%, 0.61%

LAB 48.85, 45.12, -60.56

 

CMYK 25 / 59 / 0 / 14

HEX #A65BDC

RGB 166 91 220

HSL 274.88, 0.65%, 0.61%

LAB 52.68, 53.18, -54.2

 

CMYK 9 / 59 / 0 / 14

HEX #C95BDC

RGB 201 91 220

HSL 291.16, 0.65%, 0.61%

LAB 57.14, 61.75, -46.84

 

CMYK 59 / 45 / 0 / 14

HEX #5B79DC

RGB 91 121 220

HSL 226.05, 0.65%, 0.61%

LAB 53.02, 18.83, -54.03

 

CMYK 59 / 59 / 0 / 14

HEX #5B5BDC

RGB 91 91 220

HSL 240, 0.65%, 0.61%

LAB 45.46, 37.23, -66.22

 

CMYK 59 / 45 / 0 / 14

HEX #5B79DC

RGB 91 121 220

HSL 226.05, 0.65%, 0.61%

LAB 53.02, 18.83, -54.03

 

CMYK 68 / 53 / 0 / 7

HEX #4B70EC

RGB 75 112 236

HSL 226.21, 0.81%, 0.61%

LAB 50.85, 27.16, -66.55

 

CMYK 77 / 59 / 0 / 1

HEX #3B67FC

RGB 59 103 252

HSL 226.32, 0.97%, 0.61%

LAB 49.08, 36.5, -78.39

 

CMYK 59 / 45 / 0 / 14

HEX #5B79DC

RGB 91 121 220

HSL 226.05, 0.65%, 0.61%

LAB 53.02, 18.83, -54.03

 

CMYK 48 / 37 / 0 / 20

HEX #6B81CC

RGB 107 129 204

HSL 226.39, 0.49%, 0.61%

LAB 55.26, 12.39, -41.37

 

CMYK 35 / 27 / 0 / 26

HEX #7B8ABC

RGB 123 138 188

HSL 226.15, 0.33%, 0.61%

LAB 58.05, 6.76, -27.86

 

CMYK 19 / 15 / 0 / 33

HEX #8B93AC

RGB 139 147 172

HSL 225.45, 0.17%, 0.61%

LAB 61.08, 2.54, -14.06

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 59 / 14 / 0 / 14

HEX #5BBEDC

RGB 91 190 220

HSL 193.95, 0.65%, 0.61%

LAB 72.37, -20.35, -23.76

 

CMYK 59 / 29 / 0 / 14

HEX #5B9CDC

RGB 91 156 220

HSL 209.77, 0.65%, 0.61%

LAB 62.65, -1.93, -38.79

 

CMYK 59 / 45 / 0 / 14

HEX #5B79DC

RGB 91 121 220

HSL 226.05, 0.65%, 0.61%

LAB 53.02, 18.83, -54.03

 

CMYK 57 / 59 / 0 / 14

HEX #5F5BDC

RGB 95 91 220

HSL 241.86, 0.65%, 0.61%

LAB 45.75, 37.93, -65.74

 

CMYK 41 / 59 / 0 / 14

HEX #825BDC

RGB 130 91 220

HSL 258.14, 0.65%, 0.61%

LAB 48.75, 44.9, -60.73

 

CMYK 79 / 61 / 0 / 26

HEX #284ABD

RGB 40 74 189

HSL 226.31, 0.65%, 0.45%

LAB 36.03, 30.07, -63.8

 

CMYK 73 / 56 / 0 / 16

HEX #395DD5

RGB 57 93 213

HSL 226.15, 0.65%, 0.53%

LAB 43.51, 28.54, -65.48

 

CMYK 59 / 45 / 0 / 14

HEX #5B79DC

RGB 91 121 220

HSL 226.05, 0.65%, 0.61%

LAB 53.02, 18.83, -54.03

 

CMYK 45 / 34 / 0 / 11

HEX #7D95E3

RGB 125 149 227

HSL 225.88, 0.65%, 0.69%

LAB 62.84, 11.82, -42.24

 

CMYK 32 / 25 / 0 / 8

HEX #9FB0EB

RGB 159 176 235

HSL 226.58, 0.66%, 0.77%

LAB 72.51, 7.67, -31.42

 

CMYK 59 / 45 / 0 / 14

HEX #5A78DC

RGB 90 120 220

HSL 226.15, 0.65%, 0.61%

LAB 52.7, 19.25, -54.54

 

CMYK 2 / 59 / 0 / 14

HEX #D85BDC

RGB 216 91 220

HSL 298.14, 0.65%, 0.61%

LAB 59.2, 65.48, -43.44

 

CMYK 21 / 0 / 59 / 14

HEX #ADDC5B

RGB 173 220 91

HSL 81.86, 0.65%, 0.61%

LAB 82.29, -34.77, 57.15

 

CMYK 59 / 45 / 0 / 14

HEX #5A78DC

RGB 90 120 220

HSL 226.15, 0.65%, 0.61%

LAB 52.7, 19.25, -54.54

 

CMYK 0 / 59 / 45 / 14

HEX #DC5B79

RGB 220 91 121

HSL 346.05, 0.65%, 0.61%

LAB 56.17, 53.06, 9.24

 

CMYK 45 / 0 / 59 / 14

HEX #79DC5B

RGB 121 220 91

HSL 106.05, 0.65%, 0.61%

LAB 79.62, -52.52, 53.4

 

CMYK 59 / 45 / 0 / 14

HEX #5A78DC

RGB 90 120 220

HSL 226.15, 0.65%, 0.61%

LAB 52.7, 19.25, -54.54

 

CMYK 2 / 59 / 0 / 14

HEX #D85BDC

RGB 216 91 220

HSL 298.14, 0.65%, 0.61%

LAB 59.2, 65.48, -43.44

 

CMYK 0 / 14 / 59 / 14

HEX #DCBE5B

RGB 220 190 91

HSL 46.05, 0.65%, 0.61%

LAB 77.76, -0.98, 52.98

 

CMYK 57 / 0 / 59 / 14

HEX #5FDC5B

RGB 95 220 91

HSL 118.14, 0.65%, 0.61%

LAB 78.68, -59.54, 52.08

 

CMYK 59 / 45 / 0 / 14

HEX #5A78DC

RGB 90 120 220

HSL 226.15, 0.65%, 0.61%

LAB 52.7, 19.25, -54.54

 

CMYK 0 / 59 / 15 / 14

HEX #DC5BBA

RGB 220 91 186

HSL 315.81, 0.65%, 0.61%

LAB 58.27, 61.08, -25.53

 

CMYK 0 / 14 / 59 / 14

HEX #DCBE5B

RGB 220 190 91

HSL 46.05, 0.65%, 0.61%

LAB 77.76, -0.98, 52.98

 

CMYK 59 / 0 / 43 / 14

HEX #5BDC7D

RGB 91 220 125

HSL 135.81, 0.65%, 0.61%

LAB 78.98, -55.82, 36.23

 

Description

Color code: HEX #5A78DC | qconv.com Color code: HEX #5A78DC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 120 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 120 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 45 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 45% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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