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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5A71C4 it is the complementary color #A58E3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5A71C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5A71C4 shade: #5F71BF, #7083D2, #8195E5, #92A7F8 and #A3B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5A71C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5A71C4 shade: #5A71C4, #495FB1, #384D9E, #273B8B and #162978

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5A71C4 shade: #5A71C4, #605AC4, #7C5AC4, #995AC4 and #B55AC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5A71C4 shade: #5A71C4 and #5A5AC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5A71C4 shade matches the following richer shades: #5A71C4, #4867D6, #365CE8 and #2452FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5A71C4 shade: #5A71C4, #6C7BB1, #7E869F, #91908D and #A39A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5A71C4 shade: #5AABC4, #5A8FC4, #5A73C4, #5E5AC4 and #7A5AC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5A71C4 shade: #364B95, #415AB4, #5A71C4, #788BCE and #97A5D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5A71C4 shade: #5A71C4, #C05AC4 and #9DC45A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5A71C4 shade: #5A71C4, #C45A73 and #73C45A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5A71C4 shade: #5A71C4, #C05AC4, #C4AB5A and #5EC45A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5A71C4 shade: #5A71C4, #C45AA7, #C4AB5A and #5AC476

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

Complementary color

CMYK 0 / 14 / 64 / 35

HEX #A58E3B

RGB 165 142 59

HSL 46.98, 0.47%, 0.44%

LAB 59.58, -1.29, 46.17

 

CMYK 50 / 41 / 0 / 25

HEX #5F71BF

RGB 95 113 191

HSL 228.75, 0.43%, 0.56%

LAB 49.5, 15.2, -43.11

 

CMYK 47 / 38 / 0 / 18

HEX #7083D2

RGB 112 131 210

HSL 228.37, 0.52%, 0.63%

LAB 56.42, 14.22, -42.92

 

CMYK 44 / 35 / 0 / 10

HEX #8195E5

RGB 129 149 229

HSL 228, 0.66%, 0.7%

LAB 63.19, 13.39, -42.78

 

CMYK 41 / 33 / 0 / 3

HEX #92A7F8

RGB 146 167 248

HSL 227.65, 0.88%, 0.77%

LAB 69.84, 12.68, -42.69

 

CMYK 36 / 27 / 0 / 0

HEX #A3B9FF

RGB 163 185 255

HSL 225.65, 1%, 0.82%

LAB 75.89, 8.91, -36.97

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 59 / 46 / 0 / 31

HEX #495FB1

RGB 73 95 177

HSL 227.31, 0.42%, 0.49%

LAB 42.42, 17.03, -46.33

 

CMYK 65 / 51 / 0 / 38

HEX #384D9E

RGB 56 77 158

HSL 227.65, 0.48%, 0.42%

LAB 35.24, 18.73, -46.63

 

CMYK 72 / 58 / 0 / 45

HEX #273B8B

RGB 39 59 139

HSL 228, 0.56%, 0.35%

LAB 27.91, 20.93, -46.93

 

CMYK 82 / 66 / 0 / 53

HEX #162978

RGB 22 41 120

HSL 228.37, 0.69%, 0.28%

LAB 20.49, 23.79, -47.12

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 51 / 54 / 0 / 23

HEX #605AC4

RGB 96 90 196

HSL 243.4, 0.47%, 0.56%

LAB 43.92, 31.19, -54.91

 

CMYK 37 / 54 / 0 / 23

HEX #7C5AC4

RGB 124 90 196

HSL 259.25, 0.47%, 0.56%

LAB 46.42, 37.62, -50.76

 

CMYK 22 / 54 / 0 / 23

HEX #995AC4

RGB 153 90 196

HSL 275.66, 0.47%, 0.56%

LAB 49.58, 45.02, -45.53

 

CMYK 8 / 54 / 0 / 23

HEX #B55AC4

RGB 181 90 196

HSL 291.51, 0.47%, 0.56%

LAB 53.08, 52.5, -39.77

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 54 / 54 / 0 / 23

HEX #5A5AC4

RGB 90 90 196

HSL 240, 0.47%, 0.56%

LAB 43.47, 29.94, -55.67

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 66 / 52 / 0 / 16

HEX #4867D6

RGB 72 103 214

HSL 226.9, 0.63%, 0.56%

LAB 46.89, 24.64, -60.54

 

CMYK 77 / 60 / 0 / 9

HEX #365CE8

RGB 54 92 232

HSL 227.19, 0.79%, 0.56%

LAB 44.61, 35.72, -74.49

 

CMYK 86 / 67 / 0 / 2

HEX #2452FA

RGB 36 82 250

HSL 227.1, 0.96%, 0.56%

LAB 43.23, 46.97, -86.89

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 39 / 31 / 0 / 31

HEX #6C7BB1

RGB 108 123 177

HSL 226.96, 0.31%, 0.56%

LAB 52.43, 8.29, -30.37

 

CMYK 21 / 16 / 0 / 38

HEX #7E869F

RGB 126 134 159

HSL 225.45, 0.15%, 0.56%

LAB 56.08, 2.64, -14.28

 

CMYK 0 / 1 / 3 / 43

HEX #91908D

RGB 145 144 141

HSL 45, 0.02%, 0.56%

LAB 59.79, -0.21, 1.71

 

CMYK 0 / 6 / 25 / 36

HEX #A39A7B

RGB 163 154 123

HSL 46.5, 0.18%, 0.56%

LAB 63.61, -1.84, 17.49

 

CMYK 54 / 13 / 0 / 23

HEX #5AABC4

RGB 90 171 196

HSL 194.15, 0.47%, 0.56%

LAB 65.97, -17.71, -20.35

 

CMYK 54 / 27 / 0 / 23

HEX #5A8FC4

RGB 90 143 196

HSL 210, 0.47%, 0.56%

LAB 57.85, -2.28, -32.85

 

CMYK 54 / 41 / 0 / 23

HEX #5A73C4

RGB 90 115 196

HSL 225.85, 0.47%, 0.56%

LAB 50, 14.44, -45.2

 

CMYK 52 / 54 / 0 / 23

HEX #5E5AC4

RGB 94 90 196

HSL 242.26, 0.47%, 0.56%

LAB 43.77, 30.77, -55.17

 

CMYK 38 / 54 / 0 / 23

HEX #7A5AC4

RGB 122 90 196

HSL 258.11, 0.47%, 0.56%

LAB 46.22, 37.13, -51.09

 

CMYK 64 / 50 / 0 / 42

HEX #364B95

RGB 54 75 149

HSL 226.74, 0.47%, 0.4%

LAB 33.95, 16.41, -43.25

 

CMYK 64 / 50 / 0 / 29

HEX #415AB4

RGB 65 90 180

HSL 226.96, 0.47%, 0.48%

LAB 40.79, 19.76, -50.74

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 42 / 33 / 0 / 19

HEX #788BCE

RGB 120 139 206

HSL 226.74, 0.47%, 0.64%

LAB 58.9, 10.34, -36.73

 

CMYK 30 / 24 / 0 / 15

HEX #97A5D9

RGB 151 165 217

HSL 227.27, 0.46%, 0.72%

LAB 68.39, 6.99, -27.97

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 2 / 54 / 0 / 23

HEX #C05AC4

RGB 192 90 196

HSL 297.74, 0.47%, 0.56%

LAB 54.56, 55.47, -37.34

 

CMYK 20 / 0 / 54 / 23

HEX #9DC45A

RGB 157 196 90

HSL 82.08, 0.47%, 0.56%

LAB 74.44, -29.76, 48.34

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 0 / 54 / 41 / 23

HEX #C45A73

RGB 196 90 115

HSL 345.85, 0.47%, 0.56%

LAB 52.16, 44.8, 6.58

 

CMYK 41 / 0 / 54 / 23

HEX #73C45A

RGB 115 196 90

HSL 105.85, 0.47%, 0.56%

LAB 72.14, -44.63, 45.05

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 2 / 54 / 0 / 23

HEX #C05AC4

RGB 192 90 196

HSL 297.74, 0.47%, 0.56%

LAB 54.56, 55.47, -37.34

 

CMYK 0 / 13 / 54 / 23

HEX #C4AB5A

RGB 196 171 90

HSL 45.85, 0.47%, 0.56%

LAB 70.59, -1.16, 44.56

 

CMYK 52 / 0 / 54 / 23

HEX #5EC45A

RGB 94 196 90

HSL 117.74, 0.47%, 0.56%

LAB 71.28, -50.8, 43.83

 

CMYK 54 / 42 / 0 / 23

HEX #5A71C4

RGB 90 113 196

HSL 226.98, 0.47%, 0.56%

LAB 49.46, 15.67, -46.07

 

CMYK 0 / 54 / 15 / 23

HEX #C45AA7

RGB 196 90 167

HSL 316.42, 0.47%, 0.56%

LAB 53.85, 51.72, -21.61

 

CMYK 0 / 13 / 54 / 23

HEX #C4AB5A

RGB 196 171 90

HSL 45.85, 0.47%, 0.56%

LAB 70.59, -1.16, 44.56

 

CMYK 54 / 0 / 40 / 23

HEX #5AC476

RGB 90 196 118

HSL 135.85, 0.47%, 0.56%

LAB 71.53, -47.68, 30.1

 

Description

Color code: HEX #5A71C4 | qconv.com Color code: HEX #5A71C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 113 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 113 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 42 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 42% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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